Connecting Literacy Student Folio 3 Sample Pages
Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers. What is Connecting Literacy? A developmental literacy program for Secondary schools, including: -3 student folios -3 teacher books -100s of video lessons hosted by literacy consultant, Hayley Harrison. Who is Connecting Literacy for? Secondary school students and teachers who: -are embarking on whole-school literacy improvement, OR -integrate literacy skills in the English classroom, OR -attend a timetabled literacy block. How does Connecting Literacy work? With cumulative skill development over three books where students: -Model: read and annotate an ‘anchor text’ – an authentic piece of student writing -Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach -Apply: draft their own text directly into the writing pages included in each student folio. Why do you need Connecting Literacy? -Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend. -Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike. -Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics). -Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.
Connecting Literacy targets whole-school literacy improvement for Secondary students and teachers.
What is Connecting Literacy?
A developmental literacy program for Secondary schools, including:
-3 student folios
-3 teacher books
-100s of video lessons hosted by literacy consultant, Hayley Harrison.
Who is Connecting Literacy for?
Secondary school students and teachers who:
-are embarking on whole-school literacy improvement, OR
-integrate literacy skills in the English classroom, OR
-attend a timetabled literacy block.
How does Connecting Literacy work?
With cumulative skill development over three books where students:
-Model: read and annotate an ‘anchor text’ – an authentic piece of student writing
-Practise: complete units of work in class or as homework with video support from Hayley Harrison, literacy coach
-Apply: draft their own text directly into the writing pages included in each student folio.
Why do you need Connecting Literacy?
-Flexibility: Use the series over three consecutive years or use the student folios in parallel to differentiate, support and extend.
-Support: Video lessons, teacher books with answers and suggested programs, a literacy skills ‘toolkit’ and on-demand P.D. sessions will support experienced and out-of-discipline teachers alike.
-Evidence: Student folios are designed as a learning pathway with built-in student reflection, metacognition and formative assessment (with developmental rubrics).
-Whole-school: Use Connecting Literacy to underpin your whole school literacy plan and create a common metalanguage around literacy.
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<strong>Connecting</strong><br />
<strong>Literacy</strong><br />
‘… splendid and spectacular like I have glimpsed in the movies’<br />
Authored by<br />
Hayley<br />
Harrison<br />
and a team of students, just like you.<br />
sed in the movies’<br />
<strong>Student</strong><br />
<strong>Folio</strong>
<strong>Connecting</strong><br />
<strong>Literacy</strong><br />
<strong>Student</strong><br />
<strong>Folio</strong><br />
Authored by<br />
Hayley<br />
Harrison<br />
and a team of students, just like you.<br />
‘… splendid and spectacular like I have glimpsed in the movies’
<strong>Connecting</strong> <strong>Literacy</strong><br />
<strong>Student</strong> <strong>Folio</strong> 3<br />
1st edition<br />
Hayley Harrison<br />
Publisher: Catherine Charles-Brown<br />
Project editor: Naomi Saligari<br />
Copy editor: Naomi Saligari<br />
Proofreader: Kelly Robinson<br />
Cover and text design: Ana Cosma (anacosma.com)<br />
Typesetter: Paul Ryan<br />
Illustrator: QBS Learning<br />
The author and publisher are grateful to the following<br />
for permission to reproduce copyright material:<br />
Cover: Stocksy/Stacy Allen<br />
Alamy/imageBroker, 71; iStockphoto/no_limit_<br />
pictures (left), 86, /splendens, 57, /suprun (pie),<br />
154, /syntika, 51, / t_kimura (Ace of hearts), 154,<br />
/ Yaslex (right), 86. Extract from Defining Moments<br />
in the History of Abstract Art by Phillip Barcio and<br />
IdeelArt.com, 95.<br />
Every effort has been made to identify copyright<br />
holders and obtain their permission for the use of<br />
copyright material. We actively solicit copyright holders<br />
or anyone with knowledge of copyright holders to<br />
come forward.<br />
Warning: It is recommended that Aboriginal and<br />
Torres Strait Islander peoples exercise caution when<br />
viewing this publication as it may contain images of<br />
deceased persons.<br />
Matilda Education Australia acknowledges all Aboriginal<br />
and Torres Strait Islander Traditional Custodians of<br />
Country and recognises their continuing connection to<br />
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to Elders past and present.<br />
First published in 2023 by Matilda Education Australia,<br />
an imprint of Meanwhile Education Pty Ltd<br />
Melbourne, Australia<br />
T: 1300 277 235<br />
E: customersupport@matildaed.com.au<br />
www.matildaeducation.com.au<br />
Copyright © Hayley Harrison 2023<br />
Copyright © Matilda Education 2023<br />
The moral rights of the authors have been asserted.<br />
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described in the Copyright Act 1968 (Cth) of Australia<br />
(the Act) and subsequent amendments, no part of<br />
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Publication data<br />
Author: Hayley Harrison<br />
Title: <strong>Connecting</strong> <strong>Literacy</strong> <strong>Student</strong> <strong>Folio</strong> 3<br />
ISBN: 9780655091431<br />
A catalogue record for this<br />
book is available from the<br />
National Library of Australia<br />
Printed in Malaysia by Vivar Printing<br />
Oct-2022
<strong>Connecting</strong><br />
<strong>Literacy</strong><br />
Contents<br />
Introduction to literacy .........................<br />
iv<br />
Unit 1: Persuasive literacy ..................... 2<br />
Unit 2: Procedural literacy ..................... 24<br />
Unit 3: Imaginative literacy .................... 48<br />
Unit 4: Informative literacy .................... 70<br />
Unit 5: Analytical literacy ...................... 94<br />
Unit 6: Reflective literacy ...................... 118<br />
Unit 7: Comparative literacy .................. 140<br />
<strong>Literacy</strong> How-to .................................. 164<br />
Comprehension ............................... 164<br />
Planning and writing ......................... 167<br />
Structures and features ...................... 174<br />
Vocabulary ..................................... 181<br />
Syntax ........................................... 183<br />
Punctuation .................................... 188<br />
Spelling ......................................... 191<br />
Speaking and listening ....................... 200<br />
Introduction to literacy<br />
iii
Introduction to literacy<br />
<strong>Literacy</strong> is a complex amalgamation of skills that interweave and are applied when<br />
reading, writing, speaking, and listening. The goal of systematically and explicitly<br />
teaching individual literacy skills is to increase the effectiveness and efficiency of<br />
students’ communication. Mastering literacy skills requires a person to understand,<br />
consolidate, and build automaticity in individual skills and then combine these skills<br />
to develop as a critical reader, coherent writer, and confident speaker.<br />
The literacy skills and strategies presented in this book are designed to be individually<br />
taught, explored, consolidated, and built upon. This learning is then explicitly transferred<br />
beyond the classroom to help students in every part of their school and everyday<br />
lives. Teaching is supported by an instructional model that consists of prior knowledge<br />
activation, explicit teaching, collaboration, independent practise, and reflection. There<br />
are layers of teaching and learning support, including links to comprehension strategies,<br />
writing organisers, and formative assessment opportunities at a lesson and unit level.<br />
How to use <strong>Connecting</strong> <strong>Literacy</strong>: Model, practise, apply<br />
This book is divided into seven units – which are based on the different text types that students<br />
will encounter during school and beyond – and one <strong>Literacy</strong> How-to section, which is a complete<br />
reference guide that can be referred to throughout the book:<br />
• Unit 1: Persuasive literacy<br />
• Unit 2: Procedural literacy<br />
• Unit 3: Imaginative literacy<br />
• Unit 4: Informative literacy<br />
• Unit 5: Analytical literacy<br />
• Unit 6: Reflective literacy<br />
• Unit 7: Comparative literacy<br />
• <strong>Literacy</strong> How-to section.<br />
In each unit, the students model, practise, and apply specific literacy skills to a different text type.<br />
Model<br />
Each of the seven units begins with an anchor text. Each anchor text is a model that is<br />
designed to ‘anchor’ the students’ learning as they complete the activities in the unit.<br />
The anchor texts in this series were all written by students in years 7–10, from schools<br />
across Australia.<br />
Practise<br />
Each unit has eight lessons that focus on core literacy skills and strategies:<br />
1 comprehension<br />
5 syntax<br />
2 planning and writing<br />
6 punctuation<br />
3 structures and features<br />
7 spelling<br />
4 vocabulary<br />
8 speaking and listening.<br />
At the end of the book, there is a <strong>Literacy</strong> How-to section. This is a comprehensive<br />
literacy reference guide that is designed to support teachers and students by providing<br />
content, skills, and strategies that can be applied across the units. This section is<br />
designed to connect with prior knowledge activation, and to provide opportunities<br />
for clarification and extension of understanding and skill development.<br />
iv <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Apply<br />
In each lesson, comprehension strategies are suggested to help the students to complete the<br />
activities successfully. Each unit includes writing pages for students to use to draft and edit their<br />
own original texts. By containing their learning and application in the same book, students can<br />
build a comprehensive learning folio.<br />
STRATEGY<br />
Pause to<br />
wonder and<br />
connect.<br />
<strong>Connecting</strong> <strong>Literacy</strong><br />
Model, practise, apply<br />
Comparative texts<br />
SPEAKING &<br />
LISTENING<br />
3 Apply<br />
MY WRITING PAGES<br />
2 Practise<br />
COMPREHENSION<br />
Persuasive texts<br />
Refllective texts<br />
SPELLING<br />
PUNCTUATION<br />
1 Model<br />
ANCHOR TEXT<br />
A model text written<br />
by a student,<br />
just like you<br />
PLANNING &<br />
WRITING<br />
STRUCTURES &<br />
FEATURES<br />
Procedural texts<br />
Analytical texts<br />
SYNTAX<br />
VOCABULARY<br />
Imaginative texts<br />
Informative texts<br />
LITERACY HOW-TO<br />
Your go-to literacy reference guide, to support your every step<br />
Reflect<br />
Unit confidence scores: At the start of each unit, students are invited to rate their confidence about<br />
reading, writing, speaking, and listening to the particular text type. The intention is that students will<br />
return at the end of the unit to score their learning confidence again and to celebrate their success.<br />
Lesson confidence scores: Every lesson in the <strong>Connecting</strong> <strong>Literacy</strong> series culminates in students<br />
giving themselves a score out of five: this self-assessment promotes students’ awareness of their<br />
learning and understanding. This self-assessment also provides an opportunity for teachers to note<br />
any areas that require further class time or clarification.<br />
The students’ learning in each unit is brought together with a learning ladder. Using this chart,<br />
the students can self-assess their final writing and speaking and listening task (these tasks have<br />
a speaking and listening icon in the margin) and reflect on their learning throughout the unit.<br />
Introduction to literacy<br />
v
Persuasive literacy<br />
http://mea.<br />
digital/CL3_1_0<br />
Persuasive writing is opinion writing that attempts to convince a reader of a particular<br />
point of view. It is non-fiction writing that intends to influence how the reader thinks, feels,<br />
acts, or makes decisions about a particular idea, issue, or proposal. These texts use various<br />
persuasive writing techniques to achieve their purpose; the techniques used are selected<br />
to have the most impact on the text’s particular audience. Many different text types can<br />
be persuasive, including speeches, advertisements, debates, essays, letters, reviews, flyers,<br />
and articles.<br />
Why do we create persuasive texts?<br />
The most important element of a persuasive text is that it is created to convince someone of the<br />
writer’s point of view. The text expresses how the writer thinks and feels about a topic, but its goal<br />
is to make the audience think and feel the same way as the author. People are inspired to write<br />
persuasive texts when they feel strongly about a topic, which is why persuasive writing is usually<br />
highly emotional. Authors of persuasive texts change the type of language and devices they use<br />
to persuade, depending on who they are addressing. This is why a persuasive text written for<br />
an organisation sounds very different from a persuasive text written for a friend.<br />
1 In your own words, explain why having good persuasive skills is important.<br />
2 Where might you be asked to write persuasively in the future?<br />
Page 3<br />
3 Read the anchor text. This text is a model that will help you to ‘anchor’ your learning as you<br />
complete the activities in this unit. It will also assist you to draft your own persuasive speech.<br />
The anchor text was written by a student, just like you.<br />
Rate my<br />
confidence<br />
At the end of each lesson, you will rate how confident you are about your<br />
progress through the unit. Be as honest as you can; it’s your learning!<br />
4 How confident do you currently feel about reading, writing, speaking, and listening to persuasive<br />
texts? Give yourself a confidence score out of five. Come back at the end of the unit to score your<br />
learning confidence again.<br />
Start of the unit: DD \ MM \ YYYY<br />
End of the unit: DD \ MM \ YYYY<br />
1 2 3 4 5<br />
1 2 3 4 5<br />
Not very<br />
confident<br />
Somewhat<br />
confident<br />
Confident<br />
Highly<br />
confident<br />
Super<br />
confident<br />
Not very<br />
confident<br />
Somewhat<br />
confident<br />
Confident<br />
Highly<br />
confident<br />
Super<br />
confident<br />
2 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Anchor text<br />
Persuasive speech<br />
Defend yourself 101<br />
I’m hoping you all feel very safe, sitting here together today. But I’m sure you have all felt<br />
unsafe at some time in your life and I feel our school has a responsibility to help protect<br />
us, however possible. Hello, my fellow peers, you all know my name is Angela and I’m<br />
speaking with you today to try and protect you by explaining why I believe our school<br />
should offer self-defence classes. We need to know how to defend ourselves in school,<br />
on the streets, and at work – whether it be from physical, sexual, or other assault. So many<br />
people (especially us young people) feel hopeless when fighting against someone stronger,<br />
but we can change that feeling of hopelessness if only our school had self-defence classes.<br />
Let me start by acknowledging that most people don’t feel like they have the strength or<br />
power to defend themselves properly. But the effect of self-defence classes is to give people<br />
the skills and confidence to protect themselves whenever necessary. Throughout history,<br />
sexual harassment rates have always been too high. In 2017, high schools in New South<br />
Wales collected survey results to discover that 30 per cent of boys and 32 per cent of girls<br />
experienced sexual harassment on school grounds! If we don’t start learning self-defence<br />
at a young age, how are we meant to defend ourselves in the very near and real future?<br />
But these vital classes are not just to protect the vulnerable victim. Dr Milkovic, head of<br />
psychology at the Royal Melbourne Hospital, explains how many concerned bystanders<br />
think of themselves as someone too weak and too powerless to make a change.<br />
Through participating in a life-changing self-defence class though, the next time we<br />
witness an innocent person being harassed, we will have the critical knowledge and<br />
confidence to step in. How can our school possibly say no to something that would<br />
benefit our life and the innumerable lives of those around us?<br />
I understand that some of you may fear you could get injured in this class. However,<br />
even in a normal PE class, there are chances of getting injured. In a PE class, our teachers<br />
support us in how to avoid getting injured, don’t they? Well, self-defence classes are<br />
literally a class about how NOT to get injured! Surely your parents would like you to be<br />
able to pre-empt and prevent an attack. They want you to be safe, don’t they?<br />
So, there seems no logical reason why our school shouldn’t start self-defence classes as<br />
soon as possible! Not only will these classes help students defend themselves against<br />
predators, but they will give us confidence to stop being bystanders and look after our<br />
friends in a safe and responsible way. At the end of the class, I encourage you to step up<br />
and sign the petition paper to bring self-defence classes on campus. With little effort,<br />
it can be your first step in knowing how to protect yourself properly.<br />
<strong>Student</strong> author: Angela (Wren) Truong<br />
Audience: Angela’s class<br />
http://mea.digital/<br />
CL3_1_A<br />
Persuasive literacy ~ Unit 1 3
1.1<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
Persuasive comprehension<br />
To understand the overall<br />
purpose of a persuasive text<br />
Part A: Question the text<br />
http://mea.digital/<br />
CL3_1_1<br />
A great strategy to use with any text that you need to understand is to question the text: What is the<br />
text saying? How and why is this being said?<br />
Read the anchor text and then answer the following questions.<br />
1 How does Angela want to change her school?<br />
Page 3<br />
STRATEGY<br />
Ask questions<br />
to find answers.<br />
2 What are self-defence classes designed to do?<br />
3 Why does Angela think that sexual harassment rates ‘have always been too high’?<br />
4 What does Angela mean when she says, ‘… defend ourselves in the very near and real future’?<br />
5 Why does Angela acknowledge ‘some’ people might not agree with her proposal?<br />
6 Why would some people fear getting injured in the self-defence class?<br />
7 How can signing a petition be the first step in the students being able to protect themselves?<br />
8 a Answer the two questions in the table below.<br />
Questions<br />
Factual questions:<br />
The answers to factual questions<br />
are explicitly stated in the text.<br />
1 How does answering a factual question about a text help<br />
you understand that text?<br />
Interpretive questions:<br />
Interpretive questions can have<br />
more than one correct answer.<br />
To find the answer/s to an<br />
interpretive question, you need<br />
to ‘read between the lines’<br />
of the text.<br />
1 How does answering an interpretive question about<br />
a text help you understand that text?<br />
4 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Re-read Questions 1 to 7 opposite. Which questions are factual questions (F)? Which questions<br />
are interpretive questions (I)? Write the letter ‘F’ or ‘I’ next to each question.<br />
Part B: Contention and intention<br />
To fully understand a persuasive text, you need to consider the text’s overall purpose: Why was it<br />
written? What does the author want you to think after reading the text (the contention or main idea)?<br />
What does the author want you to do after reading the text (the intention or call to action)?<br />
Page 164<br />
Comprehension<br />
strategies<br />
9 Annotate the anchor text by numbering the paragraphs and labelling the three main arguments.<br />
10 In the table below:<br />
a write the three arguments you identified in the anchor text in Question 9.<br />
b summarise the evidence the author used to support each argument.<br />
c identify what type of evidence the author used (anecdote, statistics, expert opinion, etc.).<br />
Page 3<br />
STRATEGY<br />
Identify and<br />
understand<br />
the pieces<br />
of the text.<br />
Argument Evidence Type of evidence<br />
Argument one:<br />
Argument two:<br />
Argument three:<br />
11 These three arguments work together to build one overall argument or main idea. What is the<br />
anchor text’s contention?<br />
Page 3<br />
12 What is the anchor text asking the audience to do? What is the text’s intention?<br />
I understand the overall purpose of a persuasive text: / 5<br />
Next time you work with a long text in any subject, number and label the paragraphs.<br />
Challenge yourself to question the text and question your interpretation of the text.<br />
TAKE IT<br />
WITH YOU<br />
1.1 Persuasive comprehension 5
1.2<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
Persuasive planning and writing<br />
To understand how to<br />
plan and develop my<br />
persuasive speech<br />
Part A: Develop your arguments<br />
http://mea.digital/<br />
CL3_1_2<br />
Page 20<br />
Writing a persuasive text is more than expressing how strongly you feel about a topic. You need to<br />
spend some time thinking about why the topic is important, what other people might think about<br />
the topic, and how you can be as convincing as possible in the time you have allocated.<br />
Your writing task for this unit is to write a speech, which will be similar to the anchor text<br />
in purpose, audience and length. In this speech, you will try to convince your classmates to<br />
sign a petition about making a particular change at your school.<br />
1 Use the concept map in Figure 1.1 below to brainstorm all the things you think should be changed<br />
at your school.<br />
Curriculum or classes or learning<br />
Resources or facilities<br />
Other<br />
Things that<br />
could be<br />
changed in<br />
my school<br />
Figure 1.1<br />
Activities or events<br />
2 Using the ideas you came up with in your brainstorm, decide which change you feel most passionate<br />
about. Next, write down three arguments or reasons why this change should happen.<br />
3 What could be a counter argument to your idea for a change at your school? Which of your<br />
arguments proves why the counter argument is invalid?<br />
4 Taking into consideration all your points, what are you arguing overall? What is the contention of<br />
your speech?<br />
6 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Part B: Revise your text for your audience and purpose<br />
Keep in mind that your speech will be presented to your class; this will change the way you approach<br />
drafting your speech. The more clearly you can predict how your speech will make your classmates<br />
think and feel, the better you will be able to specifically and purposefully write your speech to<br />
achieve your intention.<br />
5 After listening to your speech, what do you want your audience to do? What is the intention<br />
of your speech?<br />
STRATEGY<br />
Understand<br />
the purpose<br />
of the text<br />
or feature.<br />
6 How does your audience currently feel about your topic?<br />
7 What else interests your audience? What do they care about? How can you use your audience’s<br />
interests in your speech?<br />
8 Using the information from Questions 5, 6, and 7, decide what evidence will connect to your<br />
audience most successfully, while supporting your arguments.<br />
Arguments<br />
Argument one:<br />
Argument two:<br />
Evidence<br />
Page 172<br />
Finding<br />
appropriate<br />
evidence<br />
Argument three:<br />
Page 3<br />
9 Using the anchor text as a model and the arguments and evidence you identified in Question 8,<br />
write a draft of your speech. You can write your draft in the writing pages at the end of this unit.<br />
We will continue to revise your speech throughout the unit, so for now, write the first draft, knowing<br />
it doesn’t have to be perfect, but it is enough to start experimenting with.<br />
Page 20<br />
Page 172<br />
Turning a plan<br />
into a draft<br />
I understand how to plan and develop my persuasive speech: / 5<br />
Next time you are asked to write a specific text type in another class, first consider the<br />
text’s audience and purpose. Then, directly match your writing to the audience and<br />
purpose you have identified. This is particularly useful in assessments and exams.<br />
TAKE IT<br />
WITH YOU<br />
1.2 Persuasive planning and writing 7
1.3<br />
Persuasive structures<br />
and features<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand the key structural<br />
elements and language features<br />
of persuasive speeches<br />
Part A: Persuasive speeches<br />
http://mea.digital/<br />
CL3_1_3<br />
Page 3<br />
STRATEGY<br />
Identify and<br />
understand<br />
the pieces of<br />
the text.<br />
The structural elements and language features of a persuasive speech require the speech to be<br />
planned in a similar way to an essay but written quite differently. This is because the text is being<br />
written to be spoken and this is not a common way to write.<br />
1 In the table below, using the anchor text as a guide, identify the key structural elements and<br />
language features of the different parts of a persuasive speech.<br />
The structural elements of a persuasive speech<br />
Introduction Body paragraphs Conclusion<br />
The language features of a persuasive speech<br />
2 Considering the structural elements and the language features you identified in Question 1, what<br />
are the similarities and differences between a persuasive speech and a persuasive essay?<br />
Page 174<br />
Text forms<br />
Similarities<br />
• They both have paragraphs.<br />
Differences<br />
• Speeches use personal pronouns (I, you, me);<br />
essays do not.<br />
Part B: Persuasive devices<br />
Persuasive devices are essentially rhetoric, which is the use and manipulation of language to<br />
convey a message. Strong persuasive texts use of a variety of rhetorical devices to sway or convince<br />
the audience or reader. Combined, these persuasive devices can make a text very convincing.<br />
8 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
One of the most powerful, yet subtle, uses of rhetoric is the appeal. Appeals use a variety of other<br />
persuasive devices to help achieve their goal: to connect to the intellectual, moral, or emotional<br />
responses of the audience. A persuasive text can appeal to anything. Aristotle categorised appeals<br />
into three main categories: ethos, pathos, and logos.<br />
Type of appeal<br />
Ethos: appeal to ethics<br />
Pathos: appeal to emotions<br />
Logos: appeal to logic<br />
What the appeal does<br />
The author builds credibility, so the audience trusts what they<br />
are saying.<br />
The author makes the audience feel certain emotions about specific<br />
people and things.<br />
The author uses reason and logic, facts, and experts to validate<br />
the arguments they are presenting.<br />
3 Match each example from the anchor text below to the type of appeal it is using.<br />
Example from the anchor text<br />
‘Hello, my fellow peers, you all know my name is Angela and<br />
I’m speaking with you today to try and protect you’<br />
‘… most people don’t feel like they have the strength or power<br />
to defend themselves properly’<br />
‘How can our school possibly say no to something that would benefit<br />
our life and the innumerable lives of those around us?’<br />
Type of appeal<br />
(ethos, pathos, or logos)<br />
Page 3<br />
4 In the anchor text, highlight and label one example of each of the following persuasive devices:<br />
rule of three, statistics, generalisation, rhetorical question, emotive language, and alliteration.<br />
5 What other persuasive devices can you find in the anchor text? Highlight and label these devices.<br />
6 Persuasive devices rarely work in isolation, as shown by this sentence from the anchor text:<br />
‘How can our school possibly say no to something that would benefit our life and the innumerable<br />
lives of those around us?’<br />
Page 178<br />
Literary and<br />
persuasive<br />
devices<br />
STRATEGY<br />
Pause to<br />
wonder and<br />
connect.<br />
a How many devices can you identify in this sentence?<br />
b Describe the effect of the persuasive devices working together in this sentence.<br />
7 Identify the structural elements and language features in your speech. What persuasive devices have<br />
you used in your speech? How could you make your speech more persuasive? Revise your draft.<br />
Page 20<br />
I understand the key structural elements and language features of persuasive speeches: / 5<br />
Persuasive devices are not just for persuasive texts. Can you use the ‘rule of three’ or<br />
emotive language in another piece of writing this week?<br />
TAKE IT<br />
WITH YOU<br />
1.3 Persuasive structures and features 9
1.4<br />
http://mea.digital/<br />
CL3_1_4<br />
Persuasive vocabulary<br />
Part A: Emotive language<br />
L E A R N I N G<br />
A text that makes someone feel something is far more likely to convince its reader or audience to<br />
think something or to do something. By using language that evokes emotion, writers connect to<br />
their readers in a way that is memorable and persuasive.<br />
I N T E N T I O N :<br />
To understand emotive<br />
language, denotation, and<br />
connotation in persuasive<br />
writing<br />
1 In the following sentences, highlight the emotive words and identify what emotion is being<br />
expressed by these words.<br />
a The innocent bystander stood frozen, unable to tear his eyes away.<br />
b The vicious thug saw red and snapped as she lunged closer.<br />
c The underestimated victim took a deep breath and concentrated on what they had learnt.<br />
2 Consider the three people in Question 1. What judgements did you make about these people?<br />
How did you interpret their situations? How are they feeling?<br />
a The bystander The bystander is too scared to do anything.<br />
b The thug<br />
<br />
c The victim<br />
3 Underline the emotive words in paragraph three of the anchor text.<br />
Page 3<br />
4 The text below claims that selling junk food in a cafeteria is a terrible thing. Change the bolded<br />
emotive words so the text claims that selling junk food in a cafeteria is a great thing.<br />
I walk into the cafeteria and the stench of deep-fried oil slams into my face. I look across the bainmarie<br />
and all I can see are the greasy towers of processed food. It all looks like an oil factory ready<br />
to explode. I can’t understand why, in this day and age, we are still putting the lives of vulnerable<br />
children at risk by normalising such rubbish as ‘food’ that is fit for consumption.<br />
Part B: Denotation and connotation<br />
Every word has a standard definition or a literal meaning, which is called a word’s denotation.<br />
Many words also have a connotation, which is the feeling evoked by the word; a connotation<br />
is a suggested or implied meaning.<br />
For example: The sandpaper is gritty. That side of town is gritty.<br />
(Denotation: having (Connotation: that side of town is rough; it’s a tough<br />
a rough texture)<br />
neighbourhood with high incidences of crime)<br />
10 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
A word’s connotation can be further classified as being either negative or positive.<br />
5 From the anchor text, choose a word with a negative connotation and a word with a positive<br />
connotation, then complete the following table.<br />
Word<br />
from the<br />
anchor text<br />
Positive or<br />
negative<br />
connotation<br />
Denotation (definition<br />
or literal meaning)<br />
Connotation (implied meaning)<br />
Page 3<br />
Vital Positive Something that is<br />
necessary<br />
Most important thing that will help<br />
your life<br />
6 For each of the words in the table below, identify a synonym that has a different connotation.<br />
Positive connotation Neutral connotation Negative connotation<br />
Infatuated Highly interested Obsessed<br />
Page 181<br />
Word meanings<br />
Assertive<br />
Timid<br />
Mature<br />
Pushy<br />
Giving<br />
7 Decide whether each of the following words shows someone is not very determined, or determined,<br />
or very determined.<br />
wavering, adamant, headstrong, faltering, inflexible, persistent,<br />
rigid, stubborn, tenacious, hesitant, unrelenting<br />
Not very determined:<br />
Determined:<br />
Very determined:<br />
8 How do you want your audience to feel during your speech?<br />
Page 20<br />
9 Revise your speech to appeal to your audience’s feelings. Experiment with your language choices<br />
to make them more emotive. Include more descriptive words so your audience knows how to feel<br />
about what you are talking about.<br />
I understand emotive language, denotation, and connotation in persuasive writing: / 5<br />
Challenge yourself to find and use emotive language, with both positive and negative<br />
connotations, in other subjects.<br />
TAKE IT<br />
WITH YOU<br />
1.4 Persuasive vocabulary 11
1.5<br />
Persuasive syntax<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand the differences between<br />
spoken and written language, including<br />
maintaining the subject–verb agreement<br />
Part A: Spoken versus written language<br />
http://mea.digital/<br />
CL3_1_5<br />
Page 202<br />
Spoken versus<br />
written language<br />
The differences between spoken and written language go beyond the different words and syntax<br />
(sentence structure) used in these two types of language. In written texts, we use punctuation to help<br />
convey the meaning of the words; whereas, in spoken texts, we use our voice and body language to<br />
assist us to convey our meaning to our audience. However, these differences become blurred when<br />
we write a text that is going to be spoken.<br />
1 What are the key similarities and differences between spoken language and written language?<br />
Page 3<br />
2 How have the following sentences in the anchor text been written to make them sound more<br />
like the way a person speaks?<br />
a ‘I’m hoping you all feel very safe, sitting here together today.’<br />
b ‘So many people (especially us young people) feel hopeless when fighting against someone …’<br />
STRATEGY<br />
Connect with<br />
the language<br />
choices.<br />
3 a Record yourself speaking naturally about aliens for 10 seconds. Transcribe what you said exactly,<br />
and then revise it to fix the grammatical errors, repetitions, etc.<br />
b Reflect on your spoken and written texts about aliens. What are the differences between your<br />
spoken and written syntax?<br />
A spoken text is not always informal. Although the structural elements and language features of<br />
a formal speech are similar to those used in a formal written text, there are still key differences<br />
between these two text types.<br />
4 What are the differences between a formal speech and a formal written text?<br />
Formal speech<br />
Formal written text<br />
A formal written text:<br />
• has long, complex sentences<br />
• repeats phrases and ideas less frequently<br />
than spoken texts<br />
• uses simple transitions and paragraphing<br />
to break up ideas<br />
12 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Formal speech (cont.)<br />
Formal written text (cont.)<br />
• uses punctuation to control the tone of<br />
the text and to present ideas clearly<br />
• is more likely to use nominalisation than<br />
a speech<br />
• is less likely to use pictures and graphics<br />
to support the ideas in the text<br />
• uses specific devices (expert opinion, logic<br />
and reason, statistics, etc.) to present ideas.<br />
Part B: Subject–verb agreement<br />
Every sentence needs a subject (someone or something doing something) and a predicate<br />
(which includes a main verb to show what the subject is doing). In English sentences, the subject<br />
and the verb must ‘agree’ with each other. What this means is:<br />
• if a subject is singular (one), the verb must also be singular For example: He suggests<br />
• if a subject is plural (more than one), the verb must also be plural. For example: They suggest<br />
Page 186<br />
Subject and<br />
predicate<br />
The exception is the first-person pronoun ‘I’, which uses a plural verb. For example: I suggest<br />
In the past tense, the subject–verb agreement stays the same regardless of whether the subject<br />
is singular or plural. For example: The teacher suggested we should sign the petition.<br />
The teachers suggested we should sign the petition.<br />
The further apart the subject is to the verb, the more difficult it can be to make sure they agree.<br />
Watch out for prepositional phrases, brackets, and appositives trying to distract you!<br />
Page 187<br />
Tense<br />
When there are multiple subjects in a sentence, you need to concentrate very specifically on the<br />
subject–verb agreement. To make sure the subjects and verbs agree, look at the subjects in the<br />
sentence and consider: Are the subjects all singular? Are the subjects joined with a conjunction<br />
(for, and, nor, but, or, yet, so)?<br />
5 In each sentence, underline the subject/s and circle the verb. Do the subjects and verbs agree?<br />
a The room of empty chairs waits for the bell to ring.<br />
b The instructor, a specialist in self-defence, speak from experience.<br />
STRATEGY<br />
Connect the<br />
subject and<br />
the predicate.<br />
c Either Elijah or Emilia is the class assistant today.<br />
d The task and the resources is waiting for submission.<br />
6 Does your speech read like a text that is intended to be spoken? How can you find the balance<br />
between writing formally and writing a text that is intended to be spoken to your class?<br />
Make sure your subjects and verbs all agree!<br />
Page 20<br />
I understand the differences between spoken and written language,<br />
including maintaining the subject–verb agreement: / 5<br />
Hearing and seeing the differences between formal spoken and written texts can help<br />
you build sophistication in your writing. Be courageous and experiment with writing in<br />
a way that is very different to the way you speak. And, as your sentences become more<br />
complex, don’t forget to check that your subjects and verbs still agree!<br />
TAKE IT<br />
WITH YOU<br />
1.5 Persuasive syntax 13
1.6<br />
L E A R N I N G<br />
Persuasive punctuation<br />
I N T E N T I O N :<br />
To understand the impact<br />
exclamation and question<br />
marks have on a written text<br />
Part A: Exclamation marks!<br />
http://mea.digital/<br />
CL3_1_6<br />
Exclamation marks show emphasis and emotion in writing. They are powerful punctuation marks –<br />
particularly in persuasive texts – but they need to be controlled to ensure the exclamation marks<br />
used have the greatest impact. The exclamation mark is often considered to be an informal<br />
punctuation mark, particularly when it is used repeatedly in a text.<br />
Page 188<br />
Types of<br />
punctuation<br />
1 Consider the following sentences from the anchor text that use exclamation marks. What impact<br />
does each exclamation mark have on the sentence?<br />
a ‘… high schools in New South Wales collected survey results to discover that 30 per cent of boys<br />
and 32 per cent of girls experienced sexual harassment on school grounds!’<br />
Page 3<br />
b ‘Well, self-defence classes are literally a class about how NOT to get injured!’<br />
2 Write a sentence, using an exclamation mark, to show each of the following emotions.<br />
a Frustration<br />
b Passion<br />
c Determination<br />
3 Why is it beneficial to use exclamation marks in a written speech, considering that the audience<br />
will hear the speech and not read it (that is, the audience won’t ‘see’ the exclamation marks)?<br />
Part B: Question marks?<br />
Questions in speeches are called rhetorical questions because the question is a statement; the<br />
answer is implied, and the speaker is not expecting an answer from the audience. Asking a rhetorical<br />
question is a powerful persuasive device that can be used in both written and spoken persuasive<br />
writing. However, they have to be controlled: asking a few rhetorical questions can be persuasive;<br />
asking too many can be overwhelming!<br />
4 In the anchor text, why did Angela choose to finish each body paragraph with a rhetorical question?<br />
Page 3<br />
STRATEGY<br />
Connect the<br />
punctuation<br />
to what is<br />
being said.<br />
14 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
When using question marks alongside quotation marks:<br />
• if the question relates to the quote, then the question mark stays inside the quotation marks<br />
• if the question is part of the sentence, then the question mark goes outside the quotation marks.<br />
For example: Then he asked, ‘Why are we doing this?’ Why did he say, ‘This has been done’?<br />
5 In the following sentences, decide whether the question mark should go inside or outside<br />
the quotation marks.<br />
a Has anyone ever asked, ‘Why haven’t we done this already’<br />
b What do you do when someone says, ‘I can’t help you right now’<br />
c We need to ask each other, ‘Do you feel safe today’<br />
Part C: The interrobang?!<br />
The interrobang is the combination of an exclamation mark with a question mark (for example,<br />
?! or !?! or any other combination). This punctuation mark is used to show that a question is being<br />
asked with significant emphasis or emotion. The interrobang is a non-standard form of punctuation<br />
that is becoming more acceptable in informal texts.<br />
6 List the different types of text where it would be appropriate to use an interrobang.<br />
7 The following sentences do not use an interrobang correctly. Explain why.<br />
a I think self-defence classes are a great idea!?!<br />
b Dear Principal Le, why don’t we have self-defence classes already!?!<br />
8 a Revise your speech to use at least one exclamation mark for effect. Although the audience won’t<br />
see the exclamation mark, it will help you use the right tone when you deliver your speech.<br />
b Rhetorical questions are compelling in persuasive writing. Have you used any rhetorical questions<br />
in your speech? Revise your speech to include at least one.<br />
Page 20<br />
c Check you have used punctuation accurately in your speech. While the audience won’t see<br />
your punctuation, it will help you find the right pace, tone, and when to pause as you deliver<br />
your speech.<br />
I understand the impact exclamation and question marks have on a written text: / 5<br />
It is easy to overlook punctuation. Challenge yourself to notice punctuation such as<br />
exclamation and question marks in other subjects, and to observe how they are used.<br />
TAKE IT<br />
WITH YOU<br />
1.6 Persuasive punctuation 15
1.7<br />
Persuasive spelling<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand how prefixes<br />
and suffixes impact words<br />
Part A: Prefixes<br />
http://mea.digital/<br />
CL3_1_7<br />
A prefix is a group of letters that is added to the beginning of a word. Each prefix has its own<br />
meaning; this meaning does not change, regardless of what word the prefix is attached to.<br />
Adding a prefix to a word can make the word opposite (nonfiction) or negative (uncooked).<br />
Prefixes can be used to show time (preservice), manner (overpopulated), or an amount (biannual).<br />
1 Complete the following table and note the impact of adding prefixes to different words.<br />
Page 195<br />
Bases and affixes<br />
Prefix Prefix meaning Base<br />
word<br />
New word<br />
created<br />
Other words that use<br />
the prefix<br />
STRATEGY<br />
Consider the<br />
meaning and<br />
pronunciation<br />
of familiar<br />
parts of<br />
the word.<br />
pre<br />
e<br />
ex<br />
ec<br />
ef<br />
(These are all<br />
assimilated<br />
prefixes.)<br />
before<br />
(for example:<br />
‘preview’ means<br />
‘before viewing’)<br />
out of, from within,<br />
beyond<br />
(for example: ‘exit’<br />
means ‘out of it’)<br />
arrange<br />
fabricated<br />
destined<br />
motion<br />
change<br />
centric<br />
fort<br />
Page 3<br />
2 Consider the following words from the anchor text. Explain how the prefix in each word impacts<br />
the overall meaning of the word.<br />
a Prevent:<br />
b Effect:<br />
c Pre-empt:<br />
3 ‘Predator’ starts with ‘pre’ but does not mean ‘before’. Why does predator start with ‘pre’?<br />
4 The assimilated prefix ‘ob, op, of, oc’ means ‘against, in the way’. Decide which prefix is used<br />
to spell the following words.<br />
Note that we use ‘op’ before p, ‘of’ before f, ‘oc’ before c, and ‘ob’ before all other letters.<br />
e, ex, ec, ef ob, op, of, oc<br />
____tend<br />
____ject<br />
____static<br />
____fective<br />
____ist<br />
____cur<br />
____ject<br />
____pose<br />
____fend<br />
____casion<br />
16 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Part B: Suffixes<br />
A suffix is a letter or group of letters added to the end of a word to create a new word. Rather than<br />
changing a word’s meaning, a suffix changes the word’s function in a sentence. Just by noticing<br />
a word’s suffix, we know what the word is doing in the sentence.<br />
Suffixes can create a plural, or change the tense:<br />
For example: persuade + s = persuades; persuade + ed = persuaded; persuade + ing = persuading<br />
Suffixes can also completely change how the word can grammatically be used.<br />
For example: persuade + er = persuader (changes to a noun: a person)<br />
persuade + sion = persuasion (changes to a noun: a process)<br />
persuade + ive = persuasive (changes to an adjective: describing a noun)<br />
5 Change the verb ‘offend’ by adding appropriate suffixes.<br />
Original word Change to … New word<br />
offend<br />
past tense<br />
offend<br />
adjective<br />
offend<br />
noun<br />
Over 95 per cent of all suffixes used are ‘ed’ (past-tense verb), ‘ing’ (present-participle verb),<br />
‘ly’ (adverb), or ‘s/es’ (plural).<br />
STRATEGY<br />
Connect<br />
the word to<br />
its function.<br />
Page 195<br />
Bases and<br />
affixes<br />
6 Categorise these suffixes into the part of speech they indicate.<br />
age, ify, ful, dom, ise, al, ous, ate, ance/ence, y, ic, en, er, ment, ist, ion, ing, ish<br />
Noun Verb Adjective<br />
7 In the anchor text, circle one noun suffix, one verb suffix, and one adjective suffix.<br />
8 Using the spelling rules outlined in the <strong>Literacy</strong> How-to section (page 191), work out the correct<br />
spelling for the following words and their suffixes. Explain why each word is spelled this way.<br />
a Control + er<br />
b State + ing<br />
Page 3<br />
Page 197<br />
Spelling<br />
generalisations<br />
c Testify + ed<br />
9 Check the spelling in your speech. Have you accurately used prefixes and suffixes? How many have<br />
you used? Are they positive or negative? Consider some synonyms and experiment with alliteration,<br />
puns, rhyme, or repetition in your speech.<br />
Page 20<br />
I understand how prefixes and suffixes impact words: / 5<br />
By changing a word’s suffix, you can use the word in a different context. You can<br />
change a word’s meaning by adding a prefix. See how powerful word choice can<br />
be by experimenting with different words in different subjects.<br />
TAKE IT<br />
WITH YOU<br />
1.7 Persuasive spelling 17
1.8<br />
Persuasive speaking and listening<br />
Part A: Voice and body language<br />
L E A R N I N G<br />
I N T E N T I O N :<br />
To understand<br />
how people speak<br />
persuasively for<br />
different audiences<br />
and purposes<br />
http://mea.digital/<br />
CL3_1_8<br />
Page 200<br />
Voice and body<br />
language<br />
There are two main things to focus on when giving a speech: your voice and your body language.<br />
This expression of your text can be supported with multimedia or images.<br />
1 Watch the video of the anchor text by scanning the QR code on page 3.<br />
2 Complete the following table by identifying how the speaker used her voice and body to<br />
be persuasive.<br />
Voice<br />
Body<br />
Page 3<br />
STRATEGY<br />
Identify and<br />
understand<br />
the pieces of<br />
the text.<br />
3 a Practise reading the first paragraph of your speech out loud. Each time you read the paragraph,<br />
focus on a different element of your voice or body:<br />
• Pace: How slow do you need to speak so your audience can follow what you’re saying?<br />
• Expression: Try speaking as if you are really happy or really frustrated.<br />
• Gestures: Put down your speech and experiment with what you can do with your hands.<br />
• Emphasis: Experiment with putting different levels of emphasis on different words.<br />
• Facial expressions: What happens if you smile as you speak? Or if you frown?<br />
• Volume: Try speaking quietly, and then loudly. Where do you project from?<br />
• Body positions: What does it feel like to cross your legs or lean against something?<br />
What position makes you feel the most confident?<br />
b How did the meaning of the paragraph change depending on how you spoke or moved your body?<br />
Part B: The active audience<br />
Our lives are filled with persuasive texts. We are constantly being told we should buy something,<br />
do something, think something, or feel a certain way about something. In some situations, it is<br />
obvious that someone is being persuasive (for example, if they are trying to sell us something);<br />
however, in other situations, it may not be so clear (for example, if someone is presenting an idea<br />
or belief). It is in these situations that we need to be not just an active listener, but a critical one.<br />
4 For each audience response in the table, identify a situation where the response is appropriate.<br />
Situation<br />
Appropriate audience response<br />
Listening quietly, eyes focused on the speaker, clapping at the end<br />
Yelling, singing, talking, dancing, and clapping<br />
Laughing at appropriate sections, cheering at the end<br />
Talking, chanting, and clapping<br />
Being quiet during play, and then clapping and yelling after a shot<br />
18 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
5 How can you be an active listener during your classmates’ presentations? What is an appropriate<br />
audience in this situation?<br />
6 Imagine one of your classmates is giving their speech. You notice they are shaking, sweating,<br />
and losing control of their voice. As an audience member, how can you be even more supportive<br />
of a particularly nervous speaker?<br />
STRATEGY<br />
Pause to<br />
wonder and<br />
connect.<br />
7 You have spent this unit revising your speech into a quality piece of writing. Now you need to<br />
rehearse your speech so it is ready to be presented to your class. You should rehearse or practise<br />
your speech until you know it well enough so you don’t have to read every word and you can make<br />
eye contact with members of your audience. Rehearsing your speech will also help you to find a<br />
good pace, know where the pauses are, what words need emphasis, and what tone of voice works<br />
best in which parts.<br />
Page 20<br />
8 Think about presenting your speech. What are you feeling most confident about?<br />
9 Think about presenting your speech. What are you most nervous about? How might you overcome<br />
these nerves?<br />
I understand how people speak persuasively for different audiences and purposes: / 5<br />
Consider how you can use general class discussions and group work to improve both<br />
your speaking and listening skills. These are vital life skills, and you can use them in<br />
every subject, so noticing what someone is doing when they are speaking or listening<br />
really well (or badly!) can help reinforce your own speaking and listening development.<br />
TAKE IT<br />
WITH YOU<br />
1.8 Persuasive speaking and listening 19
1.9<br />
My persuasive speech draft<br />
20 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
M Y P E R S U A S I V E S P E E C H D R A F T<br />
1.9 My persuasive speech draft 21
1.9<br />
My persuasive speech draft<br />
22 <strong>Connecting</strong> <strong>Literacy</strong> • Book 3
Persuasive literacy learning ladder<br />
Writing task: Write a persuasive speech in which you try to convince your classmates<br />
to sign a petition about making a particular change at your school.<br />
1.5 I am confident<br />
I can effectively<br />
question a<br />
persuasive text<br />
to identify the<br />
main contention,<br />
intention, and key<br />
arguments.<br />
2.5 I am confident<br />
I can develop<br />
arguments to<br />
build towards<br />
a contention and<br />
to use evidence<br />
to support these<br />
ideas when writing<br />
persuasive texts.<br />
3.5 I am confident<br />
I can use appropriate<br />
structural elements<br />
and features<br />
(including a variety of<br />
persuasive devices)<br />
when writing<br />
persuasive texts.<br />
4.5 I am confident<br />
I can control my<br />
use of language<br />
to evoke specific<br />
feelings in my<br />
audience when<br />
writing persuasive<br />
texts.<br />
5.5 I am<br />
confident I can<br />
control a variety<br />
of appropriate<br />
language features<br />
(including subject–<br />
verb agreement)<br />
when writing<br />
persuasive texts.<br />
6.5 I am<br />
confident I can<br />
make informed<br />
and conscious<br />
decisions when<br />
using punctuation<br />
for effect when<br />
writing persuasive<br />
texts.<br />
7.5 I am confident<br />
I can use different<br />
strategies to spell<br />
unfamiliar words<br />
(particularly those<br />
using prefixes and<br />
suffixes) when<br />
writing persuasive<br />
texts.<br />
8.5 I am confident<br />
I can rehearse and<br />
present persuasive<br />
texts that show my<br />
understanding of a<br />
variety of persuasive<br />
and presentation<br />
techniques.<br />
1.4 I have<br />
questioned my<br />
speech to ensure<br />
my contention,<br />
intention, and<br />
arguments<br />
are clear.<br />
2.4 I have<br />
effectively<br />
connected my<br />
arguments with<br />
my contention and<br />
used evidence with<br />
purpose to support<br />
these ideas.<br />
3.4 I have effectively<br />
used appropriate<br />
structural elements<br />
and features<br />
(including a variety of<br />
persuasive devices)<br />
for persuasive effect.<br />
4.4 I have<br />
effectively used<br />
language to<br />
evoke specific and<br />
desired feelings in<br />
my audience.<br />
5.4 I have<br />
effectively used<br />
appropriate<br />
language features<br />
to write a text that<br />
will be spoken.<br />
6.4 I have<br />
effectively used<br />
punctuation to<br />
improve the tone<br />
of my speech<br />
and add to its<br />
persuasiveness.<br />
7.4 I have used<br />
different spelling<br />
strategies to<br />
accurately spell<br />
unfamiliar words,<br />
including those<br />
with prefixes<br />
and suffixes.<br />
8.4 I have presented<br />
a well-rehearsed<br />
speech that showed<br />
my understanding<br />
and application<br />
of persuasive<br />
and presentation<br />
techniques.<br />
1.3 I have<br />
experimented<br />
with different<br />
ways to make<br />
my contention,<br />
intention, and<br />
arguments clear<br />
in my speech.<br />
2.3 I have<br />
experimented –<br />
during my<br />
revisions – with<br />
ways to connect<br />
my evidence to my<br />
arguments, and<br />
my arguments to<br />
my contention.<br />
3.3 I have<br />
experimented –<br />
during my revisions –<br />
with how best to<br />
use the structural<br />
elements and<br />
language features of<br />
persuasive writing<br />
for effect.<br />
4.3 I have<br />
experimented –<br />
during my<br />
revisions – with<br />
different ways to<br />
use language for<br />
emotional effect.<br />
5.3 I have<br />
experimented –<br />
during my<br />
revisions – with<br />
ways to use<br />
language features<br />
to create a<br />
spoken text.<br />
6.3 I have<br />
experimented –<br />
during my<br />
revisions – with<br />
ways to use<br />
punctuation to<br />
enhance my<br />
writing.<br />
7.3 I have tried<br />
spelling unfamiliar<br />
words that use<br />
prefixes and<br />
suffixes.<br />
8.3 I have<br />
experimented –<br />
during my<br />
rehearsals – with<br />
different ways<br />
to present my<br />
speech so it could<br />
be as persuasive<br />
as possible.<br />
1.2 I have<br />
explained my<br />
contention,<br />
intention, and<br />
arguments<br />
throughout<br />
my speech.<br />
2.2 I have used<br />
appropriate<br />
arguments<br />
and evidence<br />
to support my<br />
contention overall.<br />
3.2 I have followed<br />
the structural<br />
elements of a<br />
persuasive speech<br />
and included several<br />
persuasive devices.<br />
4.2 I have included<br />
some words that<br />
show a positive or<br />
negative feeling<br />
towards my topic.<br />
5.2 I have shown<br />
an understanding<br />
of the difference<br />
between written<br />
and spoken texts<br />
when creating<br />
my speech.<br />
6.2 I have<br />
accurately used<br />
a variety of<br />
punctuation<br />
independently.<br />
7.2 I have<br />
independently<br />
edited my<br />
spelling errors.<br />
8.2 I have presented<br />
my speech using<br />
different voice and<br />
body language<br />
strategies.<br />
1.1 I have<br />
directly stated<br />
my contention,<br />
intention, and<br />
arguments.<br />
2.1 I have included<br />
arguments and<br />
evidence in<br />
my speech.<br />
3.1 I have followed<br />
the structural<br />
elements of a<br />
persuasive speech<br />
with support and<br />
included a few<br />
persuasive devices.<br />
4.1 I have included<br />
some emotive<br />
words with<br />
support.<br />
5.1 I have written<br />
a text that is<br />
intended to<br />
be spoken.<br />
6.1 I have<br />
accurately used<br />
punctuation with<br />
support.<br />
7.1 I have edited<br />
my spelling errors<br />
with support.<br />
8.1 I have presented<br />
my persuasive<br />
speech.<br />
1.0 Not shown 2.0 Not shown 3.0 Not shown 4.0 Not shown 5.0 Not shown 6.0 Not shown 7.0 Not shown 8.0 Not shown<br />
1 Comprehension 2 Planning and<br />
writing<br />
3 Structures and<br />
features<br />
4 Vocabulary 5 Syntax 6 Punctuation 7 Spelling 8 Speaking and<br />
listening<br />
Persuasive literacy learning ladder 23