Connecting Literacy Teacher Book 2 Sample Pages
Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers. What is Connecting Literacy? A developmental literacy program for Secondary schools, including: -3 student folios -3 teacher books -100s of video lessons hosted by literacy consultant, Hayley Harrison. Who is Connecting Literacy for? Secondary school students and teachers who: -are embarking on whole-school literacy improvement, OR -integrate literacy skills in the English classroom, OR -attend a timetabled literacy block. How does Connecting Literacy work? With cumulative skill development over three books where students: -Model: read and annotate an ‘anchor text’ – an authentic piece of student writing -Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach -Apply: draft their own text directly into the writing pages included in each student folio. Why do you need Connecting Literacy? -Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend. -Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike. -Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics). -Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.
Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers.
What is Connecting Literacy?
A developmental literacy program for Secondary schools, including:
-3 student folios
-3 teacher books
-100s of video lessons hosted by literacy consultant, Hayley Harrison.
Who is Connecting Literacy for?
Secondary school students and teachers who:
-are embarking on whole-school literacy improvement, OR
-integrate literacy skills in the English classroom, OR
-attend a timetabled literacy block.
How does Connecting Literacy work?
With cumulative skill development over three books where students:
-Model: read and annotate an ‘anchor text’ – an authentic piece of student writing
-Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach
-Apply: draft their own text directly into the writing pages included in each student folio.
Why do you need Connecting Literacy?
-Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend.
-Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike.
-Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics).
-Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.
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<strong>Connecting</strong><br />
<strong>Literacy</strong><br />
‘… so I can grow into the person I am and will ultimately be’<br />
Authored by<br />
Hayley<br />
Harrison<br />
and a team of students, just like you.<br />
<strong>Teacher</strong><br />
<strong>Book</strong>
‘… so I can grow into the person I am and will ultimately be’<br />
<strong>Connecting</strong><br />
<strong>Literacy</strong><br />
<strong>Teacher</strong><br />
<strong>Book</strong><br />
Authored by<br />
Hayley<br />
Harrison<br />
and a team of students, just like you.
<strong>Connecting</strong> <strong>Literacy</strong><br />
<strong>Teacher</strong> <strong>Book</strong> 2<br />
1st edition<br />
Hayley Harrison<br />
Publisher: Catherine Charles-Brown<br />
Project editor: Naomi Saligari<br />
Copy editor: Naomi Saligari<br />
Proofreader: Kelly Robinson<br />
Cover and text design: Ana Cosma (anacosma.com)<br />
Typesetter: Paul Ryan<br />
Illustrator: QBS Learning<br />
The author and publisher are grateful to the following<br />
for permission to reproduce copyright material:<br />
Cover: Stocksy/Liliya Rodnikova<br />
Alamy/Science History Images, 71; iStockphoto/<br />
Kosolovskyy, 111, / Syntika, 51.<br />
Every effort has been made to identify copyright<br />
holders and obtain their permission for the use of<br />
copyright material. We actively solicit copyright<br />
holders or anyone with knowledge of copyright<br />
holders to come forward.<br />
Warning: It is recommended that Aboriginal and<br />
Torres Strait Islander peoples exercise caution when<br />
viewing this publication as it may contain images of<br />
deceased persons.<br />
Matilda Education Australia acknowledges all Aboriginal<br />
and Torres Strait Islander Traditional Custodians of<br />
Country and recognises their continuing connection to<br />
land, sea, culture, and community. We pay our respects<br />
to Elders past and present.<br />
First published in 2023 by Matilda Education Australia,<br />
an imprint of Meanwhile Education Pty Ltd<br />
Melbourne, Australia<br />
T: 1300 277 235<br />
E: customersupport@matildaed.com.au<br />
www.matildaeducation.com.au<br />
Copyright © Hayley Harrison 2023<br />
Copyright © Matilda Education 2023<br />
The moral rights of the authors have been asserted.<br />
All rights reserved. Except under the conditions<br />
described in the Copyright Act 1968 (Cth) of Australia<br />
(the Act) and subsequent amendments, no part of<br />
this publication may be reproduced, in any form or<br />
by any means, without the prior written permission<br />
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Educational institutions copying any part of this book<br />
for educational purposes under the Act must be<br />
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for educational institutions and must have given<br />
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These limitations include: restricting the copying<br />
to a maximum of one chapter or 10% of this book,<br />
whichever is greater. For details of the CAL licence<br />
for educational institutions, please contact:<br />
Copyright Agency Limited<br />
Level 11, 66 Goulburn Street<br />
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Publication data<br />
Author: Hayley Harrison<br />
Title: <strong>Connecting</strong> <strong>Literacy</strong> <strong>Teacher</strong> <strong>Book</strong> 2<br />
ISBN: 9780655091455<br />
A catalogue record for this<br />
book is available from the<br />
National Library of Australia<br />
Printed in Australia by Courtney Brands<br />
Oct-2022
<strong>Connecting</strong><br />
<strong>Literacy</strong><br />
Contents<br />
Introduction to literacy .........................<br />
iv<br />
Unit 1: Persuasive literacy ..................... 2<br />
Unit 2: Procedural literacy ..................... 24<br />
Unit 3: Imaginative literacy .................... 48<br />
Unit 4: Informative literacy .................... 70<br />
Unit 5: Analytical literacy ...................... 94<br />
Unit 6: Reflective literacy ...................... 120<br />
Unit 7: Comparative literacy .................. 142<br />
<strong>Literacy</strong> How-to .................................. 166<br />
Comprehension ............................... 166<br />
Planning and writing ......................... 169<br />
Structures and features ...................... 176<br />
Vocabulary ..................................... 183<br />
Syntax ........................................... 185<br />
Punctuation .................................... 190<br />
Spelling ......................................... 193<br />
Speaking and listening ....................... 202<br />
Introduction to literacy<br />
iii
Introduction to literacy<br />
<strong>Literacy</strong> is a complex amalgamation of skills that interweave and are applied when<br />
reading, writing, speaking, and listening. The goal of systematically and explicitly<br />
teaching individual literacy skills is to increase the effectiveness and efficiency of<br />
students’ communication. Mastering literacy skills requires a person to understand,<br />
consolidate, and build automaticity in individual skills and then combine these skills<br />
to develop as a critical reader, coherent writer, and confident speaker.<br />
The literacy skills and strategies presented in this book are designed to be individually<br />
taught, explored, consolidated, and built upon. This learning is then explicitly transferred<br />
beyond the classroom to help students in every part of their school and everyday<br />
lives. Teaching is supported by an instructional model that consists of prior knowledge<br />
activation, explicit teaching, collaboration, independent practise, and reflection. There<br />
are layers of teaching and learning support, including links to comprehension strategies,<br />
writing organisers, and formative assessment opportunities at a lesson and unit level.<br />
How to use <strong>Connecting</strong> <strong>Literacy</strong>: Model, practise, apply<br />
This book is divided into seven units – which are based on the different text types that students<br />
will encounter during school and beyond – and one <strong>Literacy</strong> How-to section, which is a complete<br />
reference guide that can be referred to throughout the book:<br />
• Unit 1: Persuasive literacy<br />
• Unit 2: Procedural literacy<br />
• Unit 3: Imaginative literacy<br />
• Unit 4: Informative literacy<br />
• Unit 5: Analytical literacy<br />
• Unit 6: Reflective literacy<br />
• Unit 7: Comparative literacy<br />
• <strong>Literacy</strong> How-to section.<br />
In each unit, the students model, practise, and apply specific literacy skills to a different text type.<br />
Model<br />
Each of the seven units begins with an anchor text. Each anchor text is a model that is<br />
designed to ‘anchor’ the students’ learning as they complete the activities in the unit.<br />
The anchor texts in this series were all written by students in years 7–10, from schools<br />
across Australia.<br />
Practise<br />
Each unit has eight lessons that focus on core literacy skills and strategies:<br />
1 comprehension<br />
5 syntax<br />
2 planning and writing<br />
6 punctuation<br />
3 structures and features<br />
7 spelling<br />
4 vocabulary<br />
8 speaking and listening.<br />
At the end of the book, there is a <strong>Literacy</strong> How-to section. This is a comprehensive<br />
literacy reference guide that is designed to support teachers and students by providing<br />
content, skills, and strategies that can be applied across the units. This section is<br />
designed to connect with prior knowledge activation, and to provide opportunities<br />
for clarification and extension of understanding and skill development.<br />
iv <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Apply<br />
In each lesson, comprehension strategies are suggested to help the students to complete the<br />
activities successfully. Each unit includes writing pages for students to use to draft and edit their<br />
own original texts. By containing their learning and application in the same book, students can<br />
build a comprehensive learning folio.<br />
STRATEGY<br />
Pause to<br />
wonder and<br />
connect.<br />
<strong>Connecting</strong> <strong>Literacy</strong><br />
Model, practise, apply<br />
Comparative texts<br />
SPEAKING &<br />
LISTENING<br />
3 Apply<br />
MY WRITING PAGES<br />
2 Practise<br />
COMPREHENSION<br />
Persuasive texts<br />
Refllective texts<br />
SPELLING<br />
PUNCTUATION<br />
1 Model<br />
ANCHOR TEXT<br />
A model text written<br />
by a student,<br />
just like you<br />
PLANNING &<br />
WRITING<br />
STRUCTURES &<br />
FEATURES<br />
Procedural texts<br />
Analytical texts<br />
SYNTAX<br />
VOCABULARY<br />
Imaginative texts<br />
Informative texts<br />
LITERACY HOW-TO<br />
Your go-to literacy reference guide, to support your every step<br />
Reflect<br />
Unit confidence scores: At the start of each unit, students are invited to rate their confidence about<br />
reading, writing, speaking, and listening to the particular text type. The intention is that students will<br />
return at the end of the unit to score their learning confidence again and to celebrate their success.<br />
Lesson confidence scores: Every lesson in the <strong>Connecting</strong> <strong>Literacy</strong> series culminates in students<br />
giving themselves a score out of five: this self-assessment promotes students’ awareness of their<br />
learning and understanding. This self-assessment also provides an opportunity for teachers to note<br />
any areas that require further class time or clarification.<br />
The students’ learning in each unit is brought together with a learning ladder. Using this chart,<br />
the students can self-assess their final writing and speaking and listening task (these tasks have<br />
a speaking and listening icon in the margin) and reflect on their learning throughout the unit.<br />
Introduction to literacy<br />
v
Persuasive literacy<br />
Developing your literacy skills involves practising your ability to read, write, speak, or listen<br />
to non-fiction texts that express a strong opinion. Persuasive texts try to convince a reader<br />
or listener to adopt the writer’s or speaker’s point of view about a topic. These texts<br />
use different persuasive techniques to achieve this purpose. Many different texts can be<br />
persuasive, including speeches, advertisements, debates, essays, letters, reviews, and articles.<br />
http://mea.<br />
digital/CL2_1_0<br />
Why do we create persuasive texts?<br />
The most important thing to know about a persuasive text is that it is created to convince someone<br />
to take up, or accept, the author’s opinion. A persuasive text shows how the author thinks and feels<br />
about a topic. Often a person chooses to create a persuasive text because they feel passionate<br />
about something. This is why persuasive texts are often highly emotional.<br />
Understanding for whom a persuasive text is written is important because authors change the type<br />
of language and devices they use to persuade, depending on the target audience. A persuasive<br />
text designed to sway a friend will sound very different to a persuasive text created for your<br />
school principal.<br />
1 Explain in your own words why persuasive texts are created.<br />
Persuasive texts are created so people can express their opinion on a topic. They are used to try to<br />
convince a specific audience to agree with the author and hopefully take action after engaging with<br />
the persuasive text.<br />
2 Give an example of a persuasive text you have read or written yourself. What made it persuasive?<br />
I wrote a persuasive speech in Year 7 to convince my class that soccer should be offered as a lunchtime<br />
sport at school. It was persuasive because I had to include different examples and reasons why the<br />
school should include soccer. I used lots of persuasive language to make the class agree to sign the<br />
petition I had written for the principal.<br />
Page 3<br />
3 Read the anchor text. This text is a model that will help you to ‘anchor’ your learning as you<br />
complete the activities in this unit. It will also assist you to draft your own persuasive speech.<br />
The anchor text was written by a student, just like you.<br />
Rate my<br />
confidence<br />
At the end of each lesson, you will rate how confident you are about your<br />
progress throughout the unit. Be as honest as you can; it’s your learning!<br />
4 How confident do you currently feel about reading, writing, speaking, and listening to persuasive<br />
texts? Give yourself a confidence score out of five. Come back at the end of the unit and score your<br />
confidence again.<br />
Start of the unit: DD \ MM \ YYYY<br />
End of the unit: DD \ MM \ YYYY<br />
1 2 3 4 5<br />
1 2 3 4 5<br />
Not very<br />
confident<br />
Somewhat<br />
confident<br />
Confident<br />
Highly<br />
confident<br />
Super<br />
confident<br />
Not very<br />
confident<br />
Somewhat<br />
confident<br />
Confident<br />
Highly<br />
confident<br />
Super<br />
confident<br />
2 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Anchor text<br />
Persuasive speech<br />
Paragraph one<br />
Paragraph two<br />
Paragraph three<br />
Paragraph four<br />
Superman: The ultimate hero<br />
Our teacher encouraged us to present our point of view on something that we are<br />
passionate about. Something that is important. Something life-changing. And what<br />
could be more important than Superman vs Batman? The ultimate ongoing rivalry<br />
between two superheroes within the super universe, dating all the way back<br />
to 1964! Despite all the controversy among film fanatics, however, the title of<br />
best superhero can only be bestowed to one, and that is … Superman. Now, Batman<br />
supporters, don’t be disheartened and don’t set your torches and pitchforks at me yet.<br />
From having extraordinary powers and unimaginable strength to being essentially<br />
invincible, I, Thanh Do, wholeheartedly believe that, Superman outshines the dark<br />
and gloomy Batman, and can assure you that, by the end of this speech, you too will<br />
reconsider your love for the man of bat and realise that Superman conquers all!<br />
To begin, Superman can fly! Need I say anything more? C’mon, let’s be real. No-one<br />
would rather be saved in a boring ‘invisible’ Batmobile, when they can instead get<br />
swooped into the sky as they’re falling off a building. Unlike Batman, Superman has<br />
powers that are literally in his DNA, and don’t rely on any external gadgets to save<br />
lives. Being a superhero is in his blood! Not only does he have the power of flight,<br />
but also remarkable speed, incredible hearing, ridiculous strength, and, coolest of all,<br />
solar‐hot lasers that come straight out of his eyeballs! And yes, I know, Batman<br />
is strong too, but we don’t call him the Man of Steel for nothing.<br />
Still not convinced? The man was born on another planet and as a human-looking<br />
alien, the dude’s basically invincible! The only substance that is Superman’s weakness<br />
is radioactive kryptonite and we can’t really get that from your local supermarket.<br />
This means, against the average bank-robbing villain, Superman is guaranteed to win<br />
and protect us all. Batman, on the other hand, not so much. Because … he is human,<br />
and, like us, he is vulnerable to all the dangers that being a human brings. So are you<br />
really willing to risk your life on some leather-clad human?<br />
Now, exposing the fact that Superman has superpowers and is invincible barely<br />
scratches the surface of Superman’s supreme awesomeness. It’s completely<br />
illogical and possibly illegal if you have any remaining thoughts that Batman even<br />
comes remotely close to the legend that is Superman. So quick quiz: who do YOU<br />
prefer more?<br />
Student author: Thanh Do<br />
Audience: Thanh’s class<br />
A final,<br />
memorable<br />
statement<br />
Introduction<br />
of the topic<br />
Repetition<br />
An engaging hook<br />
Emotive words<br />
Introduction of<br />
the contention<br />
Introduction<br />
of the speaker<br />
Exclusive language<br />
Rhetorical question<br />
A key argument<br />
Evidence to support<br />
the arguments<br />
Argument one:<br />
Superpowers<br />
versus gadgets<br />
An explanation of how<br />
the arguments prove<br />
the contention<br />
A key argument<br />
Argument two:<br />
Invincible<br />
versus human<br />
Evidence to support<br />
the arguments<br />
Inclusive language<br />
An explanation of<br />
how the arguments<br />
prove the contention<br />
Synthesis of the<br />
arguments in the<br />
contention<br />
Emotive language<br />
Emphasis<br />
The intention<br />
is made clear<br />
http://mea.digital/<br />
CL2_1_A<br />
Persuasive literacy ~ Unit 1<br />
3
1.1<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
Persuasive comprehension<br />
To understand the overall<br />
purpose of a persuasive text<br />
Part A: Question the text<br />
http://mea.digital/<br />
CL2_1_1<br />
We often don’t have time to complete a close analysis of every text we encounter, but spending<br />
time exploring key parts of a text can help us understand the text at a deeper level. One way to<br />
do this is to question the text. Asking questions can help us uncover parts of the text that may<br />
not have made sense, or that we missed, in our first reading.<br />
Page 3<br />
1 What is the author of the anchor text passionate about?<br />
That Superman is better than Batman<br />
2 What dates ‘all the way back to 1964’?<br />
The rivalry between Superman and Batman<br />
3 How are Superman’s powers ‘literally in his DNA’?<br />
They are a part of who he is; nothing has happened to him; he was born this way.<br />
STRATEGY<br />
Skim and<br />
scan the text<br />
for specific<br />
information.<br />
4 Why is Superman ‘basically’ invincible?<br />
Because he can be defeated by kryptonite, but this is not found on Earth, so he’s unlikely to die.<br />
5 Why is Superman ‘guaranteed to win’ while Batman is ‘vulnerable’?<br />
Nothing on Earth can kill Superman, because he is not human, but Batman is human so needs<br />
technology to help him.<br />
6 The author refers to Batman as ‘some leather-clad human’. How does this make the reader feel<br />
about Batman?<br />
Like he is trying too hard, pretending to be stronger than he really is.<br />
7 What questions could you ask to understand other parts of the anchor text? Think of six questions<br />
that start with ‘Who’, ‘What’, ‘When’, ‘Where’, Why’ and ‘How’.<br />
1 Who encouraged the students to present their points of view?<br />
2 What is Superman’s only weakness?<br />
3 When should supporters of Batman set their torches and pitchforks at Thanh?<br />
4 Where was Superman born?<br />
5 Why doesn’t Superman rely on external gadgets?<br />
6 How does Thanh finish her speech?<br />
4 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Part B: Contention and intention<br />
To comprehend a persuasive text, we must understand the text’s contention (its main idea) and<br />
the text’s intention (its call to action). The contention is what we are being asked to think, while<br />
the intention is what we are being asked to do after reading or listening to a text. One way to<br />
find the contention of a text is to list the text’s main arguments and underline the keywords in<br />
those arguments. Next, draw together the keywords into a statement. This statement is the<br />
text’s contention.<br />
For example, imagine a persuasive speech titled ‘Cats: The ultimate pet’, which explores the<br />
topic of cats being superior to dogs.<br />
Page 166<br />
Comprehension<br />
strategies<br />
The text’s main arguments with<br />
keywords underlined<br />
Evidence<br />
1 Cats are self-sufficient. Listing all the tasks a dog owner needs<br />
to complete in a day to entertain their pet<br />
2 Cats are more affordable. Noting the price of expensive dog grooming<br />
appointments and dog toys and treats<br />
Contention (the main idea): Cats are better than dogs because they are more self-sufficient and<br />
affordable pets than dogs.<br />
Intention (the call to action): Persuading the audience to adopt a cat as a pet rather than a dog.<br />
8 Annotate the anchor text by numbering the paragraphs and labelling the two main arguments.<br />
9 Using the example above as a model, complete the table below for the anchor text. Hint: Underline<br />
the keywords in the arguments to help you write the contention.<br />
1<br />
The text’s arguments with keywords underlined<br />
Superman has inherent superpowers,<br />
while Batman relies on gadgets.<br />
Evidence<br />
List the superpowers that are a part<br />
of Superman’s DNA<br />
Page 3<br />
STRATEGY<br />
Identify and<br />
understand<br />
the pieces<br />
of the text.<br />
2<br />
Superman is invincible, while Batman<br />
is human.<br />
Kryptonite is the only substance that<br />
can kill Superman.<br />
Contention (the main idea):<br />
Superman is better than Batman because he has superpowers and is invincible, while Batman<br />
only has gadgets and is human.<br />
Intention (the call to action):<br />
The speech should make me think that Superman is way better than Batman.<br />
I understand the overall purpose of a persuasive text: ______ / 5<br />
Next time you are working with a challenging text in another subject, try numbering<br />
and labelling the paragraphs. This may help you to ‘see’ the overall purpose of the text.<br />
TAKE IT<br />
WITH YOU<br />
1.1 Persuasive comprehension 5
1.2<br />
Persuasive planning and writing<br />
Part A: Develop your arguments<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand how<br />
to plan and develop<br />
my persuasive speech<br />
http://mea.digital/<br />
CL2_1_2<br />
Page 20<br />
Whenever you are asked to construct a persuasive text, you need to spend time understanding the<br />
topic, considering alternative perspectives, and developing clear and strong arguments. How you<br />
develop those arguments will determine how strong your persuasive text will end up being.<br />
Your writing task for this unit is to write a short speech, which will be similar to the<br />
anchor text in purpose, audience, and length. In this speech, you will present your point<br />
of view on something you are passionate about.<br />
1 Select a topic that you are passionate about. Select a topic that has different perspectives. What is it?<br />
Pineapple is perfect on pizza.<br />
2 To help you brainstorm ideas that can be used as arguments in your speech, ask ‘why’ questions.<br />
For example: Why do you think Superman is better than Batman? Why is he stronger? Why is<br />
he invincible? Write answers to your why questions. These can help form the arguments in<br />
your persuasive text.<br />
Why is pineapple so perfect on pizza<br />
?<br />
Pineapple adds a touch of sweetness to a savoury dish. This makes the overall dish more delicious.<br />
Why do some people disagree<br />
?<br />
Some people don’t like sweet and savoury flavours together.<br />
Why should people eat pineapple on pizza<br />
?<br />
Pineapple has vitamin C and minerals that help with digestion; this makes pizza healthier.<br />
3 Using the answers to the why questions you developed in Question 2, select two main arguments<br />
to use in your speech to convince your audience.<br />
Topic:<br />
Argument one<br />
Pineapple adds sweetness to this savoury dish, which makes the whole dish<br />
more delicious.<br />
Argument two<br />
Having pineapple on pizza makes this dish healthier.<br />
4 Using your topic and the key words from your arguments, write the contention of your speech.<br />
Pineapple should always go on pizza because it makes it healthier and more delicious.<br />
6 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Part B: Revise your text for your audience and purpose<br />
Your speech will be delivered to your peers. Knowing your audience is important because you<br />
need to decide what language and evidence is appropriate for your audience and purpose.<br />
5 What do you want the audience to do after listening to your speech? What is your call to action –<br />
your intention? (Remember, you might want to change how they think about the topic, or you<br />
might want them to do something after listening to your speech.)<br />
After listening to my speech, I want the members of my audience to try pineapple on pizza.<br />
6 How might your classmates feel about your topic?<br />
My classmates are likely to already strongly agree or disagree with my topic.<br />
7 Use your findings from Questions 5 and 6 to rewrite your arguments in the following table and then<br />
choose evidence that will connect to your audience while supporting your arguments.<br />
Arguments<br />
Argument one:<br />
Pineapple adds sweetness<br />
to this savoury dish, which<br />
makes it more delicious.<br />
Evidence<br />
• Many savoury foods have been made more delicious by adding<br />
sweetness (and vice versa). For example, peanut butter and<br />
jelly, salted caramel, and chilli and chocolate.<br />
STRATEGY<br />
Understand<br />
the purpose<br />
of the text<br />
or feature.<br />
Page 174<br />
Finding<br />
appropriate<br />
evidence<br />
Argument two:<br />
Having pineapple on pizza<br />
makes this dish healthier.<br />
There is vitamin C in pineapple; this vitamin:<br />
• improves immunity<br />
• helps digestion<br />
• strengthens bones<br />
• improves eye health.<br />
Page 174<br />
Turning a plan<br />
into a draft<br />
8 Using the anchor text as a model and the arguments and evidence you identified in Question 7,<br />
write a draft of your speech. You can write your draft in the writing pages at the end of this unit.<br />
We will continue to revise your speech throughout the unit, so for now, write the first draft,<br />
knowing it doesn’t have to be perfect, but it is enough to start experimenting with.<br />
Page 20<br />
I understand how to plan and develop my persuasive speech: ______ / 5<br />
We only asked ‘why’ three times during this lesson, but you can keep asking ‘why’<br />
until you run out of answers. Try asking ‘why?’ next time you are brainstorming<br />
ideas in another class.<br />
TAKE IT<br />
WITH YOU<br />
1.2 Persuasive planning and writing 7
1.3<br />
Persuasive structures<br />
and features<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand the key structural<br />
elements and language features<br />
of persuasive speeches<br />
Part A: Persuasive speeches<br />
http://mea.digital/<br />
CL2_1_3<br />
There are a lot of similarities between persuasive speeches and essays because we tend to plan<br />
both texts in a similar way. However, writing a speech is different to writing an essay because<br />
the structures and features of a speech are different to those of an essay.<br />
1 On the anchor text, identify and label the following structural elements of a speech.<br />
Page 3<br />
Opening Body Closing<br />
• An engaging hook<br />
• Introduction of the topic<br />
• Introduction of<br />
the speaker<br />
• Introduction of<br />
the contention<br />
• Introduction of the key<br />
arguments<br />
• Evidence to support the<br />
arguments<br />
• Explanation of how the<br />
arguments prove the contention<br />
• Synthesis of the arguments<br />
in the contention<br />
• The intention is made clear<br />
• A final, memorable<br />
statement<br />
STRATEGY<br />
Re-read the<br />
text at a slower<br />
pace to search<br />
for specific<br />
information.<br />
2 What are some of the language features you can identify in the anchor text speech? (For example,<br />
perspective, tense, tone, emphasis, word choice, etc.)<br />
Language features:<br />
• First-person perspective<br />
• Present tense<br />
• Signposts/transitions<br />
• Persuasive devices<br />
• Pause for effect<br />
• Speaking directly to the audience<br />
• Shifts in tone<br />
Page 176<br />
Text forms<br />
3 What are the similarities and differences between the structural elements and language features<br />
of a persuasive speech and a persuasive essay? (For example, consider what it looks like, what<br />
language is used, what techniques are used, its audience and purpose, etc.)<br />
Similarities<br />
• Answer a question<br />
• Have a contention<br />
• Use evidence to support ideas<br />
• Have introduction, body, and<br />
conclusion paragraphs<br />
Differences<br />
Persuasive speeches<br />
• Introduce yourself<br />
in the introduction<br />
• Have very different<br />
features in writing<br />
Persuasive essays<br />
• Don’t use first-person<br />
persepctive or speak<br />
to the audience or<br />
use many of the<br />
persuasive devices<br />
Part B: Persuasive devices<br />
One of the most common features of persuasive writing is the use of persuasive devices. These<br />
devices are language choices that make a text more persuasive. For example, repeating important<br />
words or phrases makes it more likely that the audience will remember the key persuasive points.<br />
8 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
4 In the anchor text, highlight a sentence that uses inclusive language and a sentence that uses<br />
exclusive language. Explain how inclusive and exclusive language are different, but can both<br />
be persuasive.<br />
Inclusive language: ‘but we don’t call him the Man of Steel for nothing’<br />
Page 3<br />
Exclusive language:<br />
‘are you really willing to risk your life on some leather-clad human?’<br />
How they are different and persuasive:<br />
Inclusive language uses words such as ‘us’ or ‘we’ so it makes the audience feel like they are<br />
a part of the speech. Exclusive language uses words such as ‘I’ or ‘you’ to separate what the<br />
author thinks from the audience and makes the audience question what they are doing differently.<br />
5 Highlight examples of the following persuasive devices in the anchor text. Explain what effect each<br />
device has on the speech.<br />
Persuasive<br />
device<br />
Repetition<br />
Rhetorical<br />
question<br />
Emotive<br />
language<br />
Emphasis<br />
How to find it in a text<br />
Look for the same word<br />
or phrase repeated in a<br />
paragraph, or throughout<br />
the whole text.<br />
Look for a question mark.<br />
Look for descriptive<br />
words.<br />
Look for italics, words<br />
written in CAPITAL<br />
letters, words in bold<br />
or colour.<br />
Example from the<br />
anchor text<br />
‘something that …’<br />
‘something that …’<br />
‘something<br />
life-changing’<br />
‘Need I say anything<br />
more?’<br />
‘remarkable speed,<br />
incredible hearing,<br />
ridiculous strength’<br />
‘Man of Steel’ (italics)<br />
‘who do YOU prefer’<br />
(capitalisation)<br />
What effect does the<br />
device have?<br />
Repeating ‘something’ made<br />
the last ‘life-changing’ word<br />
stand out as important.<br />
By asking questions and<br />
not giving time to answer,<br />
it seems the answer is what<br />
the speaker wants.<br />
Using words that make the<br />
audience feel the way the<br />
speaker wants them to feel.<br />
By emphasising words, they<br />
stand out as important and<br />
show the tone of voice a<br />
speaker might use.<br />
STRATEGY<br />
Pause<br />
to wonder<br />
and connect.<br />
6 What other persuasive devices can you find in the anchor text?<br />
alliteration, hyperbole, connotation, appeals, facts, reason and logic, variety of sentence lengths,<br />
modality, tonal shifts<br />
7 a Identify the structural elements and language features in your speech.<br />
b What devices have you used in your speech?<br />
c How could you make your speech more persuasive?<br />
d Revise your draft by focusing on the structural elements and language features used throughout.<br />
Page 20<br />
I understand the key structural elements and language features of persuasive speeches: ______ / 5<br />
Try noticing the similarities and differences in both the structural elements and the language<br />
features of different writing types outside of this class. Can you identify any texts where you<br />
find (or can use) persuasive devices even though the text isn’t persuasive?<br />
TAKE IT<br />
WITH YOU<br />
1.3 Persuasive structures and features 9
1.4<br />
L E A R N I N G<br />
Persuasive vocabulary<br />
I N T E N T I O N :<br />
To understand emotive language,<br />
denotation, and connotation<br />
in persuasive writing<br />
Part A: Emotive language<br />
http://mea.digital/<br />
CL2_1_4<br />
Writers use emotive language to express their feelings. We can also use emotive language to appeal<br />
to certain feelings in our audience.<br />
1 How do the following emotive words make you feel about ‘the student’?<br />
STRATEGY<br />
Connect to<br />
the feeling<br />
of a word.<br />
a The innocent student:<br />
b The lethal student:<br />
c The excessive student:<br />
d The underestimated student:<br />
e The humiliated student:<br />
f The outstanding student:<br />
they are a victim, they are little, vulnerable<br />
they are brutal, they are dangerous, harsh<br />
they are extravagant, they are too much, over the top<br />
they are undervalued, they aren’t believed in<br />
they are embarrassed, they feel shame<br />
they are valued, they have achieved<br />
2 Highlight the emotive words in paragraph one of the anchor text.<br />
Page 3<br />
3 How is the author making you feel about Superman? Quote words from the anchor text in<br />
your answer.<br />
That Superman is ‘incredible’, ‘remarkable’, and ‘awesome’<br />
4 How is the writer making you feel about Batman? Quote words from the anchor text in<br />
your answer.<br />
That he is ‘dark and gloomy’ and ‘vulnerable to all the dangers’<br />
5 The following excerpt makes the reader feel sorry for left-handed people and angry towards<br />
right‐handed people. Change the bolded emotive words so the reader feels frustrated towards<br />
left‐handed people and supportive of right-handed people.<br />
For years, many cultures have labelled innocent trouble-making left-handed people<br />
as disadvantaged and have aggressively meaningfully tried to convert them.<br />
Cruel Kind<br />
right-handers forced supported left-handers to use their right<br />
hands and any resistance was punished re-educated . But left-handed people are said to use<br />
the right side of their brain more, making them more creative, emotional and better at sports.<br />
Such positive fictional facts highlight that this ruthless necessary vilification<br />
actually comes from jealousy acceptance more than anything else.<br />
10 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Part B: Denotation and connotation<br />
Denotation is the standard definition of a word – what a word literally means – whereas connotation<br />
is the feeling evoked by a word.<br />
Denotation: To pour, to make liquid flow. For example: Please pour me a glass of water.<br />
Connotation: To pour, the feeling of juggling too many things. For example: The work continued<br />
to pour in.<br />
We can classify connotations into either negative or positive. The power of understanding a word’s<br />
connotation is that you can control how your reader feels about a topic, object or person. This is<br />
where you can be powerfully persuasive!<br />
6 Complete the following table by identifying how these words from the anchor text are used.<br />
Word<br />
Positive or<br />
negative<br />
connotation<br />
Denotation (the word’s<br />
definition or literal meaning)<br />
Connotation (the word’s<br />
implied meaning)<br />
Page 3<br />
Unimaginable Positive Impossible to imagine A hugely impressive amount<br />
Swooped<br />
Positive<br />
Move quickly downward<br />
in the air<br />
Safely caught and fly happily<br />
through the air<br />
Average<br />
Negative<br />
The typical version of<br />
a group<br />
Mediocre, not very good<br />
Risk<br />
Negative<br />
Be exposed to danger<br />
Choosing to put yourself<br />
in danger<br />
7 What is a synonym with an alternate connotation for each of for the following words?<br />
Positive connotation<br />
Unique<br />
Steadfast/determined<br />
Curious<br />
Challenging/complex<br />
Vintage<br />
Meticulous/selective<br />
Relaxed<br />
Negative connotation<br />
Weird<br />
Stubborn<br />
Nosy/busybody<br />
Difficult<br />
Decrepit/old/outdated<br />
Picky<br />
Lackadaisical/lazy<br />
Page 183<br />
Word meanings<br />
8 a How do you want your audience to feel during your speech?<br />
b Revise your speech to appeal to your audience’s feelings. Experiment with your language choices<br />
to make them more emotive. Include more descriptive words so your audience knows how to<br />
feel about what you are talking about.<br />
Page 20<br />
I understand emotive language, denotation, and connotation in persuasive writing: ______ / 5<br />
Notice how different texts use positive and negative language regardless of the subject.<br />
Next time you are writing, experiment with emotive language and see how it changes<br />
what you are trying to express.<br />
TAKE IT<br />
WITH YOU<br />
1.4 Persuasive vocabulary 11
1.5<br />
Persuasive syntax<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand the differences between<br />
spoken and written language, including<br />
maintaining the subject–verb agreement<br />
Part A: Spoken versus written language<br />
http://mea.digital/<br />
CL2_1_5<br />
It is not just language choices that change depending on audience and purpose. Syntax (sentence<br />
structure) changes too. This is even more evident between spoken and written texts. We know<br />
spoken and written language sounds different syntactically but we have to write the way we want<br />
to speak when writing a speech.<br />
1 What are the key similarities and differences between spoken language and written language?<br />
Page 204<br />
Spoken versus<br />
written language<br />
STRATEGY<br />
Connect with<br />
the language<br />
choices.<br />
Similarities<br />
• Both use the same<br />
language (i.e. English)<br />
• Both are used to<br />
communicate ideas and<br />
feelings to other people<br />
Differences<br />
Spoken language<br />
• Speaking and listening skills<br />
• Less formal: lots of<br />
repetition, incomplete<br />
sentences, etc.<br />
• May be less grammatically<br />
correct<br />
• Used between people in<br />
the same place<br />
• Uses tone, pitch, volume,<br />
pace<br />
• Is temporary, in<br />
the moment<br />
Written language<br />
• Reading and writing skills<br />
• Often more formal<br />
• More grammatically<br />
correct<br />
• Often used to<br />
communicate in different<br />
time and place<br />
• Uses punctuation,<br />
formatting<br />
• Is permanent and can<br />
be kept<br />
• An explicitly learned skill<br />
Page 3<br />
2 How have the following sentences in the anchor text been written to make them sound more like<br />
the way a person speaks?<br />
a ‘Now, Batman supporters, don’t be disheartened and don’t set your torches and pitchforks at<br />
me yet.’<br />
Talking directly to the supporters<br />
b ‘C’mon, let’s be real.’<br />
Using colloquial language<br />
c ‘And yes, I know, Batman is strong too …’<br />
Pretending to answer a question from the audience<br />
3 Change the following spoken sentences into formal written sentences.<br />
a Awwww man, like everyone thinks soccer is totes better than football!<br />
Most people believe soccer is significantly better than football.<br />
b I’d be shook if you peeps didn’t get what I’m putting down.<br />
I would be surprised if anyone here didn’t understand my point of view.<br />
4 Record yourself talking about dinosaurs for 10 seconds. Transcribe what you said exactly, then<br />
rewrite your words to make them sound more formal.<br />
12 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Part B: Subject–verb agreement<br />
Every sentence needs a subject (someone or something doing something) and a predicate<br />
(which includes a main verb to show what the subject is doing).<br />
In English sentences, the subject and the predicate (or verb) must ‘agree’ with each other.<br />
Page 188<br />
Subject and<br />
predicate<br />
What this means is:<br />
• if a subject is singular (one), the verb must also be singular<br />
• if a subject is plural (more than one), the verb must also be plural.<br />
For example: The research suggests that the benefits of treatments depend on their purpose.<br />
5 Determine whether the following words are singular or plural, and subjects or verbs.<br />
Word Singular or plural? Subject or verb?<br />
author<br />
presents<br />
she<br />
have<br />
those<br />
are<br />
singular<br />
singular<br />
singular<br />
plural<br />
plural<br />
plural<br />
subject<br />
verb<br />
subject<br />
verb<br />
subject<br />
verb<br />
6 Rewrite the following sentences so that all the subjects and verbs agree.<br />
a The graph show that 15 per cent of 13–18-year-olds has their phobia for life; however, only<br />
one per cent of those with a severe phobia has it for life.<br />
The graph shows that 15 per cent of 13–18-year-olds have their phobia for life; however, only<br />
one per cent of those with a severe phobia have it for life.<br />
b Females is three per cent more likely to have a phobia for life than males and a 10–14-year-old<br />
are two per cent more likely to have a lifetime phobia than a 15–18-year-old.<br />
Females are three per cent more likely to have a phobia for life than males and a 10–14-year-old<br />
is two per cent more likely to have a lifetime phobia than a 15–18-year-old.<br />
7 a Does your speech read like a text that is intended to be spoken?<br />
b How can you find the balance between writing formally and writing a text that is intended<br />
to be spoken to your class?<br />
Page 20<br />
c Make sure your subjects and verbs all agree!<br />
I understand the differences between spoken and written language,<br />
including maintaining the subject–verb agreement: ______ / 5<br />
If you struggle to put your words into writing in any subject, try speaking the words<br />
first and then play around with making them sound more formal depending on the text<br />
type. Although spoken and written language are different, there are many similarities,<br />
including the fact that the subject and the verb always agree.<br />
TAKE IT<br />
WITH YOU<br />
1.5 Persuasive syntax 13
1.6<br />
L E A R N I N G<br />
Persuasive punctuation<br />
I N T E N T I O N :<br />
To understand the impact<br />
exclamation and question marks<br />
have on a written text<br />
Part A: Exclamation marks!<br />
http://mea.digital/<br />
CL2_1_6<br />
Page 190<br />
Types of<br />
punctuation<br />
Page 3<br />
Exclamation marks allow us to show emphasis and emotion in a sentence. They can be powerful<br />
in a written text in many ways but need to be controlled. Using too many is not more persuasive,<br />
and often less formal.<br />
1 In the following sentences from the anchor text, the author has emphasised particular emotions<br />
and feelings by using exclamation marks. Identify these emotions and feelings.<br />
a ‘… dating all the way back to 1964!’<br />
emphasis, shock, amazement<br />
b ‘Superman can fly!’<br />
emphasis, amazement, excitement<br />
c ‘… the dude’s basically invincible!’<br />
emphasis, exaggeration, incredulity<br />
2 Write a sentence, using an exclamation mark, to show the following emotions.<br />
a Fear His knees trembled as he crept around the corner into darkness!<br />
b Joy My heart sang!<br />
c Urgency We need to do something about the state of our world, TODAY!<br />
STRATEGY<br />
Connect the<br />
punctuation<br />
to what is<br />
being said.<br />
Part B: Question marks?<br />
Questions in a speech are called rhetorical questions. This is because the answer is assumed;<br />
no response is expected or required by the audience. Rhetorical questions can be compelling in<br />
persuasive texts (both written and spoken) because the writer or speaker controls how the audience<br />
answers the question. However, like anything effective, rhetorical questions have to be controlled.<br />
A few can be persuasive, too many can be overwhelming and you can end up not saying anything.<br />
If your sentence includes a question mark and quotation marks, remember:<br />
• if the question relates to the words in the quote, then the question mark stays in the<br />
quotation marks<br />
For example: She asked him, ‘If you really want to change the world, how are you going to do it?’<br />
• if the question is part of the sentence rather than the quote, then it goes outside the<br />
quotation marks<br />
For example: What did you mean when you said, ‘Little changes make the greatest impact’?<br />
• if it applies to both the words and the sentence, use it just once, inside the quotation marks.<br />
For example: Did anyone ever ask you, ‘Do you like the world the way it is?’<br />
14 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
3 Identify an example of a rhetorical question in the anchor text.<br />
Still not convinced?<br />
4 Why are rhetorical questions so persuasive?<br />
Page 3<br />
They force the audience to answer the question the way the speaker wants them to answer it,<br />
making it feel like they are agreeing in their mind.<br />
5 For each of the following sentences, decide whether the question mark should be placed inside or<br />
outside the quotation marks.<br />
a She raised her hand and asked, ‘If the tongue is so important, why don’t we learn more about it’<br />
Inside<br />
b When can we use a fact, such as ‘the tongue print is unique, just like fingerprints’<br />
Outside<br />
c What if I ask you, ‘What do you need to learn to make better life choices’<br />
Inside<br />
Part C: The interrobang?!<br />
The interrobang is the combination of a question mark with an exclamation mark (?!) or the<br />
combination of multiple question marks and exclamation marks (!?!). While the interrobang is<br />
certainly not a formal technique, it is becoming more acceptable in informal written language. It is<br />
still a non‐standard form of punctuation but it is used to show an exclamation that takes the form<br />
of a question.<br />
6 In which of the following texts is it appropriate to use an interrobang for emphasis?<br />
An email or text message to a friend<br />
An email or letter to the principal<br />
An advertisement or marketing material<br />
An information or research report<br />
A speech to show emphasis<br />
An analytical essay<br />
7 Can you think of any other written texts where it is appropriate to use an interrobang?<br />
Any creative writing task (poetry, short stories, scripts, etc.), any informal writing (social media,<br />
gaming chats, etc.), any sales material (some brochures, billboards, etc.)<br />
8 a Revise your speech to use exclamation marks to evoke different emotions. Although the<br />
audience won’t see them, they will help you use the right tone.<br />
b Rhetorical questions are compelling in persuasive writing. Have you used any rhetorical questions<br />
in your speech? Revise your speech to include at least one.<br />
Page 20<br />
I understand the impact exclamation and question marks have on a written text: ______ / 5<br />
Notice the types of texts in other subjects that use exclamation and/or question marks,<br />
particularly in quotes. Be inquisitive about how and why these marks are used.<br />
TAKE IT<br />
WITH YOU<br />
1.6 Persuasive punctuation 15
1.7<br />
Persuasive spelling<br />
Part A: Prefixes<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand how<br />
prefixes and suffixes<br />
impact words<br />
http://mea.digital/<br />
CL2_1_7<br />
A prefix is a group of letters added to the beginning of a word to make a new word with a different<br />
meaning. Each prefix has its own meaning. Adding a prefix to a word can make the word opposite<br />
(nonsense), negative (unlikely), or show time (preschool), manner (overgrow), or an amount (monorail).<br />
Even the word ‘prefix’ helps you know what it means:<br />
pre = before fix = to join prefix = to join before a word<br />
Understanding prefixes helps our spelling because we can see patterns in the way words work.<br />
Page 197<br />
Bases and affixes<br />
Prefixes placed before freebase words (words that can stand on their own) generally make a lot<br />
of sense. However, prefixes are often placed before bound bases (these cannot stand on their own).<br />
These are more complex because we see the whole word and can miss the prefix.<br />
For example:<br />
Free base<br />
dis = reverse/negative; respect = to admire<br />
disrespect = to not admire someone/something<br />
Bound base<br />
de = reverse or change; struct = to build<br />
destruct = to destroy something built<br />
STRATEGY<br />
Consider the<br />
meaning and<br />
pronunciation<br />
of familiar<br />
parts of<br />
the word.<br />
1 Complete the following table and note the impact of adding prefixes to different words.<br />
Prefix<br />
in<br />
il<br />
im<br />
ir<br />
(These are all<br />
assimilated prefixes.)<br />
dis<br />
Prefix<br />
meaning<br />
not,<br />
opposite<br />
or without<br />
reverse or<br />
negative of<br />
the word<br />
Base word<br />
possible<br />
valuable<br />
responsible<br />
legal<br />
credit<br />
agree<br />
cover<br />
New word<br />
created<br />
Other words that use<br />
the prefix<br />
impossible impressive impassable<br />
invaluable<br />
irresponsible<br />
illuminate illegible<br />
inconvenient indecisive<br />
irreplaceable irregular<br />
illegal<br />
discredit dissimilar discontent<br />
disordered discolour<br />
disagree<br />
dismay disarm<br />
discover<br />
2 For each of the following bound bases, select which prefix is correct: in, il, im, or ir. As a rule,<br />
il before l, im before p, m, or b, ir before r, and for all other letters use in.<br />
a im proper<br />
d in adequate<br />
g in grown<br />
b im balance<br />
e il logical<br />
h in sight<br />
c ir rational<br />
f il legitimate<br />
i in edible<br />
Page 3<br />
3 Explore the words in the table below from the anchor text. Work out the overall meaning of each<br />
word, using your knowledge of the prefix.<br />
Word Prefix meaning Base word meaning Overall meaning<br />
disheartened<br />
illogical<br />
incredible<br />
dis = reverse or<br />
negative<br />
il = not or<br />
opposite<br />
in = not or<br />
opposite<br />
heartened = to put<br />
heart into<br />
logic = based<br />
on reason<br />
credible = to believe<br />
Not having heart in something<br />
Not having reason<br />
Unable to believe<br />
16 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Part B: Suffixes<br />
A suffix is a group of letters added to the end of a word to make a new word with a different<br />
meaning. Unlike a prefix, which changes the meaning of a word, a suffix changes the grammatical<br />
function of a word.<br />
Suffixes can create a plural, or change the tense:<br />
For example: declare + s = declares; declare + ed = declared; declare + ing = declaring<br />
Suffixes can also completely change how a word can grammatically be used.<br />
For example: ‘Declare’ is a verb, but add a suffix and suddenly it can be:<br />
declare + er = declarer (changes to a noun = a person)<br />
declare + ation = declaration (changes to a noun = a process)<br />
declare + ative = declarative (changes to an adjective = describing a noun)<br />
4 Change the verb ‘contend’ by adding appropriate suffixes.<br />
Original word Change to … New word<br />
contend past tense They … contended<br />
contend adjective (describing a noun) They are … contentious<br />
contend noun (person) The … contender<br />
STRATEGY<br />
Connect the<br />
word to its<br />
function.<br />
5 Using the spelling guide in the <strong>Literacy</strong> How-to section (page 193), work out the correct spelling<br />
for the following words and their suffixes. Then, identify which spelling generalisation is used for<br />
each word.<br />
a begin + ing<br />
b encourage + ment<br />
c defy + es<br />
d bore + ing<br />
e cool + est<br />
f awesome + ness<br />
g bare + ly<br />
beginning<br />
encouragement<br />
defies<br />
boring<br />
coolest<br />
awesomeness<br />
barely<br />
The doubling generalisation<br />
The e generalisation<br />
The y to i generalisation<br />
The e generalisation<br />
The doubling generalisation<br />
The e generalisation<br />
The e generalisation<br />
Page 199<br />
Spelling<br />
generalisations<br />
6 a Have you accurately used prefixes and suffixes and in your persuasive speech? How many have<br />
you used?<br />
b Edit your speech, focusing on your spelling throughout.<br />
Page 20<br />
7 Suffixes change the grammatical functions of words. Find an example in the anchor text of a word<br />
that uses a suffix to function in the follow ways:<br />
a Past tense bestowed<br />
c Adverb barely<br />
Page 3<br />
b Adjective remarkable<br />
d Noun<br />
awesomeness<br />
I understand how prefixes and suffixes impact words: ______ / 5<br />
Observe how many prefixes and suffixes are used in all your subjects. Their meaning does<br />
not change, so you can feel confident to experiment with changing the affix of different<br />
words to see how many new words you suddenly have to choose from in your own writing.<br />
TAKE IT<br />
WITH YOU<br />
1.7 Persuasive spelling 17
1.8<br />
Persuasive speaking and listening<br />
Part A: Voice and body language<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand<br />
how people speak<br />
persuasively for<br />
different audiences<br />
and purposes<br />
http://mea.digital/<br />
CL2_1_8<br />
Page 202<br />
Voice and body<br />
language<br />
STRATEGY<br />
Identify and<br />
understand<br />
the pieces of<br />
the text.<br />
You might have the most amazingly written speech ever created, but if it is not presented<br />
convincingly, it will not persuade anyone of anything!<br />
How a spoken text is presented has a lot to do with how persuasive it is. This comes down to<br />
two things:<br />
• our voice (tone, pitch, volume, pause, pace, emphasis, and expression<br />
• our body language (eye contact, facial expressions, gestures, and posture).<br />
A speaker can use punctuation and formatting (italics, bold, CAPITAL LETTERS) in their writing<br />
to help them deliver a speech the way it was intended.<br />
1 Read the third paragraph of the anchor text aloud to a classmate as follows (have fun with it!):<br />
a Read it with no expression, don’t present it.<br />
b Pretend your friend is on the other side of the oval and you don’t have a microphone.<br />
c Read it as quickly as possible.<br />
Page 3<br />
d Choose six random words to emphasise while reading the paragraph.<br />
e Film yourself presenting the paragraph using your best voice and body language.<br />
2 What was the most surprising discovery you made while completing this experiment?<br />
Student answers will vary, but they should notice that by taking things to the extreme, they could<br />
see how a good speech can lose all impact if not presented properly.<br />
3 Which focus was the most effective, persuasive and engaging? Why?<br />
Student answers will vary, but hopefully it will be the final focus because they had rehearsed it<br />
and thought about an effective way to present it. Of course some may say the others because<br />
they were entertaining and more enjoyable to complete …<br />
4 Watch the video of the anchor text by scanning the QR code on page 3.<br />
Page 3<br />
5 List the different ways the speaker used their voice and body to be persuasive.<br />
Voice<br />
Good pace<br />
Speaks clearly<br />
Uses tone and expression<br />
Good volume<br />
Uses pauses<br />
Body language<br />
Makes eye contact<br />
Uses facial expressions<br />
Makes gestures with her hands<br />
Stands up straight<br />
Faces the audience<br />
18 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Part B: The active audience<br />
We are surrounded by persuasive texts. People and companies are constantly trying to convince<br />
us to buy something, do something, think something, or feel a certain way about something.<br />
While some spoken and audio-visual persuasive texts are obvious in their intention (for example,<br />
commercials are trying to sell us something), there are plenty of other situations where someone<br />
is speaking persuasively.<br />
An active listener is someone who gives their full attention to the speaker. They are polite, make eye<br />
contact, and ask clarifying questions if appropriate. However, being an active listener is also about<br />
understanding what the speaker is trying to say and knowing how to respond appropriately.<br />
STRATEGY<br />
Pause to<br />
wonder and<br />
connect.<br />
6 Draw an arrow from each of the following situations to the appropriate audience response.<br />
Situation<br />
At a loud music concert<br />
Someone presenting at an assembly<br />
At a tennis match<br />
At a political rally<br />
Someone giving a wedding speech<br />
Appropriate audience response<br />
Being quiet during play and then clapping<br />
and yelling at the winning point<br />
Yelling, singing, talking, and dancing;<br />
clapping at the end of songs<br />
Laughing at appropriate sections, cheering<br />
at the end<br />
Listening quietly, eyes focused on the<br />
speaker, clapping at the end<br />
Talking, chanting, and clapping<br />
7 What are the appropriate ways to be an active audience member when listening to a classmate’s speech?<br />
I can be a good audience member by not distracting the person who is presenting. I can laugh<br />
or clap at the appropriate times and I can try my best not to look bored as they are speaking.<br />
8 You have spent this unit revising your speech into a quality piece of writing. Now you need to<br />
rehearse your speech so it is ready to be presented to your class. You should rehearse or practise<br />
your speech until you know it well enough so you don’t have to read every word and you can<br />
make eye contact with members of your audience. Rehearsing your speech will also help you to<br />
find a good pace, know where the pauses are, what words need emphasis, and what tone of voice<br />
works best in which parts.<br />
9 Think about presenting your speech. What are you feeling most confident about?<br />
I’m confident about getting up in front of my class and presenting. I like drama, so I can treat this<br />
like putting on a performance.<br />
10 Think about presenting your speech. What are you feeling most nervous about? How might you<br />
overcome these nerves?<br />
I’m most nervous about my classmates distracting me or putting me off, or that I might get lost<br />
in the speech and forget what comes next.<br />
I understand how people speak persuasively for different audiences and purposes: ______ / 5<br />
How can you use your understanding of voice and body language to improve your speaking<br />
skills in other subjects? How can you use your understanding of being an active listener to<br />
improve your listening skills?<br />
TAKE IT<br />
WITH YOU<br />
1.8 Persuasive speaking and listening 19
1.9<br />
<strong>Teacher</strong> connections: Persuasive literacy<br />
A sample lesson sequence for a 50-minute class<br />
Timing Focus Actions Implementation guide<br />
5 minutes Establish<br />
the learning<br />
intention and<br />
connect to the<br />
students’ prior<br />
knowledge<br />
5 minutes Explicit<br />
teaching<br />
5 minutes Collaborative<br />
learning<br />
10 minutes Independent<br />
learning<br />
• Read the learning<br />
intention and<br />
clarify the key<br />
terms.<br />
• Draw connections<br />
to prior units,<br />
lessons, class<br />
learning, and life.<br />
• Students<br />
document current<br />
and future<br />
learning.<br />
• Watch the video.<br />
• Read the<br />
workbook notes<br />
and clarify terms<br />
for Part A.<br />
• Connect to the<br />
students’ prior<br />
learning.<br />
• Students ask<br />
any questions<br />
they have.<br />
• Complete the<br />
first part of each<br />
activity as a class.<br />
• Students to<br />
complete the rest<br />
of each activity<br />
in pairs.<br />
• Students<br />
complete the<br />
activities in Part A.<br />
• Check their<br />
answers.<br />
Before you teach<br />
• Denotation, connotation, prefixes, and suffixes are<br />
likely to be the main words that will need deeper<br />
clarification; check the students’ prior knowledge of,<br />
and experience using, these terms.<br />
• Check the <strong>Literacy</strong> How-to links prior to teaching to<br />
familiarise yourself with the supporting information.<br />
Prior knowledge activation<br />
• Use the ‘30-second hot-spot’ strategy on three<br />
different students to get a quick assessment of the<br />
class members’ understandings of vocabulary and<br />
content.<br />
• 1.0 Introduction:<br />
– Brainstorm the different persuasive texts the<br />
students are likely to have personally experienced.<br />
– Get the students to share their answers to Q1<br />
and Q2.<br />
• 1.1 Comprehension:<br />
– Extend the students to consider what type of<br />
questions are eliciting different answers from<br />
the comprehension questions and which questions<br />
they find the most useful.<br />
– Ask the students to share their answers to Q7.<br />
• 1.2 Planning and writing:<br />
– Give the class time to share their topic ideas for<br />
the writing task.<br />
– Make sure each student has a clear topic statement<br />
before moving forward.<br />
• 1.3 Structures and features:<br />
– Ask the students to share their answers to Q1<br />
to ensure there isn’t any confusion.<br />
– Q2 can be completed as a class or in small groups<br />
to ensure that the students use technical and<br />
accurate language.<br />
– For Q3, connect to the students’ prior knowledge to<br />
ensure the similarities and differences are accurate.<br />
• 1.4 Vocabulary:<br />
– Be prepared to complete at least Q1a as a worked<br />
example. Clarify vocabulary for the students before<br />
they complete Q1.<br />
– For Q5, have fun and push extension students<br />
to come up with a variety of options.<br />
• 1.5 Syntax:<br />
– Q1 can be completed as a class or in small groups,<br />
or the students’ responses can be shared with<br />
the class after an individual brainstorm.<br />
– Allow time for the class to discuss the students’<br />
answers to Q2 and Q3.<br />
– For Q4, if recording options are unavailable,<br />
students can be divided into pairs, with one student<br />
transcribing their partner’s words as accurately<br />
as possible.<br />
20 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Timing Focus Actions Implementation guide<br />
• 1.6 Punctuation:<br />
– Emphasise synonyms and subtleties of language<br />
for Q1.<br />
– Get the students to share their answers to Q1<br />
and Q2.<br />
– Part A should not take long, so you have more<br />
time for Part B and Part C.<br />
• 1.7 Spelling:<br />
– For Q1, complete the first row of the table as a class.<br />
– For Q1, ask the students to share their answers for<br />
‘other words that use the prefix’.<br />
– Q2 can be extended to consider other words that<br />
use these prefixes.<br />
• 1.8 Speaking and listening:<br />
– For Q1, divide the students into pairs, with each<br />
pair tackling one part of Q1, and then presenting<br />
their responses to the class. This will allow the<br />
students to respond to Q2 and Q3 more effectively.<br />
– Ask the students to share their answers to Q5 with<br />
the class.<br />
5 minutes Explicit<br />
teaching<br />
5 minutes Collaborative<br />
learning<br />
10 minutes Independent<br />
learning<br />
• Read the<br />
workbook notes<br />
and clarify terms<br />
for Part B.<br />
• Connect to the<br />
students’ prior<br />
learning.<br />
• Students ask any<br />
questions they<br />
have.<br />
• Complete the<br />
first part of each<br />
activity as a class.<br />
• Students to<br />
complete the rest<br />
of each activity<br />
in pairs.<br />
• Students<br />
complete the<br />
activities in Part B.<br />
• Check their<br />
answers.<br />
• 1.0 Introduction:<br />
– Q3 of the first lesson involves reading and engaging<br />
with the anchor text. This can be read aloud, or the<br />
class can listen to the audio version.<br />
– Save the video of the anchor text for the speaking<br />
and listening lesson.<br />
• 1.1 Comprehension:<br />
– Before the students attempt Q8, spend time<br />
working through and analysing the worked example<br />
as a class.<br />
– Ensure the students label the arguments effectively<br />
(Q8) before they move on to Q9.<br />
– Ask the students to share the contentions and<br />
intentions they wrote for Q9, and discuss the<br />
variations.<br />
• 1.2 Planning and writing:<br />
– As they are planning, extend the students to think<br />
about what evidence will best connect with their<br />
audience (Q7).<br />
– Allow as much class time as possible for the students<br />
to work on the draft of their speech. Realistically,<br />
you might need to allocate a separate period for<br />
the students to complete their draft speech before<br />
moving on to the next lesson.<br />
• 1.3 Structures and features:<br />
– For Q5, ask the students to share the examples they<br />
found in the anchor text.<br />
– Ask the students to share the persuasive devices<br />
they found for Q6; allow time to discuss the effects<br />
of persuasive devices in different contexts.<br />
– Q7a and Q7b can be a competition or treasure hunt<br />
to see how many of each can be uncovered.<br />
• 1.4 Vocabulary:<br />
– Students may need help to deeply understand<br />
connotation.<br />
– To clarify Q6, provide example sentences that show<br />
how the words can be used in different ways.<br />
– Ask the students to share their answers to Q7;<br />
there should be a variety of responses.<br />
1.9 <strong>Teacher</strong> connections: Persuasive literacy 21
Timing Focus Actions Implementation guide<br />
• 1.5 Syntax:<br />
– Ask the students to share their answers to Q5, to<br />
ensure their responses are accurate, before moving<br />
forward.<br />
– You can discuss the difference between single and<br />
plural verbs as a class.<br />
• 1.6 Punctuation:<br />
– As a class, discuss punctuation of dialogue and<br />
quotes before the students attempt Q5.<br />
– Extend the students to look at punctuation more<br />
holistically when revising their drafts.<br />
• 1.7 Spelling:<br />
– For Q4, refer the students to the spelling<br />
generalisations in the <strong>Literacy</strong> How-to section.<br />
– The spelling generalisations will be more explicitly<br />
taught in other units; for now, see if the students<br />
can apply the generalisations.<br />
• 1.8 Speaking and listening:<br />
– As a class, discuss the students’ answers to Q6.<br />
– Set up expectations for the class presentations<br />
through Q7.<br />
– At least one other lesson will need to be allocated<br />
for the students to practise and present their<br />
speeches to the class.<br />
5 minutes Reflection • Connect the<br />
learning back<br />
to the learning<br />
intention.<br />
• Were the<br />
students’ initial<br />
questions<br />
answered?<br />
• What scores do<br />
the students give<br />
for their success<br />
and confidence<br />
in the lesson?<br />
• Read ‘Take it with<br />
you’; can the<br />
students add any<br />
other situations to<br />
which they might<br />
be able to apply<br />
their learning and<br />
understanding?<br />
• Don’t sacrifice the reflection time to enable the<br />
students to complete the activities. Instead, prioritise<br />
the reflection as it can help the students to connect<br />
and transfer the skills covered to other areas.<br />
• Establish and support the routine of students scoring<br />
their learning confidence at the end of each lesson.<br />
• Allow the students to see and speak about the<br />
connections to other classes and situations; this will<br />
allow you to discover their interests and make future<br />
connections to other learning.<br />
22 <strong>Connecting</strong> <strong>Literacy</strong> • <strong>Book</strong> 2
Variation A: Two 20-minute sessions to teach one lesson<br />
Teach only Part A or Part B in one class and follow the sequence below. You will need to allow writing<br />
time between each lesson, so allocate an extra 20-minute block to complete each individual lesson.<br />
Variation B: One 20-minute session to teach one lesson<br />
The students could be asked to complete the writing revisions as homework or at another time.<br />
Explicit teaching would cover the entire lesson (Part A and Part B) before independent work.<br />
There would be little time for collaboration and sharing of results, but learning could be connected<br />
to mainstream teaching and learning to consolidate and extend.<br />
A sample lesson sequence for a 20-minute class<br />
Timing Focus Implementation guide<br />
2 minutes Establish the learning<br />
intention and connect<br />
to the students’ prior<br />
knowledge<br />
• Read the learning intention and clarify the key terms.<br />
• Draw connections to class learning and life.<br />
5 minutes Explicit teaching • Watch the video.<br />
• Read the workbook notes and clarify the key terms.<br />
• Connect the students’ prior learning to the<br />
expectations of the current activity.<br />
10 minutes Independent learning • Students complete the activities.<br />
• Check their answers.<br />
3 minutes Reflection • Connect the learning back to the learning intention.<br />
• What scores do the students give for their success<br />
and confidence in the lesson?<br />
• Read ‘Take it with you’.<br />
1.9 <strong>Teacher</strong> connections: Persuasive literacy 23