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Copy Link : https://maburkanginan.blogspot.com/?good=1556594771 SINOPSIS : “This may be the most anticipated poetry book of the last decade...expect it to haunt you.”—NPR.orgIn reviewing Richard Siken's first book, Crush, the New York Times wrote that his territory is [where] passion and eloquence collide and fuse. In this long-awaited follow-up to Crush, Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In th
Copy Link : https://maburkanginan.blogspot.com/?good=1556594771
SINOPSIS :
“This may be the most anticipated poetry book of the last decade...expect it to haunt you.”—NPR.orgIn reviewing Richard Siken's first book, Crush, the New York Times wrote that his territory is [where] passion and eloquence collide and fuse. In this long-awaited follow-up to Crush, Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In th
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War of the Foxes
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“Ths may be the most anticipated poetry book of the
last decade...expect it to haunt you.”#8212NPR.orgIn
reviewing Richard Siken's first book, Crush, the New York
Times wrote that his territory is [where] passion and eloquence
collide and fuse. In this long-awaited follow-up to Crush, Siken
turns toward the problems of making and representation, in an
unrelenting interrogation of our world of doublings. In this
restless, swerving book simple questions—uc as, Why
paint a bird?—ar immediately complicated by concerns of
morality, human capacity, and the ways we look to art for
meaning and purpose while participating in its—an our
own—inention.* Slippery, magnetic riffs on the arbitrary
divisions made by the human mind in light of the mathematical
abstractions that delete them poetry lovers will want to
read.—Lirary Journal, starred review[P]oems of passion,
examining what it means to love, to be, and to
create.—Vaity FairSiken’stark, startling collection
focuses tightly on both the futility and the importance of
creating art.—Boklist“Poms primarily about
painting and representation give way to images that become
central characters in a sequence of fable-like pieces. Animals,
landscapes, objects, and an array of characters serve as sites
for big, human questions to play out in distilled form.
Siken’sense of line has become more uniform, this
steadiness punctuated by moments of cinematic
urgency.”#8212Publishers WeeklyWar of the Foxes
builds upon the lush and frantic magic of Richard
Siken’first book, Crush. In this second book, Siken
takes breathtaking control of the rich, varied material he has
chosen...Siken paints and erases—th metaphor of
painting with words allows him to leave those traces that
mostly go unseen. He is the Trickster. If paint/then no paint.
He does this with astonishing candor and passion.—Th
RumpusThe MuseumTwo lovers went to the museum and
wandered the rooms.He saw a painting and stood in front of
itfor too long. It was a few minutes before sherealized he had
gotten stuck. He was stuck lookingat a painting. She stood
next to him, looking at hisface and then the face in the
painting. What do yousee? she asked. I don't know, he said.
He didn'tknow. She was disappointed, then bored. He
waslooking at a face and she was looking at her watch.This is
where everything changed . . .Richard Siken is a poet, painter,
and filmmaker. His first book, Crush, won the Yale Younger
Poets' prize. He lives in Tucson, Arizona.
Copy Link :
https://maburkanginan.blogspot.com/?good=1556594771
SINOPSIS : “Ths may be the most anticipated poetry
book of the last decade...expect it to haunt
you.”#8212NPR.orgIn reviewing Richard Siken's first
book, Crush, the New York Times wrote that his territory is
[where] passion and eloquence collide and fuse. In this longawaited
follow-up to Crush, Siken turns toward the problems of
making and representation, in an unrelenting interrogation of
our world of doublings. In this restless, swerving book simple
questions—uc as, Why paint a bird?—ar
immediately complicated by concerns of morality, human
capacity, and the ways we look to art for meaning and purpose
while participating in its—an our own—inention.*
Slippery, magnetic riffs on the arbitrary divisions made by the
human mind in light of the mathematical abstractions that
delete them poetry lovers will want to read.—Lirary
Journal, starred review[P]oems of passion, examining what it
means to love, to be, and to create.—Vaity
FairSiken’stark, startling collection focuses tightly on
both the futility and the importance of creating
art.—Boklist“Poms primarily about painting and
representation give way to images that become central
characters in a sequence of fable-like pieces. Animals,
landscapes, objects, and an array of characters serve as sites
for big, human questions to play out in distilled form.
Siken’sense of line has become more uniform, this
steadiness punctuated by moments of cinematic
urgency.”#8212Publishers WeeklyWar of the Foxes
builds upon the lush and frantic magic of Richard
Siken’first book, Crush. In this second book, Siken
takes breathtaking control of the rich, varied material he has
chosen...Siken paints and erases—th metaphor of
painting with words allows him to leave those traces that
mostly go unseen. He is the Trickster. If paint/then no paint.
He does this with astonishing candor and passion.—Th
RumpusThe MuseumTwo lovers went to the museum and
wandered the rooms.He saw a painting and stood in front of
itfor too long. It was a few minutes before sherealized he had
gotten stuck. He was stuck lookingat a painting. She stood
next to him, looking at hisface and then the face in the
painting. What do yousee? she asked. I don't know, he said.
He didn'tknow. She was disappointed, then bored. He
waslooking at a face and she was looking at her watch.This is
where everything changed . . .Richard Siken is a poet, painter,
and filmmaker. His first book, Crush, won the Yale Younger
Poets' prize. He lives in Tucson, Arizona. - War of the Foxes
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