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Village Raw - ISSUE 6

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The sixth issue of Village Raw magazine includes: ARTISTS OPEN UP - The Crouch End and East Finchley open studios. FUZZY AND LOUD / LO-FI AND MOODY - Musician Michael Jablonka discusses his music. ON THE TRAIL OF PINK - A project to celebrate Highgate’s historical women. LIGHTING IT UP - The Bounds Green Window Show lighting up the neighbourhood. WARM HUGS AND SWEET MEMORIES - In celebration of Crouch End institution Edith’s House. THE STATE OF OUR HIGH STREETS - Keeping our high streets alive and healthy. DINNER WITH A DIFFERENCE - Exploring the local supper club scene. THINKING LOCAL TO ACT GLOBAL - Making our relationship with the environment more reciprocal. SHAPING THE WORLD AROUND US - The importance of our biodiversity. FLOWERS FROM SEED - Growing seasonal local flowers for sustainable bouquets. FUELLING MIND AND BODY - A sanctuary to escape the pressures of modern life. AND MORE… Village Raw is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below.

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The sixth issue of Village Raw magazine includes:

ARTISTS OPEN UP - The Crouch End and East Finchley open studios.
FUZZY AND LOUD / LO-FI AND MOODY - Musician Michael Jablonka discusses his music.
ON THE TRAIL OF PINK - A project to celebrate Highgate’s historical women.
LIGHTING IT UP - The Bounds Green Window Show lighting up the neighbourhood.
WARM HUGS AND SWEET MEMORIES - In celebration of Crouch End institution Edith’s House.
THE STATE OF OUR HIGH STREETS - Keeping our high streets alive and healthy.
DINNER WITH A DIFFERENCE - Exploring the local supper club scene.
THINKING LOCAL TO ACT GLOBAL - Making our relationship with the environment more reciprocal.
SHAPING THE WORLD AROUND US - The importance of our biodiversity.
FLOWERS FROM SEED - Growing seasonal local flowers for sustainable bouquets.
FUELLING MIND AND BODY - A sanctuary to escape the pressures of modern life.
AND MORE…

Village Raw is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below.

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VILLAGE RAW<br />

FOOD & DRINK<br />

DINNER WITH A DIFFERENCE<br />

If you like dinner parties, but not the hassle of playing host,<br />

then get yourself down to one of north London’s supper clubs. Whether<br />

they’re held in someone’s home or in more unusual spaces, they’re<br />

a great way of meeting people and supporting talented locals.<br />

Words by Carla Parks. Photos by Emily Manos.<br />

I’ve lived long enough to have had some memorable dining experiences,<br />

but it’s safe to say I’ve never seen a chef spray chocolate<br />

sauce all over a white dining table while accompanied by the<br />

pulsating soundtrack to Pulp Fiction. I hold my breath as dessert<br />

is served with a theatrical flourish and added sparklers. It’s not<br />

entirely the sedate evening I was expecting when I was invited<br />

to a supper club hosted by Thrown Contemporary, a ceramics<br />

gallery in Highgate.<br />

I’d had some apprehensions about the evening. I was going<br />

on my own and, even worse, knew nothing at all about ceramics.<br />

Did watching Demi Moore sitting at a pottery wheel in Ghost<br />

count? But the gallery looked inviting on a blustery night, and I<br />

was quickly handed a welcome cocktail by Maja Pauling, one half<br />

of Fabulous 698B – the team behind tonight’s six-course menu.<br />

“We started by hosting supper clubs in our flat,” Maja says. Having<br />

had success at home, they expanded to private events, pop-ups<br />

and special occasions and are now looking to start a restaurant<br />

in London. She introduces me to Guillaume Jounot, her business<br />

partner and chef, who hails from Brittany and has trained with the<br />

likes of the Soho House Group.<br />

“What’s difficult here is the logistics,” admits Guillaume, who<br />

is squeezed into a corner that looks a bit impractical for serving<br />

12 guests. There’s no kitchen and the menu looks ambitious –<br />

it includes chestnut hummus, “funky” beets, Cornish mackerel<br />

escabeche and pulled pork with cider reduction. “You have to<br />

adapt to different situations,” he says with a wry smile. “Often<br />

you don’t know what you are walking into.” In this instance, all<br />

the food – with an emphasis on seasonal and local produce – is<br />

prepared in advance.<br />

Claire Pearce, the gallery’s director, explains that tonight’s<br />

di s hes will be served on plates sold by the gallery. Initially, the<br />

supper club was simply part of a series of events tied to a specific<br />

tableware exhibition, but they proved so popular that she<br />

now hosts one to celebrate each new show. Claire loves the creativity<br />

of Fabulous 698B: “I saw that they were already doing<br />

wonderful, creative things [on Instagram] and got in touch with<br />

them to see if they would like to work with me. Within 24 hours,<br />

they were standing in front of me and going through ideas.”<br />

Supper clubs are not a new concept, having been popular as<br />

all-evening entertainment in the 1930s and 40s. The modern interpretation<br />

is going through a renaissance in cities, spurred on<br />

by social media and a positive trend of pop-up foodie events. As<br />

I take my seat, I find that one of my dining companions is Tom<br />

Kemp, a ceramicist whose work is being exhibited by the gallery.<br />

There are several large vases with bold calligraphic strokes on<br />

display. The brush strokes, he explains to the table, are inspired by<br />

ancient techniques once used in Rome for signwriting. I learn that<br />

Tom used to be a mathematician at Oxford and has only taken up<br />

ceramics recently, yet he’s finding commercial success.<br />

Across from us is Anne, a Highgate resident since 1979, who<br />

has been to one of these events before and says they are “great<br />

fun” for meeting people, including some of the artists. She sits<br />

next to Elise, another mathematician and MA student in ceramics<br />

and glass, who follows Tom on Instagram and has travelled from<br />

Battersea to be here. If I was worried about the conversation<br />

stalling, I needn’t have been. Tom is easy to talk to and we are<br />

soon swapping pictures of pets. We discuss the merits, and drawbacks,<br />

of city life and adapting to new places. “I have no regrets,”<br />

says Tom, who sold up in London and moved to Devon so that he<br />

could work on his art full time.<br />

Each course is introduced by Maja, while Claire gives a brief<br />

description of the plates it’s served on and the techniques used<br />

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