NZPhotographer Issue 56, June 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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COLLAGE PIONEERS<br />
Before the recent invention of auto collage software,<br />
there were photographic pioneers of the photo<br />
collage. David Hockney is probably one of the bestknown<br />
people. He took lots of photos of the one<br />
subject, but from different angles and knitted them all<br />
together in a collage. What’s really interesting about his<br />
work is that his collages are not squares or rectangles.<br />
They are an organic growth of knitted images.<br />
I have imitated his style for this article (see photo on<br />
page 13) by taking around 30 images using the same<br />
settings (F5.6, 1/100s, ISO800, 55mm) for each shot<br />
but varying my light source and the subject’s pose. I<br />
selected 15 of the 30 images for the final collage.<br />
I shot from different angles by moving around my<br />
subject and then doing the same thing by popping pink<br />
cellophane over the softbox light in the studio. Hockey<br />
did not chop up his photos, but I did choose to crop my<br />
individual photos into various rectangular shapes. I then<br />
placed each image in what I felt was an organic merger<br />
to create an overall aesthetic based on Hockney. Some<br />
people do this with polaroids and glue them together.<br />
Either way, it’s not as neat or rigid as collaging in the<br />
traditional sense, but I like the look of something that<br />
emerges from the screen or page in a chaotic flow like this.<br />
Another pioneer of collage is John Baldessari. In the 1980s,<br />
he started a movement by putting colourful price stickers<br />
on photos. He stated he could not understand why painting<br />
was defined as art, but photography was defined as<br />
photography. He wanted to combine the two and explore<br />
a new genre. He photographed anything and everything<br />
that took his fancy and covered the subject’s faces with<br />
price stickers and later on with paint. This is an ideal place to<br />
start experimenting with printed or digital collage; either print<br />
your photo and replace a part of it with a coloured shape<br />
like Baldessari has or make a digital version in Photoshop.<br />
Open your chosen image in Photoshop or another<br />
image editor, select adjustments, desaturate, and then<br />
select the shape tool and draw a coloured shape over<br />
the desired spot. Below is one I tried in Baldessari’s style<br />
following that process.<br />
There is no reason to limit yourself to just popping<br />
coloured shapes on your photos. Some photographers<br />
are now starting to replace entire subjects with printed<br />
newspapers or colour them in with paint. I have also<br />
seen photographers print their photos, glue them to<br />
a cardboard backing and then sew patterns into the<br />
image. To my mind, this combines the best of what<br />
Beladessari was referring to.<br />
Traditional collage in art is to glue different images<br />
and materials together to form a picture and then<br />
add paint, dyes, or ink. Photography that is used as the<br />
base layer for a collage can create a powerful mixed<br />
media piece, especially if you can think of a way that<br />
The physical additions to your printed image can add<br />
emphasis to the conventions of Art. Hannah Hoch,<br />
John Stezaker, Jese Treece, and Annegret Soltau are all<br />
collage artists who used photography and other media<br />
to produce some incredible work, Google them and be<br />
inspired!<br />
My digital collage based on Baldessari’s style.