NZPhotographer Issue 55, May 2022
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Chicago by Fairlie Atkinson<br />
my shot. We lowered the stage lights and popped on<br />
some red spotlights. I didn’t want a lot of noise in my<br />
image and knew I would need a high ISO and low f<br />
stop, and slow shutter speed in the low light, but I chose<br />
to shoot on 100 shutter speed, f4.5 and the ISO on 6400<br />
and increased the contrast later in-post.<br />
I essentially used the shadow to frame the image - note<br />
an even amount of shadow on the top and bottom of<br />
the image and two partial shadows of performers on<br />
the side. The shadow from the scaffolding created the<br />
shadow at the bottom, and the strip holding the lights<br />
at the top provided an equal amount of shadow. I did<br />
not see this until I looked through my camera viewfinder.<br />
Looking through the lens and moving it around allowed<br />
me to find a frame for my subjects that I had not seen<br />
just by sitting in the theatre and looking around.<br />
Have you seen people making a rectangle with both<br />
of their thumbs and forefingers and peering through<br />
it? It’s the same concept when you sweep the scene<br />
with your eye looking through the viewfinder. You’re<br />
looking for something to frame your subject. And that<br />
is the essence of framing an image. You’re looking<br />
to emphasise your subject, add depth to your image<br />
and create those nice lines and curves in your photo.<br />
Work on improving your framing this month by trying<br />
the following:<br />
• Get someone to create a frame with their fingers<br />
and shoot your subject through their fingers. Try<br />
to keep not only the fingers in focus but also the<br />
subject.<br />
• Have a look at Friedlander’s work. See if you can<br />
achieve a mirror or window shot where everything<br />
is in sharp focus and then another one where just<br />
the image in the mirror is in focus.<br />
• Get out and about and try and take an image<br />
where something natural like foliage or branches is<br />
providing a frame. Have a look at Ansel Adams’s<br />
work for inspiration.<br />
• Have a go at shooting a subject through a door<br />
frame, window, or through the bars on a fence,<br />
building, or bridge. See Yasuhiro Ishimoto for<br />
inspiration.<br />
Remember, photography is not just about the<br />
technical aspects like ISO, aperture, and shutter<br />
speed. Neither does it need to be governed by your<br />
equipment. You can take a really nice image if the<br />
framing is good.<br />
40 <strong>May</strong> <strong>2022</strong> <strong>NZPhotographer</strong>