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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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views <strong>the</strong> <strong>Indian</strong> ways of her Okanogan grandmo<strong>the</strong>r (<strong>the</strong><br />

Stemteema) with scorn. Un<strong>in</strong>terested <strong>in</strong> <strong>the</strong> advances of <strong>the</strong> halfbreed<br />

cowboy Jim, she becomes <strong>in</strong>fatuated <strong>in</strong>stead with a white<br />

easterner on <strong>the</strong> make for money and position who courts<br />

Cogewea because <strong>the</strong> ranch hands lead him to believe that she is<br />

wealthy. Predictably, <strong>the</strong> white man betrays Cogewea and nearly<br />

murders her. <strong>Recover<strong>in</strong>g</strong> from her loss of trust and selfconfidence<br />

by reconnect<strong>in</strong>g with tribal traditions and <strong>the</strong> spirit<br />

world, Cogewea heals and marries <strong>the</strong> faithful Jim.<br />

Mourn<strong>in</strong>g Dove herself was caught between <strong>the</strong> contradictory<br />

imperatives of her editor’s desires and tastes and her knowledge<br />

of how an Okonagon story should go. Her lack of formal<br />

school<strong>in</strong>g <strong>in</strong>creased her dependence on her editor’s tastes and<br />

op<strong>in</strong>ions about novel writ<strong>in</strong>g. Her attempt to satisfy both white<br />

and tribal literary requirements resulted <strong>in</strong> a maimed—I should<br />

say martyred—book. Cogewea, <strong>the</strong> Half-Blood is far from be<strong>in</strong>g<br />

great literature. Ra<strong>the</strong>r, it is a melodramatic dime-novel western,<br />

but <strong>in</strong> focus on <strong>the</strong> anguish of a halfbreed it “<strong>in</strong>troduces a <strong>the</strong>me<br />

which dom<strong>in</strong>ates Native <strong>American</strong> fiction of <strong>the</strong> 30’s and of <strong>the</strong><br />

last decade.” 5 It also <strong>in</strong>corporates myth and tribal history,<br />

political viewpo<strong>in</strong>t, and spirit-based, ritual understand<strong>in</strong>g and<br />

uses <strong>the</strong>m to fur<strong>the</strong>r plot. <strong>The</strong> resolution of Cogewea’s dilemma<br />

rests on her acceptance of spirit and ritual approaches as hav<strong>in</strong>g<br />

real significance <strong>in</strong> her life. For all its “cowboy” English,<br />

contrived plot, and polemical pronouncements, it <strong>in</strong>tegrates<br />

ritual symbolic, <strong>the</strong>matic, and structural elements and as such is<br />

one of <strong>the</strong> first <strong>Indian</strong> books of its k<strong>in</strong>d.<br />

Like Mourn<strong>in</strong>g Dove, D’Arcy McNickle (Salish) was born<br />

and raised <strong>in</strong> <strong>the</strong> Northwest. In addition to publications on<br />

<strong>American</strong> <strong>Indian</strong> history and ethnography and one children’s<br />

novel, McNickle published two adult novels, <strong>The</strong> Surrounded<br />

(1936) and W<strong>in</strong>d from an Enemy Sky (1978). 6 From <strong>in</strong>vasion,<br />

which stretches from 1492 <strong>in</strong> <strong>the</strong> Caribbean to <strong>the</strong> 1880s <strong>in</strong> <strong>the</strong>

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