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Indecent (TCG Edition)
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&#8220Revelatory&#8230As intimate and immediate as a

whispered secret. Vogel&#8217s play thrums with music,
desire, and fear, and it&#8217s shrewd about the ways in
which America isn&#8217t free, and about how art does and
doesn&#8217t transcend the perilous winds of history.&#8221
&#8212New Yorker&#8220Superbly realized&#8230Indecent,
the powerful play by Paula Vogel, sheds an eye-opening light
on a little-known time when theatrical history, Jewish culture,
and the frank depiction of homosexuality intersected, with
explosive results.&#8221 &#8212New York
Times&#8220Gorgeous. Illuminating and heartbreaking. Rich
in sympathy and humor, Indecent has the scope of an epic but
the intimacy of a chamber piece&#8230It celebrates and
illustrates the power of theater.&#8221 &#8212Time Out New
York&#8220A moving and fascinating play&#8230A singular
achievement&#8230 The historical perspective is vast and
knowing&#8230Has there ever been anything quite like
Indecent, a play that touches&#8212I mean deeply
touches&#8212so much rich emotion about history and the
theater, anti-Semitism, homophobia, censorship, world wars,
red-baiting, and oh, yes, joyful human passion?...An
extraordinary play.&#8221 &#8212Newsday&#8220Indecent is
more than a play about forbidden love: It&#8217s about
theater as a life force.&#8221 &#8212New York PostWhen
Sholem Asch wrote God of Vengeance in 1907, he
didn&#8217t imagine the height of controversy the play would
eventually reach. Performing at first in Yiddish and German,
the play&#8217s subject matter wasn&#8217t deemed
contentious until it was produced in English, when the
American audiences were scandalized by the onstage
depiction of an amorous affair between two women. Paula
Vogel&#8217s newest work traces the trajectory of the
show&#8217s success through its tour in Europe to its abrupt
and explosive demise on Broadway in 1923&#8212including
the arrest of the entire production&#8217s cast and

crew.Paula Vogel is the Pulitzer Prize&#8211winning author of
How I Learned to Drive. Her other plays include Don Juan
Comes Home from Iraq, A Civil War Christmas, The Long
Christmas Ride Home, and The Baltimore Waltz, among
others. She has also had a distinguished career as a teacher
and mentor to younger playwrights, first at Brown University
and then at the Yale School of Drama.