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NZPhotographer Issue 55, May 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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Toe Toe Lines<br />

Canon 6D, Canon EF 24-105mm lens @ F22, 1/15s, ISO50<br />

In 2020, after much encouragement from a friend over<br />

several years, I entered the NZIPP IRIS Awards for the first<br />

time and came away with three bronze awards. In 2021<br />

I entered again and was fortunate to attend the awards<br />

in Nelson and came away with three bronze and a<br />

silver award. ‘Toe Toe Lines’ is the first image where I<br />

successfully incorporated ICM and in-camera multiple<br />

exposures. It opened my eyes to the creative potential<br />

of these techniques, which I am now exploring further.<br />

WHAT ARE YOUR TOP TIPS FOR LANDSCAPE<br />

PHOTOGRAPHY?<br />

The first thing that helps is being familiar with your<br />

equipment and tools; otherwise, it acts as a barrier<br />

to creating the images you want to create. There’s<br />

nothing worse than watching a sunrise and wanting<br />

to capture the changing light only to fumble with your<br />

camera settings and miss the shot. Once you have your<br />

tools dialled, I think nothing beats spending time in the<br />

landscape, observing the location, seeing what happens<br />

there. Take time to notice how it feels and what grabs<br />

your attention, and then start working with that.<br />

HOW DO YOU CONTINUE TO PUSH YOURSELF<br />

TO IMPROVE YOUR WORK?<br />

I am inspired by other photographers and artists,<br />

seeing and learning how they choose to respond to<br />

and express feelings, thoughts and emotions in the<br />

landscape and art. If I see an approach or technique<br />

that resonates with me, I will see how I can integrate it<br />

into my creative process. I also spend time looking at art<br />

books and reading and visiting art galleries, all of which<br />

help activate the creative cogs and keep me moving.<br />

In recent years I have found that watching the judging<br />

of the NZIPP IRIS Awards is extremely valuable and a<br />

tremendous learning experience. Listening to the judges<br />

discuss, agree and disagree about the merits of a<br />

particular photograph is insightful, and you begin to see<br />

and learn what actually makes a compelling image.<br />

At the moment, I am captivated by the work of Valda<br />

Bailey (https://valdabailey.com/). I love her abstract<br />

and semi-abstract imagery. Michael Kenna (https://<br />

www.michaelkenna.com/) is a firm favourite, as is<br />

Ansel Adams. Guy Tal (https://guytal.com/) and David<br />

duChemin (https://davidduchemin.com/) are my goto’s<br />

for insight into the creative process and creative<br />

encouragement when the muse is a little slow to<br />

appear. Having studied art history, I am also inspired<br />

by the work of Monet, Turner, Kandinsky, and van<br />

Gogh.<br />

DO YOU HAVE A FAVOURITE PHOTO?<br />

My favourite shot changes all the time depending on my<br />

moods, what I am trying to achieve and what I am into at<br />

the time, hour or minute! However, I think I could say that<br />

I get great satisfaction and enjoyment from my Soulful<br />

Squares series, which is ongoing. I love the balance of the<br />

square format, the black and white treatment and the<br />

focus on the more intimate details, reminding me to look<br />

for the less obvious in the landscape.

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