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The Sacred Hoop: Recovering the Feminine in American Indian Traditions

by Paula Gunn Allen

by Paula Gunn Allen

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<strong>in</strong>corporat<strong>in</strong>g event with<strong>in</strong> event, pil<strong>in</strong>g mean<strong>in</strong>g upon mean<strong>in</strong>g,<br />

until <strong>the</strong> accretion f<strong>in</strong>ally results <strong>in</strong> a story. <strong>The</strong> structure of<br />

tribal narratives, at least <strong>in</strong> <strong>the</strong>ir native language forms, is quite<br />

unlike that of western fiction; it is not tied to any particular time<br />

l<strong>in</strong>e, ma<strong>in</strong> character, or event. It is tied to a particular po<strong>in</strong>t of<br />

view—that of <strong>the</strong> tribe’s tradition—and to a specific idea—that<br />

of <strong>the</strong> ritual tradition and accompany<strong>in</strong>g perspective that <strong>in</strong>form<br />

<strong>the</strong> narrative. Ritual provides coherence and significance to<br />

traditional narrative as it does to traditional life.<br />

Ritual can be def<strong>in</strong>ed as a procedure whose purpose is to<br />

transform someone or someth<strong>in</strong>g from one condition or state to<br />

ano<strong>the</strong>r. While most rituals are related <strong>in</strong> some way to<br />

communitas, not all have social relationship and communication<br />

as <strong>the</strong>ir purpose. <strong>The</strong>ir communitarian aspect derives simply<br />

from <strong>the</strong> nature of <strong>the</strong> tribal community, which is assumed to be<br />

<strong>in</strong>tact as long as <strong>the</strong> ritual or sacred center of <strong>the</strong> community is<br />

<strong>in</strong>tact. <strong>The</strong>se centers vary from tribe to tribe: for <strong>the</strong> Lakota <strong>the</strong><br />

ritual center of <strong>the</strong> people is <strong>the</strong> <strong>Sacred</strong> Pipe brought to <strong>the</strong>m<br />

long ago by White Buffalo Woman. For <strong>the</strong> Kiowa that center is<br />

<strong>the</strong> ten Grandmo<strong>the</strong>r bundles. For <strong>the</strong> Cherokee it is <strong>the</strong><br />

ceremonial fire. For many Pueblos it is <strong>the</strong> plaza, <strong>the</strong> “middle<br />

place,” as N. Scott Momaday terms it <strong>in</strong> House Made of Dawn.<br />

It is not so much an idea of community as it is a tangible object<br />

seen as possess<strong>in</strong>g nonrational powers to unite or b<strong>in</strong>d diverse<br />

elements <strong>in</strong>to a community, a psychic and spiritual whole. Thus a<br />

heal<strong>in</strong>g ritual changes a person from an isolated (diseased) state<br />

to one of <strong>in</strong>corporation (health); a solstice ritual turns <strong>the</strong> sun’s<br />

path from a nor<strong>the</strong>rly direction to a sou<strong>the</strong>rly one or vice versa;<br />

a hunt<strong>in</strong>g ritual turns <strong>the</strong> hunted animal’s thoughts away from <strong>the</strong><br />

<strong>in</strong>dividual consciousness of physical life to total immersion <strong>in</strong><br />

collective consciousness. In tribal traditions be<strong>in</strong>gs such as<br />

certa<strong>in</strong> people and beasts, <strong>the</strong> sun, <strong>the</strong> earth, and sacred plants<br />

like corn are <strong>in</strong> a constant state of transformation, and that

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