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NZPhotographer Issue 55, May 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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A series that I have recently completed is a response<br />

to the impact of wildfires on forests and trees. In 2008, I<br />

worked in the Australian outback, personally witnessing<br />

the impact of an out-of-control fire on the landscape and<br />

trees. More recently, in 2020, most of us in New Zealand<br />

experienced first-hand the smoke and haze from the<br />

bushfires in Australia. The series is my interpretation of the<br />

intensity and ferocity of wildfires, their journey through the<br />

forest and what they leave behind. ‘Fire II’ (seen on page<br />

43) is one of the images from that series.<br />

WHAT HAVE BEEN THE BIGGEST<br />

PHOTOGRAPHY CHALLENGES YOU’VE HAD TO<br />

OVERCOME OR STILL STRUGGLE WITH TODAY?<br />

I think the biggest challenge for any visual artist is the<br />

beliefs and perceptions that you have about your<br />

work and your creative process. Self-doubt, resistance<br />

and imposter syndrome are always lingering in the<br />

shadows. Aside from that, my biggest challenges<br />

currently are getting to know my ‘new friend’, the<br />

Canon R5 and getting my head around Photoshop.<br />

TELL US ABOUT YOUR ONGOING COLLECTION<br />

THAT EXPLORES THE ENERGY AND LIFE FORCE<br />

OF TREES...<br />

I’m drawn to forests and trees. I love walking through<br />

them, their visual appearance, the shapes and lines they<br />

create, the way the light interacts with them and the<br />

many possible compositions they offer. Most importantly,<br />

they always leave me with a sense of peace, calm and<br />

balance. There seems to be a transformational energy<br />

that leads to this change in emotional state. The Japanese<br />

call this Shinrin-yoku or ‘forest bathing’, which recognises<br />

that spending time in nature is good for our health, our<br />

emotional state and provides us with a sense of calm.<br />

My collection “Life-force of Trees” attempts to capture<br />

a visual representation of what we experience<br />

when we ‘bathe’ or walk in forests. The in-camera<br />

techniques push past the surface details, removing<br />

distracting details leaving only colours, shapes, lines<br />

and light that, to my mind, convey a sense of this<br />

transformational energy.<br />

TELL US ABOUT THE COMPETITIONS YOU’VE<br />

HAD SUCCESS WITH...<br />

‘Reward of Sunrise’ was the first image I entered into a<br />

competition that I won. That competition was actually<br />

an NZP magazine competition – the 2019 “Photography<br />

Unleashed“ Long Exposure Competition. The image<br />

was created during a yearlong photography<br />

challenge with a friend, where we wanted to explore<br />

and reacquaint ourselves with ND filters, particularly<br />

the 10-stop ND filter. We thought a challenge with<br />

predetermined monthly themes would be fun. Winning<br />

this competition gave me the confidence to submit<br />

images to other awards and competitions.<br />

Reward of Sunrise<br />

Canon 6D, Canon EF 16-35mm lens, 6 stop ND, 3 stop GND<br />

@ F11, 168.0s, ISO100

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