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NZPhotographer Issue 56, June 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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COLLAGE PIONEERS<br />

Before the recent invention of auto collage software,<br />

there were photographic pioneers of the photo<br />

collage. David Hockney is probably one of the bestknown<br />

people. He took lots of photos of the one<br />

subject, but from different angles and knitted them all<br />

together in a collage. What’s really interesting about his<br />

work is that his collages are not squares or rectangles.<br />

They are an organic growth of knitted images.<br />

I have imitated his style for this article (see photo on<br />

page 13) by taking around 30 images using the same<br />

settings (F5.6, 1/100s, ISO800, 55mm) for each shot<br />

but varying my light source and the subject’s pose. I<br />

selected 15 of the 30 images for the final collage.<br />

I shot from different angles by moving around my<br />

subject and then doing the same thing by popping pink<br />

cellophane over the softbox light in the studio. Hockey<br />

did not chop up his photos, but I did choose to crop my<br />

individual photos into various rectangular shapes. I then<br />

placed each image in what I felt was an organic merger<br />

to create an overall aesthetic based on Hockney. Some<br />

people do this with polaroids and glue them together.<br />

Either way, it’s not as neat or rigid as collaging in the<br />

traditional sense, but I like the look of something that<br />

emerges from the screen or page in a chaotic flow like this.<br />

Another pioneer of collage is John Baldessari. In the 1980s,<br />

he started a movement by putting colourful price stickers<br />

on photos. He stated he could not understand why painting<br />

was defined as art, but photography was defined as<br />

photography. He wanted to combine the two and explore<br />

a new genre. He photographed anything and everything<br />

that took his fancy and covered the subject’s faces with<br />

price stickers and later on with paint. This is an ideal place to<br />

start experimenting with printed or digital collage; either print<br />

your photo and replace a part of it with a coloured shape<br />

like Baldessari has or make a digital version in Photoshop.<br />

Open your chosen image in Photoshop or another<br />

image editor, select adjustments, desaturate, and then<br />

select the shape tool and draw a coloured shape over<br />

the desired spot. Below is one I tried in Baldessari’s style<br />

following that process.<br />

There is no reason to limit yourself to just popping<br />

coloured shapes on your photos. Some photographers<br />

are now starting to replace entire subjects with printed<br />

newspapers or colour them in with paint. I have also<br />

seen photographers print their photos, glue them to<br />

a cardboard backing and then sew patterns into the<br />

image. To my mind, this combines the best of what<br />

Beladessari was referring to.<br />

Traditional collage in art is to glue different images<br />

and materials together to form a picture and then<br />

add paint, dyes, or ink. Photography that is used as the<br />

base layer for a collage can create a powerful mixed<br />

media piece, especially if you can think of a way that<br />

The physical additions to your printed image can add<br />

emphasis to the conventions of Art. Hannah Hoch,<br />

John Stezaker, Jese Treece, and Annegret Soltau are all<br />

collage artists who used photography and other media<br />

to produce some incredible work, Google them and be<br />

inspired!<br />

My digital collage based on Baldessari’s style.

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