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Indecent (TCG Edition)
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&#8220Reelatory&#8230Asintimate and immediate as a
whispered secret. Vogel&#8217play thrums with music, desire,
and fear, and it&#8217shrewd about the ways in which
America isn&#8217tfree, and about how art does and
doesn&#8217ttranscend the perilous winds of
history.&#8221&#8212Ne Yorker&#8220uprbly
realized&#8230Inecent, the powerful play by Paula Vogel,
sheds an eye-opening light on a little-known time when
theatrical history, Jewish culture, and the frank depiction of
homosexuality intersected, with explosive
results.&#8221&#8212Ne York Times&#8220Gogeous.
Illuminating and heartbreaking. Rich in sympathy and humor,
Indecent has the scope of an epic but the intimacy of a
chamber piece&#8230Itcelebrates and illustrates the power of
theater.&#8221&#8212Tie Out New York&#8220Amoving and
fascinating play&#8230Asingular achievement&#8230The
historical perspective is vast and knowing&#8230Ha there ever
been anything quite like Indecent, a play that
touches&#8212Imean deeply touches&#8212omuch rich
emotion about history and the theater, anti-Semitism,
homophobia, censorship, world wars, red-baiting, and oh, yes,
joyful human passion?...An extraordinary
play.&#8221&#8212Nesday&#8220Inecent is more than a play
about forbidden love: It&#8217about theater as a life
force.&#8221&#8212Ne York PostWhen Sholem Asch wrote
God of Vengeance in 1907, he didn&#8217timagine the height
of controversy the play would eventually reach. Performing at
first in Yiddish and German, the play&#8217subject matter

wasn&#8217tdeemed contentious until it was produced in
English, when the American audiences were scandalized by
the onstage depiction of an amorous affair between two
women. Paula Vogel&#8217newest work traces the trajectory
of the show&#8217success through its tour in Europe to its
abrupt and explosive demise on Broadway in
1923&#8212inluding the arrest of the entire
production&#8217cast and crew.Paula Vogel is the Pulitzer
Prize&#8211wining author of How I Learned to Drive. Her
other plays include Don Juan Comes Home from Iraq, A Civil
War Christmas, The Long Christmas Ride Home, and The
Baltimore Waltz, among others. She has also had a
distinguished career as a teacher and mentor to younger
playwrights, first at Brown University and then at the Yale
School of Drama.
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SINOPSIS : &#8220Reelatory&#8230Asintimate and
immediate as a whispered secret. Vogel&#8217play thrums
with music, desire, and fear, and it&#8217shrewd about the
ways in which America isn&#8217tfree, and about how art
does and doesn&#8217ttranscend the perilous winds of
history.&#8221&#8212Ne Yorker&#8220uprbly
realized&#8230Inecent, the powerful play by Paula Vogel,
sheds an eye-opening light on a little-known time when
theatrical history, Jewish culture, and the frank depiction of
homosexuality intersected, with explosive
results.&#8221&#8212Ne York Times&#8220Gogeous.
Illuminating and heartbreaking. Rich in sympathy and humor,
Indecent has the scope of an epic but the intimacy of a
chamber piece&#8230Itcelebrates and illustrates the power of
theater.&#8221&#8212Tie Out New York&#8220Amoving and
fascinating play&#8230Asingular achievement&#8230The

historical perspective is vast and knowing&#8230Ha there ever
been anything quite like Indecent, a play that
touches&#8212Imean deeply touches&#8212omuch rich
emotion about history and the theater, anti-Semitism,
homophobia, censorship, world wars, red-baiting, and oh, yes,
joyful human passion?...An extraordinary
play.&#8221&#8212Nesday&#8220Inecent is more than a play
about forbidden love: It&#8217about theater as a life
force.&#8221&#8212Ne York PostWhen Sholem Asch wrote
God of Vengeance in 1907, he didn&#8217timagine the height
of controversy the play would eventually reach. Performing at
first in Yiddish and German, the play&#8217subject matter
wasn&#8217tdeemed contentious until it was produced in
English, when the American audiences were scandalized by
the onstage depiction of an amorous affair between two
women. Paula Vogel&#8217newest work traces the trajectory
of the show&#8217success through its tour in Europe to its
abrupt and explosive demise on Broadway in
1923&#8212inluding the arrest of the entire
production&#8217cast and crew.Paula Vogel is the Pulitzer
Prize&#8211wining author of How I Learned to Drive. Her
other plays include Don Juan Comes Home from Iraq, A Civil
War Christmas, The Long Christmas Ride Home, and The
Baltimore Waltz, among others. She has also had a
distinguished career as a teacher and mentor to younger
playwrights, first at Brown University and then at the Yale
School of Drama. - Indecent (TCG Edition) Publishing Ebook
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