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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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United States (and is still occurr<strong>in</strong>g <strong>in</strong> parts of Central and South<br />

America), onward as far as <strong>the</strong> colonizers, particularly<br />

<strong>American</strong>s, were concerned, Native <strong>American</strong>s were faced with<br />

a choice between assimilation and ext<strong>in</strong>ction. This choice,<br />

forced on <strong>the</strong>m through wars and policies that made o<strong>the</strong>r<br />

options such as resistance appear untenable, was eventually<br />

accepted as <strong>in</strong>evitable by many Native <strong>American</strong>s. McNickle<br />

explores <strong>the</strong> <strong>Indian</strong> view of <strong>the</strong>ir dilemma <strong>in</strong> his novels, writ<strong>in</strong>g<br />

with<strong>in</strong> <strong>the</strong> constra<strong>in</strong>ts of western literary forms. He focuses on<br />

tribal perspectives, pitt<strong>in</strong>g traditional values and customs aga<strong>in</strong>st<br />

those of <strong>the</strong> alien <strong>in</strong>vaders. Although this approach makes him<br />

<strong>the</strong> first Native <strong>American</strong> novelist to successfully use <strong>the</strong> novel<br />

to present a tribal po<strong>in</strong>t of view, he does not rely on ritual<br />

tradition to <strong>in</strong>form his work <strong>in</strong> any <strong>in</strong>tr<strong>in</strong>sic way. Consequently,<br />

his novels treat <strong>the</strong> <strong>Indian</strong> as tragic victim as do <strong>the</strong> novels of<br />

non-<strong>Indian</strong> <strong>American</strong> writers. Like Mourn<strong>in</strong>g Dove, McNickle<br />

uses references to tribal beliefs as a way of fur<strong>the</strong>r<strong>in</strong>g <strong>the</strong> plot,<br />

illum<strong>in</strong>at<strong>in</strong>g <strong>the</strong> terms of <strong>the</strong> conflict <strong>the</strong> <strong>Indian</strong> characters face,<br />

and provid<strong>in</strong>g <strong>the</strong> basis for resolution. <strong>The</strong> resolution for both<br />

his novels is <strong>the</strong> colonial solution to <strong>the</strong> <strong>Indian</strong> dilemma:<br />

resignation to <strong>in</strong>evitable ext<strong>in</strong>ction.<br />

Like Cogewea, <strong>the</strong> protagonist <strong>in</strong> <strong>The</strong> Surrounded is a halfbreed,<br />

Archilde Leon. Leon, <strong>in</strong>extricably caught <strong>in</strong> <strong>the</strong> conflict<br />

between <strong>Indian</strong> and white worlds, is largely an <strong>in</strong>nocent victim<br />

of that clash, helpless to alter his fate or that of his Salish<br />

people. W<strong>in</strong>d from an Enemy Sky has full-bloods as ma<strong>in</strong><br />

characters and more fully and more significantly uses ritual to<br />

advance <strong>the</strong> plot. W<strong>in</strong>d from an Enemy Sky beg<strong>in</strong>s with <strong>the</strong><br />

completion of a dam, which <strong>in</strong> <strong>the</strong> traditionals’ view kills <strong>the</strong><br />

water, and <strong>the</strong> book ends with <strong>the</strong> murder of <strong>the</strong> traditional<br />

leader of <strong>the</strong> longhair band that had held out aga<strong>in</strong>st accept<strong>in</strong>g<br />

white ways. Long before, <strong>the</strong> same white man whose company<br />

built <strong>the</strong> dam bought <strong>the</strong> Fea<strong>the</strong>r Boy medic<strong>in</strong>e bundle, which

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