NZPhotographer Issue 55, May 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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A series that I have recently completed is a response<br />
to the impact of wildfires on forests and trees. In 2008, I<br />
worked in the Australian outback, personally witnessing<br />
the impact of an out-of-control fire on the landscape and<br />
trees. More recently, in 2020, most of us in New Zealand<br />
experienced first-hand the smoke and haze from the<br />
bushfires in Australia. The series is my interpretation of the<br />
intensity and ferocity of wildfires, their journey through the<br />
forest and what they leave behind. ‘Fire II’ (seen on page<br />
43) is one of the images from that series.<br />
WHAT HAVE BEEN THE BIGGEST<br />
PHOTOGRAPHY CHALLENGES YOU’VE HAD TO<br />
OVERCOME OR STILL STRUGGLE WITH TODAY?<br />
I think the biggest challenge for any visual artist is the<br />
beliefs and perceptions that you have about your<br />
work and your creative process. Self-doubt, resistance<br />
and imposter syndrome are always lingering in the<br />
shadows. Aside from that, my biggest challenges<br />
currently are getting to know my ‘new friend’, the<br />
Canon R5 and getting my head around Photoshop.<br />
TELL US ABOUT YOUR ONGOING COLLECTION<br />
THAT EXPLORES THE ENERGY AND LIFE FORCE<br />
OF TREES...<br />
I’m drawn to forests and trees. I love walking through<br />
them, their visual appearance, the shapes and lines they<br />
create, the way the light interacts with them and the<br />
many possible compositions they offer. Most importantly,<br />
they always leave me with a sense of peace, calm and<br />
balance. There seems to be a transformational energy<br />
that leads to this change in emotional state. The Japanese<br />
call this Shinrin-yoku or ‘forest bathing’, which recognises<br />
that spending time in nature is good for our health, our<br />
emotional state and provides us with a sense of calm.<br />
My collection “Life-force of Trees” attempts to capture<br />
a visual representation of what we experience<br />
when we ‘bathe’ or walk in forests. The in-camera<br />
techniques push past the surface details, removing<br />
distracting details leaving only colours, shapes, lines<br />
and light that, to my mind, convey a sense of this<br />
transformational energy.<br />
TELL US ABOUT THE COMPETITIONS YOU’VE<br />
HAD SUCCESS WITH...<br />
‘Reward of Sunrise’ was the first image I entered into a<br />
competition that I won. That competition was actually<br />
an NZP magazine competition – the 2019 “Photography<br />
Unleashed“ Long Exposure Competition. The image<br />
was created during a yearlong photography<br />
challenge with a friend, where we wanted to explore<br />
and reacquaint ourselves with ND filters, particularly<br />
the 10-stop ND filter. We thought a challenge with<br />
predetermined monthly themes would be fun. Winning<br />
this competition gave me the confidence to submit<br />
images to other awards and competitions.<br />
Reward of Sunrise<br />
Canon 6D, Canon EF 16-35mm lens, 6 stop ND, 3 stop GND<br />
@ F11, 168.0s, ISO100