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Jack’s <strong>Boys</strong><br />
a novel by<br />
Michael Ramberg<br />
Michael Ramberg<br />
2922 California Street<br />
Minneapolis, MN 55418<br />
612-788-6833<br />
mramberg@visi.com
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Part I<br />
1.<br />
Jack’s <strong>Boys</strong><br />
There were several years where I didn’t think about Jack, my father, much at all. But<br />
understand: All my life he’d been no more than a drunken bully infected by wanderlust who,<br />
after periodic short desertions, had abandoned us one final and permanent time by dying. So I<br />
punished him the only way you can punish a dead man, by removing him from my thoughts<br />
altogether. And I did not allow his return until the third spring after his death, when I found<br />
myself in the undignified aftermath of a brief and embarrassing relationship. My younger brother<br />
Theo was involved as well, of course, because interfering in my life has long been a hobby of<br />
his. One day while we were having lunch, he mentioned to me that he thought Jack’s father<br />
might still be alive somewhere.<br />
“Betcha he’s still out there kicking around,” was what he said, forcing the words through a<br />
mouth half-filled with roast beef sandwich. He challenged me with an intent stare, his jaw still<br />
working, then pulled a slug of Coca-Cola through a straw stuck in a 32-ounce waxed paper cup.<br />
I took a drink myself as I considered this new option, that Jack’s Dad might be alive. It was<br />
entirely possible, of course. When he’d died Jack had been in his mid forties and hadn’t said<br />
much one way or the other about even having a father. But because I hadn’t thought of it first I<br />
said, “I don’t think so.” I was often jealous of Theo’s observational skills, and somewhat
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resentful. Six years younger than I am, it was a continual sore spot for him to be constantly<br />
pointing things out to me. Lunch had been his idea as well. It was a Sunday afternoon and he’d<br />
simply shown up at my apartment door, as Theo sometimes does, and told me we were going to<br />
lunch, and that I was paying.<br />
“But consider it,” said Theo. “Just think about it.” He scratched his cheek, inspected and bit a<br />
ragged fingernail. Taking his time, knowing that eventually I would see things his way. He<br />
glanced around at the other customers in the restaurant, a dimly lit deli near the University only a<br />
few blocks from my apartment building. The room buzzed with the white noise of foreign<br />
conversations, of intimacies being passed against the anonymity of a crowd. A television stood in<br />
one corner, flickering silently through a series of commercials. Theo said, “There’s no reason we<br />
should think he’s dead, just because Dad never talked about him. It’s more likely they were just<br />
pissed at each other.”<br />
“Jack told me his Dad was dead.”<br />
“He did not.”<br />
“Sure he did. Heart attack. Decades ago.”<br />
“Blah blah blah. Not true.”<br />
“So, what, you have secret information?”<br />
“Okay, he said something like that. But he said heart failure, not heart attack. And that’s what<br />
Jack always said about people who were still alive but had become huge disappointments. He<br />
said it about Uncle Davey the multiplex manager. He said it about half the poets in the world. He<br />
said it about Ginsberg, remember? He said Ginsberg hadn’t written any decent poetry since his<br />
heart failed and he joined the staff at Brooklyn College.”
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Sure I remembered Jack’s rants about heart failure. I remembered him standing in the living<br />
room, his jacket flying about with the waving of his arms, rambling about the great ocean of<br />
poets whose hearts had stopped but whose pens kept moving. I pushed the image from my mind<br />
and said, “I remember heart failure. But I heard heart attack.”<br />
“You’re missing the bigger picture. It was the same thing to him. Besides, I checked the<br />
phone book. According to Ma Bell, there’s a Lawrence LaFleur living on Riverside Drive in<br />
Binghamton, New York, at this very minute.”<br />
“Coincidence,” I said.<br />
Theo took his eyes from the television, shifted his weight around and dug into the inside<br />
pocket of his jacket. I squinted briefly at the shirt he was wearing — old red gingham with small<br />
mother of pearl snaps — to make sure it hadn’t once been one of mine. Like most third children<br />
Theo had grown up in hand-me-downs, but unlike most of them he hadn’t outgrown the habit,<br />
and every once in a while I would still drag boxes of clothes I hadn’t worn for a while out to my<br />
mother’s house in Clear Lake, the suburb where we’d grown up. He’d go through them, take<br />
what he wanted, give some to his friends and take the rest to Goodwill, where he’d pick through<br />
the piles of what other people had brought in. He shopped at garage and estate sales, any place<br />
with second-hand clothes. It must have been at one of these places that he got this shirt. He was<br />
also wearing a black motorcycle jacket I had never seen, a style I wouldn’t have suspected Theo<br />
might want to adopt. He fished in the inner pocket for a second and then came out with a pack of<br />
cigarettes. “Don’t tell Mom,” he said. “You know how she worries.”<br />
I said, “Oh boy, new bad habits. Well, you’ll have your whole life to quit, I guess.” Theo was<br />
eighteen, about to finish high school. He had a place waiting for him at St. Olaf College in the<br />
fall, an enrollment he was making serious threats about not accepting. His hair was short and
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dark, several shades darker than my own hair, which I liked to keep long to hide my round,<br />
babyish face. Every once in a while Mom used to tell us that we had different fathers, though she<br />
didn’t mean she’d had an affair. What she meant instead was that in the years between my sister<br />
Kelley’s birth and Theo’s, some fundamental change had come over Dad, and though I suspected<br />
what she meant was that those were the years Jack went from being a heavy drinker to being an<br />
alcoholic, I never pushed her to be more specific. Instead I used to tell her that she was crazy. I<br />
had dad’s nose and mouth, Theo had his eyes. We were and always would be Jack’s boys.<br />
“Mom can’t say anything,” said Theo. “She’s back up to a pack a day.”<br />
“Can I say lung cancer? Can I mention emphysema?”<br />
“They’re linking it to colon cancer now, too. And how’s that love life, by the way? What<br />
happened to that A.J. girl?”<br />
I must have looked startled, because he smiled smugly. Our conversations often progressed<br />
like this, as if we were keeping score, and now he collected his points and sat back. I answered,<br />
“She doesn’t want anything to do with me. She has a boyfriend in Milwaukee. We’re supposed<br />
to take her out to lunch tomorrow, the whole damn editorial staff. It’s her last day interning.”<br />
“Too bad Dad’s not here any more. He knew ways to get around boyfriends. Remember<br />
Carol?”<br />
I thought about it, looking at the customers lined up in the aisle, shifting their weight from<br />
foot to foot and talking among themselves. “No.” I said.<br />
“In Denver. He told it a hundred times.”<br />
“I guess I do now,” I said. “But to hear Dad tell it there wasn’t a way, as such. Things just<br />
happened around Dad.”
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The smoke from Theo’s cigarette curled upwards, broke into threads and dissipated slowly<br />
into the corners of the delicatessen. He exhaled out of the corner of his mouth in much the same<br />
way Jack used to, a slightly self conscious exhalation while his eyes focused on tapping ashes<br />
into a small stamped out metal ashtray. A show came on the television, and five seconds after it<br />
started Theo said, “It’s the one where Carla dates the professor.”<br />
“What?” I said.<br />
He pointed at the television. “Cheers re-runs,” he said.<br />
“Oh,” I said.<br />
Theo had always had a fascination with television. He studied the tones of the screen, the<br />
pixilation of form, the quality of production and subtle implications of set design and blocking<br />
patterns. When he was five he noticed that one of the networks consistently filmed their soap<br />
operas on darker sets than the other two, and a few years later he managed to learn which shows<br />
had been videotaped and which were recorded on film. By age seven had managed to sort<br />
network programming from the affiliates’ and before he’d turned ten he had deciphered the rules<br />
of syndication. We called him the television savant and were secretly worried that his watching<br />
habits would stunt his emotional growth.<br />
“I bet he’s still alive,” Theo said. “I’ll bet you on it.”<br />
“Who?”<br />
“Come on,” he said. “Pay attention. Larry LaFleur, Senior. Who did you think?”<br />
We left the deli and walked to Fourth Street, where Theo had parked his car by a meter he’d<br />
neglected to fill. After he’d tucked the parking ticket in his pocket and driven off, I followed a<br />
habit I had recently picked up and boarded a bus bound for downtown Minneapolis. It took the
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most direct route, across the Washington Avenue bridge and past the Metrodome, and when I got<br />
off the bus I was in the heart of the steel and glass district, the glamorous shellac of a city trying<br />
to turn its back on prairie outpost origins for a spit-polished silicon future. From a distance, I<br />
knew, the city had an even, bell-curve horizon, a gap toothed bulge on the otherwise flat land<br />
surrounding the river. But inside, the city turned into canyons of stone and glass, and an angled<br />
patchwork of sun and shadow played over buildings of varied architectural distinctions. There<br />
were buildings here now that Jack had never seen. The sandstone and glass Norwest building, the<br />
geometrically indecisive First Bank Place, the AT&T building with the rosebud planes of glass<br />
jutting out from the top ten stories. When Jack had arrived, the tallest building was still the<br />
Foshay tower; when he had died the IDS tower still dominated. I thought over how he would<br />
have reacted to such an event, at the makeover that had taken place without regard to his<br />
absence, and decided it would have pleased him only as fuel for his bitter grudge against<br />
apparently senseless progress. Or he’d have loved it; the world’s merry march of fools, he might<br />
have called it. You could never tell, with Jack, which way his mind would go.<br />
I walked slowly through the lobbies of buildings, along cozy skyways over faded asphalt<br />
streets. I prowled through the glitter of Saks, the shabby grandeur of Dayton’s. I watched the old<br />
people in their suits and the young in their torn, worn out clothing, and then took a nearly empty<br />
bus home. After nightfall, from my apartment, I knew I would be able to look out west at the<br />
buildings I had just left, and that in the dark they would be defined as black sentinels against<br />
grey sky, each block enscripted with white squares of light where supposedly offices were still<br />
open and people were working late. It looked like a puzzle, like a giant coded binary message<br />
written out over the whole city in a seemingly random on-and-off of workaholics and cleaning<br />
crews. I had been watching it for months. Waiting for the message to finally be made clear.
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2.<br />
The next day, after the editorial staff took A.J. to lunch I went to her office and found her<br />
loading a storage box with personal items to carry home. There I made one last brief and<br />
painfully forced attempt -- the battle of A.J.’s office -- to convince her that there was, indeed,<br />
some sort of love between us. The details are unimportant, even uninspired, which is to say<br />
humiliating. I went home to my apartment and, dejected and feeling with the right of the scorned<br />
suitor like the loneliest person in the world, I pushed my recliner to the darkest corner of the<br />
apartment and sat down with a half-hearted resolution to stay there, in the dark, for the rest of my<br />
life. I stared alternately out the window or at the bare walls. Or nearly bare except for some Van<br />
Gogh prints I had clipped from a calendar the year my father died in a hospital in Duluth,<br />
Minnesota, just hours after Mom, who was in the process of divorcing him, showed up, came to<br />
his room, and stood at the foot of his bed. I had cut out the prints that fall even before the<br />
calendar was made useless by the changing of the year, and I remembered (but just barely, the<br />
way I remembered the hospital only as the white of nurses moving wraith-like against beige<br />
walls) packing the prints between flat pieces of cardboard, tying them up with string and setting<br />
them carefully out of harm’s way.<br />
I sat there, imagining the apartment darkening with nightfall and getting light in the morning<br />
and myself watching the same sequence repeat itself over and over for a long, long time. After a<br />
few minutes, staring out the window at the church on the corner and at the city rising in the<br />
background above it, I decided Jack’s father probably was still alive. What that should mean to<br />
me I didn’t know. I thought of him as an old man on the front porch wondering where his son<br />
had gone off to. I thought of me, ignoring the memories of the man who was my father. And
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things kept somehow coming back to A.J., to her off-center smile and fondness for velvet hats,<br />
and the only thing that made me stop thinking of her were Jack’s stories. So to get my mind off<br />
of A.J., or to try and beat Theo at his own game, or simply because it was time, I let myself think<br />
of Jack again.<br />
On Saturday mornings when I was little he’d take me for rides. We’d drive around the cities<br />
to look at far suburbs or we’d drive to the homely downtowns of Minneapolis or St. Paul where<br />
we’d stop at diners for breakfast, or anywhere people were gathered together, and Jack would<br />
make friends and find out what was going on. When we got back, we’d take walks through<br />
downtown Clear Lake, visiting the shops in the open courtyard where on one end stood a liquor<br />
store. Jack’d take me in and he’d buy a bottle of whiskey that wouldn’t last the week.<br />
Then we’d stop in at the barber shop where Jack would tell his stories for the tenth, or<br />
twentieth, or hundredth time. Sometimes it’d be slow and the barbers would be in their chairs<br />
themselves passing time with idle chatter about President Ford or Governor Anderson, and then<br />
Jack would come in and maybe we’d get a cut or maybe not. They’d talk about the folks in town<br />
who’d lived there forever and about the people, more every day, who’d just moved in. And<br />
judging by the rate of construction out beyond the highway there were more folks on the way.<br />
Every day it seemed a new field was cleared and roads laid down to handle the constant flow of<br />
trucks carrying lumber and shingles and concrete to holes in the ground that sprouted nice little<br />
homes like housing was simply the latest crop for the American heartland.<br />
It’s gonna go on forever, Jack would say. They’ll keep building these gronky little houses on<br />
every scrap of backyard dirt they can find. They’ll build ‘em on top of each other after that, till<br />
from space we look like a big prickly ball of cheap pre-fab housing.
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And the barbers would laugh and one of them would say, You’d think all these folk’d be a<br />
good thing for downtown. Why, we’ve got a Applebaum’s grocery and Persimmon’s Department<br />
Store and the Arcade Theater and the Clear Lake Tavern. Plenty to do down here.<br />
You’d think so, said Jack.<br />
But downtown Clear Lake wasn’t doing well at all. There was that mall to the south in<br />
Maplewood that had recently opened, and the Saturday morning barber shop think tank figured<br />
the horde of new arrivals just headed there and f<strong>org</strong>ot about this quaint little section of Clear<br />
Lake. There were only the old-timers who knew about it any more, it seemed.<br />
And Jack, who’d been a regular since the fall of 1968, which was the year he came to town<br />
riding shotgun in a VW microbus. He was coming north for the summer to look for a friend he<br />
had met in Denver when this bus found him in Iowa City. It belonged to a man from St. Louis<br />
who was not in the bus, because his son had taken it after a heated disagreement and headed<br />
north. The reason for the disagreement and the young man’s flight was a girl from Madison,<br />
Wisconsin, who lay on a makeshift cot in the back of the bus. She was eight months pregnant<br />
and spent most of her time drinking Coca-Cola and chanting Janis Joplin lyrics. They were<br />
headed for her parent’s house in Madison, hoping to make a home there based on trust and<br />
understanding and a generally more fair shake in things than they’d been getting from his folks<br />
in Missouri.<br />
In Iowa they picked up Jack and cannonballed from there, stopping only to gas up and let the<br />
pregnant girlfriend — she was nineteen, tops — relieve her bladder. Every fifteen minutes the<br />
father-to-be would point his chin at the back of the van and stare at her as the microbus drifted<br />
listlessly toward the edge of the road. He’d rub at his beard, a thin patchwork of dirty blond<br />
curls, and say, You gotta pee, Sunshine? As the wheels bit shoulder gravel she’d answer with an
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uh-uh or an emphatic uh-huh which Jack couldn’t decipher but the driver could, and if it were<br />
necessary they’d pull over, open the doors and she’d do her thing, puddling the highway from a<br />
squatting position in the doorway.<br />
Then they’d start again, chewing up the road and spitting out exhaust. You know, man, the<br />
father-to-be kept saying, though three times out of four he didn’t finish the statement but let it<br />
dangle. He wore a tiedye under a leather vest and a beaded medallion. Jack himself wore sensible<br />
clothes, plain cotton shirts with collars and cuffs that he’d picked up in Kansas City thrift shops.<br />
Jack wasn’t with the hippies, he’d tell the barbers on those Saturday mornings. He didn’t like<br />
their music, he didn’t like their politics, and he for sure didn’t like their drugs. He’d seen them<br />
on acid and was convinced there was something evil at work there, in this drug that delivered<br />
psychosis disguised as liberation. Why, he wouldn’t be surprised at all if the government didn’t<br />
have a hand in it. It’d work perfect in their favor to distribute tasty pharmaceuticals to would-be<br />
political radicals in order to waylay the entire movement. No, the hippies weren’t his thing at all,<br />
he’d be sure to say, though he’d catch rides with them and drink their whiskey and listen to their<br />
stories and tell them his own. But he couldn’t figure them out, how they could be so dumb and<br />
feel so free.<br />
And the barbers would ask, So what were you doing, Jack, out there hitching rides and<br />
wandering like a damn fool yourself?<br />
And Jack would say, I was a traveler myself then. I was not yet a responsible brain dead<br />
citizen with mouths to feed and a lawn to tend to. Why sir, I launched my journey in 1960 and<br />
didn’t stop till Carrie Anderson sank her lovely hooks into me. I was gonna show Kerouac a<br />
thing or two, that was my so to speak philosophical underpinning. And so I got ambulatory, and<br />
lived a life to be proud of in every corner of America I could get to. Not that it was easy toward
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the end, you see. I had to fight through hordes of these tie-dyes, like Sunshine Knocked-up and<br />
her boyfriend Mellow Fellow.<br />
Who’d be driving along and sometimes just say Far Out in a way that Jack would expect him<br />
to point out the window at something. He rarely did, and when he did point it was at something<br />
that probably wasn’t there, since Jack saw nothing but trees and fields and power poles and the<br />
like.<br />
What type of chemical have you been sampling? Jack asked. Then he had to repeat it.<br />
I’m on love and peace, the guy answered. And Jack laughed and handed him the whiskey<br />
bottle and wished it weren’t nearly empty.<br />
Me and my Bobby McGee, sang the girl from her cot in the back. Luh-la la, luh-la, luh lah-la<br />
... she went on. Looking back on it, Jack told me, it was nothing to be proud of, though I’m sure<br />
till their dying days all three of them — wherever they are now — are still laughing about it in<br />
some secret place in their heart.<br />
They dropped Jack at the Applebaum’s near the highway at three in the morning and sped off<br />
like a clipper on the winds of the American night, the boyfriend behind the wheel and Sunshine<br />
curled up in the back. Jack finished off the whiskey under a streetlamp and thought for a second<br />
about what to do. He had an address for his friend, but no map and no inclination to go<br />
wandering, and there was a bench right there where he could catch up on his sleep, so he settled<br />
in as best he could and dozed off.<br />
Around five in the morning, a policeman poked him in the ribs with the end of his baton.<br />
Jack was in the middle of a banquet dream at the time, seated at a table mounded with food, an<br />
all clarinet orchestra behind him playing the bridge from “Well you Needn’t” in seven-four time.<br />
Then he was awake in the semi-dark of flourescent streetlamps, his vision obscured by wooden
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bench slats. Aftershocks of pain throbbed in his ribs. He rolled over, sat up, scratched at the<br />
scruff on his chin and saw a policeman hovering darkly over him, ready to give him another<br />
poke. Hey there, friend, said Jack. You’re gonna give me appendicitis with that thing.<br />
I don’t think so.<br />
Jack looked up, ruffled his hair, gave the cop his best smile. Seriously, he said. Knew a guy<br />
in Montana got appendicitis this very way. Course he’d been feeling it for a few days, then Joe<br />
Cop came by and with a kindly nightstick poke popped it. Ambulance came and hauled him<br />
away - not sure whatever happened to the guy. Though you’re right to say the nightstick didn’t<br />
give him the appendicitis, to speak exactly. Kind of a pre-existing condition, guess you’d call it.<br />
I can’t let you sleep on that bench, mister.<br />
What time is it? By your watch, I mean.<br />
Four thirty.<br />
Jack nodded, said, All right, then. Ninety minutes will have to do tonight. Name’s Jack. He<br />
stood up, offered a hand which the cop refused to shake. Judging by the cop’s babyface, rosy and<br />
flushed in the fifty degree chill of night, Jack figured he had five, maybe six years on the kid,<br />
though his eyes, small and dark and unyielding, held a desire for authority that was older than<br />
any one man. Jack hated to see it. Another mind caught up in the establishment, another soul for<br />
the machine to chew up and spit out.<br />
Sorry to be of trouble, said Jack. He picked up his pack and sorted through his belongings -<br />
tobacco, zigzag paper, half-empty matchbooks, a pocketknife too big for his pocket, a<br />
toothbrush, comb, and some books — and pulled out a paperback edition of Proust. I’ll just read,<br />
he said, sitting down and flipping open to his spot.<br />
Keep it moving, Jack.
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I still didn’t get your name, Jack said.<br />
Keep it moving.<br />
Well, now, I can understand that a man sleeping on a park bench might be an eyesore.<br />
This is a respectable town, pal.<br />
But a man reading, and reading Proust ... well that’s a heartwarming sign, a mark of culture<br />
any town would be proud of.<br />
Please, sir...<br />
I’ve got a standing invitation in St. Louis, I’ll have you know, that I can sit on a park bench<br />
and read any time I think it’s proper. That’s how much they trust my discretion. I have a note<br />
from the mayor, somewhere...<br />
The cop exhaled through puffed out cheeks, glanced about in confusion.<br />
Sir cop, said Jack, leaning in to look at the cop’s name tag. Beliveau, he said. He scratched<br />
his chin again. You play hockey with a name like that?<br />
Sir...<br />
You look like a hockey player. Sure you do.<br />
Well, now, sir. I did play in high school.<br />
You related to the Captain of the Canadiens?<br />
Oh, no, sir, but it’s, you know...<br />
An honor to share the name, I’m sure.<br />
And just like that, he’d won. He’d gotten the man talking, and then he’d found the man’s<br />
likes and dislikes, and after that they were friends, and Jack felt triumphant. He’d pulled another<br />
mind from the machine, and not coincidentally talked himself out of legal troubles. They started<br />
in to talking about the Habs and high school hockey, at which the cop had excelled. In the end,
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cop Beliveau took Jack back to the station and let him hang out in the waiting area where he read<br />
Proust and smoked hand-rolled cigarettes and drank weak coffee until the sun came up. After<br />
that he was let go with the promise not to sleep on any more benches, a promise he hoped to be<br />
able to keep, because Clear Lake – the town, the people, the angle of the sun, the very idea of it –<br />
was beginning to grow on him.<br />
3.<br />
I’d met A.J. in January, when she showed up for an internship at the magazine where I<br />
worked as a copy editor/fact checker. The first time I met her I asked her, probably for the fifth<br />
time that day (I was one of the last in the office to be introduced to her) and the thousandth in her<br />
life, what the initials stood for. April June, she said. Then I asked her, probably for the second<br />
time that day and the six hundredth in her life, what had happened to May. May was my<br />
mother’s name, she said. I laughed my hopeful laugh, winked a barely perceptible wink and said<br />
I’d see her around. We saw each other often over the next few months, around the office and at a<br />
few happy hours, but despite the proximity, despite everything I thought I felt for her, she saw<br />
nothing in me strong enough to disrupt her normal romantic inclinations.<br />
I took her to lunch once, to a place called J.O. McRiski’s, a good-time tavern with seven-<br />
dollar appetizers and antique household equipment such as washboards, butter churns, and cast<br />
iron tongs bolted to the walls. She told me about her family, who all still lived in Appleton,<br />
Wisconsin. She spoke in a shy, measured voice, with frequent stretches of deep insight. I,<br />
kidding myself, hoped her quiet voice was hiding in a hintful way a strong attraction to me, so I<br />
talked to her in a confident bluster, making broad, relatively shallow statements about my job<br />
and its relation to the world. She was interning with the senior editor, a position conveying
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prestige well beyond mine both in current responsibility and potential future earnings. You could<br />
tell from her confidence, from the way she casually controlled the direction of her intelligence,<br />
that she would be in charge, someday, of something important. Classrooms, corporations, law<br />
firms.<br />
She looked up at the stuff on the wall and said, “I always feel like I should reach out to touch<br />
these things, to pet them like kittens. It’s the domestication of history to mount the worst<br />
elements of our former life in places of recreation. That way, we can mock them.”<br />
“Ah, sure,” I said.<br />
“It turns drudgery and constraint into a quaint background noise. Actually, it’s kind of<br />
disturbing.”<br />
“Very post-modern,” I said, having a sudden urge to order a strong drink.<br />
A.J. said, “Don’t get me started.”<br />
I said, “I love you. Really.”<br />
She laughed. “Don’t be a dope,” she said.<br />
We sat quietly. I had nothing left, no more conversational gambits. Then I heard myself say,<br />
“My father once met Jack Kerouac.”<br />
“Really?”<br />
“So he says.”<br />
“When was this?”<br />
“1960, in California. In fact, he claims to be a character in Big Sur. In one of the early<br />
scenes. Kerouac hitches out to California to get away from the maddening throngs of the East<br />
and live a solitary life in a cabin like Thoreau. But he’s not Thoreau; after a few weeks he invites<br />
all his drinking buddies to come out there and they all get drunk and stay drunk. Anyway, he
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gets to San Francisco and about page 63, he hears that his old cat is dead, and he of course has to<br />
go out drinking. He goes out with this guy named Ben Fagan and Fagan’s pal Jonesy. Jonesy’s<br />
my Dad. Dad claims on that day he delivered a speech about how the population explosion was<br />
going to require houses built on top of each other hundred of miles in the air until people from<br />
space with high powered telescopes would look at Earth and see a big prickly ball.”<br />
“That’s funny.”<br />
“Yeah, my Dad Jack told that story all the time. And then he ended by saying that in the book<br />
his speech went to Dave Wain, who got all the other great speeches in the book.”<br />
“That’s too bad, if it’s true.”<br />
“Well,” I said. “Why shouldn’t it be true?”<br />
“No reason,” she answered.<br />
Then we were quiet again, and I said, “I really do love you.”<br />
“Oh, God,” she said. “Just leave that alone, would you?”<br />
“But I do,” I said, and then I said a few embarrassing things about destiny, and feelings, and<br />
about how unique my current emotional state was. She stared at me. I stared back. Then she<br />
calmly went through the reasons why it was never going to happen. There was a boyfriend, for<br />
one, and for two there was a complete absence of reciprocal feelings on her part. I didn’t need a<br />
three, but three was that she was moving back to Wisconsin after she graduated. Before she<br />
could get to four I was up and gone.<br />
Over the next few days, and especially after my meeting with Theo started me going through<br />
memories of Jack, everything that had happened with A.J. became more and more frustrating in<br />
light of my father’s often-told stories of romantic success. There were dozens of them, it seemed.<br />
There were sweet beauties with sad eyes in California, surly ball-busters in New York, one
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tragically obsessive schizophrenic from a small prairie town he was passing through on the way<br />
to someplace else. He had stories like the one involving Carol in Denver, endless variations of<br />
seduction and romance followed by partially-clad escapes through sticky windows with a bundle<br />
of clothing in one hand and enraged cuckolds a step behind in heated, relentless pursuit.<br />
Why him and not me? Didn’t these things get passed from father to son like eye color and the<br />
shape of your hand? I sat in the armchair with the skyscape of Minneapolis in front of me, a few<br />
hours every day. I was sulking and didn’t care. I listed the reasons I should pity myself, and then<br />
I went over each of them in greater detail. My descent into self-pity became in itself a primary<br />
reason I should pity myself. It seemed cruel that after all Jack’s excesses, my life would end up<br />
being, at the very best, unspectacular.<br />
I slept in the chair a few times, a heavy blanket tucked under my chin, and had dreams in<br />
which A.J. and Jack sipped tea and listened to a radio while shuffling a deck of oversized cards.<br />
Behind them lay a field of stones, on one wall hung a wood frame tennis racket. One morning I<br />
woke up after this dream and tightened the blanket around my throat against the cold and went<br />
back to looking out the window. At a certain point the church across the street finished services<br />
and people began to emerge from the building. According to the church’s display box the sermon<br />
for the day had been titled “Tapping God’s Magic Within You,” so I watched the aftermath of<br />
the service with an eye keened for evidence of this magic. Worshippers straggled out into the sun<br />
and turned up their collars against the cold. They chatted amiably, shook hands. Stepped into<br />
cars and drove away, steeped in the conventional. After a few minutes of this I realized with a<br />
shock that it was Sunday.<br />
The morning turned into afternoon. I went out and bought some things I needed, then came<br />
home and put them away. I lay on the floor to look at a magazine filled with pictures of celebrity
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couples, but only flipped through the pages, my mind glazed with boredom. I turned on the<br />
television, turned it back off. Stood up, walked back to the window, thought about the things that<br />
might happen when I went back to work the next day.<br />
Then the phone rang. I turned away from the window and looked at the phone, waiting for it<br />
to confirm that there was a call coming in. I debated not answering. I have always hated phones<br />
for several reasons, not the least of which is the disadvantage of not knowing and then not seeing<br />
who had dialed your number and the unstated, forced intimacy with that faceless, bodiless other<br />
whispering into your ear. But it didn’t stop, and I didn’t want to hear my answering machine<br />
message, nor did I want to eavesdrop on whatever it was the caller would say to the machine<br />
while they thought I wasn’t listening. So when it rang again, I answered.<br />
It was my mother. After brief hellos, just as I was ready to pass her the standard formalities<br />
— health inquiries, job status — she asked if I had heard from Theo. “No,” I said. “Not since we<br />
had lunch a few days ago.”<br />
“He hasn’t been home since yesterday,” she said. “I thought he might be with you.”<br />
“He’s not with me. I haven’t seen him.” I thought about what he’d said a few days ago about<br />
Jack’s Dad being out there somewhere, and it occurred to me that there was a tiny chance that he<br />
was on his way to New York State, but I didn’t tell Mom that. I thought it was more likely he’d<br />
found a party somewhere and stayed the night. I said, “I don’t know. Maybe he’s with a friend.<br />
Did you call Ashley?”<br />
“Ashley?”<br />
“His girlfriend, Mom.”<br />
“Girlfriend? Can Theo have a girlfriend?”
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Outside, another family emerged from the church, a woman leading a little pink-jacketed girl<br />
by the hand. I said, “Apparently so. He told me something about a girl named Ashley, he said<br />
they went to parties together.”<br />
“Parties? Ah. I see. So you think they spent the night together.” She cleared her throat, then<br />
began coughing, the sound becoming fainter as she courteously held the phone away from her<br />
mouth. “Sorry,” she said. “So. I guess this news should be making me upset.”<br />
“What about Kelley? Has she seen him?” Kelley, my sister. She lived with her boyfriend, a<br />
writer/artist, in Uptown.<br />
“No.” There were sounds of fidgeting in my ear, then the sound of flint striking steel, a<br />
sucking and exhalation as she lit up. Mom said, “I guess I could try to call a few of his friends.<br />
What kind of name is Ashley for a girl?”<br />
I said, “They’ve been naming girls Ashley for quite a while now.”<br />
Mom said, “Does she have another name?”<br />
“He didn’t say.”<br />
“Okay. Okay, well, I’ll call you if I find him. Okay? I mean, he’ll probably come home five<br />
minutes from now and I’ll have called you for nothing, right?”<br />
I said I agreed with her, though I wasn’t sure at all.<br />
That week the absence of A.J. hung about the office. Her desk sat empty except for paper<br />
clips and post-it pads. On Tuesday I knew where she would be — she had a class in Folwell Hall<br />
at two o’clock, and I had the urge to go there and track her down and try and talk to her, though I<br />
had no idea what I could say. Instead I stayed at work, proofreading and fact checking an article<br />
on a wholesale pioneer in Austin, Minnesota. He had built a fortune by transforming old
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warehouses into outlet stores by the name of ReSaleCo, which the author of the article described<br />
as a name with “bounce, with life, the kind of alluring name that sucks customers in.” A.J. had<br />
bounce, and life, I thought. And I’d been sucked in. Later in the same section I found that the<br />
pioneer was, of all things, an orphan, which made me think of Jack. Work was obviously<br />
hopeless. I set down my pen and covered my eyes.<br />
4.<br />
Mom heard nothing for a few days until she’d come home from the grocery store to find a<br />
message from Theo. He told her that he was all right and that she shouldn’t worry, but didn’t<br />
give her any more information, which of course made her worry all the more. She’d been gone<br />
when he called, she told me. This seemed a betrayal on her part, that she’d gone out for groceries<br />
as if nothing was wrong. Then she became angry at Theo, her voice hard and trembling, and she<br />
said, “I won’t have this. I won’t have him behaving like...” She didn’t finish, but she didn’t have<br />
to. He was acting like Jack.<br />
On Thursday, late in the evening, the phone rang. After picking it up I found that my voice,<br />
unused since the afternoon, refused to come out. Someone on the other end said my name, and<br />
after clearing my throat I affirmed I was who the caller said.<br />
“I’m in Binghamton, New York,” said the voice. For a moment the fact meant nothing to me,<br />
then I remembered that it was Jack’s hometown, the town that according to his own legend he<br />
had left in the fall of 1959 for the allure of the open road, the city he almost never talked about.<br />
Still, without knowing who the speaker was, though I should have been able to guess, I was lost.<br />
I stammered for a response, then asked who I was speaking to. “It’s Theo,” said the voice.
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Theo?”<br />
I collected myself, placing that fact into a framework of other facts, then I said, “My brother<br />
I had done this, not recognize his voice, several times before. The voice, Theo, said, “Fuck,<br />
yeah it’s your brother Theo. You got some chick named Theo calls you?”<br />
“No,” I said. “But I have a mother who’s nagging me every six hours because of my brother<br />
Theo who’s all of a sudden gone without a trace.” That sounded better, I thought. I was finally<br />
into the conversation, scoring some points. I went on: “She nearly went to the police. She’s<br />
calling me all the time, ‘Was it something I did,’ ‘What’s wrong with you people?’ and the<br />
increasingly popular, ‘I thought I was through with this kind of thing.’ What the hell are you<br />
doing in Binghamton, New York? How did you get there?”<br />
“I walked part of the way. Actually a very small part of the way. Most of the way I was<br />
riding in cars with other people.”<br />
“And how did you meet these people?”<br />
“Well, they stopped and picked me up.”<br />
“Oh, Lord. Did you walk backwards and stick your thumb up and everything? Did you hold<br />
up a piece of cardboard with the word Binghamton?”<br />
“It’s corny at first, sure. But it’s not as crazy or unsafe as you’d think.”<br />
“Uh huh. So, you’re there looking for Larry Senior, I take it.”<br />
“Yeah.”<br />
“He’s dead.” I felt sure of it, absolutely.<br />
“Well, I don’t think so. I called the number and someone answered. A woman. I asked if<br />
Larry was there, and she said he was sleeping.”
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I said okay, attempting to collect myself since it seemed he’d turned the tide and won another<br />
round. I said, “You could have called him from here, you know. I have vacation coming, we<br />
could have driven out together...”<br />
“Well maybe next time we can trick out the old wood-panel station wagon and play license<br />
plate bingo while we get trail mix crumbs in the seat cracks, but this time I did it this way. I’m<br />
going there now; I figure I might as well drop in and see how he’s doing. I just had to tell<br />
someone. I’ll call you later.”<br />
“Hold on.”<br />
“What?”<br />
“Don’t think I’m trying to be negative. But what, really, if it isn’t him. What if it really is a<br />
different Larry LaFleur. A cousin, maybe.”<br />
“Matt...”<br />
“Theo...” A long pause, the filtered, fiber-opticized noise of cars driving on roads invisible to<br />
me. Cruising in the back country of wherever Theo was.<br />
He said, “Perhaps you misunderstand the point.”<br />
“Or what if it is him, and he turns out to be a bitter, twisted old man who hates his son so<br />
much he can’t stand the sight of you.”<br />
“See, I don’t get you. I don’t understand how you can think of all these possibilities and then<br />
decide not to find out which one is real. All those questions, Matt. Those are why I go there. It’s<br />
why people do things. Why they ask questions. To find out.”
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“I don’t think so,” I said. “I think the only point you have is to prove Theo LaFleur is now a<br />
grown-up and no one can stop him, whatever whim pops into his head.”<br />
“Oh, Jesus. The shit your mind comes up with. If I’d wanted this lecture I’d have called<br />
Mom, for Christ’s sake. No, this is not about me ‘acting out.’ This isn’t about me ‘being Jack.’<br />
It’s about finding the family we should’ve had all along. Or isn’t that important to you? That<br />
Jack never thought enough of us to introduce us to his parents? Aren’t you curious about what<br />
the big secret was?”<br />
“I never thought there was a secret. I thought he was dead. I thought they probably didn’t get<br />
along...”<br />
“Right. And I’m on the doorstep of getting answers, and all I hear from you is how bad an<br />
idea this is.”<br />
“Well, good luck to you,” I said. “Though I thought I was clear that the idea itself was fine.”<br />
“Okay then.”<br />
There was another burst on the line of that new, digitized static, a burbling hiccup in service.<br />
“How long will you be there? I don’t ask for myself. I ask to tell Mom that I asked you.”<br />
“I don’t know. Tonight, maybe tomorrow.”<br />
“What’s it like out there?”<br />
“Grey. It looks like it’s going to rain.”<br />
“All right then.”<br />
“All right then.”<br />
And we hung up the phone.<br />
5.
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Thinking of Theo walking through the streets of Binghamton, I couldn’t help but think of the<br />
way Jack must have walked through the streets of Clear Lake on those three spring days in the<br />
late sixties. A young man in a transitional season engaged in scanning the streets of an unfamiliar<br />
city far from home, noting landmarks and street signs, thinking of things as he’ll need them for<br />
future reference. Jack had gone to Clear Lake to see Davey Anderson, my mother’s older<br />
brother, who he had met in a bar in Denver when Davey was out there visiting a girl he knew and<br />
Jack was there doing the things he did. After leaving the police station, Jack grabbed breakfast at<br />
Popsie’s Diner, then followed the instructions a waitress had been kind enough to give him until<br />
he was at Davey’s address. He checked it against the hastily scribbled marks on half a cocktail<br />
napkin Davey had given him in Denver, then looked up at the house again, a sixty year old<br />
colonial recently converted from boarding house to apartment building, a flimsy structure whose<br />
definitive elements were dry-rot and warped shingles and peeling paint.<br />
He knocked on a few doors, getting for answer only shouted demands to go away until<br />
finally a woman named Karen Howard directed him to Davey’s apartment. He found Davey’s<br />
door and knocked. He polished his shoetops on the backs of his jeans and tapped his pockets for<br />
cigarettes. After a few minutes, the door opened. Davey, as a result of being half asleep, groggily<br />
disoriented, and having fully expected never to see Jack again, didn’t recognize him. He scowled<br />
and pouted and then, after another moment, he did recognize Jack, but was so surprised to be<br />
facing him that he couldn’t think of anything to say, so Jack took the initiative. Davey, said Jack.<br />
I figure this probably isn’t a good time, since the lady I just met said you work nights.<br />
Um, said Davey.
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Karen Howard. Green eyes, sweet as apple pie, Mmm-mm. Listen. I know you probably<br />
didn’t expect to see me and all, so I won’t even stay more than five minutes, and I didn’t know<br />
your phone number or I’d have given you a call.<br />
guess.<br />
Come in, said Davey, not sure why he was saying it. Saying, God. It’s good to see you. I<br />
Oh sure it is, good to see someone you can go over the old times with, and I got a fresh load<br />
of new times to fill you in on, like I can tell you stories of that girl you had your eye on, Marie,<br />
the one with the limp remember? Jack stormed into the apartment, throwing his small backpack<br />
onto a couch. He opened a window with a glass-rattling shove; he inspected an ashtray, took off<br />
his coat. Picked up his coat again, dug through the pockets. Rolled and lit a cigarette and stared<br />
at Davey through whorls of smoke.<br />
Davey said, Well, no, I guess I don’t. He meant remember Marie, but it sounded like<br />
something else. He didn’t stop to think about it, instead saying, You want coffee?<br />
I’ll make it, said Jack. Get dressed. Or do you want to sleep? Go to bed. Take care of<br />
yourself. He poked his head around corners until he found the kitchen. He rattled through<br />
cupboards, began assembling a battered percolator. Davey tried to remember where he had left<br />
his wallet, how much money he had on him, ran through various other contingencies. After<br />
Denver, said Jack, I went back to Dallas, where things had cooled down to some extent. He went<br />
on about conquests and failures, of visits to cities and trips to bars and apartments, talking as<br />
much to himself and to fill the vacuum of silence around him. Davey straggled back to the<br />
bedroom for a cigarette and to change clothes and heard maybe half of what was said in the next<br />
room.
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A few hours later Davey left for work at the Arcade Theater, where he’d started as a ticket<br />
taker years ago and was now assistant to the manager. His money was in order — people always<br />
checked their money around Jack, were always surprised to find it still there — his spirits were<br />
good, another side effect of being around Jack. They’d made plans involving Davey cutting out<br />
of work early, borrowing a car and driving into Minneapolis. Jack washed up the dishes they had<br />
used for breakfast and then, a few minutes later, when the calm of the empty apartment began to<br />
wear on him, he changed into a clean shirt and walked out into the town.<br />
Jack used to tell me about Clear Lake in the spring of 1968. He used to tell me about the big<br />
steel cars that prowled over concrete roads, about crowds of hat wearing, tie sporting<br />
establishment men and an over riding spirit of optimism. In the daylight, Dad told me, with<br />
people scurrying about their business, downtown Clear Lake in 1968 had the feel of a city sitting<br />
on the verge of something extraordinary. And on this day, with the sun shining in a pale blue<br />
sky, and spring showing everywhere — neon buds crowding tree branches, the air crisp but<br />
warming up — the sense of imminent greatness was particularly strong, or so it felt to Jack. He<br />
told me that people said hello to each other as they ducked in and out of the grocery stores and<br />
specialty shops, that cars stopped at unposted intersections to let pedestrians through and men<br />
tipped their hats with generous smiles to ladies who smiled and nodded back. Clear Lake as a<br />
city at its apex, riding the crest before the breakwater and crashing surf of growth to the south. It<br />
would be a few years before the mall went up in Maplewood and the bloom of Clear Lake was<br />
officially cut and dried by the mass merchandising efforts of companies in far off cities who<br />
moved in and took the money out of Clear Lake’s pockets. Or so Jack and the barbers would tell<br />
the story years later. But for now he walked as a foreigner among the Clear Lakers in his brown<br />
shirt with no tie and no hat and his hair that needed to be cut, and though people didn’t stare at
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him, they sensed he was out of place. He himself wasn’t quite used to the suburbs, most of his<br />
travels had taken him to the centers of cities where he saw the emerging drug and flower culture<br />
sprawled out in fashionable misery; he’d lived in warehouse districts and seedy hotels and only<br />
rarely had he gotten to places like Clear Lake. He wondered where all the young people were, all<br />
the kids questioning authority with flowers in their long, long hair and fringed leather jackets,<br />
and then remembered what day it was. Tuesday. School day. And all the true hippies would have<br />
long ago abandoned the button-down suburbs for the grunge and freedom of downtown, where<br />
they could luxuriate in day-glo squalor and make idealistic, drug-induced plans to change the<br />
world. He went back to the Applebaum’s where the VW microbus had dropped him off, strode<br />
through the small door, picked up a basket. They carried milk here in cardboard cartons, he<br />
noticed, and had a butcher’s shop in the back, new additions to the grocery stores from his<br />
younger years. They were dead set on making everything bigger. Bigger stores, bigger packages.<br />
He surveyed the interior, the tight shelves of sliced bread and potato chips in plastic bags,<br />
stacked cans of peas and canned juices. By the registers kids eyed up candy bars in paper<br />
wrappers or rifled through a metal spinner rack of three-to-a-bag Marvel comics. He stood in line<br />
to pay for his coffee, eggs, hamburger, bread, assorted other foodstuffs. Tried to strike up a<br />
conversation with the cashier, a middle aged woman in a tightly twisted bun, blush applied in<br />
two small circles to her cheeks, who peered intently at the price stickers before keying them in to<br />
the register. She said nothing to his queries about the butcher’s shop, just read him his total and<br />
efficiently counted back his change. He stopped at the florist’s next door where he bought six<br />
roses. On the way back to Davey’s apartment people smiled at him; it was amazing they way<br />
people changed when they saw you carrying flowers. Hair and clothes didn’t matter anymore;<br />
people saw flowers and assumed love. He carefully went up the steps, and at Miss Howard’s he
Jack’s <strong>Boys</strong> Ramberg Page 29 of 228<br />
set the roses in the angle between door and frame so that they would fall inward at her feet when<br />
she opened the door. Then he put away the groceries he had bought and went to sleep. He<br />
dreamed of stones. It was a dream he had often, of broad flat stones in a field under the sun. He<br />
didn’t wake up until there was a knock on his door. Karen Howard, blushing and stammering,<br />
her hands carving the air with long fingers to accentuate her apologies, had come to return his<br />
flowers. In her stammering she was beautiful, and Jack could sense in her shyness and repression<br />
a flower’s bud coiled and ready to bloom at the hand of a caring gardener.<br />
He invited her in, and after a hesitant pause that was not hesitation at all, in she came.
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6.<br />
Theo called back the next morning before I left for work. It was to tell me that not only was<br />
our grandfather alive, but that he, Theo, had spent the night in his house. And, he said at one<br />
point, “The old man looks loaded. As in, stuffed with monetary units.”<br />
“Don’t be disrespectful,” I said. Then I asked him to back up and start from where we’d left<br />
off the day before.<br />
“Well,” he said, “After hanging up the phone, I had to scratch my armpit, so I did that...”<br />
“I can fill in some of the details myself,” I said.<br />
“Okay. Fine. Well, it was getting dark but I was still a few miles from Binghamton, so I<br />
started walking, but the city gave out so I had to hitch again the last few miles; I got a ride with<br />
this groovy chick on her way to an AA meeting who told me she’d probably end up in a bar<br />
afterwards just for the change of pace. She took me right to Grandpa Larry’s house, and man I<br />
thought I was in the wrong place for sure.”<br />
The house, a large three story ranchero style house on a stone foundation, stood on a small<br />
rise in the huge, well manicured lawn. Small shrubs punctuated a red stone garden along the<br />
apron of the house, and in the yard stood two trees bare of traditional branches, but with bulbs of<br />
knobby bark on top of the ten foot trunks from which small, tender shoots were emerging into<br />
the spring air. The long driveway, covered in a thin, intricate layer of grey ice, curved through<br />
the yard, along the side of the house and past an alcove door before slipping under a chain link<br />
gate and entering a small white garage. Theo walked down the driveway, puzzling over the<br />
knob-ended trees before deciding that what happened was, every fall a gardener came and cut off<br />
the growth of the season, and every spring the little shoots grew back. He rang the bell on the
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side door and stepped down onto the pavement while waiting for an answer. He patted his<br />
pockets, felt his cigarettes, coughed into a fist. A dog in the next yard barked once, then was<br />
silent.<br />
A curtain in the window moved back and Theo saw a shadow of a face peering out at him,<br />
and a moment later the door was opened by a seemingly middle-aged woman in a pale blue dress<br />
and white cardigan sweater. She eased open the storm door and spoke through the narrow crack.<br />
“Yes?” she said.<br />
“Mrs. LaFleur?”<br />
“There is no Mrs. LaFleur.”<br />
“Is Mr. LaFleur at home?”<br />
The woman stepped onto the top step and closed the main door behind her, holding the storm<br />
door open with her hip. “Mr. LaFleur can’t see any visitors,” she said. “What do you want?”<br />
Theo cleared his throat. “My name is Theo LaFleur,” he said. “I’m from a town in Minnesota<br />
called Clear Lake. My father’s name was Larry LaFleur, Junior, so I’m wondering if Mr. LaFleur<br />
is my grandfather.”<br />
The woman looked at him suspiciously. When she stepped out into the light Theo could tell<br />
she was not middle-aged, as he had first suspected. She was perhaps in her late twenties, though<br />
her glassy eyes, a network of thin wrinkles around her mouth and the severity with which her<br />
hair had been pulled behind her head made her look older. She moved her eyes slowly back over<br />
her shoulder, then forward, took a pack of cigarettes from her sweater. She struck a match,<br />
exhaled smoke.<br />
“Wouldn’t you know your grandfather?”<br />
“Not in my case.”
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She eyed him suspiciously, picked a shred of tobacco from her lip.<br />
“Here,” said Theo. “I’ll show you some identification.” He reached for his back pocket.<br />
“No,” said the woman. “Come in.” She backed into the house and held open the storm door<br />
for Theo as he passed her, then she closed the door. “He’s sleeping now,” she said, remaining<br />
near the door. “He isn’t well enough to see people much any more, not since the last stroke.”<br />
Theo looked around briefly. The house was well but sparsely furnished in a kind of restrained<br />
opulence. A plush leather couch against one wall under an oil painting, another wall facing the<br />
couch made up of a bookcase, a wooden desk, its surface clean of papers and pens but with an<br />
office-style phone next to a small calendar. “He used to work from home?” Theo asked.<br />
“I don’t know,” said the woman. “He was a lawyer. I’ve only been here for a month or two,<br />
since the last nurse quit. He doesn’t talk much.”<br />
“My name’s Theo,” said Theo.<br />
“I stay upstairs. He’s not in too much danger, really, but he likes the company when he’s<br />
strong enough and needs some help when he’s weaker.” She opened the door and flicked the<br />
cigarette butt out onto the sidewalk, then she sighed. “Guess I’ll just have to pick that up later,”<br />
she said.<br />
“What’s your name?” Theo said.<br />
“Lizbeth. No ‘E,’ no ‘A.’”<br />
Theo walked over to the desk, Lizbeth following behind at a distance. “How long before he<br />
wakes up, do you figure?” He fingered the calendar — December 6, 1991 — picked up a bronze<br />
bust from a small wooden table and looked closely at the figure’s chiseled, steely eyes, but there<br />
was no way to tell who it was meant to represent. The oil painting, as far as Theo could tell, was<br />
well done and perhaps worth a lot of money. Washed out strokes of grays and blue marked by
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occasional suggestions of both human limbs and mechanical devices. Halves of gears stalking<br />
smudged out arms in a blue mist.<br />
Lizbeth started watching my brother more carefully at this point, and when he turned to face<br />
her she said, “I guess I will have a look at that driver’s license if you don’t mind.”<br />
Theo reached into his pocket and brought out his wallet and gave her his license. She cupped<br />
it in her palm, glanced from Theo’s picture to his face, squinted. “It’s provisional,” she said.<br />
“Nineteen seventy-six. Well holy cow, you’re just a kid. You looked older.”<br />
“Can I have it back?”<br />
She gave it to him, saying, “He usually wakes up around eight or eight thirty, but he usually<br />
eats and watches television for a while. He’s most coherent in the early morning. Six or seven.”<br />
The time was six thirty by Theo’s watch. He thought it over, added an hour for Eastern time,<br />
nodded to himself.<br />
“What makes you think he’s you’re grandpa, anyway?”<br />
“He’s got the same name as my Dad, who was Larry LaFleur, Jr. He’s in the town my Dad<br />
grew up in. And I figure he’s pretty old, right? Otherwise you wouldn’t think I could be his<br />
grandkid.”<br />
She thought about that for a second, seemed to decide she had realized this all along. Said,<br />
“So what if he is? What happens then?”<br />
“Well,” said Theo. “I guess we’ll just wait and see.”<br />
Larry woke up at eight. Lizbeth was there waiting for him with a bowl of soup while Theo<br />
stood in the shadows of the doorway. The old man refused to eat at first, then grudgingly allowed<br />
Lizbeth to carry soup from the bowl to his mouth until it was half empty, when he quit. She
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wiped his chin and white mustache, then told him, “You have a visitor, Mr. LaFleur. Do you<br />
want to see him?”<br />
He scrunched up his face. “Is it that ...” He pointed, said, “In the doorway?”<br />
Lizbeth nodded.<br />
“I thought maybe a ghost. But now you say he’s real. Is it a lawyer?” he said. Lizbeth shook<br />
her head. “Too late for a doctor,” he said.<br />
“It’s only eight. It’s a relation. A friend.”<br />
“All my friends are dead.”<br />
“I meant relative. It’s a relative.”<br />
“Don’t have any.”<br />
“Maybe so. Should I let him in?”<br />
“Who is it then?”<br />
“He says he’s your grandson.”<br />
“That’s why a ghost. Looked like Junior.”<br />
“His name is Theo, and he comes from Minnesota. He’s eighteen years old and he has your<br />
chin.” Theo shifted his weight in the shadows, scratched his chin.<br />
“My show is coming on. Maybe some other time.”<br />
Lizbeth stood and turned around, walked out of the room. Theo approached, stood next to the<br />
bed. “Mr LaFleur?” he said. The smells of decay and restorative medicines, the long entrenched<br />
pungency of chronic illness, mixed thickly in the air surrounding Larry’s sickbed.<br />
The old man’s head rolled on the pillow to face him. Theo looked for resemblances in the<br />
shape of the nose, in the angle where wrist joined hand. Short white hair lay around his head at<br />
bizarre angles; he had large fleshy eyes and a large head that illness had reduced to layered
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pockets of pasty skin. He saw no traces of Jack. The old man said, “Doesn’t ‘Some other time’<br />
mean anything in Minnesota?”<br />
“I came a long way.”<br />
“Keep going, sport.”<br />
Suddenly there it was, in the slightly squared slope of his forehead, a loosely fleshed match<br />
for the shape of Kelley’s. His hands clasped into fists and beat softly against each other end to<br />
end the way Jack’s had. “You’re his Dad, all right,” said Theo. “He had your manners.” He sat in<br />
the chair Lizbeth had abandoned, scratched the back of his neck.<br />
“All right, let’s play. Who’s your mother?” he asked sharply. His lips thin and pale over<br />
toothless gums.<br />
“Caroline Anderson LaFleur,” Theo said.<br />
“And your pop?”<br />
“Larry LaFleur, Junior. He went by Jack.”<br />
“When did he die?”<br />
“Nearly three years ago. Three years in November.”<br />
The old man rolled his head back to where it had been and stared at the television. “Where<br />
was he?” he asked.<br />
“He was in a hospital in Duluth, Minnesota. He’d run off from home again. Some woman he<br />
found on the road took him to the hospital when he collapsed in her car. She took him to an<br />
emergency room and we never heard from her again, we don’t even know her name. Turned out<br />
Jack had cancer in the stomach and he died about a month later.”
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The old man’s bent, arthritis-wrecked hands continued to grip an imaginary baseball bat on<br />
the sheet covering his stomach. He thought for a second, then said “Which are you? Matthew or<br />
Theodore?”<br />
“I’m Theo, sir.”<br />
“What’s your sister’s name? If you have a sister.”<br />
“My sister’s name is Kelley. That’s e, y.”<br />
“A normal man would be convinced by now. This man remains skeptical. All right,<br />
Theodore. You see, my show is coming on.” Theo looked to the television, where a man with<br />
white hair was getting ready to solve a murder. Theo knew the show, knew this one was a repeat,<br />
that it was not doing well in the ratings overall but managed to regularly win its time slot which<br />
for shows of its kind was good enough. Larry said, “We’ll talk some more in the morning.”<br />
“It’s good to meet you,” said Theo.<br />
The old man rolled his head to look at him, then turned back to the television. “There’s a box<br />
in the basement,” he said.<br />
peace.”<br />
“What?”<br />
“Show me the box I mean and I’ll know who you are. Now let me watch my damn show in<br />
Lizbeth met him in the hall. She said, “Is it him?”<br />
“Were you listening?”<br />
She shook her head in an indefinite way.<br />
“He said there was a box in the basement. Did you hear that part?”<br />
“I don’t know what’s in the basement. I’ve never had to go down there.”
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She led him to the kitchen and showed him a small white door. He opened it, felt around on<br />
the wall and found a switch, flipped it on and went down the steep, narrow stairs. The basement<br />
was unfurnished and cold, a low ceiling of beams and exposed ductwork over a clay floor and<br />
walls of stone and concrete hardened into inward oozing spill shapes, the uneven surface making<br />
an intricate texture of pitted, dusty shadows in the glow of the suspended bare bulb. In one<br />
corner stood a pile of paint cans and bundled drop cloths, in another was a stack of boxes.<br />
He shifted boxes, reading the markered labels. Fall clothes, sweaters, photographs. He went<br />
through all the boxes, then started over. The box Larry must have meant was one of the first he<br />
had looked at, a box about the size of Theo’s chest, wrapped up in brown paper and bound with<br />
twine. Canceled postage stamps were affixed to one corner and Larry’s address was written in<br />
Jack’s hand slightly to the right of center. He brushed off some of the dust and picked it up, then<br />
hefted it to check its weight and guess the contents. It was heavy, and whatever was inside<br />
shifted slightly, sliding over itself with a slippery hiss. He carried it upstairs and into Larry’s<br />
room. The old man looked at it, said, “That’s the box,” and turned his attention back to the<br />
television.<br />
“You didn’t open it,” said Theo.<br />
“I read the postcard that was taped to the front. He’d send postcards once in a while. Every<br />
few months, maybe a year goes by.”<br />
“Let me open the box.”<br />
“He wrote that you were born, that Matt was in a play. Postcards. Just a line or two every few<br />
months.”<br />
Theo worked at the knotted twine, eventually removed it, wound it around his hand and<br />
threw it in the wastebasket. According to the red postmark the package had been mailed on
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October 21, 1988. The adhesive holding tape to paper crumbled away at a touch of his finger,<br />
and then he removed the brown wrapper and tossed it aside.<br />
The box was filled with papers, most of them loose but some stapled to each other, and on<br />
the papers was Jack’s handwriting, each page filled with a block of writing. Theo picked up a<br />
postcard that lay on the top. It had a picture of a loon bobbing in the water and the word<br />
Minnesota in red letters. Theo turned it over and read what Jack had written: “Hi, Dad. Take care<br />
of this shit.” Then Theo read the second sheet of paper. He looked at a second sheet, then a third.<br />
“I think it’s poetry,” He said.<br />
“Isn’t that interesting?” Larry said.<br />
Theo glanced through a few more sheets, read a few words, not comprehending any meaning<br />
in them. He sat next to the bed, the poems balanced on his lap, and scratched at his chin.<br />
“Did he ever want to be a poet?” he asked.<br />
“Who?”<br />
“Jack.”<br />
Larry said, “Who’s Jack?”<br />
“My father,” said Theo. “Larry Junior.”<br />
“We just called him Junior,” said Larry. His eyes half closed stared up at the ceiling, fixed on<br />
a point far above the roof. “He didn’t like that either. Every month or two he came home with a<br />
different thing for us to call him. Ace, Carlo, Pepper. High school friends called him Bud, I<br />
think.” Larry’s hands were fidgeting on the sheets again, but slowly.<br />
“Did he write poems when he was a boy?”<br />
“I don’t know,” he said. “I suppose he might have.”
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“But to mail them all out here.” Theo riffled through the top pages, then walked his fingers<br />
deeper, lifting corners, sliding his hand into the still cold heart of the pile. Glanced at random<br />
phrases from random pages. It appeared to be all poems, perhaps three hundred pages worth.<br />
“What do you think he might have meant by it? By sending them to you?”<br />
But Larry had closed his eyes and gone to sleep, and had no answer but the slow rise and fall<br />
of his chest.<br />
Lizbeth showed Theo to a room where he could sleep, a small room with bare walls, empty<br />
dressers and a private bath next door. A twin bed with a simple blue cotton spread, brass lamp<br />
with a white shade. Theo kicked off his shoes, lay down, and slept for several hours until he<br />
needed to use the bathroom. When he finished he turned on the light and checked out the closet,<br />
fingering his way through rows of old clothes packed in on wire hangers; conservative clothes<br />
from the fifties and sixties, dull tweeds and extravagantly patterned weaving giving no clue as to<br />
who had worn it previously. He tried a few on, noting which ones fit and which didn’t, and then<br />
he carefully rehung them.<br />
He was hungry, so he wrapped himself in the plush robe he’d found in the bathroom and<br />
without bothering to turn on the hall light — there seemed enough light, perhaps the moon was<br />
full — went down to the kitchen and rooted through the near empty refrigerator and cupboards<br />
before finding enough material to put together a sandwich. On his way back he went through the<br />
room with the desk he had seen this afternoon. Lizbeth stood at the window, smoking a cigarette<br />
and staring at the rise in the lawn. “Can’t you sleep?” Theo said. She didn’t move, so he walked<br />
closer and asked her again.
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Though she seemed startled, she waited a moment before turning around. Her face was blue<br />
and white in the light from the moon that spilled in through the window, but her eyes were still<br />
that glassy brownish-green. “I got a little bit hungry,” he said, and as evidence held up the<br />
remaining half of his sandwich.<br />
“Is that the turkey?” she said.<br />
“Were you saving it?” he asked.<br />
She shook her head. “I guess you found what you came here for,” she said. She blew smoke,<br />
closed one eye, turned back to the window. “That must make you happy.”<br />
“Things are just starting,” Theo said.<br />
She said nothing to this, might not have heard. Whatever moment she was having, Theo<br />
decided, had nothing to do with him or his grandfather. Her pack of cigarettes lay on the end<br />
table next to the couch, a small red pack, cellophane shimmering in the darkness.<br />
She said, “You probably think I’m a little bit dumb, don’t you. People tell me that, that I look<br />
dumb. I got through the nursing program at the college, though. It took me a long time because I<br />
was in an accident.”<br />
She was quiet for a long time, until Theo said, “I’m sorry to hear that.” He picked up the<br />
pack, pulled out a cigarette and lit it.<br />
“It’s nothing you’ll probably ever have to deal with. I was in the nursing program to start<br />
with, and then seven years ago on the way to school my boyfriend’s car turned over. He got<br />
killed, and I had about twenty broken bones. Coma for three months. Physical therapy lasted a<br />
few years, then I went back to get my degree like it never happened, except that all my<br />
classmates were gone and all the students were fifteen years old or something. They tell me my<br />
mind wasn’t affected, but I learn things slower now, I think. Things are hard to remember.”
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Theo swallowed, then said, “My sister says that the mind and the body are more connected<br />
than even doctors think. You damage the mind, she says, with every paper cut.”<br />
Lizbeth said, “I’m a nurse. I’ve heard that before. Sometimes it feels like if it were just a<br />
little bit keener — my mind — or if I made connections a bit faster, the world would make more<br />
sense. Things wouldn’t get missed. And sometimes I watch the world go by like it’s packed in<br />
cotton.”<br />
“What things get missed?”<br />
“I can only guess.”<br />
“Like what? Medications?”<br />
“No,” she said. “When I learn something it stays learned. Your grandfather is fine. That is,<br />
for a dying person.”<br />
“He’s dying well, you mean.”<br />
“He’s dying as in going to be dead. He drafted a living will. If there’s an emergency, a<br />
cardiac or system failure, he’s given orders not to take any extreme measures. That means you’re<br />
pretty much ready to go.” She took a cigarette from her pack and lit it from the one burning in<br />
her hand. “Not that I’m any kind of person qualified in extreme measures.”<br />
“But you’re here to keep him alive.”<br />
“In the less active way that I’m not supposed to let him die. If anyone were asking me I’d say<br />
let your grandfather bury us all.” They continued to smoke together. Then she said, “How are the<br />
poems? Are they any good?”<br />
“I don’t know.”<br />
“Do they rhyme? Isn’t that one way people measure poems, on whether they rhyme or not?”
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“Some words in the poems rhyme with other words in the poems. But overall, I’d say the<br />
poems do not, as a rule, rhyme.”<br />
“I won’t remember that,” she said. “It’s like it’s gone already. The funny thing is, about my<br />
mind. You think I’d get used to it. The slowness. You’d think you’d settle in to your own head.”<br />
Next time we were on the phone Theo said to me, “There’s this nurse here, Lizbeth, no e no<br />
a, and she’s unsettled in the head.”<br />
It was morning and I was eating toast. A fragment of jam fell from the toast and ran down my<br />
arm as I said, “Are you going to take advantage of her?”<br />
“Why would I do that?”<br />
“You’re doing all sorts of other Jack-like things.”<br />
“Well, I’m not doing that,” he said.<br />
“Well, okay.” I wiped off the jam and prepared to run my arm under the tap. I ran water,<br />
rinsed my hands off, rolled up my sleeve.<br />
Theo said, “She’s more your type.”<br />
I didn’t say anything, rubbing at the jam. Then I said, “My sleeve’s all wet now.”<br />
“Huh?”<br />
I said, “Unsettled is my type?”<br />
“If you’re sleeve’s wet, by all means take care of that.”<br />
“What?” I hadn’t been aware I’d said anything about my sleeve. But Theo didn’t go on, and I<br />
didn’t say anything, and then Theo said, “Did you know he wrote poems?”<br />
I thought back to our walks on Clear Lake Saturday mornings. His dusty feet slapping the<br />
road. I said, “He used to recite poems to me all the time. Ginsberg, Corso.”
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“Yeah. Like on his drives. He used to talk all the time, reciting things.” He’d talk with his<br />
arms waving, with his head nodding, releasing the wheel and grabbing the passenger to press<br />
home a point. You’d fear for your safety, but he was an excellent driver who noticed everything<br />
and surprise you by including things you’d seen miles back in his ongoing monologue. “Things<br />
that sounded like poetry. He did that with me, too,” Theo went on. “I thought they were all<br />
poems from the Beats. Or road friends.”<br />
“Yeah,” I said. I dried my hands and arms, returned the shirt’s cuff to my wrist and buttoned<br />
it down. “Why do you ask?”<br />
“Because he wrote them all down.”<br />
“Wrote what down?”<br />
“Poems. He wrote them down and mailed them all out here to Larry. There’s about three<br />
hundred pages of poems out here.”<br />
I took that in for a moment, turning it over in my head. I said, “Why would he do that?”<br />
Neither of us knew, and it was time for me to go to work. I told Theo I had to go, then told<br />
him to be careful.<br />
Before leaving, I stopped for a second to stare at the recliner, at the walls, at the floor of my<br />
bedroom where yesterday’s discarded clothes were strewn about the hardwood floor. I looked<br />
through the window to the view of downtown made hazy by the dust of a dry season. We didn’t<br />
know why Jack did anything. And the fact of our not knowing was probably part of the reason<br />
Jack had done it. So we did know, partially. He’d done it so that we might wonder why.<br />
7.
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That weekend I went to Mom’s house for dinner with her and Kelley and Kelley’s boyfriend.<br />
I drove through the glut of traffic that lay over Highway 36 like drifted snow. My car rolled<br />
slowly past retail complexes and corporate parks, then I took 35E north to 694 and through<br />
another stretch of concrete bunker-style shopping malls housing the same retail outlets I’d just<br />
seen.<br />
I took Highway 61 north, the same road Jack had once hitched from its origin in Duluth to its<br />
end in New Orleans, and I saw by checking my watch and then the clock on the dashboard that<br />
there was almost an hour before Mom was expecting me. So I drove past the road that went to<br />
her place and continued to downtown. A farmer’s market was in progress, and a crowd of people<br />
milled about in the center square. I drove around the gathered people and through the rest of<br />
downtown — it took only two or three minutes — and after circling the block a car pulled out<br />
into the street and I slipped into its parking space. Then, the car locked behind me, I put my<br />
hands in my pockets and for the first time in years I walked through the town I had grown up in.<br />
Passing through the crowd, then standing against a brick wall where I was out of the way but<br />
had a clear view of the people against the backdrop of small boutiques, a bookstore, the same<br />
liquor store and same barber shop from years and years ago, standing in a row of shops that<br />
shared walls and made a solid front against the square, I decided that Clear Lake in 1994 was<br />
probably not much different from the way Jack must have seen it on that clear dawn in 1968. The<br />
people strolled aimlessly through the square half intent on buying produce and half simply happy<br />
to be out in the sun, among people, with the stretch of the weekend in front of them.<br />
It seemed to me this scene would make more sense if there were someone with me I could<br />
explain it to; what I mean is I started thinking about A.J. I found a pay phone, dropped in a
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quarter and dialed six digits. Hung up the phone, fished the quarter out and dropped it back in.<br />
Seven digits, hang up. This time the phone swallowed the quarter, my last one. Just as well.<br />
I walked out of downtown into a section of older houses built during one of the earlier boom<br />
times. It was in this area, I think, or perhaps have invented, that Davey lived, and it was possibly<br />
on this very spot that Jack first met my mother. I picked a house and considered that it might<br />
have once been Davey’s home, but whatever psychic resonance or voice from beyond that would<br />
have confirmed my choice did not reveal itself.<br />
It had happened on the first night Jack was in town, while the two of them were leaving to<br />
pick up a car and drive in to Minneapolis when a girl came up the walk carrying several books<br />
and a pad of paper clutched to her chest. Jack didn’t notice her at first, then, when Davey said<br />
hello, he looked down at her — she had long straight brown hair, a small lock of which, six or<br />
ten strands, hung directly over her right eye — and looked away.<br />
The girl said something, a name, that might have been her destination.<br />
Davey said, Mom and Dad know you’re out?<br />
God, yes. The hawks know everything. So I’m trying my best to deceive them about little<br />
things, anyway. Like, I took my books so they at least think I’m doing homework. See? She<br />
raised the books to Davey’s face. And then she looked up at Jack, at his tousled hair (he had<br />
combed it before leaving but his habit of brushing through it with a nervous hand had destroyed<br />
any pattern the comb might have left) and tried to hold her smile, but it faded as she continued to<br />
look at him. She gathered her books back into her chest and looked at the ground, then back to<br />
Davey. She bounced on her toes and said, Guess I’ll be seeing you. Mom wants you to come<br />
over for dinner.<br />
I’ll be there tomorrow night, same as every week.
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She then continued on her way. Davey watched her for a few steps and scratched his face,<br />
brass bracelet falling against the cuff of his shirt. My kid sister, he said. Carrie. Sorry. Hey,<br />
Carrie! She looked over her shoulder and back at them through the curve of her hair. This is<br />
Jack, said Davey. I f<strong>org</strong>ot to introduce you.<br />
She swivelled around and continued walking, but backwards. Hey Jack, she said.<br />
And Jack said, Hey there.<br />
I crossed the state highway, moving away from downtown along with a few other people<br />
leaving the farmer’s market. I passed a few people who were on their way in, a group that<br />
included a woman who eyed me suspiciously as she passed, and after a few more steps I thought<br />
it might have been a girl I’d gone to high school with, but when I looked back at her again she<br />
was facing the other direction, so I went on.<br />
I passed through several blocks of houses, nondescript houses all done in the same hurried<br />
post-war style, the first phase of post-war suburban expansion. Though Clear Lake had existed<br />
previous to the war as a train depot and resort town, (a famous writer of the 1920’s was once<br />
banned from the local yacht club for drunken behavior) it was as a suburb, in the energetic<br />
sprawl of the fifties and sixties, that Clear Lake became what it is today.<br />
It was at the tail end of all this transformation that my parents got married and moved into the<br />
house I was approaching. A small lot, a small house with lilacs in the front and an oak out back.<br />
Whoever moved in after Mom sold it had tended the lawn back to health and trimmed the lilacs<br />
into a neat rectangle. They’d given the house a decent coat of paint and a new roof. It looked<br />
very nice, I had to admit. A cold wind from the west blew the last oak leaves with a lazy tumble<br />
over green shoots of lily and tulip in carefully tended beds.
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Finally I returned to my car and drove to my mother’s and parked in the driveway next to<br />
Kelley’s twenty-five year old VW Beetle. I looked at my watch and saw that more than two<br />
hours had passed, and my detour through Clear Lake had made me late.<br />
When I reached the door and checked my watch again I reasoned that the half hour I was late<br />
would worry and upset no one. My family was tolerant of late-comers; my mother herself for<br />
instance was constantly caught up in minor battles over where she’d left her keys or whether she<br />
should wear the warm winter jacket or the more fashionable spring coat. I knocked, then pushed<br />
the door open and went in.<br />
Kelley lay on the sofa, feet propped on an arm. She was watching television, flipping through<br />
channels and chewing on the fingernails of her left hand. “Matt!” she shouted, but half-heartedly.<br />
“Hey,” I said. “What’s going on?”<br />
“I’m watching TV. There’s a woman who used to be on ‘Eight in Enough’ selling some type<br />
of exercise equipment on Channel 5, another woman who used to be on ‘Making a Living’<br />
selling a food dehydrator on Channel 9, and on Channel 11 John Wayne is behaving in his usual<br />
highly moral though unenlightened fashion.”<br />
I said, “How have you been?”<br />
“Not that dehydrating food is immoral. I don’t mean that at all.” She changed channels<br />
steadily as we talked, a stale parade of newly coined images, all of them familiar and friendly.<br />
“See, if Theo were here he could tell us what this means. Festive images of shrivelled foodstuff,<br />
smiling former sitcom sidekicks in aprons.”<br />
I said, “He’d say, ‘What’re you watching that crap for?’”
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“Oh, at first he’d say that, he would. But even this has a pull on Theo. TV is the barometer of<br />
our times. He’d say, food dehydrators indicate a spiritual dryness. Exercise equipment means<br />
metaphysical decay.”<br />
“John Wayne means ratings points from old ex-marines.”<br />
“Right.”<br />
I asked if there were any cookies.<br />
Mom baked. Mostly cookies and cakes, the occasional pie, baked in massive spurts which in<br />
the past had coincided with Jack’s manic phases. He’d pick up people in bars - artists and<br />
musicians, the occasional non-violent biker, and they’d come back to the house after closing time<br />
and drink some more and shout, and sing along to some guy who’d brought a guitar, and then, in<br />
the smaller hours of the morning they’d trickle out into the hazy night, most of them never to be<br />
seen again. The next day, Mom would bake mountains of cookies that far exceeded the family’s<br />
ability to eat them. We regularly took tins of cookies in to school and distributed them during<br />
lunch, and if there was still extra she took it out to food shelters and school bake sales, to any<br />
cake walk or charity fund raiser that would take them.<br />
Kelley told me there were a few, but she had finished them that morning. “How long have<br />
you been here?” I asked.<br />
“A while,” she said vaguely.<br />
“So how’s work?” Kelley worked for a temp agency, shuttling back and forth between<br />
several office buildings as a data entry specialist. She was also working her way toward a degree<br />
in Anthropology, at a pace slowed both by her need to work full time to pay tuition and by a<br />
timidity regarding her own intelligence. I had recently decided that with her deceptive<br />
intelligence and tendency toward waifishness that Kelley was the type of woman who would not
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see her prime until her mid to late thirties, after years of disappointment and self defeating<br />
behavior. One of these days she’d wake up with a master’s degree, a sweet if quiet husband, and<br />
a steady, satisfying job. She’ll wonder at the person she used to be for all those years, and be<br />
astounded by her current happiness. I felt good for that future Kelley, and proud to be her<br />
brother.<br />
“I’m doing okay,” she said.<br />
“And Wilton?”<br />
The rhythm of her channel flipping changed, became irregular, then evened out again. John<br />
Wayne, stock car races, stop motion dinosaurs, a woman in a white suit wearing a headphone<br />
mike.<br />
“Is that Laurie Anderson?” I asked.<br />
Kelley nodded. “It’s a performance art retrospective on Channel 2.”<br />
I said, “I remember when she was cutting edge.”<br />
Kelley said, “Mom went out for milk. Should be back any time now.”<br />
I said, “Theo seems to be okay.” After talking with him I had called my mother to fill her in<br />
on the few details he had given me, and then I’d left a message on Kelley’s machine. Every time<br />
I called her I had to leave a message, and when I asked her about it she said they screened calls,<br />
especially at night, in the hours Wilton spent writing and didn’t want to be interrupted. I said, “If<br />
you returned messages...”<br />
“Mom told me.”<br />
“Still, you could have called back.”<br />
“I was here. When you talked to her.”<br />
“Mom didn’t say. Till when?”
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down.”<br />
“I kind of never left. Could you sit, please? You make me nervous the way you never sit<br />
I hadn’t realized I was still standing in the doorway in much the same position I had taken<br />
after closing the door. My hands were in my pockets, my feet firmly set about a foot and a half<br />
apart. I took my coat off and hung it on the coat-rack, then kicked off my shoes and sat down in<br />
the armchair, my feet carefully placed in the crack between ottoman and chair. I wondered about<br />
cookies again, then remembered the last one’d been eaten.<br />
“So you’re staying here now?”<br />
She nodded, raised a hand and set it on her head, held it there. Looked me in the eye and said,<br />
“Two things, like ripping off a band-aid: One is we broke up. Two is I’m pregnant.”<br />
“Oh,” I said.<br />
“Due in early winter.”<br />
“Pregnant with a baby.”<br />
“Definitely a baby. Which isn’t the only reason we split up. Kind of a straw breaking the<br />
camel’s back thing.”<br />
“I’m sorry. I guess. And congratulations.”<br />
“You guess. Everyone says I guess congratulations. That or, if they’re insensitive they say,<br />
‘You’re going to keep it?’ Like it’s a dress I’m not sure of. An ill-fitting garment. Pregnancies<br />
are in limbo these days. Like we’ve soured on reproduction. Seen enough of it; nothing new<br />
there.”<br />
“Another institution under assault.”<br />
“Exactly,” she said.
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A pause. We stared at shriveled food, football, men at desks, John Wayne on a technicolor<br />
desert. Familiar images, predictable endings. I propped my feet on the ottoman and stared<br />
intently at the screen, waiting for what came next.<br />
Mom came home, bustling through the side door from the garage carrying two paper sacks of<br />
groceries. The cat shot from my legs and bounded to a hiding spot in the next room. I got up to<br />
help with the groceries and without looking to see who it was who had taken the bags Mom<br />
thanked me and took off her coat.<br />
She hung her purse and coat on the rack behind the door, pulling on the sleeves to make them<br />
completely right side out and then, after pulling a few cat hairs from the hem, turned to face me.<br />
She smiled. “Matt,” she said. “Good to see you.” We hugged, and a moment after she let go so<br />
did I. “I got caught in traffic, imagine that. Heavy traffic between here and the Rainbow. It was<br />
the parking lot, really. Some little old lady — not me, ha, ha — got her car hit by a teenager. But<br />
I’m here now. Is the lasagna done?” She scurried into the kitchen to check, then stopped. “Matt,”<br />
she said. “How have you been?”<br />
“I’ve been fine, Mom.”<br />
Kelley stood over the table eyeing the two large sacks. She grabbed the edge of one bag and<br />
peered in, then took out a head of lettuce and two tomatoes. “I thought you were just going for<br />
milk,” she said.<br />
“Milk is in the other bag,” said Mom. “I thought we might like a salad.”<br />
“Oh.”<br />
“I just thought that it wouldn’t be much of a meal without something green on the table. You<br />
know, with it being spring and all. Have we heard from Theo?”<br />
I shook my head.
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“Okay, then. We’ll have to call him.”<br />
“He didn’t give me a number.”<br />
“I have the number.”<br />
“How did you get it?”<br />
She shrugged and continued to pull things from the shopping bag. Cucumbers, carrots, bacon<br />
bits. “I’ve always had it. I found it in your father’s personal papers.”<br />
“This is news to me. Is this news to you, Kelley?”<br />
“Yes. But not surprising.”<br />
She set a head of iceberg lettuce on the counter, then began re-folding the paper bag. I picked<br />
up the lettuce and picked at the tape that held on the webbed plastic wrapper. I said, “Why didn’t<br />
you tell Theo about this before he went off across the country?”<br />
“I didn’t know he was curious. It’s the tragedy of you LaFleur men that you’re always<br />
keeping things secret that aren’t secrets.”<br />
room.<br />
“He’d have gone anyway,” Kelley said. Then she turned and walked back into the living<br />
I pulled off the wrapper and picked up a knife, then set the knife down. “So let’s call,” I said.<br />
She got the number from the other room and I dialed it. The phone did its little miracle, sending<br />
electric impulses across the country to make another phone ring. A woman answered. When I<br />
asked for Theo, she asked who I might be, so I said, “I’m his brother.”<br />
“Oh,” she said. “You must be Matt. Hello, Matt. What are you calling for?” Her words were<br />
slow and measured out almost without inflection, but I sensed more friendliness behind her voice<br />
rather than hostility, though I wasn’t sure.<br />
“Ah ... Just to say hello. You know, check in. Is he there?”
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“Oh, yes. He is in.” A minute later, Theo was on the phone.<br />
“Hey, he said. What’s up?”<br />
“Who was that answering the phone?”<br />
“Lizbeth. The nurse. I told you about her.”<br />
“Is she always that spooky?”<br />
“She’s not spooky. She was in an accident; she told me all about it. We had quite a night.”<br />
I looked at Mom, shaking out the head of lettuce over the sink, then I turned my back on her<br />
so she wouldn’t hear what I might say. “I thought you weren’t doing that.” I said.<br />
“Oh, it’s all perfectly G-rated. We’re both insomniacs, that’s all. Don’t be jealous.”<br />
I was about to ask him something else when Mom put a hand on my shoulder. I turned<br />
around and looked at her. She had her other hand cupped in front of her ready to take the phone<br />
from me. “Here’s Mom,” I said. “She wants to talk to you.”<br />
“Oh, God,” said Theo, and then something else that tapered into thin tinniness as I took the<br />
phone from my ear and set it in mom’s hand.<br />
She turned away and said “Hi, honey,” into the telephone. She folded her free hand into the<br />
crook of her elbow and curled her body into the phone. She said calmly, “This is some stunt,<br />
isn’t it?” and then something else I couldn’t hear.<br />
I went to the living room where Kelley had slouched down into the sofa, her hips nearly over<br />
the lip of cushion. She pulled at the hem of her skirt, straightening it out and flattening till it fell<br />
discreetly over her knees. She was pregnant now, a permeating, transformative fact.<br />
Kelley said to me, “What did he have to say?”<br />
“We didn’t get much of a chance. I wanted to ask him more about the poems, though.”<br />
Kelley said, “So Dad wrote poetry?”
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“Guess so,” I said.<br />
“What is it? This thing Theo did. Is it some guy thing? Have you had the urge to run across<br />
the country?”<br />
Jack.”<br />
“Not too strong,” I said. “But I think Theo’s more interested in finding things out about<br />
“You should call him Dad.”<br />
“He liked Jack.”<br />
“Besides, we all know what Dad was like. How he was never here, how people used to stop<br />
by and drag him out at all hours and he’d come back at three a.m. drunk and raging and shouting<br />
about corporate communists and fascist hippies and Lord knows what else. Theo and me used to<br />
talk about it all the fucking time. Jack was an alcoholic, plain and simple, with all the classic<br />
symptoms and the usual complex of co-dependents surrounding him.” She’d sat up during this<br />
speech, struggling on her elbows, and when she was done immediately began to slouch again.<br />
I said, “Well, I’ve told him too. And he remembers a lot anyway, but not adult memories. I<br />
guess he feels left out.”<br />
“Well. If anyone was left out it was me.”<br />
I didn’t know what to say to that. She looked up at me, seeming to try to provoke me into an<br />
argument, but I said, simply enough, “What do you mean?” The cat had somehow worked her<br />
way into my lap and was now cleaning herself, licking a forepaw and then swiping at her<br />
forehead.<br />
Kelley said, “You were the boys. He’d take you everywhere. Saturday morning walks, car<br />
rides to Duluth. And I was the girl, left home with Mom.”<br />
“You did plenty with him,” I said. “He took you to movies. I remember that.”
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“Oh yeah, Bambi was loads of fun. But you two were the last to be with him. When it came<br />
down to the end, it was you two he came and got.”<br />
“That last week wasn’t exactly a picnic,” I said.<br />
“You loved it. You loved watching him be Jack.”<br />
She was right, of course. There was Dad, who was irresponsible, who took too much time off<br />
from work, who drank away half his paycheck and left the house to crumble around his family,<br />
and then there was Jack. Jack the free spirit, the wild man with no past, who drove like the wind<br />
when and where any whim took him, the man who made everyone he met fall in love with him.<br />
Jack the poet king of wherever he went.<br />
“Everyone loved Jack,” I said.<br />
“They sure did,” Kelley answered, smiling. “And poor Mom, who had to watch the whole<br />
show. Figure she had no idea what she was getting into when she met him at that kegger.”<br />
“I thought they met at Davey’s house,” I said. Kelley gave me a blank look, so I told her a<br />
brief version of their meeting on the street in Clear Lake on Jack’s first night in town.<br />
Then Kelley said, “I heard that from Davey. But Mom doesn’t remember that, so it doesn’t<br />
count. Mom told me the first time was at a party out by the barn where the malls are now. They’d<br />
put together a bonfire and found a keg and rumor had it a few of the wilder kids had scored some<br />
acid from a guy who visited the high school in a Firebird GTO.” I sat back and listened, stroking<br />
the cat. Kelley said, “Mom wasn’t really into the party scene, she always said, she went because<br />
her boyfriend — you remember Elliott Festival, right?”<br />
I nodded. We all knew him. Elliott Festival was the associate principal of the high school, a<br />
hometown kid who’d stuck around to make good. “Anyway, there’s this friend of a friend thing<br />
and Elliott takes her out to the barn. It’s cold, and they’re huddled up around the fire, and the
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guys go ducking behind the barn for he-man communal pisses and that sort of thing. But so poor<br />
Elliott can’t hold his liquor and pukes on his letter jacket and wants to leave, but the party had<br />
really only started. Poor Elliot.” She leaned in close to me and said, “He still calls.”<br />
“Elliott?”<br />
She nodded. “There was a message on the machine.”<br />
“Huh,” I said. “Did she call back?”<br />
“I would think so. The message sounded like they’d been in dialog for a while.”<br />
“Mom and Elliott together again,” I said. If they’d been together in high school, this would<br />
be for the third time. I let that go and said, “But at the party what happened?”<br />
“Jack showed up. Uninvited, carrying a bottle of whiskey and his charm. It was around<br />
midnight. He saw the lights from the road, he said, and thought he’d check out the action. Passed<br />
the bottle around, told everyone he was in town visiting Davey Anderson and whoever else<br />
would put up with him. Mom told him she was Davey’s sister. So they hung out for a while and<br />
then they drive him out to Davey’s.”<br />
I said, “And that was it? They were in love then, with Elliott acting as chauffeur?”<br />
Kelley had struggled herself into an upright position again, and leaned forward to put her<br />
elbows on her knees. She put out her hands palm up and said, “Reports on love are sketchy.”<br />
We heard Mom hang up the phone in the kitchen and Kelley fell silent. There was silence in<br />
the kitchen, then we heard the sounds of her approach. Kelley raised her eyebrows at me and<br />
pursed her lips to show the conversation was over. She lay back on the sofa and began again to<br />
arrange her clothes around herself, stroking her belly with the flats of her fingers.<br />
We were all quiet for a minute, Kelley pushing out her lower lip, still distractedly flattening<br />
the fall of her sweater. I tried to sense the embryo within her: A vital pink cluster of
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differentiating cells aligning bilaterally from oversized head to tiny heel, a misshapen figure still<br />
bearing gills and a stubby tail. Developing by rules of its own, breathing amniotic fluid and<br />
taking food from a tube. An alien being struggling to become human.<br />
8.<br />
The next afternoon while Larry was sleeping Theo went out for a walk. He went down<br />
Riverside Avenue to a cross street and then turned north, past a large grassy park dotted with<br />
large gnarled oaks and trimmed with bushes and in one corner a vintage twenties era carousel,<br />
which according to a plaque on the door was one of the prides of the city. It was boarded up now,<br />
the horses coralled behind green plywood and thick wire screen, not to be opened until Memorial<br />
Day. He walked past the park until he reached Main Street, where he took a right and walked to<br />
downtown, a small collection of late nineteenth century red and white sandstone buildings, none<br />
of which rose higher than fifteen stories. A clock on one of the buildings showed five o’clock<br />
when he got there, so he hung around on street corners and in the small shops that were still open<br />
and watched the exodus of cars and the small stream of men and women walking out of<br />
buildings into the bright spring light.<br />
He walked past a bar, peering in through glass walls at dark wood paneling, neon fixtures, a<br />
man seated at a piano. A pot-bellied man with a ragged mustache stood behind the bar, phone to<br />
his ear. It was getting cold out and Theo had nowhere to be, so he went in and took a seat. The<br />
bartender set the phone down, eyed Theo through slit lids and shifted his toothpick to the other<br />
corner of his mouth before asking him for identification. Theo sifted through his wallet and
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pulled out his fake driver’s license and showed it to the man. He eyed the plastic card warily and<br />
handed it back to Theo.<br />
“Minnesota, huh,” he said. “How’re the Packers doing?”<br />
“They’re fine,” Theo said. “But they’re in Wisconsin.”<br />
Theo paid for his beer and turned to look at the man at the piano. Unshaven and obviously<br />
drunk, he sat on the bench with his left hand resting on the keyboard. He played a chord, shifted<br />
to another chord, experimentally added more notes with his right hand. The progression was<br />
familiar, but with the missed notes and hesitations the song itself was hard to name.<br />
“We let him play as long as the place isn’t too full,” the bartender said. The handset to the<br />
phone still lay on the counter where he had left it.<br />
“Should have brought my guitar,” Theo said.<br />
“You play?”<br />
“Couldn’t do worse than him.”<br />
“Maybe if I had the piano tuned.”<br />
“Sounds tuned. Probably needs new strings.”<br />
“They do that? Re-string pianos?”<br />
“Sure.”<br />
“Seems like those strings should be a permanent thing. Hidden away like they are.”<br />
Theo said, “Yeah, they change them.”<br />
The drunk at the piano strung together a professional sounding phrase from the song “Let it<br />
Be,” then returned to tapping out chords.<br />
“That sounded okay for a second,” Theo said.
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“He says he used to be good. Played the coffee house circuit in Ithaca. Was in a band that got<br />
famous round these parts soon as he left it.”<br />
“That’s the way it goes sometimes.” He sat for a second, listening for another recognizable<br />
phrase. Then Theo pointed to the handset and said, “Are you on the phone over there?”<br />
The bartender looked over, shook his head in self-chastisement. Walked back to the phone<br />
and said hello, started talking.<br />
A minute later a woman came in and sat at the bar next to Theo, though there were empty<br />
seats everywhere. The bartender hung up the phone and without asking mixed a drink for her.<br />
Setting the drink in front of her he said, “Where’s Fred these days?”<br />
The woman shook her head, said nothing, fumbled to light a cigarette. When the bartender<br />
left she turned to Theo and whispered, “He knows where that bastard Fred is.”<br />
“Pardon?”<br />
“He’s going to hell if he’s lucky.” She looked up at the television mounted in the far corner<br />
of the ceiling. A man seated behind a desk, head tilted toward the camera as he read the evening<br />
news. Before Theo knew what was happening he had found out that the woman sitting next to<br />
him was trying to leave her boyfriend. Theo nodded politely as she went through the details. She<br />
had taken up with this man Fred after leaving an alcoholic who beat her. She loved him — Fred<br />
— well, probably she loved both of them, but though this most recent one didn’t beat her he was<br />
fooling around with other women. “What’s a person supposed to do?” she asked Theo. He<br />
looked her in the eye as the drunk at the piano started playing a Randy Newman song. She was<br />
short with dark hair and a bleached mustache, blotchy pale skin, and there were rings around her<br />
eyes either of smeared make-up or exhaustion, the poor lighting making it difficult to tell which.<br />
Faded white t-shirt with a blue collar and cuffs and blue trimmed pocket, jeans tight over pouting
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abdomen, black sneakers scuffed to white on the toes. There was the possibility that once, in<br />
high school maybe, she could have been described as pretty, but she wasn’t any more. Theo<br />
looked up at the television, at the poorly centered anchorman in front of a cheesy, fog-shrouded<br />
river valley backdrop. He asked if she had any kids. She nodded.<br />
“Kids make it difficult,” he told her.<br />
She nodded again, dragging on the cigarette. Reached under her shirtsleeve to scratch her<br />
shoulder. Then she a smiled with a surprising sweetness. “I love my kids,” she said.<br />
The television showed a pretty blond woman in a blazer and skirt standing in front of a<br />
weather map. She smiled brightly, pointed at a sun pasted over Ontario, made gathering motions<br />
with her hands. The woman next to Theo lit another cigarette.<br />
Theo pointed at the piano player, who had made it halfway through his song with a rocking,<br />
drowsy glee and said, “He’s doing okay now. When I came in he sucked.”<br />
The woman said, “He used to be good.”<br />
Theo walked back to the house by the same path, under a sky that had clouded over to a<br />
uniform steel grey that threatened rain. Larry was asleep and Lizbeth was out. Theo walked<br />
through the house, exploring rooms he hadn’t seen before. There was a study with a built-in<br />
bookshelf filled with literary first editions on one shelf and law books on another. There was a<br />
second wall filled with plaques and honorariums from the Kiwanis club, the Rotary club, the Boy<br />
Scouts and the local chamber of commerce. The rest of the house held three spare bedrooms, a<br />
porch out back with a potting table and another patio with a barbecue grill and picnic table sitting<br />
on the edge of a lime-green lawn that gradually sloped to a grove of sycamore trees clinging with<br />
bare roots to the steeply pitched banks of the Susquehenna river.
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In the garage were two cars, an old blue Pontiac and a newer Oldsmobile. Everything about<br />
the house suggested a man who’d lived well and been respected by his community, a man who<br />
didn’t have anything to hide. And these were the people, Theo figured, who hid things best of all.<br />
That night Theo woke at three in the morning, blinking into the unexpected light of the<br />
corner floor lamp. After a few moments of confusion, he sat up and saw Lizbeth at the window,<br />
exhaling cigarette smoke through the screen. Her kinky black hair was gathered with a band at<br />
the back of her neck, flaring out again over her shoulders. She didn’t appear to notice him, and<br />
what it was that could have engaged her thoughts he didn’t know, until he suspected something<br />
must have happened to Larry that she was getting ready to tell him about, perhaps ordering the<br />
words in her mind perfectly before she began speaking.<br />
“Is he all right?” Theo asked.<br />
She turned to look at him slowly. “Sure,” she said.<br />
“What’s up, then.”<br />
“Nothing. I couldn’t sleep.” She tapped out the cigarette in an ashtray and sat down in the<br />
small round chair, brushing ashes from the front of her wrinkled nightshirt. She went on, “He’ll<br />
come out of this in a day or two. This is a thing that happens where he just gets extremely tired.<br />
But he’ll come out of it.” She had a calm reserve in her voice, a way of intoning her phrases with<br />
a sure sense of authority that wasn’t there when she was talking about anything else but taking<br />
care of people.<br />
Theo rolled over and sat up, adjusting his shorts to ride properly on his waist. He ran a hand<br />
through his hair and watched her calmly. She said, “He still has a few months left, they tell me.”
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Theo said, “I was planning on leaving in the morning.” Lizbeth nodded. Theo went on, “I<br />
was thinking. I need a car. I noticed there are three. One is yours, two are his.”<br />
“Yes,” said Lizbeth. “One is mine, two are his.”<br />
“So I need one.”<br />
“Yeah. I don’t know. I mean I don’t know about that sort of thing. Meaning it’s up to you.<br />
But he has two cars he hasn’t driven for years. Maybe he’d want you to have it. One.”<br />
“Well you’ll need to tell him if I have to take one before he wakes up again.”<br />
“You’re in a hurry, is one of the things you’d like me to know.”<br />
“My Mom, really. She worries.”<br />
“Momma’s upset. How old are you again? Seventeen?”<br />
“Eighteen next month,” said Theo. He felt her eyes on his bare chest and said, “What is it<br />
you’re thinking?”<br />
“Just what people think,” she said. “When they spend a lot of time alone and suddenly<br />
someone’s there.”<br />
“You don’t have a boyfriend?”<br />
“You don’t have a girlfriend?”<br />
“I do, actually.”<br />
“Someone your own age?”<br />
“Approximately, yes.”<br />
“But f<strong>org</strong>et about it. I decided right now. I never get out of this house long enough to have a<br />
boyfriend. There’s another nurse that comes in once in a while, but even then I don’t get out. I<br />
don’t know. Why should I be telling you this?”<br />
Theo shrugged, said, “People tell me things. You can’t help it.”
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“It’s because this is a transitional acquaintance,” she said. “And mostly likely it’s I’ll never<br />
see you again. So I can tell you anything.”<br />
“You think it would be a mistake?”<br />
“I meant transitory. In passing. And because it’s two people here in a room isn’t a reason.<br />
What sense does that make? I made a lot of mistakes,” she said. “And that would be nothing. I<br />
killed a person once. An old lady with cancers all over her body.”<br />
“How did it happen?” Theo said. He reached down to the floor next to her feet and picked up<br />
his shirt. He looked at it, shook it once, and put it on.<br />
“She was sick. She wanted to die. It was like this, it was an in-house care situation where I<br />
was assisting another nurse. Part of my training, a few years ago. She kept saying she wanted to<br />
die, but we can’t just kill people. ‘Shoot me up with something,’ she said. ‘Inject me. Fill me up<br />
with something that’ll end it.’ When it was my turn to watch over her she wouldn’t shut up about<br />
it. ‘Kill me,’ she said. ‘It’s too much pain.’ I told her I couldn’t. ‘Let me do it, then,’ she said.<br />
‘You just fill the needle.’”<br />
“You did that?”<br />
Lizbeth shook her head. “No. But then one night she didn’t talk about dying. She sat there<br />
talking about her children, how one worked on construction sites as a supervisor and another one<br />
who worked for the power company and there was a daughter who became a television<br />
meteorologist, and they’d all given her beautiful grandchildren. I thought maybe she was past<br />
wanting to die and wanted to live for a while longer. So I went to bed and then woke up in the<br />
middle of the night like I usually do but this time it was because I remembered I’d left a bottle of<br />
sleeping pills on her night stand.” Her face remained calm as she spoke in her slow monotonous<br />
voice, her eyes glancing from point to point above Theo’s head. “I went in to take them away,
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thinking there was no reason to because she’d been so happy telling me about her daughter the<br />
weatherwoman. But the bottle was empty. She’d taken all the pills. I checked her pulse; she was<br />
gone. So I sat there for a while, waiting. Trying to work out an explanation for what was<br />
happening. There would be questions. You know. I’d probably loose my license, go to jail.”<br />
“Were there questions?”<br />
“No.” Lizbeth chewed on her lower lip, then pulled a cigarette from Theo’s pack and lit it.<br />
“They didn’t do an autopsy. One of the things you learn is that the closer someone gets to death<br />
the fewer questions there are about the way they ultimately go. You know, like, what’s the<br />
difference? They asked a few questions. Nothing intense.”<br />
“What did you say?”<br />
“I said she was talking about her kids and then went to sleep. But you know, I don’t know<br />
what the truth is. Whether I knew when I left the room whether the sleeping pills were there or<br />
not. If I let myself f<strong>org</strong>et at the time, or convinced myself later that I’d f<strong>org</strong>otten. Or if it was<br />
because from so many times over the next year of telling myself I’d f<strong>org</strong>otten that that’s actually<br />
what I remember now. That I’d f<strong>org</strong>otten them there. Stuff that’s not the point, because the real<br />
question is what were they doing there in the first place.”<br />
Theo said, “So you didn’t kill her.”<br />
“No. But I just think like that sometimes. That I did.”<br />
“You’re probably being too hard on yourself.”<br />
She said, “Probably I am.”<br />
Theo looked at the cigarettes but didn’t light one. He put his arms behind his head and looked<br />
at Lizbeth. “So that’s what keeps you up at night.” He said.
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“That and other things. I get headaches if I lie down too long because I had that trauma to the<br />
head. So three hours is about how long I sleep at a time, then I get up again. And I think about<br />
things like after this job, what I’m going to do. I’m going to look for work in a hospital<br />
somewhere. Someplace with people around, where I can go home afterwards. I’m going to live<br />
someplace I can have a cat, I think. And I’m going to call up the other nurses and we’re going to<br />
go out on weekends and I’m going to get married to a guy that doesn’t know anything about<br />
medicine or diseases that old people get.”<br />
“Are you going to have any kids?” Theo asked.<br />
“I haven’t thought that far ahead,” she said. He thought she was joking, but all she did was<br />
shorten her neck and blow smoke.<br />
9.<br />
For me, mornings were the usual struggle in which getting up and going in to work always<br />
won out over a moody day spent sulking in the apartment, and once at work I pushed slowly<br />
through the log-jam of manuscripts and departmental memos that showed up on my desk. I<br />
would have liked to see the person who delivered them, Sharon Wildbrush, because she was<br />
pretty and we always got along well, but it seemed that either our schedules were completely out<br />
of synch or she was trying to avoid me — I couldn’t tell which. There wasn’t anything romantic<br />
between us, but on the other hand I couldn’t recall anything I had done which would make her<br />
not want to see me, in fact all I had done was smile and tell her that she did a good job of<br />
delivering the manuscripts, to which she would reply that I was wearing a nice tie.<br />
I admired her saying that because my ties, when I wear them, are frighteningly conservative<br />
— plaids and muted paisleys tied with a lumpy, childishly square Windsor knot. Ties that never<br />
quite match the effort I put into selecting more stylish shirts. But she was a good looking young
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woman, one who I would have liked to see more of had I not been fascinated by A.J.. And, since<br />
that escapade was winding down, the idea of seeing Sharon over lunch began to make headway<br />
through my thoughts. Unfortunately, I had not seen her in more than a week and was starting to<br />
wonder if she was even still employed by the magazine.<br />
I had to see the editor, Maggie Keefe, to clear up several confusions in a piece I was working<br />
on — night life on St. Paul’s Grand Street — and when I had done that I asked, casually, about<br />
Sharon.<br />
“I thought you’d heard,” she told me. “She asked to have her schedule changed so she could<br />
avoid the harassment.”<br />
“Who was harassing her?” I asked. “It wasn’t me, was it?”<br />
She seemed not to have heard the last half of my statement, or chose to ignore it, instead<br />
saying simply, “Pete.” Meaning Pete Johnson from circulation, who worked at the desk next to<br />
mine and seemed incapable of talking about anything not related to whatever sport was currently<br />
in season. Overweight, balding and squinty, I had no trouble picturing him as a sexual harasser,<br />
and I wondered if I shouldn’t have seen it coming and given some kind of warning to Sharon.<br />
Why I should have seen it coming, or what kind of warning, I don’t know. Then Maggie said,<br />
“I’ve talked to him about it. I’m surprised you didn’t hear.”<br />
“I’m out of the loop on a lot of things,” I said.<br />
I returned to my desk to brood over the manuscript. I transposed a sentence from passive to<br />
active. I retitled the article, changing it from “It’s a Grand Old Street” to “Grand me your<br />
Wishes”, a change I figured was probably too clever to make it into print.
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The next day Larry was strong enough to sit up in bed and eat by himself, and then Theo<br />
helped him into the wheelchair. Theo wheeled him to the library, where they sat for a while<br />
surrounded by Larry’s books. Lizbeth set up an I.V. tube as Larry complained, making a face as<br />
she probed for a vein. The first thing he wanted to know was what Theo was doing about school.<br />
He seemed satisfied that it was spring break, and then he wanted to know how he was getting<br />
back to Minnesota. When he found out Theo had no plans (he was careful not to mention hitch<br />
hiking) Larry insisted that either he buy Theo a plane ticket or set him up with a car and traveling<br />
money. After Theo settled on the car, he began asking about Jack.<br />
He found out that Jack had left Binghamton more or less for good in 1959, intending to travel<br />
for the summer before returning to attend college. That summer stretched into a year, and the<br />
year stretched into two, and then three, and when it became apparent that Jack would be able to<br />
travel indefinitely on the interest his trust fund brought in, Larry decided to take action. He<br />
refused to let Jack stay in his house when he came to town and threatened to cut off his money.<br />
But Jack simply stayed at friend’s houses or out of town all together, and the money was<br />
undeniably and legally his. The last time Larry saw Jack was 1965, and aside from a rare<br />
postcard the only thing he knew about Jack came from bank receipts whenever Jack pulled<br />
money from his trust fund. Finally, in 1970, when Jack’s mother died, Jack provided the final<br />
wedge by not coming home for the funeral.<br />
“We had no way to get hold of him,” said Larry. He puffed his cheeks, rubbed at his chin.<br />
Said, “We called people who called people who said they told him, but how do I know if they<br />
did or not? I was sure at the time that he knew and had stayed away out of spite, so I transferred<br />
all the money he had to a different bank. At least, I thought, I’d give him a scare.” Larry picked<br />
up an arm to run through his hair, then looked in annoyance at the I.V. tube dangling from his
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skin. “It was his money, of course. Legally, I couldn’t take it away. It was a sneaky move to deny<br />
him access to it; but all I did, see, was move it to another bank. He could have asked where it<br />
was and got it any time he wanted. Guess I won that round. Or he did. Hard to tell. He never<br />
touched his money again.”<br />
“Never?”<br />
“No. It’s still there. I suppose it’s yours now. I’ll see if I can find the papers. It’s yours and<br />
your brother’s and your sister’s.”<br />
“That was the year he got married,” Theo said. “The year he settled down in Clear Lake.<br />
You’d think he’d want that money. Instead of taking a crap job in a lamp factory, sweating and<br />
going crazy and taking money from mom’s parents for a down payment on a matchbox house.”<br />
“Well, the last time I talked to him we said some things. He called me a sick twisted old<br />
bastard, I called him a dumb hippie. And after that we decided not to talk to each other for a<br />
while. It just stretched out longer than I’d expected.”<br />
“And you didn’t even come to his funeral.”<br />
Larry didn’t answer that. He sat still, then he gave a quick sniff and rubbed at his nose. Then<br />
he said, “That’s the past. Tell me about you, Theodore. Are you finishing school soon?”<br />
“June.”<br />
“College?”<br />
“I’ve been accepted to St. Olaf.”<br />
“Hm.”<br />
“It’s a good school.”<br />
“I’m sure it is.”
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“If it helps, I think Jack was sorry.” Larry sat quietly, a hand tapping the wheelchair’s vinyl<br />
padded arm. “He was a damn stubborn man. I see that in you, too.”<br />
“What about after college?”<br />
“I want eventually to work in images.”<br />
Larry scrunched up his eyes questioningly, shook his head. “You kids. I have no idea what<br />
you say.”<br />
“Maybe I’ll work in television,” Theo said, slowly. “I find television fascinating. The way it<br />
both defines and initiates cultural trends. How it’s become an alternate reality. A self-adapting<br />
icon. I think images are going to be the literacy of the future. The future’s going to belong to<br />
people who can write in images.”<br />
“You remind me of him. Saying things that make no goddam sense.”<br />
Theo paused. Said, “The thing about television is I think I love it too much to be able to work<br />
in it. I critique, I analyze. I don’t know if I could be creative in a field I simply love to watch.”<br />
“You should read books. Books are permanent, they sit on your shelf. I read the classics. I<br />
used to, anyway. Shakespeare. Milton. Midway along the journey of our life, etcetra.”<br />
“Dante. Yeah. Jack used to love Dante, too. And Milton. He loved the melodrama, the storm<br />
and thunder.”<br />
“Melodrama was right. Foolish nonsense.”<br />
“He’s why I know Dante. He kept books around, too. Battered old Penguin classics that I’d<br />
pick up and poke through. He’d catch me, glance at the page I was on, and start quoting. You<br />
should read the poems in the box. He wanted you to read the poems.”<br />
“I wanted for my son to have a good education, so I collected all the best writers of history.<br />
Junior read them, too, though not as intently as I’d hoped. Whipped right through twenty five
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hundred years before he was eighteen. Read maybe five percent of what was there. A sentence<br />
here, a paragraph there. Had no patience. He didn’t have a thorough mind. Then he turned to<br />
dime paperbacks and bad poetry and popular fiction by sloppy beatniks. That shit he read cover<br />
to cover.”<br />
“I think if you read a few of the poems. Maybe you’d find he remembered the classics. In any<br />
case it’s a way for you to know him again.”<br />
“Start wheeling me in to bed.”<br />
“I’ll leave them on your nightstand.”<br />
“My eyes hurt too much to read. Elizabeth, come here!”<br />
“Her name’s Lizbeth.”<br />
“Elizabeth!”<br />
“Maybe I could read them to you. Maybe you’ll like them.”<br />
“You’re his damn son, all right.” He pouted for a moment, lips working over his dentures,<br />
hands clenching and unclenching in his lap, fists pounding heel on thumb, until Lizbeth came in<br />
and disconnected the i.v. Theo watched, then helped push him down the hall and lift him into<br />
bed.<br />
“Tell me you won’t,” said Larry.<br />
He didn’t know what he was answering any more than Larry knew what he was asking, but<br />
Theo said, “I won’t.”<br />
Then Larry fell asleep. Theo watched for a few minutes, amazed by every regular slow rise<br />
and fall of his frail, failing chest. He dreamed, and this fascinated Theo also, the frantic darting<br />
of eyes under age-spotted lids. He woke again around nine and directed Lizbeth to give Theo<br />
some money for the trip home. He gave instructions on which car he should take and the proper
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way to set the choke, and suggested a few roads Theo might want to take, and then he fell asleep<br />
again.<br />
Late the next morning, after waiting in vain to see if Larry would wake again so he could say<br />
goodbye, Theo left. He made one stop at a Kinko’s to run off some copies, drove back to the<br />
house to drop them off, then began the drive home. Route Seventeen followed the southern<br />
border on New York State, hugging the ridges of low mountains above a river valley and now<br />
that his fate was in his own hands the landscape seemed friendlier, more inviting. He stopped for<br />
lunch in diners and chatted with farmers and retired executives from the city. The villages were<br />
cozy, nestled in woods under webbed power lines; at intersections traffic lights dangled in the<br />
breeze. He made it to Cleveland, intending to take his time coming home. But the Midwest was<br />
nothing like southern New York State; it had become suburbanized and the tollway was<br />
monotonous, and every stop was the same. He made it to Madison and spent another night in a<br />
hotel room on Larry’s credit, and by ten the next morning he was home.<br />
I was at Mom’s with Kelley when he pulled into the driveway behind the wheel of a big blue<br />
Pontiac that got horrible mileage but drove like a dream — he had cruised for stretches at ninety<br />
miles an hour. The box of poems was on the back seat, resealed with masking tape, and we<br />
paged through them, passing them around, wondering what to do with them. Finally, because I<br />
was the oldest and had a degree in English, Kelley and Theo decided I should keep them.<br />
10.<br />
One night when I was little I woke from sleep at what felt like the latest hour imaginable. I<br />
got up and stood in the dark of this never before seen time of day, then wandered out to the<br />
living room, holding my pillow for comfort. Just outside the door I heard tinny television voices,
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the ultra high pitched hum of the picture tube. I stopped, waited and planned my next move.<br />
Someone else had evaded sleep and found this hour, I realized, and it was probably one of my<br />
parents. I moved quietly to the door, hoping not to be spotted and sent back to bed. It was Jack,<br />
sitting on the couch, watching television and drinking. The light from the picture tube cast his<br />
face in a pale light, and he stared straight into the television without moving his eyes. I stood<br />
quietly, hoping to avoid detection, but he turned his head and saw me standing there, met my<br />
eyes, and smiled. Then he winked. Then he turned back to the television. A moment later he<br />
looked back at me and waved for me to come over. He said, Can’ sleep either?<br />
I not sure how or if I responded. On the television, the picture suffered from poor reception,<br />
wavy lines chasing triple images in snowy monocolor. I pointed at the antenna, maybe said<br />
something.<br />
Jack rubbed at his eyes and drunkenly said, They cut their power down a’ ten-clock, bastards.<br />
Broadcast sucks. Can’ get a decent pitcher. Cold nights like this no help either. Come on watch,<br />
though. Don’ tell Carrie. I’ll catch shit.<br />
So I spread out my blanket on the floor and sat down to watch, leaning back against the sofa.<br />
Probably I fell asleep there, though I’m not sure. Over the next month this happened several<br />
times. I’d wake up and go stand in the doorway, where I could see Jack watching television.<br />
Johnny Carson, perhaps, or a movie in scratchy black and white, and Jack would be slouched<br />
down low in the sofa, his head settled into his shoulders, a tumbler of whiskey between his legs.<br />
Other nights he’d be waiting for me, it seemed. He’d be hyper and fidgety, and when he saw<br />
me he’d say, There’s my boy! and pick me up and carry me around the house. He’d take me<br />
outside and we’d stand in the heavy night air. He’d say, Are ya ready? Listen to this. Then he’d
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yell at the top of his lungs, casting out a mighty Wheeeee-Haaaaaaaaawww!!! that broke through<br />
the night and set dogs barking up and down the block.<br />
Why do you do that? I asked once, removing my hands from my ears and giggling.<br />
And he said, Somewhere out there is a guy whose somnolence has been profoundly<br />
disturbed. He’s wide awake now and saying in bewilderment: Who the fuck keeps doing that? I<br />
do it for him.<br />
Later that month a friend of Jack’s named Nick Kastle, a poet from New York City, came to<br />
visit. It was a Thursday shortly after Jack had come home from work, and he’d barely had time<br />
to crack his first beer before the doorbell rang whereupon Jack opened the door to see Nick and<br />
his then-wife, an angular beauty named Alina, standing on the porch.<br />
Son of a bitch, said Jack.<br />
That’s me, said Nick.<br />
You found me.<br />
Shit yeah. I followed the trail of empty bottles to your house.<br />
God Damn! Nick Kastle has found my house! Well, Jesus fuck. Let’s go out.<br />
We just got here, said Alina.<br />
I meant come in, said Jack. Absolutely. Whew! Nick. At my house! He opened the door<br />
wider and stepped back to let them in. They walked in and looked around, saw Carrie in the<br />
hallway in her maternity dress and house slippers. She stood there trying to display defiance;<br />
she’d been invaded again and needed to pretend she didn’t care. This guy, said Jack to Carrie.<br />
This guy’s a poet, a genius poet. This is Nick Kastle.
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She gave him a good look. Nick was tall and stoop-shouldered, with dark kinky hair and a<br />
large dark eyes. He stood with his hand over his heart, cigarette nestled in his fingers. Charmed,<br />
he said.<br />
Pleased to meet you, said Carrie.<br />
C’mon let’s sit, said Jack. Let’s getta drink. Couch is over there. He showed them in, ran to<br />
the refrigerator and came back with two more beers. Carrie, he said. C’mon. Let’s sit.<br />
Carrie sat in her favorite chair, a padded rocker, and laced her fingers over her swollen belly.<br />
You got a little critter coming, said Nick.<br />
Congratulations, said Alina.<br />
That’s gonna be what, three?<br />
Jack nodded, hair flopping into his eyes.<br />
Alina said, When’re you due? Then she went back to chewing on a thumbnail with her slight<br />
overbite.<br />
September 1, said Carrie.<br />
Moses on wheat toast! said Nick. What’s that damn thing doing around your neck, Jack?<br />
Jack looked down at his tie. Damn, he said. I f<strong>org</strong>ot all about that thing. Usually it comes<br />
right off when I git home.<br />
Well it’s frightening, Jack. It’s disturbing to see you this way.<br />
Jack yanked the tie out from under his shirt collar, then pulled the loop over his head. He<br />
hung the tie on a doorknob, all the time talking. He said, F<strong>org</strong>et about this. It’s not me. This is<br />
but a disguise I wear in order to support my family. I got mouths to feed and more on the way.<br />
So it’s put my queer shoulder to the wheel, to quote Ginsberg. He swallowed a good sized<br />
portion of beer and wiped his mouth on the back of his wrist. Need another? Nick nodded before
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checking his beer and finishing it off. Jack said Yeah, let me tell ya I was shocked when they<br />
told me about this tie thing. I been at this factory place for three years and all a sudden I get this<br />
promotion. They tell me I’m management now, I gotta wear a tie.<br />
Managing? Back in the day, you couldn’t manage your own life.<br />
I don’t think of myself as management. I’m a, like you might call, a union rep. I talk to<br />
workers and ask them what the hell they want, then I talk to the suits, ask them what they want,<br />
and then I explain everything to the other side being careful to make it sound like it’s the same<br />
damn thing, and things get settled.<br />
Jack picked up Kelley, who had wandered in from her nap, settled her onto his hip, then<br />
maneuvered around the coffee table and settled onto the arm of the chair next to Mom.<br />
Nick said, Never figured you were the type of guy to be making peace, Jack.<br />
I’m not against a fight, you understand. Not at all, I’m with ya on that, Nick. But this is<br />
business. This is shit that ain’t worth fighting over. But it’s okay except for that there work-<br />
leash. How many ties did I own when we got married, Carrie?<br />
You’d never seen a tie when we got married.<br />
I had maybe two. I got a whole collection, now. It’s something, all the kinds of ties they<br />
make. Patterns, stripes, pictures. Some mornings it adds twenty minutes to pick out a damn<br />
work-leash. Anyway, itsa good, steady job. I mean, there are worse ways to be living. And I can<br />
take time off for travel pretty steady. I only wish Carrie liked to travel.<br />
Like hell that’s what you wish, said Carrie. I do like to travel. What I don’t like is the way<br />
you travel. Living like a goddam bum, sleeping in rest stops and scrounging off people we don’t<br />
even know for food.<br />
I like meeting people.
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You like making a nuisance of yourself.<br />
Jack looked up at Nick, asking for support where he knew none was coming, at least not with<br />
Carrie and Alina in the room. He said, Anyway, I have a steady job and a wife and kids to come<br />
home to. What I mean to say is, I have stuff you have to keep account of so it doesn’t walk away.<br />
That happens here in the suburbs like everywhere else, a thing that surprised me, living as I did<br />
in cities, thinking anything outside city lines is green grass paradise. You hear things a funny<br />
way living in the suburbs, you know. Why, I was out barbecuing last weekend, and I was<br />
expecting Jensen down the road to be out at his grill cause he barbecues like clockwork,<br />
understand. Only last weekend he wasn’t there. And I’m grilling and such, poking at charred<br />
meat, and decide to let the coals burn without me for a while so I go and check the mail. And<br />
there’s the other neighbor asking if it feels funny to be grilling without Jensen, then tells me<br />
Jensen up and left his wife. Tole her fourfive days ago he was going out for cigarettes and then<br />
he doesn’t come back. He’s got an apartment out in Roseville now, one of them with round door<br />
tops and iron handrails.<br />
I heard that story before, said Nick. Not with Jensen, mind you, but with friends in the city.<br />
Oh, sure. But to hear it walking out to the mailbox, past a lawn you mowed two days ago. To<br />
hear it on land you have connection to and a mortgage on. Here, in the belly of the American<br />
Dream, you know, where you been swallowed up like Jonah, where even us cynical bastards<br />
expect things to be different. Leaving for cigarettes and not coming back. I know I’d at least tell<br />
Carrie I wasn’t coming back.<br />
That’ll be kind of you, said Carrie.<br />
They all stopped talking and spent a few seconds sloshing beer around in the bottom of their<br />
cans, and then Jack got up, setting Kelley down. He went to the kitchen and poured himself a
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shot of whiskey. While he was doing that, Kelley toddled over to Alina and stared at her until<br />
Alina picked her up and set her on her lap.<br />
When Jack came back he had an embarrassed look on his face. Speaking of which, he said,<br />
This here is crazy, but it looks like I’m out of smokes. Nick? You still working through the Pall<br />
Mall warehouse? Nick fished through his jacket pocket and came out with a crumpled ball of<br />
cigarette package and tossed it to Jack, who squared off a couple of the corners and peered into<br />
the opening. Only four or five left, he said. He pulled one out and straightened it a bit, set it in<br />
his mouth, tossed the pack back to Nick. We’ll need more soon, he said. Honey? You got any of<br />
those menthols left?<br />
You’re not even thinking about smoking menthols, she answered.<br />
I ask for when I make the run, Jack said.<br />
You’ll be coming back, right?<br />
If I got yer cigs, then sure I gotta come back. Cause I’m not burning menthol, Sugar.<br />
Then I need some, if that’s what it takes for you to come back.<br />
Fine then it’s settled. Whabout you, ‘Lina? Got any?<br />
Alina shook her head and said she didn’t smoke.<br />
No kidding, said Jack. Well. You want to see the neighborhood, Nick?<br />
Nick looked up at him, blinking his big round eyes slowly. He was still wearing his old vinyl<br />
jacket, so he pulled at the lapels, eyeing first Carrie and then Alina. I’m game, he said.<br />
All right, then. Jack brushed a hand through my hair, then did the same to Kelley and then he<br />
and Nick left.
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It took them several hours, but they finally did come back when everyone had gone to sleep<br />
except me. Their entrance had shaken me from whatever shallow sleep I’d found, and their<br />
voices in the kitchen kept me awake, so I crept down and listened at the door.<br />
You’ve got to have something, Nick said.<br />
There’s nothing, Jack answered. There’s only the five or six you stole when we were in<br />
California. Anything more than that is gone. They were shuffling about, opening and closing the<br />
refrigerator door.<br />
You can’t be serious, Nick said. They were good. As good as anything I’ve seen.<br />
I didn’t think so.<br />
There was the popping and splashy sound of a cracked open beer can foaming and spilling<br />
onto the floor, then the scrape of chairs.<br />
What about that whole Jonah in the American Dream speech. You rattled that off pretty well.<br />
How about that?<br />
I don’t know, said Jack.<br />
There was the sound of them lighting cigarettes and chairs creaking and the feeling of them<br />
both being deep in thought the way grown-ups were.<br />
We could use them, Nick said. The whole world could.<br />
Ah, the whole world can go ta hell.<br />
I’m sure you could use the money, said Nick.<br />
Argh. And then, the bigshot, he brings money into the picture. You know what money does.<br />
Once you start having money it just leads to wanting more money and more spending and there’s<br />
no end to it.<br />
Jack the impractical, said Nick. Jack the uncorrupted.
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Jack who’s got a family to raise an a mortgage to pay, Jack said. There was a long pause and<br />
more scraping of chairs and then Jack said Well, if there are any, I fer sure won’t just hand em<br />
over. Ye’ll have to search fer them and cleave them from whatever remains of me. Hell, they’ll<br />
probably be all that does remain of me.<br />
I’d rather not wait, Nick said.<br />
Greed is a destroying force, Jack said, And this Jack has no sympathy for it. Jack will save<br />
you from your greed, and I will remain stubborn for a while longer.<br />
They were talking about his poetry, of course. It must have been that for years he intended<br />
that they exist only in his head, and then, somehow, in a Jackian moment of revelation, he<br />
changed his mind and started writing. Or that had been his plan all along. To deny that they<br />
existed but be secretly at work and then, when finished, to cast them away like seeds on the wind<br />
to germinate or die as the fate of the world determined.<br />
That would also have been like Jack, to leave his future in the hands of fate. After Nick and<br />
his then-wife spent the weekend, he and Jack packed up and went out west, to Arizona, for a<br />
week. During that time the union held a vote to strike and shut down the plant. Needless to say,<br />
when Jack finally returned from Arizona, he had no job.<br />
He said he’d always been happiest as an independent contractor anyway, that being fired was<br />
just another way of moving on. He’d rather be out, on the hustle, making things happen. Over the<br />
next few years he’d hold dozens of jobs. He passed the state exam and went to work on road<br />
crews, hauling asphalt and directing traffic around work sites. He learned to drive the big rigs<br />
and in the winter he’d be part of the MnDOT snowplow team, sitting high in the cab of a giant<br />
orange truck with a massive curved blade bolted to the front bumper and snow swirling about his
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ears, he and the other plows driving in a powerful wedge sending waves of crashing snow-surf<br />
swirling and breaking onto the medians of the freeways and highways of the metro area.<br />
When his patience for that job ran out he talked his way into seasonal work on golf courses<br />
and landscape companies, then found he had an aptitude for tinkering with the machines in the<br />
equipment shed. He’d clean engines, fix broken mower reels. For six months he apprenticed<br />
himself to Bob LaFontaine, a mechanic with a shop across the highway from downtown, and set<br />
about learning how to fix cars. He and Bob became drinking buddies, closing down the Clear<br />
Lake Tavern and then taking the drive to Wisconsin to catch last call across the river, where the<br />
bars closed an hour later. He’d work for Bob for months at a time, then quit for some other job<br />
he thought he’d like more, then when that ran out he’d talk his way back into Bob’s good graces<br />
for another stint at his garage.<br />
He also found he had a knack for fixing just about anything: radios, stereos, television sets.<br />
He’d convince the owners of repair shops they needed an assistant, then learn everything they<br />
knew. Eventually he started taking in broken electronics on his own and kept a shop in the<br />
basement where he’d putter with things late into the night.<br />
So when other kids asked what my dad did for a living I’d never know what to tell them. Oh,<br />
you know, I’d say. As long as there’s a roof over your head you don’t ask. Jack goes out in the<br />
morning, comes back at night. You know there’s a room in the basement full of radios and wires<br />
and shit. My friends would look at me like I was crazy for not knowing, and I’d tell them they<br />
were crazy because their Dads were professors, or engineers, or doctors, soulless brain-dead<br />
automatons, and they’d think I was crazier still.<br />
It would have been no better to tell them he was a poet, if I’d known. That down in the shop<br />
he must have had a secret box filled with paper and pens and that he scratched away down there,
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putting down words. Crazier still to realize he didn’t want anyone to know except his father. But<br />
there they were, years later, a box of poems on my kitchen table.<br />
I read through them and then re-read them, and then talked some more with Theo and Kelley<br />
and Mom. I thought they were good, but didn’t know how good. The only way to find out was to<br />
try and publish them. From my days as an English major I knew that much of the publishing of<br />
new poets was done in small literary journals, publications with obscure names — The<br />
Whitewater Review, The Cream City Review, or nonsense sounding words like Callyx or<br />
Zyzzyva.<br />
I suppose it was to be expected that I called A.J.. It was the weekend, a lazy Saturday<br />
afternoon with blue sky and high thin clouds. The sun shimmered off of shallow puddles in the<br />
road in front of my apartment building and the church across the street had its doors wide open.<br />
Minneapolis glittered in the afternoon sun, pale buildings with nothing to hide.<br />
Since I last saw A.J. several weeks had passed, so it was with only my regular phone trauma<br />
that I cautiously dialed her number, hesitating before hitting the seventh number and coming<br />
close to hanging up twice; once before it started ringing and again after the third ring, but it was<br />
soon answered by a deep voiced male who said hello.<br />
“A.J., please?” I said. The phone clacked in my ear, a loud noise that I figured was the<br />
handset on the other end being carelessly placed on a hard surface. Across the street a teenage<br />
boy began sweeping the steps and sidewalk of the church. On the other end of the line the<br />
boyfriend’s voice got small and called out A.J.’s name. There was a hustle of off-phone<br />
conversation and the scratch of the handset being picked up and A.J. breathing.<br />
“Hi,” she said.<br />
“Is this a bad time?” I asked.
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“I guess that depends.” It was one of those hyper digitized phone lines, a connection that lent<br />
a supernatural echo to her voice, a hollow and beautiful whisper in my ear.<br />
I paused, listening to a crystalline puff of her breathing, then said, “This is Matt LaFleur.<br />
Does that help?”<br />
“Oh, gosh. Hi Matt. What can I do for you?”<br />
“If this is really a bad time I can call back ... ”<br />
“No. Kevin is up here for the weekend; we’re going out in an hour or so. Shoot.”<br />
“Okay. Um, let me first... I mean. Hold on.” I willed myself not to speak through a pause<br />
where just about anything could have been said, then I went on. “Anyway, I wanted to ask you a<br />
professional question. It’s like this: I told you about my Dad, right?”<br />
“You told me he died a few years ago.”<br />
“All right. Well, it turns out he wrote a lot of poetry that I think is pretty good, but I’m not<br />
sure. I mean, I’m his son and all and what would I know. But I was thinking that it might be<br />
good enough to get published somewhere, but I can’t think of where and I’m still not sure it’s all<br />
that good. I guess I’m asking for your help.”<br />
“It sounds interesting,” A.J. said. “Read me some of it.”<br />
“What, you mean now? On the phone?”<br />
“Sure.”<br />
“But I was thinking ...” I was about to say that I was thinking we could meet somewhere, but<br />
then stopped. Reading it over the phone would probably be about the same thing. “Okay,” I said.<br />
“Hold on.” I carried the phone over to my desk, where the box of poems rested, and sifted<br />
through the top layers, finally pulling out Dishwater Blessing. “This one’s short,” I said. And I<br />
read it:
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The neighbor collects ceramic angels and<br />
lines them up on the kitchen window to<br />
bless the dishwater or some such thing.<br />
But from my kitchen the view is of the<br />
ass-end of Angels lined up<br />
ready to release a heavenly chorus of<br />
Angel farts.<br />
What am I to do, Lord,<br />
with the blessings such as you have<br />
given me?<br />
There was some sort of indecipherable pause on the other end. Then A.J. laughed. She said,<br />
“That’s pretty okay. That’s funny. God that’s funny.”<br />
“But is it good? Would I be wasting my time to send it out? It’s hard for me to tell. What do<br />
you think?”<br />
“Well, it is hard to tell. The poetry market is usually glutted, but I’d say that one probably<br />
has as good a chance as any at getting published. There’s this magazine in Missouri called the<br />
Ozark Review that publishes a regular feature called History as Literature. They usually publish<br />
diaries and journals and stuff like that, but they may be interested in Jack’s poems, especially<br />
since they last year published some of Kerouac’s previously unpublished letters, so they have a<br />
sort of Beat esthetic. I don’t know. Send them a few, you know, along with a letter explaining<br />
Jack’s claimed link to Kerouac. Then wait and see what they say.”
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“So what do I do? I mean, do I type them up or what?”<br />
“Well, definitely type them. Typing would be a good start.”<br />
We talked for a few more minutes, finally agreeing to meet for lunch to go over the poems.<br />
After I hung up I was frightened she might call back and cancel, so I turned the phone upside<br />
down and unclipped the cord plug from its square socket. I wrapped the cord twice around the<br />
phone and set the now disabled unit on the table, intending to replug it sometime on Monday.<br />
11.<br />
On Tuesday evening around eight o’clock I was at my desk, trying to get the poems into my<br />
old computer and printed off for the next day’s meeting with A.J., when someone knocked at the<br />
door. It was Theo and a long-necked girl who stood behind him looking over her shoulder down<br />
the hall. “Theo,” I said. “What the hell.”<br />
In the days after his return from Binghamton Theo had slipped easily, though churlishly,<br />
back into the routine of high school. Late for homeroom, cut a class, make up an excuse. He said<br />
everything they taught was something he already knew, or had long suspected, or didn’t care<br />
about. He said he couldn’t see how college would be any different at this point, that there was<br />
nothing specifically he wanted to study and so he shouldn’t throw his money away. I tried to<br />
convince him otherwise, but he had a point.<br />
“Hey,” he said. “You got any food? We’re starving.”<br />
The girl shadowed him through the door. She was wearing a green, second-hand flower print<br />
dress with a square neckline under a wrinkled grey trench coat. Her hair was straight and brown<br />
and parted in the middle and her dewy brown eyes scanned my apartment quickly, then she<br />
stopped and stood in my hall as Theo went into the kitchen. “Hi,” she said to me, smiling. “I’m<br />
Ashley.”
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I nodded to her, then called after Theo, “So what’s up?”<br />
“Nothing. We’re going to First Avenue and thought we’d stop by your place and say hi.”<br />
Ashley said, “Do you want to come along? There’s a great band playing.”<br />
“Oh, I don’t know,” I said. “How are you guys planning on getting in? I mean, being<br />
seventeen and all.” Theo came back into the living room, carrying an open bag of potato chips<br />
and three beers crooked under his arm. Ashley took two and offered one to me. “I have beer?” I<br />
said.<br />
“Well, I don’t suppose the methods have changed all that much since you were in high<br />
school, Matt,” said Theo. “There’s only two ways: sneak in or use a fake I.D. Or go to an all ages<br />
show. Which is tonight.”<br />
He walked into the bedroom. Curious, I followed and when I got there he had opened my<br />
closet and was looking at my wardrobe. “You done with any of these shirts?” He said.<br />
I looked in. Because of Theo’s habit of wearing my clothes I had taken to sorting my shirts<br />
by use. When I did laundry, all the clean shirts were placed on one end, so the shirts I wore least<br />
congregated on the other end. I looked in closely at that foot and a half, a collection of shirts I<br />
hadn’t worn in weeks. I pointed to the end on Theo’s right. “The last six inches or so,” I said.<br />
Theo nodded and I walked back out into the living room, where Ashley stood over the poems<br />
and the printed sheets of paper I had been working on when they came in.<br />
“Are these Jack’s?” she said in a high-pitched sing-song voice. She wore burgundy lipstick<br />
and several earrings in each ear. “They’re pretty,” she said. She pointed to the jagged spacing on<br />
the printouts, indentations and punctuation I had tried to copy from Jack’s handwritten originals.<br />
“Nice use of space.” She set down the pages, rustling them, ran a single finger over their surface.
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“Listen. You should come along. I’m meeting some friends of mine. Nice girls. Legal age and<br />
everything. Theo says you need to meet some people.”<br />
“Theo says lots.”<br />
“They’re really nice.”<br />
Theo came out of the bedroom with a single green corduroy shirt over one forearm. He put<br />
an arm around Ashley’s waist and they leaned into each other and then fell against the door<br />
frame.<br />
“Come with us,” he said.<br />
“I can’t,” I said. “I have work in the morning, and I have to type these up.”<br />
Theo nodded. “Okay,” he said. “Okay.” He finished the beer in his hand, tightened his hand<br />
around Ashley’s waist, rubbed at the seat of her dress. “Let’s go,” he said. “Matt, we’ll catch you<br />
later.”<br />
call.”<br />
“Bye, Matt,” said Ashley.<br />
“Oh,” said Theo, “I was supposed to ask you if your phone is broken. Mom’s been trying to<br />
“No,” I said. “Not that I know.” I thought about unplugging the phone that Saturday and<br />
about not remembering to plug it back in. Theo nodded, said goodbye again. The door closed<br />
quickly behind them and there was laughter in the hall, then silence. I tucked the unopened beer<br />
under my arm, picked up the phone, unwrapped its length of cord and put it back together.<br />
I called my mother the next day to tell her that I was going to send Jack’s poems to the Ozark<br />
Review. She didn’t care, she said, but she did wonder what Jack’s intentions might have been.
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“He sent them to his father’s for a reason,” she said. “If he’d wanted them published he would<br />
have sent them out himself.”<br />
kids.”<br />
“I don’t know,” I said. “I think he didn’t want them published till he was gone.”<br />
“Well that’s not what he told me.”<br />
“He talked to you about it?”<br />
“A few times. It was always that he’d been kept from being great because of me and you<br />
“So you knew he wrote?”<br />
“I knew he tried a few times. But he couldn’t be inspired without taking a few drinks, and<br />
when he drank he couldn’t concentrate.”<br />
I said, “He never told me.”<br />
“And what does his past matter? I didn’t care about that. All I knew about Jack when I met<br />
him was that he was staying with my brother and said he was looking for a job in Minnesota. My<br />
god, Matt, you know this story. What do I have to go through it all again for?”<br />
“Tell it,” I said.<br />
“Well, it’s pretty much the same story,” said Mom. “He paid attention to me. Took me to<br />
movies. I thought he had figured out which rules to break. He’d been to San Francisco, New<br />
York, he said he’d been mentioned in a famous book. I thought he could take me places, maybe,<br />
but I think he was looking for an anchor. Neither of us got what we wanted.”<br />
I said, “I don’t know why, but I don’t think that’s true.”<br />
“Look.” She stopped. “The only important thing now is what to do with the poems. And<br />
about that I don’t care. Do what you want with them. They’re not mine. If they were mine, Jack<br />
would have given them to me. He gave them to Larry, Larry gave them to you.”
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“And what if I give them to you?” I asked.<br />
“I won’t take them. There was only one person who could have given them to me. Maybe not<br />
even one.” There was a pause. The flick and scrape of a lighter, exhalations, then her voice<br />
again. “Just remember that he couldn’t face us long enough to give us that box himself.”<br />
“What if they’re about you?”<br />
“Matt, I have to go to work. Goodbye.”<br />
I waited fifteen minutes for her to leave, then called back to talk to Kelley. I asked her how<br />
Dad had proposed to Mom, if she knew. She sounded sleepy; I pictured her mousy hair loose and<br />
uncombed about her head, her eyes puffy.<br />
“In a cemetery,” she said. “Three months after they met. He picked her up in a car he had<br />
bought on money no one knew how he got — ”<br />
“The trust fund,” I said.<br />
“Shut up, let me finish. And he took her out to the cemetery, parked under an old oak tree<br />
and asked her if she could see herself in here someday, parked next to his carcass.”<br />
“The old romantic.”<br />
“You should ask her these questions yourself.”<br />
“I did. Right before she left; she wouldn’t answer. I don’t have the patience for her, I guess.<br />
But I think her marriage to Jack embarrasses her somehow.”<br />
“She’s following the current pattern. First marriages are common enough now to have<br />
become regulated by societal expectations; they’re usually brief, impulsive, and regretful. I<br />
include my relationship with Winston in this class of relationship, because it’s producing a child.<br />
Nobody’s proud of their first marriage.”<br />
“I’ll remember that.”
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“So he proposed to her and she thought about it and decided to marry him.”<br />
“And they were in love?”<br />
“Ask her yourself.”<br />
“I did. She wouldn’t say.”<br />
“There’s your answer.”<br />
“Do you have a cold? I thought at first you were just tired, but you still sound that way. Is<br />
this a pregnancy thing? How’s the baby?”<br />
“The baby is doing well.”<br />
“Any kicking yet? Any morning sickness? Or am I confusing trimesters?”<br />
“She mostly sleeps, and the morning sickness has passed.”<br />
“But how does it feel? Philosophically speaking?”<br />
“Like I’m renegotiating my lease with humankind. Really. I see why it takes nine months to<br />
become a mother. F<strong>org</strong>et the physical changes. It takes that long to reprogram the mind. Already<br />
my thought patterns have altered themselves. I inspect rooms for sharp corners and exposed<br />
electrical outlets. Poisonous plants. I’m alert to strangers. Fat contents of foods. Merits and<br />
pitfalls of the Montessori system.”<br />
“And Mom is being supportive?”<br />
“She is. And Theo. Considering that the baby is putting pressure on him to go to college so<br />
she can take over his room.”<br />
“Talk about the wrong reason to go to college.”<br />
“He’ll figure it out.”<br />
“Sure he will.”
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I couldn’t think of anything else to say for a moment. I noticed the room had started to<br />
become dark, that I was having trouble seeing colors, that shapes were bleeding into each other. I<br />
told Kelley I had to go and hung up.<br />
I typed up the poems I hadn’t typed up, made new photocopies and sent the ones A.J. had<br />
told me were the most suitable for publication to the Ozark Review with the sixth draft of a note<br />
saying, basically, that I thought they might be interested in them because of their past publication<br />
of Beat poetry and Jack’s tenuous link to Kerouac. I at first expected them to come straight back<br />
to me. After two weeks, though, I had the blind optimism of a person who has never dealt with<br />
magazines before, and considered they were certainly going to be printed. By the end of June, I<br />
was starting to wonder if they had gotten them at all.<br />
12.<br />
Every Fourth of July the city of Clear Lake threw a party that included, among other<br />
activities, a parade and bazaar. There was a costume contest where kids from the community<br />
dressed up or tricked out their bicycles or built floats from red wagons, and then all of them<br />
winners and losers alike would march in the parade, walking in ragged disorder behind the high<br />
school marching band. One section of the local park was designated as a bazaar with booths and<br />
a pavilion and an arcade where people sold pretzels and cotton candy and soft drinks and people<br />
mulled about all day, and after nightfall there would be a fireworks display out over the lake.<br />
I had planned to show up around nine thirty and meet Mom and Theo and Ashley in front of<br />
Theo’s stand in the bazaar. Ashley, who in the fall was moving to Chicago to attend art school,<br />
had talked Theo into setting up a face-painting booth where they could paint flags and stars on
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kids’ faces for a couple bucks each. At ten, half an hour before the parade was scheduled to start,<br />
I finally found them at their booth, made up of a card table covered in faded black corduroy to<br />
keep things from rolling around.<br />
A line stretched back from the table past a pretzel stand, kids in various costumes, only a few<br />
of which were patriotic. I remember when I was a kid there were always founding fathers in tri-<br />
cornered hats and pioneers in coonskin caps carrying cardboard muskets and carpet remnant<br />
scalps. There were astronauts in lunar landing module floats, as well as the occasional mermaid<br />
in a wagon pulled by an older brother dressed as Mark Spitz. Today’s kids had different<br />
priorities, had turned the parade into a mid-summer Halloween party without the monsters and<br />
gore and store-bought plastic masks. Little kids milled around in homemade purple dinosaur<br />
suits or Mideast inspired Aladdin style vests and caps, carrying cut-out cardboard magic lamps.<br />
Ashley was working on the arm of a young girl dressed like a figure skater in a white leotard<br />
and short skirt, her skates tied together by the laces and thrown over her shoulder. Theo sat on<br />
the far side, behind Ashley, working on the pectoral of a boy in a basketball jersey and cut-off<br />
jeans whose tri-colored, bunting covered bicycle stood next to him.<br />
“Hi, Ashley,” I said. I had to raise my voice to make myself heard. There was a folk duo at<br />
the pavilion, the murmuring buzz of crowd noise and the occasional firecracker set off<br />
somewhere in the distance. The tatoo Ashley was working on was an American Flag in a light<br />
wind, corrugations of cloth misaligning the geometry of red and white stripes.<br />
“Hey, Matt.”<br />
“Nice flag. Your first of the day?” I looked up at Theo, waiting for him to notice me and say<br />
hello. He didn’t.
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Ashley said, “I wish.” She lowered her voice to a whisper. “These kids got no imagination.<br />
Flags and stars and big old fours. That’s it.”<br />
The skater, overhearing, looked down at her shoulder forlornly, then up at me. I shrugged. “I<br />
like flags,” I told her, but she didn’t seem satisfied, forming her candy red lips into a pout.<br />
Ashley finished the tatoo, lacquered it with hair spray, collected the fee and sent the girl on her<br />
way with a warning not to smudge it, and that it would come off with baby oil.<br />
“You look busy enough,” I said.<br />
“Jesus am I busy.”<br />
“How’s Theo doing?”<br />
“I don’t know. He’s good enough with flags and numbers and stuff, but whenever someone<br />
wants something more adventurous he sends them over to me.”<br />
Theo looked up. “I should have practiced more. I didn’t think anybody’d ask for the whole<br />
darn Battle of Bunker Hill.”<br />
“Let me see what you got there.” Theo turned the kid around to show me the pectoral he had<br />
been working on. A passable rendition of a waterspray style firework lay on the boy’s skin,<br />
backgrounded by an ornate four. “Not bad,” I said.<br />
“Oh the hell with you,” Theo said. “It’s a goddam masterpiece.”<br />
“Where’s Mom?”<br />
“She went off with Elliott.”<br />
“Elliott Festival? What’s that mean?”<br />
“Shit I dunno. I wish that prick’d find some other broad to moon over, though. Jesus. Figure<br />
it’s been, what, a million years. Move on, I say.”
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Ashley’s next customer was a primly dressed eleven year old in a short sleeved puritan<br />
costume. “I know what you want,” said Ashley. “You want a big red A on your shirt, right?”<br />
“I want a firecracker going off,” said the girl. “On my cheek.”<br />
I stepped back and watched Ashley begin to work. She cleaned the girl’s cheek with a bit of<br />
cotton dipped in alcohol, then set in with the brush, dipping it in a jar of paint and working off<br />
the excess. ”You should get an A,” said Ashley. “I have one. A real tatoo, right on my boob.”<br />
She spread the paint quickly, inscribing in quick definitive strokes the outline of a broken<br />
cylinder and a puff of escaping smoke. “It stands for Ashley.”<br />
After twenty minutes the officials called all the costumed personnel to line up for the parade,<br />
and the line thinned out, leaving only two high schoolers who were quickly satisfied with flags<br />
and muskets. When they were gone, Ashley started packing things up to store them for the after<br />
parade crowd, and Mom came out of the crowd, wearing large dark glasses and a light yellow<br />
dress with green trim. On her arm was painted a large yellow snake surrounded by the legend<br />
Don’t Tread On Me.<br />
By her side was Elliott Festival, bald and thin, who at one time had been my mother’s high<br />
school boyfriend and for the past ten years was the associate principle of Clear Lake High<br />
School. They’d been together in high school, and there had been one other time, in the days<br />
before Jack died, when they’d been togther. Jack had started drinking again and Mom had had<br />
enough, and declared an end to her marriage. She took Kelley and moved in with her brother<br />
Davey, started filing divorce papers, and started spending time with Elliott. What they did, how<br />
far it went, no one ever told me. But it ended the moment Jack was found, and I’d figured it was<br />
done for good.
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“Matt,” she said. “Have you been here long?” I shook my head. “You remember Elliott,” she<br />
said. He was dressed conservatively, in a pair of blue seersucker pants and a white cotton golf<br />
shirt.<br />
“Sure,” I said. I was concerned for his head. It was pale white and shone in the sun. He stuck<br />
his hand out, and I shook it. He had one of those dry, limp handshakes that waited an instant and<br />
responded to whatever pressure you exerted and returned a nearly equal force.<br />
“How’ve you been, Matthew?” He spoke now in the same hearty school-hall voice that I<br />
remembered echoing through the cafeteria and open spaces of Clear Lake High. “Hello,<br />
Theodore. Hi, Ashley.” Theo and Ashley stood close to each other, arms around each other’s<br />
waists, and said hello. We stood behind the first tier of viewers to wait for the parade to begin.<br />
Somewhere back along the route the marching band finish their warm-up and begin playing their<br />
first number.<br />
“So you two,” Theo said to Mom and Elliott. They looked at each other. “Can’t stay away<br />
from each other, huh?”<br />
“Oh, I just live two blocks away,” said Elliott. He tried to force out a casual smile, an attempt<br />
at guile that fooled no one. “I was in the garden and saw Carrie. So I came down to say hi.”<br />
Every part of him seemed to be reflective. I couldn’t see his eyes behind the white flash of his<br />
glasses in the sun.<br />
Theo said, “What is this, your third go ’round?”<br />
“I don’t know what you mean,” said Elliott.<br />
“We’re friends,” said Mom.<br />
“Or has this been going on the whole time?”
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Mom and Elliott stared at Theo. I looked around to see if anyone was eavesdropping on our<br />
family secrets. I said, “Maybe we should...”<br />
“Just f<strong>org</strong>et about it? Jesus, Matt, you f<strong>org</strong>et about everything. I’m trying to get to the bottom<br />
of this.”<br />
“Theo,” said Mom. “There’s very little to get to the bottom of. I can promise you that until<br />
very recently Elliott and I have just been friends. Good friends. And that’s all.”<br />
“Oh, boy,” said Theo. “We can come back to that. But what about very recently?”<br />
“Well, recently we’ve been exploring some feelings for each other,” said Elliott.<br />
“Ah, that’s beautifully phrased. That’s the most eloquent description of new love that I’ve<br />
ever heard. That one should be on a Hallmark card with a pastel picture of the Santa Maria.<br />
‘Darling, I’m most sincerely glad we explored our feelings.’ Good. Fine.”<br />
A little girl holding a wad of cotton candy was watching us with big brown eyes. She looked<br />
right at me for a moment, and I winked at her and shrugged a little.<br />
“I must say,” said Elliott. “I’d hoped you’d be more open to this idea.”<br />
“But what’s that mean? That’s not what you should be saying. You’ve just got no idea. It’s<br />
proof that it’s all a bad idea.<br />
“And what should we be saying?”<br />
“If you were saying it you’d know. If you don’t know then f<strong>org</strong>et it.”<br />
“I think you have issues, Theodore, that need to be addressed.”<br />
“Issues.”<br />
“Anger. Hostility.”
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“Oh, that’s just the tip. I have a latent hostility toward authority figures. Also there’s a<br />
narcissistic asocial disorder. It all stems from an unresolved, rampant Oedipal complex. Or<br />
here’s a core issue: you’re an asshole.” And then Theo showed Elliott his finger, turned and left.<br />
We stood around watching him leave. Ashley rolled her eyes and shook her head. The little<br />
girl went back to her cotton candy, and the band started their second song, the music louder with<br />
their approach.<br />
I realized I hadn’t said a word through the whole thing, and thus had not taken a side. I<br />
looked at Elliott, wondering exactly what Theo disliked about him. He was polite and well-<br />
mannered, smart and reliable. There seemed nothing there to hate, and maybe that was it.<br />
The parade started like it always did, with Cub scouts carrying the flags of the United States<br />
and Minnesota, followed by a few special education teachers from an elementary school dressed<br />
as clowns, tossing candy at the crowd. The Grand Marshal rode by, some rich or prominent<br />
citizen by the look of his tan, his gleaming dental work, his well pressed polo shirt. He sat<br />
waving and smiling on the back of a bunting laden sports car donated by Kingfisher Auto. There<br />
came rows and rows of costumed children and cardboard floats made by parents in their<br />
backyards after work. I was pleasantly surprised to see a float that carried a refrigerator box cut<br />
to the shape and painted like the space shuttle, manned by kids in blue jumpsuits. Members of<br />
the local Babe Ruth Baseball team that had won, or come close to winning a title of some kind<br />
(‘congratulation’s [sic] on your “championship” season,’ read the banner) last spring rode a<br />
flatbed truck; they wore orange shirts and carried worn leather gloves and waved stiffly with<br />
their free hands. Parents moved into the flow of the parade with video cameras and the children<br />
reacted indifferently, glancing over and then back to the parade route. What did they care about
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video cameras, they seemed to say. They’d grown up on tape and were desensitized to the<br />
experience of having complex technologies reduce their images to electromagnetic pulses.<br />
“Where do you suppose Theo went?” I asked Ashley.<br />
She shook her head and shrugged. “Fricking la-la land,” she said.<br />
The parade went on, punctuated occasionally by the sound of illicit firecrackers popping in<br />
some distant street or woods, small sounds of violence breaking into the crowd’s collective<br />
festive consciousness. Mom asked where Theo had gone and we said we didn’t know. She<br />
creased her eyebrows and was quiet for a second, and then Elliott said, “It’s too bad Kelley<br />
couldn’t come out.”<br />
“She was sleeping when I left,” Mom said. “She’s been exhausted. Wilton’s been calling, and<br />
she’s wondering if she did the right thing. So when she fell asleep this morning, finally, I didn’t<br />
want to wake her.”<br />
“Does Wilton want her back?”<br />
“Well, she won’t say exactly. Only that he doesn’t want her gone. Out of his life.”<br />
“I’m glad I’m not twenty any more,” said Elliott.<br />
Ashley, glancing around, spotted a few kids milling about her card table, waiting for a tatoo.<br />
She looked at me. “It looks like I have a few more customers,” she said.<br />
“Can you handle them without Theo?”<br />
“Sure. It’ll just go a little slower.”<br />
“Because I can draw,” I said, though she had turned and continued walking without<br />
acknowledging my attempt at humor.<br />
“It’s all chaos suddenly,” Mom said. “Everything was fine. Now Theo’s like this, and there’s<br />
a baby on the way.”
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“There are phases, and stages, all through life” he said.<br />
Ashley had set up her stool and arranged pens in front of her on the corduroy and was sizing<br />
up the bicep of a boy holding a skateboard against one leg. Mom leaned against Elliott slightly,<br />
bare skin of her arm against his. She held his forearm with her opposite hand, smiled. You could<br />
tell they were on the verge of something, the big something, if they hadn’t arrived there already.<br />
They’d seemed to f<strong>org</strong>otten I was there. I knew I should have followed up on what Theo had<br />
been getting at and asked what they were doing; any normal person would have. But they were<br />
together, a united front, and it was none of my business, not really.<br />
Across the street I spotted Theo, working his way through the crowd. Mom said, “He’ll come<br />
around. You’re a nice guy. I like you.” Suddenly she saw me. “Matt likes you.” She laughed.<br />
“Don’t you, Matt?”<br />
“Sure,” I said. “What’s not to like?”<br />
“Great,” said Elliott, his head flashing like a light bulb. Theo walked slowly, nodding, saying<br />
hello to people and clusters of people. When he reached the corner, he turned and disappeared<br />
behind the corner of the hardware store.<br />
“Don’t worry about Theo. Theo’s wrong about lots of things. You’re not an asshole, for<br />
instance.”<br />
“Thanks. I always thought so.”<br />
I said, “You don’t have enough personality to be an asshole.” Then I crossed the street and<br />
rushed to the place where Theo had disappeared. When I turned the corner I saw him talking<br />
with someone, a teenage girl, a friend from school, no doubt, with lank red hair and holding a<br />
young boy by the hand. Theo said goodbye and crossed the street to a lemonade stand, where he<br />
bought a bag of peanuts and one large glass of lemonade that he drank most of before he had left
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the counter. He chatted with the vendor, an old man in a brown shirt, for a few seconds, then<br />
went on his way, eventually stopping on one of the benches and sitting next to a man in a leather<br />
jacket and beard who was drinking from a bottle in a bag. Theo took the bag and drank quickly<br />
from it, then offered the man some peanuts.<br />
I hung back in the shadows of the entrance to a building, keeping an eye on him. They talked<br />
casually and smoked a cigarette, once in a while Theo sat up straight, cocked his arm behind his<br />
head and threw a peanut shell or piece of ice at the garbage can twenty feet away, missing every<br />
time. They set off a few firecrackers, lighting them from the cherry of their cigarettes. Eventually<br />
the man with the beard took out another brown bag and handed it to Theo, who took it. He<br />
handled it by the object inside the bag, wrapping the excess paper around it before standing up.<br />
He shook the man’s hand and walked away toward the lake.<br />
On his way to wherever he was going Theo stopped and chatted with a few more people. He<br />
pointed to the painted shoulder of one the boys and offered a thumbs up in approval, perhaps, of<br />
his own work from earlier in the day. When he came to the beach he stood and watched the<br />
crowds bathing in the sun and the waves lapping in from across the lake and the white regatta of<br />
triangular sails that obscured the far shore. Then he worked his way down the beach into the<br />
woods, and I had to hurry not to lose him.<br />
The park and woods north of the beach, known as Founder’s Park, had been the property of a<br />
recluse who refused to sell them when the development of Clear Lake was at its peak in the late<br />
sixties. When the recluse died he had left the woods to the city on the condition it not be<br />
developed, which it hadn’t, leaving nearly a mile of prime forest with a few walking trails on the<br />
beach and a small creek that fed the lake, tumbling in from low bluffs. It wasn’t a private area by<br />
any means, but the trees were dense and the terrain difficult, making many small spots where a
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person could hide and not be found right away. As I started in on the main path, not sure how I<br />
would find Theo or what I would do when I did, someone set off a loud firecracker, an M-80,<br />
somewhere in the woods.<br />
I struggled through the underbrush, checking out the few hiding places I remembered from<br />
when I had played here as a kid, remarking on the fact that I had never gone back since early in<br />
my Senior year, when I came here one night with my then girlfriend Dawn Engle. Someone set<br />
off another M-80, and I followed the noise, climbing up over one of the boulders to get a look at<br />
the area.<br />
Theo was standing in a small clearing below me, pointing at something on the beach fifty<br />
feet in front of him. The M-80 sound reported again, echoing out over the water as Theo’s hand<br />
came back to his shoulder and a small dime-sized hole appeared in the base of a birch tree near<br />
the shore. I spoke without thinking better of it. “Hey,” I said. “Theo.”<br />
He spun around, the gun perched in his hand by his ear, the muscles in his arm tense. “Hey,<br />
Jack,” he said. “Come on down. Take a shot.”<br />
“Matt,” I said. “My name is Matt.” I sat down on the boulder. My breath came quickly and I<br />
felt the warmth of the day coursing through my head. “Damn it, Theo,” I said. “What the hell is<br />
going on?”<br />
“This guy,” says Theo. “He says he’s got a police issue firearm. He says why not try it out?<br />
Why not kill a few trees? And I’m thinking with all the fireworks, who’s going to know?”<br />
“You don’t think cops know the difference?”<br />
“Maybe. So what?”<br />
“So this guy just gives you his gun?”
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“Looks that way. I figure Paul’s not worried. Paul trusts me.” He looked down at the gun and<br />
touched the barrel with his free hand. “Come on,” he said. “It’s a good gun for shooting.”<br />
I slipped down, the rock’s sharp edges opening small wounds on my legs and hands that I<br />
wouldn’t notice until the next day, and walked through the tangled underbrush to Theo. I took<br />
the gun from him.<br />
“Did you see Mom and Elliott ?” I said. “I think they’re together.”<br />
“Welcome to Common Knowledge City,” said Theo. “That bastard. He calls her up to tell her<br />
I’m cutting class, and then they go back to his place to talk it over.”<br />
“I thought he was married.”<br />
“Divorced. Five years ago.”<br />
It was the first I had ever held a gun, and it was exactly as I had expected it to feel, the<br />
weight of tempered metal impressing itself into my sweat slicked palm. I had visions of<br />
hypothetical flesh opening under the impact of a bullet now nestled in the chamber, an<br />
animalistic swell of power high in my throat. I felt its weight and watched the sun’s reflection<br />
turn the oily black finish pearl white, and then sighted along my arm, aiming at the small hole on<br />
the birch tree, fingers all the time outside the trigger guard. “It feels good,” I said. I put my finger<br />
on the trigger and tested the resistance, felt the thin wand of gunmetal divide the fleshy pad of<br />
my first finger, then let up. I touched the trigger again, but not hard enough to discharge the<br />
round.<br />
“I don’t know why I hate him so much,” Theo said. “Maybe it’s how she was with him when<br />
Jack died. Or it’s that if you think about it, she should have been with him from the beginning.”
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I said, “Because Jack crashed that kegger, where he never should have been, and disrupted<br />
everything. There’d have been no Jack and Carrie, no crazy shitty life, and no us. You, me,<br />
Kelley, we’d all be different people. Or no people at all.”<br />
“Maybe we’re the different people, you and me. The ones that were never meant to be.”<br />
I handed the gun back to Theo. “You’re not even going to shoot it?” he said. He worked at a<br />
latch to release the clip from the stock. He inspected the rounds, the precise interrelationship of<br />
copper bound by steel and coiled wire, then pushed the clip back in.<br />
“It makes me feel like a kid,” he said. “Like I’m six years old and the world is new again,<br />
open to possibilities.” He aimed the gun at the base of a new tree and fired. My ears rang with<br />
the report, but I couldn’t tell if he had hit anything. He picked up the paper bag and a leather<br />
holster and deftly assembled the package as it had been, then looked at me. “Life is filled with<br />
infinite potential,” he said. “Doesn’t that scare the shit out of you?”<br />
I looked at the bundled gun package and asked for it back so I could take my shot.<br />
Part II<br />
1.<br />
As that summer turned into fall I was still spending evenings in the old easy chair, watching<br />
as the sky darkened and the buildings downtown transformed themselves into great black slabs<br />
spattered with small white squares of light. I had stopped searching for meaning in the lights,<br />
stopped even believing there was any to be found, perhaps, though I hoped there might be others<br />
who continued to look. The episode with A.J. had officially ended, meaning it no longer felt<br />
inevitable that we would one day be together, and I was waiting for the next in the series of
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infatuations that I expected would define the rest of my social existence. With my share of the<br />
money from Jack’s trust fund I bought a computer and retyped the poems a second time, printing<br />
off endless copies in varied fonts and sizes. I taped them up around the computer until the walls<br />
became scaled with loose paper and unrhymed, oddly metered verbiage. Late at night I would<br />
wake from bad dreams, boot the computer and sit in eerie phosphorescence with paper fluttering<br />
about my ears in otherwise undetectable night breezes. I read the poems and re-read them,<br />
memorized and dreamed about them, hated them. My life felt disarticulated, plotless. I took to<br />
wandering through Minneapolis again, down Hennepin Avenue with its garish neon testaments,<br />
past gay bars and run down theaters, up trendy Nicollet with pennant laden storefronts and brass<br />
fountains. One window for a parlor of psychics with the symbols of ancient magic engineered in<br />
neon. Hands and eyes and twisted unidentifiable glyphs. Domesticated occult images, their<br />
powers lost by the f<strong>org</strong>ettings of generations. Secret powers, arcane divinations; the burden of a<br />
fading away life. I would sometimes stop walking and feel no need to ever start again. And then I<br />
would.<br />
The time for Theo to decide about school came and went and when school started in the fall<br />
he was still living at home. He went to five or six farewell parties for friends of his going off to<br />
different states, including Ashley, who packed up and moved to Chicago.<br />
One day shortly after Theo would have started school I received word from the Ozark<br />
Review about the fate of Jack’s poems. The editor, a fussy man named M<strong>org</strong>an Patch, called me<br />
up and wanted to know if I was for real.<br />
I said, “I’m not sure what you mean.”
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He answered, “Is the man who wrote these poems the same Jack LaFleur who had five<br />
poems published in the Spring 1964 issue of the periodical ‘The Granite Lotus,’ then edited by<br />
Nick Kastle?”<br />
“I guess I wouldn’t know,” I said.<br />
“You wouldn’t know?” said M<strong>org</strong>an Patch.<br />
“I know Nick Kastle and my father were friends.”<br />
“And why am I supposed to believe that?”<br />
“I don’t know why you wouldn’t. I thought you were calling about the poems I sent in.”<br />
“Oh, believe me, I am calling about the poems. I am definitely calling about the poems. And<br />
I really must apologize for the delay in our getting back to you, for they were in the slush pile,<br />
which they barely cleared, and then they were in the hands of my editorial assistant, who had no<br />
idea what he had his hands on, and then we had to re-set an entire issue and so our time to read<br />
was delayed another entire month and it wasn’t until I myself happened to be glancing at his<br />
desk and saw the first poem and your father’s name that I became involved. That was yesterday.”<br />
“Fair enough,” I said. Something seemed urgent in his tone but I couldn’t figure out what.<br />
“I think I should say we want to publish the poems.”<br />
“Well, that’s fine,” I said. “Thank you.”<br />
“But there’s the matter of the historical record.”<br />
“I’m not sure what you mean.”<br />
“Well. You know Nick Kastle?”<br />
“We met a few times, sure.”<br />
“Well, Nick is a fine poet, and he works in the publishing field himself now as an adjunct<br />
poetry editor for Winterberry Publishing. I suspect he’ll be calling you about this as well. He’s
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the one who’ll be really excited about this discovery. Because he’s the one who started the whole<br />
thing, the whole anecdote slash myth become legend. For that small segment of us who call<br />
ourselves Beat scholars, there’s always been a legend of Jack LaFleur. Nick told us about Jack<br />
LaFleur, how he lived the life from Kansas City to both coasts. How he wrote the clearest, most<br />
vivid poetry Nick had ever read. He said he was among the best poets he’d ever met. And he’d<br />
met them all: Ginsberg, Corso, DiPrima.”<br />
“Huh,” I said.<br />
“The only problem was, LaFleur wouldn’t write his poems down. He’d keep them<br />
memorized and recite them, but he’d only rarely write them down. If he did jot anything down,<br />
he’d tear it up. It was through luck that once he wrote down about six of them and then went on a<br />
drinking jag and f<strong>org</strong>ot them. These six Nick rescued and published in ‘The Granite Lotus’<br />
twenty-five years ago.”<br />
“And he’s been waiting ever since for more,” I said.<br />
“He was certain there weren’t any. But now we know different.”<br />
“So you’ll publish them.”<br />
“Certainly. In fact, I’d like to see all of them and pick from them myself. And I’m going to<br />
contact Nick as well and let him know his chickens have come home to roost.”<br />
“All right, then,” I said.<br />
I sent copies of the rest of the poems to M<strong>org</strong>an Patch and over the next few weeks he<br />
described to me during marathon phone calls, in exhausting detail, the strengths and<br />
shortcomings of each poem before deciding which ten he wanted to publish. A few weeks after<br />
that, tear sheets came to the apartment for my final approval, though there seemed little for me to
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do. The process was a bit overwhelming, and I tried to be as helpful as possible, but M<strong>org</strong>an<br />
Patch lived in a strange world filled with notions of thematic symmetry and complexities of<br />
semi-metered verse. So I just listened, mostly, and tried to figure out my role.<br />
In the middle of this, a few days before the tear sheets arrived, Nick Kastle called. “You son<br />
of a gun,” he said.<br />
up.”<br />
“That’s me,” I answered, suspecting it was Theo.<br />
“This is Nick Kastle,” the voice said.<br />
“Nick Kastle,” I said. “Holy cow. Nick Kastle has found my phone number. He’s dialed me<br />
“Moses on pumpernickel, how’ve you been? It’s been ages.”<br />
“Seven years,” I said. I’d last seen him outside the Clear Lake Tavern, on a night when Jack<br />
had been hauled away on a drunk and disorderly.<br />
Nick said, “I called your mom. She said you were handling everything to do with the<br />
poems.”<br />
“Yes,” I said. “She doesn’t want anything to do with them.” She’d reminded me Jack hadn’t<br />
wanted her to see the poems while he was alive, and his death, as far as she was concerned,<br />
didn’t change that. Or perhaps her disinterest simply lay in having no desire to read poetry, or in<br />
the fear that she wouldn’t know how to judge them. Simple, everyday reasons made hopelessly<br />
complex by her refusal to speak them.<br />
“She never wanted to see the other side of Jack,” Nick told me. “The side that was in<br />
competition for her. The poetry, the travel.”<br />
“I think it’s because she knows it would bring up bad memories,” I said. “The drinking, the<br />
abandonment.”
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“Well, in any case, I’m glad to know there are more poems. M<strong>org</strong>an faxed them to me. My<br />
God, Matt. To hear him speaking again after all these years. That voice of his. Moses and<br />
Buddha in a T-bird, on the parkway. I tell you.”<br />
“I’m glad you like them,” I said.<br />
“We’ll publish them, of course. If you’re willing. I’m thinking of an anthology, to start with.<br />
We’re working on a piece with two other lesser known Beats I think your father will fit in with<br />
perfectly. I’d also like to reprint the original six from the ‘Lotus.’”<br />
“Well, I’d like to see those,” I said.<br />
“They’re quite wonderful. I’ll send you a photocopy. I’ll let you see the original issue when<br />
you come out to New York. You are coming, right? We need to talk. I’d like to see the original<br />
manuscripts. We’ll need photos, too, for the bio. I’m just so excited about this whole<br />
development, I can’t tell you.”<br />
“You sound excited,” I said.<br />
“I tried to convince your father once to let them be anthologized in a collection I was putting<br />
together twenty years ago. He refused. He said I’d have to rip them from his dead body.” Nick<br />
paused on the other end for quite some time. Perhaps he realized after the fact the literalness of<br />
what he’d just said. Perhaps we were both recalling that night Nick had come to town with Alina<br />
and they’d sat at the kitchen table and Jack had told the world it could go to hell. Nick was<br />
waiting for some response, I’m not sure what. Perhaps he expected me to continue Jack’s refusal<br />
to anthologize his work and had an argument ready to convince me otherwise. Finally he said, “I<br />
assume that won’t be a problem now?”<br />
“I didn’t know he refused,” I said. “Maybe I should think that one over. At least, you know,<br />
kick it around.”
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“Well, by all means kick it around. But don’t act on it. This is big, Matt. We’re putting<br />
together the next edition of the Beat Companion right now, and there’s a perfect spot for him.<br />
The terms, I’m sure, will be quite agreeable.”<br />
“Well,” I said. “Okay. I’m going to give you an un-official go-ahead. The only reason I’m<br />
not making it official is this thing that maybe he didn’t want them out there for some reason.”<br />
“Let me tell you the fact that he eventually wrote them down and then put them out of harm’s<br />
way tells me that he wanted them to survive. I know that, Matt. Your father, believe me, was<br />
stubborn enough to destroy anything he didn’t want eventually brought to light. Let me assure<br />
you that these are fine poems, whatever Jack might have thought about them.”<br />
“Yes. I’m sure you’re right. So call me back next week, and I’ll give you the official okay.”<br />
“Let’s say this week is to honor what once was Jack’s wish,” Nick said. “Let’s call it the<br />
hiatus of his will.”<br />
2.<br />
A week before I left for New York, on a day when the streets were wet and slick with the<br />
residue of a drizzling, wire-thin rain, Theo drove mom’s old car out to my office building. I met<br />
him in the lobby to walk the five blocks to a display-windowed coffee shop on Nicollet Mall<br />
where we were to meet Kelley. Buses motored past octagonal, gazebo style passenger stops. It<br />
was late summer. Months had passed since Theo had gone to Binghamton, yet it still seemed a<br />
recent event.<br />
Then we came to the café where I ducked quickly in, Theo distracted by something on the<br />
other side of the street and so not following. I went back and stood near the door, hands in<br />
pockets. I had figured he’d be comfortable in this café, a place called Way-Cup’s that held open-<br />
microphone poetry readings every Monday night and seemed in every other way to be typical of
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the institutionalized bohemian lifestyle Theo seemed destined, if he could avoid further gunplay,<br />
to drift into. The decor was done up in vintage fifties furniture needing only moderate repair, the<br />
walls were painted in faded red and white stripes and had been signed in black marker by the<br />
famous and the wanted-to-be-famous people who had once stopped in for a cup of coffee or to<br />
read from a chapbook their uncles had published. I thought of it as a place Jack might have liked,<br />
a place off the beaten path where cliques of people in smoky knots passed confidences and<br />
waited languorously for the next phase of their lives to begin. There were couples of the same<br />
sex, different sex, their emotional attachments hard to judge, who all came in and placed<br />
shopping bags next to their feet while they ate bran muffins or double fudge brownies and talked<br />
over which of their friends were making the biggest mistakes. They kept their eyes on each other<br />
or the walls, or the subdivisions of their brownies. They and their friends seemed like complete<br />
units, their lives fully enmeshed in other lives with no room for more.<br />
That afternoon Way-Cup’s was empty except for a blond, goateed young man in a formal<br />
shirt and tie who sat hunched over a note pad, a cigarette dangling from his unoccupied hand.<br />
But the potential was there, the smoky café a glowing portal between worlds, and I wanted to<br />
bring Theo along in the hopes that his presence would summon forth an opening to the other<br />
side.<br />
By the time I was done scanning the interior Theo had retraced his steps and come through<br />
the door in an irritation that amused me to the extent that I had been responsible for it.<br />
“Could have told me,” he said.<br />
“Thought you were paying attention.”<br />
“Cagey bastard.”
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We walked up to the cash register and looked at the nestled pans of pasta salads and<br />
sandwich fillings in a glass cabinet. After a few moments Theo said, “Can we once go to a place<br />
where we order your food sitting?”<br />
I looked up from the salads to Theo, then to the sweaty faced girl behind the register. She<br />
opened her mouth, then closed it and went to stand in the doorway by the back room. We<br />
decided to wait for Kelley to arrive and ordered coffee before walking across the scuffed tile to<br />
sit at a table where the only view was of the empty table next to us.<br />
I opened up the backpack and pulled out the galleys, eighteen clean sheets of bright white<br />
paper elegantly printed with ten of Jack’s poems as selected and ordered by M<strong>org</strong>an Patch. In an<br />
accompanying five page introduction M<strong>org</strong>an Patch had written a biography of Jack, and of what<br />
might have been his place in the Beat movement had he published more of his work during his<br />
lifetime.<br />
“Which did they pick?” Theo asked.<br />
“Clear Lake, 1990,” I said. “Dead Ends. Key Ring Blues. Buick Century of Doubt.”<br />
“A poem about a car. Dude, that’s hard core.”<br />
“Ah, what else. The Ass-end of Angels. American Lotus. The Corn Soldiers. Khruschev’s<br />
Toupee. RoseDale, 1980.”<br />
“A poem about a shopping mall. Also, tres cool.”<br />
“And, finally, The Day the PTA f<strong>org</strong>ot to Pick up the Cub Scouts at the YMCA.”<br />
“Yeah. Yeah yeah yeah yeah yeah. Cool.” He picked up the introduction and glanced through<br />
it, then looked up to see Kelley. He waved her over and she waved back and came to us, her coat<br />
flapping around her as she passed through the room. She had recently begun to show, a slight<br />
swelling in her abdomen leading her to the table.
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“Okay, you guys,” she said. “This is so neat. Hold on.” She reached into her handbag and<br />
pulled out a manila envelope. “I brought baby pictures. Same day service!” She handed them to<br />
Theo, who opened the envelope, pulled out two small black Polaroids and handed one to me. I<br />
read the margin, saw that day’s date, Kelley’s name, a time. The photograph was white streaky<br />
marks radiating in a conical distribution on a black field. I stared at it, waiting for the image of a<br />
child to emerge from the random pattern. Finally an elongated head appeared, the curve of a<br />
back, feet and hands.<br />
“Boy or girl?” Theo said. We exchanged photographs and I saw the same image with only<br />
minor variations.<br />
“For lack of other evidence we’re calling it a girl, though that leg there,” she pointed to a<br />
spot, “Could be acting as a shield.”<br />
“Another secretive LaFleur boy,” I said.<br />
“Are those the poems?”<br />
“Yep. They’ll be out in the spring issue,” I said.<br />
“Good, good.”<br />
Theo set down his photograph, picked up the introduction and handed it to her. “I gotta pee,”<br />
he said. He got up and went to the back.<br />
I said to Kelley, “That’s the introduction they want to put in front of the poems.” She set to<br />
work reading the first paragraph. “It probably glorifies him beyond all reason,” I said.<br />
“Well, that probably can’t be avoided in the literary world. I say fine. Let the world make a<br />
hero out of him if they want to. But we know the truth, right?”
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I knew her version of the truth: Jack was unreliable and mean. And since the fall, I’d been<br />
thinking much the same thing. So I didn’t say anything as she took a last look at her sonograms<br />
and tucked them back into the envelope.<br />
When Theo got back I was busy staring out the window and Kelley had turned her attention<br />
to M<strong>org</strong>an Patch’s introduction. “Listen to this,” Kelley said. “‘Those of us who every day read<br />
the poetry of the aspiring poet, the dross, the scribbling, the self-indulgent, know that out there in<br />
the world is the exact opposite. That for every twenty or thirty mediocre poets with delusions of<br />
grandeur, there is the true artist with no desire for publication. There are those poets out there,<br />
saints really, who work privately, scribbling beautiful lines of verse that never see the light of<br />
day. Heroic verses that get tucked away in kitchen drawers, brilliant notebooks that get dumped<br />
in the trash. How many masterpieces have been lost to the landfill? How many great works have<br />
composted with the coffee grounds? Luckily, the work of Jack LaFleur’s is no longer among the<br />
lost masterpieces of the century.’”<br />
“That’s laid on pretty thick,” I said.<br />
“‘Jack LaFleur knows his territory. He works against the grain of the culture which nurtured<br />
him; he recognizes the trap America has laid for him and walks in anyway. He daily faces the<br />
lion’s den and is spared by the magic of his faith in a mystical world beyond the reality we see.’”<br />
“That’s some pretty eloquent horseshit,” Theo said.<br />
“‘Jack LaFleur was at every moment aware of life’s duality, a world view summed up in this<br />
couplet from Clear Lake, 1990: “Every anchor is also a leash/Every comfort a jail cell bar.”’”<br />
“It’s so easy when he says it like that,” I said.<br />
“They’re making a new Jack as we speak,” said Kelley. “One who stands above mortal men.<br />
A structure of ashes from the burned reality of our father.”
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My own thoughts had gone in different directions after I’d read the introduction. I’d realized<br />
that even now, Jack was still capable of going into the unknown and bringing back friends. Now<br />
and forever he would always be Jack, and a little thing like death couldn’t stop him.<br />
“I don’t know about this book project though,” said Theo. “It’s a separate deal from the<br />
magazine?”<br />
“Separate deal,” I said. “They want me to come out to New York to sign papers and do<br />
various other legal things.”<br />
“The whole thing sounds a little dubious.”<br />
“Nick seems pretty hot for it. He’s pretty sure Jack was the great undiscovered Beat master.<br />
The real deal, like one of those janitors who rents out a garage and then builds a miniature<br />
cathedral out of chewing gum, cigar boxes, and tinfoil.”<br />
“I mean more like what’s the point of this thing. Why drag up twenty year old poems and not<br />
look for some new thing?”<br />
“They’re Beat poets,” I said.<br />
“So what? Why are unknown Beat poets better than unknown Romantic poets?”<br />
“It’s partly because it’s an anniversary,” I said, repeating what Nick had told me. “The Beats<br />
first came on the scene about fifty years ago. And it’s partly that there’s a core following of Beat<br />
poet readers out there. It’s like there’s a built-in market for this stuff.”<br />
Theo said, “That’s something Dad would have hated. Being a pre-portioned, shrink-wrapped<br />
commodity.”<br />
“So we’re nostalgia brokers,” said Kelley. “We’re cashing in.”
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Theo said, “Like that revival of Hair at the local theater. Mom went last week with Elliott.<br />
Do you believe they found anyone willing to see Hair? Do you believe they found anyone<br />
willing to be seen in it? That run-down old second-rate show.”<br />
“I wish these rumors and sightings of Mom and Elliott would just solidify into a simple fact,”<br />
I said. “Like: he’s her boyfriend. Can we just say it? Mom was with her boyfriend. Doesn’t that<br />
sound nice?”<br />
“Ex-boyfriend would be nicer,” Theo said. “Elliott has nothing to offer. Total waste of<br />
<strong>org</strong>anic material.”<br />
“Tough tits for both you guys,” said Kelley. “It’s pretty official. There’s been a couple<br />
mornings now when he’s sneaked out early.” She looked at Theo and laughed, then at me and<br />
said, “Don’t give me that look. Mom can have sex if she wants to.”<br />
“Matt thinks if he’s not having sex no one should be.”<br />
“Very funny, guys,” I said. “As far as cashing in goes, we’re not going to make enough from<br />
this book to retire. We get the advance and a percentage if sales go high enough, which they<br />
never do on poetry. Odds are it won’t see a second printing. Odds are the first printing will end<br />
up remaindered, f<strong>org</strong>otten, and lost. They’re doing this for public relations, to assure the public<br />
that Winterberry Publishing hasn’t completely written off poetry as a commercial force. Which<br />
they probably should.”<br />
“Are you going to New York?”<br />
I told them I was, and then Kelley said she was starving, so we went up to the register and<br />
ordered food. Kelley ordered a double helping of caesar salad and I ordered a sandwich, which I<br />
had to think twice about when Theo said he was tired of always eating food with his hands and
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ordered a pasta salad. We ate for a while, Kelley more voraciously than I’d ever seen her eat<br />
before. After a minute or so, Theo said “Where’d you get that shirt?”<br />
“What?”<br />
“That’s nice.”<br />
“You can’t have it. This one was Jack’s.”<br />
“Did I ask?”<br />
“Ever since I’m a kid, you’re taking my clothes. Most kids hate hand me downs.”<br />
“I don’t mind,” said Theo. “I think I got used to it too much.”<br />
“All the kids are dressing like that now,” said Kelley. “It’s one of the last things left to shock<br />
parents. Other people’s worn out clothes.”<br />
“It’s all us third and fourth kids who are keeping the profit in second hand stores. We’ve<br />
made a fashion statement out of being neglected. We neglect ourselves. Bad haircuts, worn out<br />
clothing. That one was Jack’s?”<br />
I nodded and said, “It was in the trunk of his car. You remember how he left the last time?<br />
No luggage, no clothes? I figure he bought one, wore it, threw it in the trunk.”<br />
“The Century? The Buick Century of Doubt?”<br />
“That’s the one.”<br />
He’d bought the Buick for seventy-five dollars the year after Theo was born, three or four<br />
weeks after a road friend had showed up and dragged Jack out to Arizona. We’d been using only<br />
one car, an old blue Chevy with plastic seat covers and thin spokes in the steering wheel. A<br />
monster of a car by later standards; not too special at all during those days. But we were a<br />
growing family, and we needed two cars.
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The new car was being sold by Davey, Mom’s brother, who after his brief stint of wildness in<br />
the late sixties had settled into upper middle class prairie inspired domesticity, as Jack put it.<br />
Davey had married a school teacher who quit teaching as soon as she became pregnant; Davey<br />
got promoted to an office position with General Cinema where he managed several multiplex<br />
movie theaters. He put on forty pounds without complaining, bought a Lincoln Continental and<br />
moved to a new housing development that had blossomed a few years earlier on a stretch of<br />
former farmland. His wife disapproved of Jack as shiftless and unreliable, and had managed to<br />
convince Davey of the same, though they were willing to sell him their old car provided he put<br />
up the money in cash.<br />
So one weekend afternoon Jack told Mom that he was going out to Davey’s to take a look at<br />
the car and she said You can’t leave me here without a car.<br />
He looked at her, not sure what she was really saying because he’d left her without a car<br />
before and she hadn’t objected. And then she said, You’d better call Finley one more time.<br />
I stopped working on the Lego house I had been assembling on the carpet in front of the<br />
coffee table. Finley was our next door neighbor, an old widower who distinguished himself in<br />
my memory by regularly hosing down his sidewalk. We had borrowed his car as back up<br />
transportation on several occasions, and on the one occasion we’d needed it to get diapers for<br />
Kelley I’d opened the glove compartment to find three empty packs of cigarettes and a pair of<br />
red, age-crumpled women’s leather gloves. I knew they were Mrs. Finley’s, and that she was<br />
dead. The implications of Finley keeping them, or of not knowing they were there, frightened me<br />
so much I was scared of the day we would have to use the car again.<br />
All right, said Jack. I know what this is, he said. This is a shakedown. And so fine, you have<br />
a point and that means we’ll call Old Man Finley. He said, You see, this is one of the essential
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dilemmas of modern life. He zipped up his old white coat and walked to the phone. Always<br />
looking for ways to tie you down to the house. Cars ‘er for mobility, he said, picking up the<br />
phone and dialing. Yet ye can’t be mobile because you might need the car. Mom sat on the<br />
couch, arranging a blanket around Theo’s head. Jack went on speaking into the receiver as the<br />
phone rang somewhere, saying, They look for ways to trap ya, it’s incredibly clever, why look at<br />
microwave ovens for instance. Incredibly convenient, so convenient we’ve got people fighting<br />
each other to go into debt fer ... Finley? We got us a near situation over here. I gotta go buy a car<br />
so the wife has one when I have the other, but I can’t take the one we have and she doesn’t<br />
wanna come along, so if you weren’t going anyplace I was wondering if we could keep you and<br />
your Olds in reserve as back up insurance. A rider on our policy. He gave me a quick wink and<br />
pulled the cuffs of his shirt out from under the jacket sleeve. Great, he said. That is so copacetic<br />
I’m in a coma. See you inna shot. He hung up the phone and left the house before Mom could<br />
say a word. We almost thought he’d left, but he didn’t go out to the Pontiac, instead going out<br />
across the lawn to the Finley’s house and then out of sight.<br />
Three minutes later Finley’s car — another Chevy — pulled into the driveway next to the<br />
Pontiac and Jack was in the house, rattling two silver keys on a chain. Here ya go, he said.<br />
Emergency transportation courtesy of Rupert Finley. I’ll be back in about an hour, maybe with a<br />
new car; no, that’s not right. If I buy you’ll have to come back with me to drive it home.<br />
I imagined Finley next door in a daze at the hurricane of Jack LaFleur swindling him out of<br />
car keys and car before he knew what had happened. Let’s have a goodbye kiss, said Jack. He<br />
leaned over her, kissed her.<br />
She giggled briefly and said, I knew you’d cave in, Sweetheart. And take Matt with you,<br />
okay? Jack looked down at me and smiled.
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He’s busy with his blocks, Jack said.<br />
I’m done, I said.<br />
Jack looked from me to Mom, Then said, all right then. Come on, soldier.<br />
“He took me along to get that car,” I told Theo and Kelley. “You were a baby and Kelley was<br />
just about to start school. He took me a lot of places on the weekend. Mom asked him to, most of<br />
the time.”<br />
“She figured if you were along he wouldn’t skip town for the weekend.”<br />
“It worked,” I said. There were many car rides when he had that thousand mile stare in his<br />
eye, the one that meant in his head all he wanted was to keep the car pointed wherever it was<br />
headed and not stopping till he needed gas or cigarettes. And it was me in the seat next to him<br />
and the knowing that he had to bring me back home that kept him in the state.<br />
“They have all sorts of ways of tying you down to domesticity,” said Theo.<br />
On those trips Jack talked endlessly. I think he talked to himself when no one was around,<br />
but there was almost always someone around. He had a need to seek out people and tell them<br />
things, he used words as a connection to the people and events around him, he was a man you<br />
could never conceive of being alone. Alone Jack would fade into the furniture, he had a<br />
pathological fear of loneliness, I suspect. In grocery stores he kept a running patter that included<br />
whoever was passing us in the aisle. He’d be in the yard with the garden hose and we’d come out<br />
and hear him talking to the lawn, telling it to grow, damn it, there was no room for leaves of<br />
slack, they’d all have to pull together.<br />
We rode in that big car on that afternoon we went to buy the Buick and Jack talked about<br />
how when they had bought the Pontiac Mom had wanted a station wagon but Jack’d told her No,
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ma’am. There are implications to owning a station wagon. Symbols and obligations congregate<br />
around station wagons like flies on a horse’s carcass. Issa a badge of domesticity, a Detroit<br />
manufactured anchor of responsible brain dead citizens of whom I am proud, a goodly percent of<br />
the time, to count myself. Because there’s a dignity in routine, a kinda honor in losing yourself in<br />
the interchangeable mass of American humanity. Up-at-eight, at-work-by-nine, have-some-<br />
coffee America. Identical white-shirted soldiers, proud warriors in a warless age. Besides, he<br />
said, he was too old to be living the kind of life he’d led before. It wears on you. No place for a<br />
broken down old man.<br />
I sat in the front seat next to him. Neither of us wore the lap belts; we didn’t even think about<br />
wearing them. I breathed in the smell of warm plastic and burning oil. When I sat forward I<br />
could see the road ahead of us and the cars and houses going by, and when I leaned back there<br />
were only the tops of trees and blue Minnesota sky and the sounds of my father’s monologue of<br />
check out that car I drove one of those babies in Phoenix a few months ago and Looka there,<br />
another new mall going up in Woodbury, can’t imagine we need another one but that’s why I’m<br />
not in the business I guess and The secret to buying a car is making sure it starts up right away; a<br />
car needs everthin’ working perfectly for a good spark and rumble; it takes more than five<br />
seconds or it kills why then something’s wrong somewhere tha’s gonta cause you pain and<br />
money and the money’s the least of it.<br />
Theo interrupted the memory by snapping his fingers next to my ear. “I’m here,” I said.<br />
“Knock it off.”<br />
“Which one are you staring at?”
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I returned my eyes to where they had been. Two women were sitting at the previously empty<br />
table, a thin, bookish woman in a loose fitting dress and a hawkish woman with severe black hair<br />
and a pierced nose.<br />
“The blond,” I said.<br />
“I didn’t think she’d be your type,” said Theo. “Too school-marmish.”<br />
“I have a type?” I said.<br />
“Sure.” He looked at Kelley.<br />
Kelley said, “Remember Dawn Engle?”<br />
“She was my type? We went out three times. Went back to an old boyfriend.”<br />
Theo said, “But she was your type. Blond, flowsy.”<br />
“Questionable moral character.”<br />
“You wanted to save them.”<br />
“To lift them from the depths of sin.”<br />
I said, “Don’t you two have anything better to do with your time?” They looked at each<br />
other. “Anyway,” I said. “I figured out those girls don’t want to be saved. They’re content to be<br />
treated miserably.”<br />
Theo pulled out his cigarettes and lit one. “So you got a new type. That girl.” He lowered his<br />
voice. “Bookish and inhibited, yet with a streak of wildness she’s tamed by herself. With a<br />
boyfriend in another state, a handy rejection you don’t have to blame on yourself.” He blew<br />
smoke into the air behind Kelley’s head.<br />
“They’re engaged now,” I said. “A.J. and her boyfriend. No big loss.”<br />
“You really need to let loose a little,” said Kelley. “Women are attracted to you, but you<br />
can’t just wait for them.”
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The woman with the glasses at the next table looked over at us, glancing at me and then at<br />
Theo. She stared at him for a few seconds, then turned back to her friend. I waited for her to<br />
make eye contact with me again but her eyes went down to her plate, where her fingers were<br />
picking at a bran muffin.<br />
“What about you?” I said to Theo. “We could do a double pick-up, right? Since Ashley’s out<br />
of town?”<br />
“Chicago’s not that far.”<br />
Kelley gave Theo a secretive look that let me know he had been confiding in her things he<br />
hadn’t told me. We said little more over the course of lunch except for two word critiques of our<br />
various meals. Theo and I were satisfied, Kelley wasn’t, though she finished everything and went<br />
back for a slice of carrot cake. And then we departed for the streets of Minneapolis again,<br />
moving through the thinning crowd of people as a ragged unit of three among the neatly dressed<br />
bearers of business suits and dresses. We passed a group of silver haired bankers all dourly<br />
watching their feet. “Retirement party,” said Theo. “I saw the watch.”<br />
“Could be you someday,” said Kelley.<br />
“Matt, maybe.”<br />
We reached Kelley’s ancient VW and for a few moments we stared silently at the rusted side<br />
panels and three faded flower power stickers on the hood. The car was parked at a wide angle to<br />
the curb in front of a now expired meter. She checked the windshield wiper for tickets, found<br />
none, opened the door.<br />
“So,” she said. “When are you going to New York?”<br />
“Three weeks,” I said. “I have to call them and let them know for sure I’m coming.”
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Kelley nodded, looked up at the top of a building. “Let’s do this again,” she said. “We should<br />
get together more. The three of us.”<br />
“We should,” I said. Theo agreed.<br />
“I mean,” she said. “I feel right now like you guys and Mom are all there is.”<br />
“There’s another on the way,” Theo said.<br />
“I remember,” Kelley said. She waved goodbye with the hand that held her keys, a gesture of<br />
my mother’s she had picked up through sight and habit or choice or unavoidable coincidence of<br />
genetics. Then she hopped into her car and drove away.<br />
The lots of the development where Davey had moved his family had little vegetation aside<br />
from sod yards seamed like brickwork, two-foot spruces and spindly ash trees held upright by<br />
triads of staked twine. As we pulled into Davey’s driveway there seemed something ominous in<br />
the bare spaces of the new subdivision. Some agoraphobic looming in the sight of bare lawns and<br />
blacktop driveways surrounding the houses standing in an evenly spaced row of similar houses, a<br />
design childlike in its simplistic conception and menacing in its machinelike execution.<br />
On first sight the Century Jack was about to buy was little more than a brown metal box with<br />
smooth tapers, a mild incarnation of the mid seventies conception of aerodynamics. Small<br />
buttons of rust dotted the rear fenders, a hairline fracture crept along the lower third of the<br />
windshield. Not much to look at, Jack said. But she sure makes this antiseptic neighborhood<br />
more interesting. No doubt they think it’s an eyesore here on this patch of skinned earth. This<br />
whole place could use about ten morra these junkers to liven it up a bit. He approached Davey,<br />
who had emerged from the house at the sound of the Pontiac in the driveway. They shook hands,<br />
stared each other down for a second, turned to look at the car.
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When I walked up to Jack Davey bent down and patted me on the head, chucked me in the<br />
arm and pointed out a football lying on the grass that I could play with if I wanted to. I picked it<br />
up and gave it a few token throws.<br />
Looks good, Davey, said Jack.<br />
Oh, she runs fine for sure.<br />
I’ve heard her. Purrs like kittens under there.<br />
You bet.<br />
Hey, Matt, said Jack. I caught the football I’d just tossed and looked at him. Yer holding it<br />
wrong, he said. Hold it by the laces. He came over and showed me. Put your fingers here, he<br />
said, and your thumb there.<br />
I tried it, but the ball was too big.<br />
Ah, said Jack. You’ve got tiny hands. Your hands’ll probably be too small your whole life.<br />
Well, do the bestcha can, then.<br />
He looked back at Davey. His handser small, he said. Then he walked back to the car and<br />
said to Davey, Well I’m familiar enough with her to say I’ll buy her right off you but you bet lets<br />
give the formalities a run through, the door slamming tire kicking formalities. American Karma<br />
checks, rites of worthiness. He kicked the tires, gave the fender a shove to check the suspension.<br />
Howza movie business? Still showing that space movie?<br />
Sure. Doing well for us.<br />
Yeah. I saw it with the boy there. I was surprised, the way it all played out, you know, that<br />
guy with a black helmet and princess in white, anthe samurai swords anthe cowboy gunfights<br />
and everything. The guy who put that together, he was doing some thinking. Kind of threw<br />
everything in the pot, there.
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I guess he did, said Davey.<br />
Yessir, a good stable profession you got yourself there, the movies, though you prolly don’t<br />
get much a chance working in your office an flirting with your secretary alla day to go see<br />
anything. Yer the bossa how many theaters izzit?<br />
Eight. Twenty screens. Be twenty six as soon as the mall in Woodbury goes up. He crossed<br />
his arms, rested them on his belly, looked up at the sky.<br />
Jack said, Twenty six screens. Yeah, we saw that construction site on the way in. He touched<br />
the antenna with a fingertip, bent it back, released it. The stiff metal vibrated a few seconds<br />
noiselessly and came to rest. Jack nodded. Tossem keys here, he said.<br />
The car started right up, roaring to life through the rusted tailpipe and then settling down to a<br />
menacing sweet purr. Jack punched the gas a few times, then drove it around the block. When he<br />
got back he pulled a roll of cash from his pocket and paid Davey.<br />
He drove the Century home, planning to come back with Finley, who Jack figured would be<br />
available, and get the Pontiac. Leaving your Mom with Finlay’s car for a few more hours, he<br />
said, winking and chuckling.<br />
I sat higher in this car than I had in the Pontiac and for the first time could see the road in<br />
front of me and through the passenger window there were houses and trees and the construction<br />
site they had talked about.<br />
Now, said Jack, I like Davey and all. I guess I owe him because he introduced me to your<br />
mother anall. But he’s changed, you see. More than I have, I hope or fear. He’s descended in a<br />
way, faded into domestic obscurity. Succumbed to heart failure, like we all of us do. I figured<br />
when I met him that first time, when he broke the nose of that former Hell’s Angel I figured he
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was the type of guy who one day would write poetry worth reading. Metaphorically. But I guess<br />
I figured wrong.<br />
The car responded the way all cars did to Jack’s control, downshifting smoothly when he<br />
accelerated, staying dead center between the lines even as he took his hands away from the<br />
wheel to light a cigarette.<br />
He said, I guess I looka him and ask what’s the hell the difference between him and me. We<br />
live in the same place after all. The same conditions apply. You have no idea how places affect a<br />
person, turn you around into someone else. Miserable here, complacent there, chattering lovesick<br />
crazy bastard in another, all defined by latitude. It happens to everyone. Even those crazy kids I<br />
rode in with all those years ago in the VW Microbus; why when I drove out to Madison a year<br />
later to see how they were doing, the scene was outrightly pandemonious. The guy’d up and left<br />
his girl with a little baby. Just packed up that van and never to be heard from again. There was<br />
nothing there but Sunshine and a darling curly headed babywaif and the baby’s grandparents<br />
eyeing me like I was the delinquent one. Oh, Matt, I tell you there are evil forces out there that<br />
put snakes in a man’s head, vipers to whisper dire thoughts that if you listen will drive you to<br />
ruin. Promise me you’ll remain angelheaded, Matt, okay, and not become weary and broken<br />
hearted like all these people you see who don’t even know they’re weary and broken hearted ...<br />
But he didn’t wait long enough for me to promise anything, he just kept right on talking, this<br />
entire time driving swiftly over the freeway he nonstop described the weariness of frontage roads<br />
and the depression that fell over him every time he looked at a new strip mall going up and at the<br />
ones already there with all the cars parked out front and that what broke people’s hearts in the<br />
end was driving incessantly on frontage roads to strip malls and buying things they maybe
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needed and maybe didn’t no one knew any more what was really important and what was just<br />
blind and impulsive money-spending and furthermore ...<br />
He took an unfamiliar exit, drove down streets I didn’t recognized, blew through stop signs<br />
and drove hard over railroad tracks. The car moving through open spaces and Jack going on and<br />
on, his sentences looping and expanding aimlessly, then stretching suddenly and lengthily toward<br />
some definite yet unreachable point.<br />
Suddenly I knew where we were, but Jack drove past our driveway while lighting a cigarette<br />
from the dashboard lighter. He looked over his shoulder at the rose bushes and zinnias Mom had<br />
planted years earlier. The roses put out only sporadic blooms — there were aphids, she said,<br />
nothing she could do — though the zinnias bloomed well. She was proud of her fall blooms, of<br />
the dry blossoms that don’t display themselves till everyone suspects the season for flowers is<br />
over. Jack stopped the car. He turned it around in a wide arc, grinding tires through the hard<br />
gravel and soft grass of the neighbors’ lawns, then accelerated into our driveway, hitting the<br />
brakes sharply and throwing the transmission into park. He smoked quietly and said damn<br />
several times.<br />
He and Finley picked up the car that afternoon. The next day he didn’t come home from<br />
work, and after that we didn’t see him for ten days.<br />
3.<br />
Because back then I traveled so seldom I made slow, methodical arrangements when it<br />
became apparent that I was indeed going to New York. I called airlines on three consecutive<br />
days to inquire about ticket prices, then three days more to make hotel reservations. The day after<br />
that an editorial assistant called to tell me that they had already made arrangements for me, so I<br />
called to cancel those I had made. And then I decided that I should stop in Binghamton to see my
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grandfather, and so set about another round of slow phone calls and price quotes and hotel<br />
information searches.<br />
With my plans more or less set I told Maggie Keefe that I would be gone for one week, then<br />
on a whim told her I needed two. She agreed quickly enough that I began to suspect the office<br />
didn’t require my skills as much as I had thought they did. But that was silly. It had been me,<br />
after all, who on three occasions had caught major layout problems before the issue went to<br />
press. Though on my way back to the desk I figured maybe they were mistakes that would have<br />
been caught anyway, and none of them had even approached catastrophic, and it might have<br />
been in my job description to avoid such problems in the first place. I was dispensable, a liability<br />
even. The moody guy in the back cubicle with indefinite responsibilities; there’s one in every<br />
office. I entertained a fantasy regarding the termination of my employment. Sat at my desk and<br />
mentally cleaned it out, throwing my meager possessions into a cardboard box from the copy<br />
room. After tiring of that, I looked through an article on studio apartments, paged through<br />
photographs of tiny yet well decorated housing units, then stacked the copy and photos on one<br />
corner of my desk. Aligned the corners, then moved the stack, realigned the corners. It was a<br />
listless afternoon, worthless for productivity, so I paged through envelopes the mail person had<br />
dropped off while I was away.<br />
“Lousy mail,” said Pete. I looked at him and nodded. He had his cigarettes out and resting on<br />
the corner of his desk, a sign he was about to go outside. It was October, the first cold snap of the<br />
year, but he wouldn’t take his coat, preferring to stand in the cold with only the heat of<br />
cigarettes. He said, “I haven’t had any good mail since Sharon transferred.”
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I was vaguely surprised he would bring up her name; I would have lived in quiet shame and<br />
dread. “So what do you hear from her these days?” I said. Bored and listless, desperate to pass<br />
the time.<br />
He said, “We’re seeing each other. Might be getting serious; hard to tell.”<br />
I set down my pen carefully and blinked hard. Said, “Yeah?” He might be lying, I thought. It<br />
was best to be careful and let the conversation play itself out, keeping what I had heard about<br />
harassment in the far back of my mind. Because my own personal life had always been so simple<br />
— offer myself, be usually refused or occasionally accepted, but in either case eventually<br />
moving on with little entanglement — I had always been surprised at the complicated ins and<br />
outs of other people’s relationships, always not quite believing they had the courage to put up<br />
with such things as they did. With lies and misunderstandings. Unknowing petty cruelties and<br />
worthless secrecy. On some level it seemed these things had always been what kept me out of or<br />
ended my relationships; I’d always been baffled by what could inspire others enough to<br />
overcome them.<br />
“It’s a funny story,” Pete went on. “We flirted with each other, or so I thought, and then she’s<br />
gone because she thinks I’m a creep. Fine by me, I guess, except that I’m on probation now and<br />
there’s a memo in the women’s bathroom about me.”<br />
“Figuratively, I hope,” I said.<br />
“Whatever. I guess that teaches me to notice when a woman is wearing a skirt. So I see her in<br />
a bar a month or two ago and buy her a drink. We talk. A few days later I call. She can’t go out.<br />
Then I call again. Eventually she starts calling back. We saw each other every night last week.”<br />
“Sounds cool,” I said. I picked up my pencil and started back in on the article about studio<br />
apartments, then quit. Pete went on about Sharon, about how she was studying for the LSATs. I
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started making a chain of paper clips, then went back to the article. Sharon was a good cook, it<br />
turned out. I folded a piece of waste paper into a square box the size and shape of an ashtray.<br />
Pete went outside to smoke and came back. The afternoon went on in this way for quite some<br />
time.<br />
That night at three in the morning I awoke after a series of unclear yet frightening dreams.<br />
Still frightened, I lay awake for a while, trying to remember what they were about, but I could<br />
not. There were no specifics, only pale residues strewn across a generic template of dread that<br />
eventually receded as my thoughts turned to what had caused the dreams. Again I came up with<br />
nothing.<br />
I turned on the radio but instead of being lulled to sleep I found myself obsessed with trying<br />
to decipher the lyrics of modern songs. All the singers had adopted moody growls and distorted<br />
their guitars to an epic, nihilistic pitch that let only the barest essence of musical theory through<br />
their tight filter of primal, market oriented angst. I listened closely, eyes tightly shut, for several<br />
minutes. Eventually, though I rarely interpreted more than a random phrase or two at a time, I<br />
discovered they were all about alienation and self pity, lyrical non sequiturs strung together by<br />
battered guitar chords. This sense of sameness was disappointing because I had enjoyed this<br />
music earlier in the day, thinking of it as my generation’s demons in the process of being tamed<br />
and transformed. But in the calm of darkness they rang false, the timeless sense of three-thirty<br />
forcing perspective on the petty self indulgences of popular culture, of an era in the first stages of<br />
entrenching itself into tiresome, anthemic repetitions.
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I was near sleep again, or hoping to be near sleep, when someone knocked on the door. It<br />
seemed a phantom knock at first, precursor to a dream, so I rolled over in anticipation of sleep<br />
and then whoever it was knocked again and I was wide awake, sure that this time it was real.<br />
There had been mistakes along these lines in the past, drunks looking for the last party<br />
wandering to the wrong apartment, out of towners straggling in after blown out tires or dropped<br />
transmissions and not knowing the right apartment number. I tried to stay prostrate and wait it<br />
out, but whoever it was knocked a third time, the number which proved they were serious, not a<br />
quitter, so I climbed out of bed into the moist, warm air. I had left the heat on again and hadn’t<br />
noticed, would have slept through it and woken up with a headache. I turned on a light. I put on a<br />
shirt, sweatpants, a bathrobe, and opened the front door just as Theo called for me to wake up.<br />
“I’m here,” I said. He was wearing the green corduroy shirt he had taken from my closet the<br />
last time he was at my place, and the same black motorcycle jacket he was always wearing in<br />
those days. His jeans had grass and dirt stains, his face carried the pallor of exhaustion or<br />
intoxication and the air he carried in with him smelled of marijuana, motor oil and perfume.<br />
He looked me over quickly and said, “Sorry if you have a woman in here.”<br />
“Funny guy.”<br />
“I’ve had a rough night,” he said. “I’ll trade you details for a place to crash.”<br />
“From the looks of you the details will probably kill me.”<br />
“Rode hard and put away wet.” He pulled out cigarettes and offered me one, which I took. I<br />
smoked and didn’t cough but he barely noticed, and neither of us said anything about it.<br />
“What is that?”
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“Radio.” The music drifted in from the other room on a tinny and distant timber. It was a hit<br />
from a previous year by a group whose lead singer had killed himself after battling drugs and<br />
depression.<br />
“Checked out,” said Theo. I nodded. He seemed sober but tired, his eyes open and clear, and<br />
his hands were steady. He took his jacket off, wadded it up and put it at the end of the couch to<br />
use as a pillow while he talked. “I didn’t take any shit. I know I smell like it. But it was too<br />
uncertain a situation. Paul was in one of his moods, and this chick was totally messed up before I<br />
ever met her.”<br />
“What chick?”<br />
“Don’t even know her name. I was hanging out this afternoon with some guys from school,<br />
we drove into uptown, hung out, you know. Kid stuff.”<br />
I didn’t want to know, really, but here he was, telling me. Since the incident on the Fourth of<br />
July he’d told me about a few other things he and his new circle of acquaintances did. There was<br />
petty theft and stuff more dangerous, cheap thrill seekers, one group of suburban kids whose<br />
hobby was to dress like the homeless and then drive down to Uptown and sit on the pavement to<br />
panhandle. Then they’d go around to the record shops and second-hand stores, pockets jingling<br />
with quarters, to shoplift. There was one group Theo knew that he was purposefully vague about,<br />
his voice one of someone who knew just enough to do his job. They were involved with a guy<br />
who ran a scam and they would sometimes help him out. They stood behind people who were<br />
making long distance calls and memorize calling card numbers, which they would then sell to the<br />
guy for ten bucks a pop. Theo did it himself once, and then the same guy talked him into<br />
carrying a bag of goods between parties. He did that twice, and then he saw a bust that could just
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as easily have been him, and he promised me that afterwards he wasn’t going to get involved<br />
with anything that smacked of felony.<br />
But today had been good clean high school fun involving PG movies and soda pop, he told<br />
me. Until the movie was over and he came out of the Uptown Theater a little after four and said<br />
goodbye to the people he had come with, then started walking to his car. A woman stood on the<br />
corner a few blocks away, staring at a building. She looked up at Theo and motioned to him with<br />
a finger. “Is that the MacGregor Building?” She said.<br />
Theo looked at it. He had no idea what building it was, but figured that with all the buildings<br />
in Minneapolis the odds of that particular one being the MacGregor were pretty slim, so he said<br />
no. Then, though he told me he should have known better, he didn’t continue right on his way<br />
but let her speak again.<br />
“I’m supposed to meet someone,” she said. “Right there, maybe. Fifteen minutes ago. But I<br />
guess f<strong>org</strong>et about it, now.” She scratched her nose. She had dark hair, a thin pale face and<br />
watery blue eyes, and after she scratched her nose she scratched her wrists, shifting a small<br />
triangular handbag from hand to hand.<br />
They began walking together in the same direction. Why in the same direction Theo didn’t<br />
know, whether she chose to follow or they were going the same direction or if she had no<br />
direction.<br />
“There’ll be other meetings,” said Theo.<br />
“There might have been a job out of this one. Something with computers. At least not<br />
waitressing.”<br />
“My sister says there are only three types of jobs,” said Theo. “Food service, information<br />
prostitution, and worthwhile.”
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“Which does she do?”<br />
“Information prostitution. Temporary data processing jobs, with computers. Hates it. She<br />
says with all the potentially valuable information in the world she wastes her time tracking paper<br />
clips. This is my car.” He reached out and unlocked the door, then realized it was the passenger<br />
side. The girl looked at him and he smiled, embarrassed — or so he hoped — and then he walked<br />
around the back of the car. He unlocked his own door and started to say goodbye when she<br />
opened the passenger door and climbed in.<br />
“This isn’t a taxi,” Theo said, draped between roof and door to peer in at her.<br />
“I know.” She scratched at the tip of her nose again.<br />
“You should be careful. Think about safety.” He sat down, closed his door. “All I’m saying is<br />
I could be anybody.”<br />
“So could I. Let’s drive.”<br />
He drove, angling toward the east. The woman didn’t say where she wanted to go but sat<br />
quietly for a few minutes and then started digging through her handbag. She pulled out a few<br />
hand rolled cigarettes and started to light one.<br />
“Wait on that,” said Theo. “It’s not my car.”<br />
She looked at him, put the joints away and pulled out a package of pre-rolls. “How about<br />
Carletons?” she said.<br />
“That’s fine. I’ll take one of those, even.”<br />
“You want one of those others later, though?”<br />
“Sure, maybe.”<br />
“Where are we going, again?”<br />
“To a place I go to sometimes. There’ll be people there. Things to do.”
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“I don’t know,” I said.<br />
“What is that? What don’t you know?”<br />
“How much of this to believe.”<br />
“What’s not to believe?”<br />
“The whole thing. The complexity of events occurring randomly. The way the two of you<br />
gravitated toward each other. The way people flock to you. You collect them. Crazy people,<br />
regular people. It’s not normal.” He kicked off shoes, lay down, stretching himself over the<br />
length of my couch. “So where did you go?” I asked when his pause had gone on for almost a<br />
minute.<br />
“Out to Sunset Memorial. It’s a place we go to hang out, just for the hell of it. You know<br />
how us bad kids are. Toying with death all the time. The whole crew was there. Pauly and Mitch<br />
and his sometime girlfriend.”<br />
“What do you do out there?”<br />
“Hang out. Passing time. I’m thinking about filming them. Making a documentary about the<br />
underworld. About the people who live on the margins of society, their economy and<br />
sociological structure. A real look at people who don’t have jobs, don’t want jobs, but get by<br />
anyway.”<br />
I didn’t say anything to that. It sounded horrible.<br />
Theo went on, “It’s getting colder out there, so they’re going to have to find another spot.<br />
And Pauly says that the police are on to something going on out there. Complaints from decent<br />
citizens. We were in the old part, with the tombstones and inscriptions. The real part, with<br />
monuments.”
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“I want a tombstone when I die,” I said.<br />
“Damn straight.”<br />
It was another of Jack’s requests, that he be buried beneath a big piece of rock. A stone slab<br />
refusing to yield, a thing that alters your path, a stone among stones in a field, like death itself<br />
tombstones were disruptions to be reckoned with.<br />
“I told this girl,” said Theo, ”that the appeal of cemeteries lies in their encapsulation of the<br />
past. Everything ever done comes to rest in a graveyard. Bank robbers, captains of industry,<br />
torrid perversions.”<br />
“You’re quoting Jack.”<br />
“I think that makes it more true, if I remember it and use it at an appropriate point. It’s a<br />
reflection of the universal.”<br />
He closed his eyes and appeared on the verge of sleep, then, eyes closed, he continued<br />
speaking. “So we walk down the hill to the mausoleums. She walks up to one, pulls at the iron<br />
gate, asks me if I ever wondered what it’s like on the inside of one of these things. It’s one of<br />
those old family crypts where the whole family’s dead and inside and there’s no more room for<br />
stiffs anyway, so behind the gate it’s bricked up with cinder blocks, and I tell her it’s probably<br />
real dark and mossy in there. A haven for fungus and disease. Unhealthy. She lights a joint,<br />
offers it to me. I turned it down. Honest.<br />
“Down in the party grove Pauly and Mitch and Joanie are hanging with a few other people I<br />
don’t know. Telling lies. Sorting out the details of deals. Don’t ask what they are. You were<br />
about to ask who these people are and what they do. They don’t do things you or I understand.<br />
They don’t even know. They live on instinct. Mitch knows some wicked things about computers,<br />
how to manipulate calculations. Pauly I don’t ask. And you’re wondering how this place is the
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place where all the stuff gets done. I don’t know. It’s just a place people like us go to find other<br />
people like us.”<br />
“It’s fascinating how you spend your free time. Congregating with felons, picking up strange<br />
women, doing drugs. You couldn’t do that at college?”<br />
“I told you: I don’t use, I don’t sell, whatever you believe. Reality is the shits enough for me.<br />
I drink some, I monitor. I step in to calm things down once in a while.”<br />
“A caretaker. You. The one who fires guns at trees.”<br />
“A safe hobby, compared to other pastimes. I try to take care of people. It’s the last idealism<br />
of my youth. That I can make a difference. The gun’s a placebo.”<br />
“So what happened out there tonight?”<br />
“Pauly takes an interest in the girl. A surprise. He’s married, I think, but estranged. One of<br />
those complex things that comes down to two people who haven’t got a clue. They have two<br />
messed up children, collection agencies with direct phone lines, a floor covered in broken dishes.<br />
So Pauly and this girl started talking tonight, touching each other. They have the look of<br />
preliminaries. Then they started arguing. It started looking bad, with fists and poses and spit out<br />
words. So I step in, Captain Peacemaker. Turns out they’re arguing in Spanish, which I didn’t<br />
even know Pauly spoke. I mean, I knew he lived in Mexico for a while, but I didn’t expect him<br />
to know the language.”<br />
“He doesn’t look like the person who’d commit himself to learning a language, you’re<br />
saying. He looks like he doesn’t need language at all, perhaps.”<br />
“So I can’t do anything, though it doesn’t mean I won’t try. I stand there and they look at me<br />
and keep going. The girl is doing most of the talking. Gesturing. It feels like some foreign movie<br />
where nothing makes sense. Pauly starts to push her a little and grab at her at the same time. She
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pushes back, tries to get away. I tell him to cool off and he doesn’t. Pushes me, I fall down, get<br />
up, take another shot from him. Finally I get them separated and I’m still in one piece and the<br />
gathering goes on as scheduled. I’m talking to Mitch and his girl for a while. Some other people<br />
show up. Half an hour later I notice both Pauly and the girl are gone again. Don’t know if they<br />
left together or not.”<br />
“Did you look for them?”<br />
“Not much. Nothing I can do, really. God. It’s going to be something if I can get a camera<br />
down there. People will freak out. Them, us, the viewer. I think they’ll let me. They wonder what<br />
I’m there for anyway. Bringing a camera will be a good cover for me.”<br />
both.”<br />
I didn’t want to deal with his camera idea, so I said, “And after all that, then you came here.”<br />
“I’m here, right? I must have come here if this is where I am.”<br />
“Well, okay then. Maybe you should get some sleep. You seem worked up, and exhausted<br />
“They fascinate me, these humans. The way they just, I don’t know. Do things. I want to tell<br />
everyone how strange and beautiful they are.”<br />
He went to sleep, and I picked up the phone and called Mom’s house. Kelley answered, and I<br />
whispered into the receiver, “He’s here.”<br />
“Is he okay?”<br />
“He’s fine, I guess. He’s asleep. He’ll be home in the morning.”<br />
“Mom’s asleep too. She might not even know he’s gone. Where was he?”<br />
“The movies. Cemeteries. He’s doing things you don’t want to know. Things he probably<br />
shouldn’t be doing with people he shouldn’t be with. And next time he wants to film it.”<br />
“Okay, so what do I tell Mom in the morning when he’s not here? Is he drunk?”
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“No he’s not drunk. Tell her we went to a movie but the early show was sold out so we went<br />
to the late one.”<br />
“Okay, I’ll... oh, crap.”<br />
There was a disturbance, then muffled voices and the sound of grabbing and clicking, then<br />
Mom’s voice saying, “What is it?”<br />
“He’s here,” I said. “Theo’s with me. Matt.”<br />
“Where’s he been?”<br />
“We went to a movie,” I said. “The early show was sold out so we went to the late one. And<br />
so he just said, let me crash here, and he’s asleep.”<br />
don’t.”<br />
“I don’t know why I picked up the phone,” Mom said. “I don’t know why I bother. I really<br />
And then she hung up the phone.<br />
4.<br />
For some reason the woman behind the ticket counter never really made clear to me there<br />
was a four hour delay at the Pittsburgh airport, leaving me to sit quietly in a poorly padded seat,<br />
thumbing through an old copy of Desolation Angels I had found in my closet. It was a book from<br />
Jack’s collection, part of which I had also inherited after his death. It wasn’t until several months<br />
after the funeral that we were finally able to commit to going through his things; there weren’t<br />
many after all. Jack had an aversion to things. He had shirts and ties and shoes and books, but<br />
after that his possessions were meager. A few old pocket knives with chipped blades, a Timex<br />
watch. His only jewelry was his wedding ring, which was buried with him.
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Such things went through my mind as I sat patiently, occasionally wandering into the<br />
concourses to stare at the pedestrians as they came at me. All of humanity passed me by, from<br />
the elderly in travel suits to the young in jeans; a socioeconomic spectrum, a parade of<br />
demographics, all trailed by leashed luggage or weighed down by shoulder bags. Eventually it<br />
felt as though I were not only one of the crowd but a being the crowd had created, a composite of<br />
their own creation from the residue of their travels. Rather than frightening me the feeling gave<br />
me a sense of liberation, of potential being tapped. By the time the plane arrived I had finished<br />
three beers in a bar just off the corridor and was about to approach a pair of women dressed in<br />
warm up jerseys for the University of Indiana Soccer Team. I heard my plane called, looked over<br />
at them, shook my head (they didn’t look back) and walked back to the gate, where I boarded the<br />
plane without delay.<br />
It was a middle-aged plane, a DC-9 whose tubular cabin reminded me of a city bus, or a<br />
subway car, the generic design of a mass transit system eerie in this context of a vehicle designed<br />
to travel miles above the earth. You’d expect it to be special, like another world. I stashed my<br />
luggage in the overhead bin and settled into my seat. Shortly after takeoff from the plane bucked<br />
twice, then pitched into a steep bank, causing the woman next to me to put fingers in both her<br />
ears and assume the crash position. She told me, eventually, that her name was Nancy Rohn, that<br />
she lived in Johnson City, New York, a village just next door to Binghamton, that she had<br />
transferred to this plane from Charlotte, North Carolina.<br />
In the past few minutes I’d taken to believing my existence was purely transitory, that I had<br />
no life outside the airport and the anticipation of a plane that hadn’t yet arrived, and possibly<br />
never would. Perhaps travel had transformed me from a creature of the here to a creature in
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transit, with no future and no past. In any case I looked Nancy Rohn in the eye and said, “My<br />
name’s Jack.”<br />
I told her a few things, leaving out the poetry and Theo’s previous visit, making it sound as<br />
though this were my mission alone, independent of another person’s context. It seemed<br />
important that I be self reliant in Nancy Rohn’s eyes. A rogue traveler on an obscure personal<br />
quest. I told her a few things about Jack, not telling her I’d appropriated his name for myself. I<br />
told her how he had never reconciled with his father and so kept us from meeting him. She<br />
nodded sympathetically, often touching my forearm with her left hand, the diamond in her<br />
engagement ring flickering dully in the cabin’s murky light. She was young, not much older than<br />
I, and pretty.<br />
We talked through the flight. She was married to a pastor at a local church where she<br />
sometimes played piano and tended the kids in the nursery. As we started our descent to the<br />
Broome County airport she asked me if I was booked in a hotel.<br />
“The Holiday Inn,” I told her.<br />
“That’s nice. They have a good bar there.”<br />
“You’re meeting someone at the airport?”<br />
“No. My husband was supposed to meet me but he was called out to Vestal.”<br />
“I’ll drive you,” I said. “I have a rental waiting.”<br />
We descended through fog, my anticipation rising as I expected at any moment for the fog to<br />
end and ground — the broad, dark rolling hills of Theo’s description — to appear below us,<br />
studded by lights of homes and commerce. But the fog continued as we descended, and the only<br />
view of ground came just moments before landing, brief hazy glimpses of small trees and black<br />
grass passing swiftly beneath us and then the landscape leveling out as the plane touched down
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on wet ground and decelerated, engines screaming in reverse thrust. Nancy Rohn kept her head<br />
down and ears plugged until the plane had slowed to a crawl and the engine noise subsided to a<br />
dull idling roar. The she sat up, shook her hair out and giggled. “I can use a drink about now,”<br />
she said.<br />
“We’ll get you set up soon enough,” I said.<br />
She smiled, began arranging the few things in her lap.<br />
“It’s raining,” I said.<br />
She peered out the window, thrusting her face across my chest, leveraging an arm against my<br />
shoulder for a better look. A small silver cross dangled from a chain on her neck. “Not for<br />
Binghamton it isn’t,” she said.<br />
We tucked our collars tightly around our necks to ward off the rain, descended the metal<br />
staircase attendants had wheeled up to the door and walked across the tarmac to the main<br />
terminal. Our luggage came in five minutes later and the rental car was waiting in the lot. We<br />
threw our bags into the trunk of the red Shadow, then I let Nancy Rohn in on the passenger side.<br />
She directed me down the correct roads to Binghamton, which turned out to be a ten or twelve<br />
mile drive down the side of the valley. She fingered her cross, toyed with the chain, told me how<br />
her husband delivered his sermons with a quiet, patient voice that put about a third of the<br />
parishioners to sleep every week. “Even me sometimes,” she said. I listened as she chatted<br />
amiably about her husband, her wedding, her in-laws. Her mailman was inconsistent, the lawn<br />
was rarely mowed properly, churches were losing worshipers. In all her life appeared a safe<br />
place to be even with all the inconveniences. She gave me directions straight to her house.<br />
“How about that drink?” I said.<br />
She said, “Oh, Jack. I’m exhausted.”
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She pointed out minor landmarks along the way. The park with a carousel, the high school,<br />
the garage where she got her car fixed.<br />
I dropped her off in front of her house, pulled her bags from the trunk. “Thank you, Jack,”<br />
she said. She wiped rain from her cheek, smiled. “It was nice meeting you. Good luck with your<br />
grandfather.”<br />
“Thank you,” I said.<br />
“Follow Main Street,” she said. “It’ll take you more or less straight there. You can’t get lost<br />
on Main Street. Turn right on Hawley. Can’t miss the Holiday Inn.” She smiled again and<br />
walked briskly up her front steps, went inside. I stood in the drizzle, wondering if I had done a<br />
wrong thing, if there were something I could have done that would have led to me and Nancy<br />
Rohn having a drink together at the Holiday Inn bar, as had seemed imminent at one point. I got<br />
in the car and started the engine and twisted the stereo knobs until I found a familiar song.<br />
The hotel was indeed easy to find; I parked around back and struggled with my luggage. A<br />
woman about my age checked me in, chattering coyly with me as I filled out forms. Though I<br />
barely answered she talked about how my room had been recently redecorated, how there was a<br />
convention coming in a few days, how the rain was supposed to continue. I felt at ease in the<br />
calm flow of her talk, the same calm I’d felt from Nancy Rohn’s chatter and mistaken for<br />
flirting, and I began to think of Binghamton as a city where people talked with strangers and talk<br />
was used as a bridge across separate lives and not as a form of commitment as it was in the<br />
Midwest.<br />
“So enjoy your stay,” she said.<br />
“Well thanks. Maybe you can come by later for a drink,” I said.
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She laughed, distinctly forming the laugh into a series of ha sounds. “Oh, I have to stay here<br />
till morning,” she said.<br />
I nodded and said something like all righty, then.<br />
My room was located across the hall from the ice machine. It was spacious, cheaply<br />
furnished and carried none of the easy charm I had begun to associate with the city. The air<br />
smelled of synthetic fibers and the sterilized residue of a thousand professional travelers, as if<br />
countless traveling salesmen trudging to innumerable conferences had somehow permanently<br />
tainted the bedclothes and door frames and the Winslow Homer fishing scene over the<br />
headboard. I thought about going down to the bar for a drink, maybe two, but didn’t. The<br />
freedom travel brought had begun to fade, the thrill of transition. Nearly gone. I lay down on the<br />
stiff comforter, clasped my hands over my stomach, feeling the dampness of rain on the front of<br />
my coat. Thought about sleeping, and in the end I slept.<br />
5.<br />
When I was in high school Jack drank all the time. On the weeknights when he was home he<br />
would sit in the basement and drink or he would be out somewhere in the city, talking to other<br />
barflies, and drinking. We put up with him as best we could. We spent time at friends’ houses,<br />
joined after-school clubs. Because if we were home, and Jack found us, no one knew what might<br />
happen. He’d offer to take us for rides to get ice cream at the twenty-four hour grocery store and<br />
we’d have to talk him out of it, or wait for the idea to leave him. He’d ask us why we weren’t<br />
doing homework, who left the milk out of the refrigerator, or whether I’d mowed the lawn like<br />
he asked. It was sometimes summer, when there wasn’t any homework, or the milk would be<br />
safely tucked in the fridge when he asked these things. And aside from mom’s small flower
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garden the lawn was a patchwork of bare dirt, dandelions, crabgrass and creeping Charlie. The<br />
questions didn’t matter as long as they were about keeping a house running; he was making<br />
jokes, mostly, bad drunken jokes about things that weren’t funny.<br />
Once I was on the couch reading when he came out and said, What the hell. You’re reading<br />
books? Standing on the carpet with his feet in worn wool stockings, a flannel shirt open over an<br />
old t-shirt. Curly hair clumped and matted. Well on his way to drunk. He’d look at the book.<br />
Once it was Thomas Hardy, and he grabbed it from my hands to look at the title and said, Angel<br />
or Alec, who fuckin cares? I’ll tell you, I read a lotta books and it didn’t do me no fucking good.<br />
I read Chaucer and Faulkner and all that shit. Homer, Chandler, Mailer, Proust. Fucked my head<br />
up. It’ll mess your head up, too, got it?<br />
I said I did, but it didn’t matter what I said at this point.<br />
You wanna know the only thing that taught me about life?<br />
I didn’t move or say anything. I wanted to be miles away. Probably he did too.<br />
The only thing taught me anything was chasing skirts. That’ll learn you a thing or two.<br />
Suddenly he softened, his eyes moist with a recollection. He plopped himself down in the<br />
padded chair at the end of the sofa and said wistfully, Why, this one woman-child I chased for<br />
years on end, ah old Dezzie was her name, the sweetest girl and who grew to the finest woman...<br />
and then he faded off and looked at me with the fury he’d seemed to abandon just moments<br />
earlier. So what do you do, here in your prime skirt-chasing years? You’re here reading Jesus<br />
Fucking Tom Hardy. I can’t believe you have any of my genetic code at all.<br />
He stood up and threw the book across the room and went back to the basement. On some<br />
nights he’d storm out the door. He’d leave and come home at two in the morning. The neighbor’s<br />
dog would bark, and he’d shout back, a raving lunatic trying to out-bark a big black Lab. He’d
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yell at the dog, nonsensical ravings he’d say: You’re not Rupert Finlay’s dog, Rupert Finlay<br />
ne’er hadda dog nor one so mean an’ barksome as you are, big stupid dog who slunk inna town<br />
when Rupert Finlay whose Ponniac was always at our ready, thas the kinda Saint Rupert Finlay<br />
was, but you Blackheart Dogbark show up while Rupert Finlay’s onniz deathbed and ya steal his<br />
house dog-viciously out from unner him...<br />
When he’d finished chastising the neighbor’s dog he’d bang and stomp and go sleep on the<br />
sofa in the basement, where by morning he’d wake up, wander into the kitchen and apologize to<br />
whoever was there.<br />
I dunno whas wrong with me, he’d say. I dunno. I know I’ve run out of yer sorries and I’m<br />
running outta saying I’m sorries. I’ll tryta do better.<br />
And you’d tell him maybe he should join one of those stop-drinking groups where people sat<br />
in the basement and talked about it. He liked to talk, didn’t he? And he liked to meet people,<br />
right?<br />
But not for Jack. Those groups’re dangerous, he’d tell you. Those groups’re based on this<br />
shadowy national <strong>org</strong>anization that nobody knows who’s really in charge. They put yer name<br />
onna list and the list gets spread around and you just know the government has a copy of it and<br />
they’re going through it with a comb looking for reasons to crack down on these poor souls who<br />
go to the church basement to worship their greatest weakness.<br />
You’d say you didn’t know about that, was he sure? But of course he was. On some topics<br />
Jack couldn’t be convinced of anything but what he believed himself.<br />
I hadn’t bothered to tell Jack that there was a skirt I was after: blond, flowsy Dawn Engle.<br />
She was in one of those unstable, on this week and off the next high school romances with a boy<br />
named Jim Anderson. I sat with her at lunch and then again in Civics class where we’d been
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placed in the same discussion group. We’d debate the Iran-Contra dealings, or whether the cities<br />
really needed light rail, but all I was interested in was Dawn’s chest and her flowing, blond-<br />
streaked hair.<br />
One weekend I knew she and Jim were off again, I sat by the phone waiting for the courage<br />
to call her. Just to say hi, I’d say, and then I’d say hi and try to think of something else to say. It<br />
took half an hour of waiting and two aborted attempts, but finally I dragged the dial of our old<br />
green rotary phone through the sequence of Dawn’s phone number and listened to her phone<br />
ring. When she answered I told her who I was, asked her how she was doing, said I had just<br />
called to say hi. She said Hi back and, since I could think of nothing else to say I asked her to go<br />
out. She hesitated, then said sure. A few awkward moments later we’d set a date, then I hung up.<br />
I went to the room I shared with Theo and saw that he was on his bed, dressed and lying<br />
under the covers with his arms behind his head.<br />
It’s a crazy world, I said.<br />
Someone oughta sell tickets, he said. What are we talking about?<br />
Dawn Engle.<br />
Still pining away?<br />
We’re going out in a couple days.<br />
Theo said, Good for you. I myself was napping. I had a dream that Kelley was getting<br />
married and I was videotaping the wedding with a borrowed camera that kept running out of<br />
film. This was odd because it meant the marriage wouldn’t be official.<br />
I said, Nothing happens any more unless it’s on video tape. Football games, graduations. We<br />
have to see something eight times before it sinks in.
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Theo said, Jack says we don’t trust our memories any more.<br />
Theo was eleven years old at this time. Teachers and principals had wanted for the past two<br />
years for him skip a grade but my parents wouldn’t let them. Though Jack didn’t have a problem<br />
with it — the less time spent in school the better, he figured — my mother was convinced<br />
skipping grades was a harbinger of genius and was afraid to burden him with expectations. For<br />
about a while she tried to foster his intelligence by buying books from the classics section of the<br />
B Dalton’s in the mall, scouring shelves for the black-spined Penguin classics, books by English<br />
novelists dead for a hundred years, books that Theo didn’t read but I did.<br />
I asked, Was Jack giving her away?<br />
No. He wasn’t there, and I didn’t look for him. I spent a lot of time wondering why I wasn’t<br />
looking for him.<br />
Ah, I said. A guilt dream.<br />
Is adulthood going to be like this? Theo asked. Will we just sit around trying to find out what<br />
we’re thinking, or will we actually have a clue, do you figure?<br />
I sat down on my bed, then lay down, kicking my shoes over the edge. I said, It’s best just to<br />
never grow up, if you ask me. I let my thoughts drift, tracing a finger along a seam in the<br />
wallpaper.<br />
Soon the door opened and Jack’s head appeared. He looked from Theo to me, and then Theo<br />
and I looked at each other. We didn’t know he was home, we hadn’t seen him for days. Then we<br />
looked back at Jack.<br />
He shouted: Whee-Haaa! There’s my boys. I looked at him carefully for signs that he was<br />
drinking. Maybe just a shot or two, I thought. Maybe completely sober.<br />
Howdy, pardner, Theo said. Where you been?
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I been here. Where would I be?<br />
We never know, I said.<br />
Hell, that’s a mean and base thing ta say. I’m always here. You know I’m anchored, rooted<br />
and hog-tied to the homestead. He glared at us, then smiled and said, You guys wanna go fer a<br />
ride?<br />
Of course we did. Rides with Jack were the high points of our lives. We walked through the<br />
house, put on our shoes and got into the Buick. He took us north to the cornfields beyond the<br />
suburbs, all the while with his continuous patter that only Theo could begin to turn into dialog.<br />
He said things like, Up here the farmers still rule, tilling and coaxing and bringing forth plants to<br />
churn the earth with their busy roots, leaf-blades upturned to mother sun and moist with dew and<br />
rainfall. I can’t see for how long they’ll hold out, the noble tillers, against the mechanical<br />
monster corporations stalking their livelyhood with massive corporate technology like those<br />
olive forest farms in California where they suck massive acres worth of olives into giant<br />
machines that pit and cure and dump them on the market at rock bottom prices so the economists<br />
can draw their bell curves and say everything’s working exactly how you’d expect, and ye’d be<br />
convinced too if only your heart were replaced with a tin can like with this procedure we’re<br />
working on...<br />
Where we going, pop? Said Theo.<br />
We’re heading out to this place. Kelley and your mom and I met these folksa while-back and<br />
they said come back anytime. They’re folk that made a fortune in the city as lawyers and then<br />
decided to set themselves up with a patch of land like the farmers of old. So they have what you<br />
call a hobby farm, with miniature cornfields and miniature goats and whatnot. So today we go
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out to stand in the fields and the lawns where corn stands in rows like soldiers on the parade<br />
ground.<br />
We were driving past rows of corn that were standing exactly like that, in even rows that<br />
aligned with my vision at regular intervals as Jack drove by. He drove the car onto a dirt road<br />
that led to a cluster of out-buildings around a medium sized red barn, then parked near a small<br />
shed. We got out and looked around while Jack called out, Usted! Hey, buddy, Usted!<br />
Soon a woman appeared. She was thin and pretty, her face weathered and angular, and her<br />
brown hair was gathered at the back of her head and held with wooden pin stuck through an<br />
embossed leather oval. Jack, she said. So glad you could come back. You brought your sons.<br />
These are my boys, he said, introducing us. This is Matt, he said, this is my oldest. And this<br />
is Theo. Theo’s smart as a whip. Say something smart, would you?<br />
others.<br />
Theo said, The root cause of today’s inflation is an across the board increase in wages.<br />
Well, said Linda. That is smart.<br />
Matt’s smart, too, Jack said. Matt reads books.<br />
Ah, I said. In the end, Elizabeth marries Mr. Darcy, after each learn lessons about judging<br />
Jesus, boy, Said Jack. Do you read any books about men?<br />
I looked around uncomfortably. Ah, hell, said Jack. I didn’t mean nothing by it. Don’t get all<br />
pouty, now. Jesus fuck.<br />
Matt’s got a date, Theo said. He was trying to help, I think, but there was something else on<br />
his face as well, like he knew it would be a help laced with embarrassment. I shoved him a little,<br />
but he’d scored his points already.<br />
Jack said, He does, now? With a girl?
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I’d been uncomfortable before but felt now like I wanted to disappear. We loved rides with<br />
Jack, but there were risks, and sometimes a price to pay. Yes, I said.<br />
Dawn.<br />
Well I’m proud of you, son. It’s about time.<br />
Who’s the lucky girl? Said Linda.<br />
Her name is Dawn, I said.<br />
Ah, rosy Dawn, said Jack. Fair of skin and eye, I assume. A glimpse of heaven on earth, is<br />
It’s, like, nothing, I said.<br />
With that attitude I’m sure it will be, said Jack.<br />
We were just about to start cooking, said Linda.<br />
A good idea. Mind if we join you? We brought supplies.<br />
He opened the trunk of the car. Inside were steaks and a bucket of coleslaw and a case of<br />
beer. We took all of it down to a fire that was burning in a pit behind the barn, where we met<br />
Linda’s husband Jeff, and we had a quick cookout right there. Jeff went out to the cornfields and<br />
cut off several ears and roasted them over the coals, and Jack burned the steaks and told his<br />
stories and listened to Jeff’s, and Theo and I watched and listened and ate and then threw a<br />
baseball around. When the sun went down, we went back home.<br />
One night the next week, I went to see Mom in the kitchen, where she was baking. She was<br />
standing at a counter measuring flour, sifting it into measuring cups set on waxed paper. All<br />
about her in the kitchen ingredients lay in small dishes, chopped nuts and dried fruit, bowls of<br />
sugar and coconut. She moved methodically through the order she had created, shifting bowls to
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make more efficient use of her counter space, recounting the eggs in the refrigerator, checking<br />
the double boiler.<br />
I watched her baking for a few minutes, hoping for her to notice me, then I said, Jack’s been<br />
acting funny.<br />
You should call him Dad.<br />
He likes being called Jack. Otherwise he wouldn’t have picked that name.<br />
How has he been acting funny?<br />
He’s picking on me because ... he doesn’t understand me.<br />
Mom said, It’s hard for him to understand things sometimes. Things will work out.<br />
My mother and I often spoke in these cliches; probably we thought we were protecting each<br />
other by not being exact in expressing our emotions, or maybe it was because Jack and Kelley<br />
and, more every day, Theo spent enough time vocalizing emotion that the two of us felt obligated<br />
to be more reserved.<br />
So I stood there in the kitchen for a few more moments, waiting for one of us to move the<br />
conversation beyond the awkward generalities.<br />
I said, Theo doesn’t have this problem. Jack’s proud of him.<br />
He’s proud of you, too. Remember he used to take you along with him on the weekends<br />
when he went out?<br />
You made him, I said. He says he spoiled me by doing all the work. And now he argues with<br />
me because I’m always at home. He thinks I should be out on the road, drinking.<br />
You don’t have to do that.<br />
Can you tell him he drinks too much? Maybe if he joined a program.<br />
You know Jack doesn’t trust things when they get too <strong>org</strong>anized.
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Can’t anybody tell him anything? I asked. You used to snap at him all the time. You told him<br />
bullshit, made him change his mind. Now you bake cookies.<br />
Mom said, Things change. I mean, you get tired of it.<br />
I said, The last time I told him he drank too much, he said that Ronald Reagan had done<br />
marijuana with Jack Benny, so why shouldn’t Jack LaFleur have a few shots of Jim Beam now<br />
and then.<br />
Listen, honey, said Mom. What would you think if Jack didn’t live here anymore?<br />
What do you mean?<br />
I mean, if he and I weren’t married, and he didn’t live here.<br />
He’s not here that much as it is, I said. I’d thought about it, considered that she maybe<br />
wanted out. I didn’t know exactly where Jack would go, but it seemed to me that if he were cut<br />
loose he’d never come back at all.<br />
No, said Mom. He isn’t here much, is he?<br />
So, what’re you going to do?<br />
I don’t know.<br />
Dawn and I went out once, then once more, and a week later we had another date. She was<br />
waiting on the porch of her house in a floral print sundress with narrow straps over the shoulder.<br />
She kissed me on the cheek in greeting; there seemed in the gesture to be portents for the rest of<br />
the evening.<br />
We had dinner at Perkin’s, then she asked if I wanted to go for a walk on the beach. She<br />
seemed sadder than usual, her large brown eyes lost in concern over something. I said sure, let’s<br />
go, and let her lead me by the hand back to the car. We drove down to Founder’s Park and
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wandered through the paths, up rocks and down to a narrow strip of beach under spreading elm<br />
trees. Groups of cloud covered most of the stars, and to test the situation I said I used to have all<br />
kinds of allergies to anything in lake water. I said, I wish the sky had those lines on it like you<br />
see at the planetarium. It would make finding the constellations easier.<br />
She took my hand again and said I never thought of that.<br />
I said Maybe we should go to the cemetery and lie around on the tombstones. These<br />
sentences I was casting out, they came from nowhere and they didn’t phase her a bit. Random<br />
combinations of ideas unassociated even with themselves.<br />
Everything comes to rest in cemeteries, she said. We could let the sky spin above us forever.<br />
I looked down at her, took her other hand. She said I love to lie in the sand, Matt. Softer than<br />
tombstones. She kneeled down on the beach, bunching her dress about her thighs. I joined her on<br />
the sand, leaned forward, kissed her, touched her shoulder, listened to small waves tumbling over<br />
smooth stones.<br />
She let me get the zipper halfway down before pulling away. One of the straps fell off her<br />
shoulder and rested on her arm revealing a blue elastic strap. I said, What’s wrong?<br />
She said, You’ve been very nice to me.<br />
Uh oh, I thought.<br />
Like a brother.<br />
Oh, shit.<br />
What, oh shit? It’s just, I don’t want to go that far. She was tracing double fingertip furrowed<br />
patterns in the sand.<br />
With me, or with anybody, or what?
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She made a very irritated face, then said, I’m meeting Jim Anderson later. We’re getting back<br />
together. Her dress lay loosely over her chest, revealing the top of her bra cups and wide<br />
stretches of skin, clean American girl-flesh grey in the moonlight. She put a hand on my thigh,<br />
squeezed my knee. It’s beyond us all, she said.<br />
I stammered, Beyond...? Even after she’d said it she didn’t seem like the type to say such<br />
melodramatic things. Then I got into the spirit and said, But I have feelings for you.<br />
It was an embarrassingly pointless thing to say, made more embarrassing by the fact that the<br />
cause seemed well past lost. Her mind had been made up, and I was not the kind of person who<br />
could change other people’s minds even long enough to make them do regrettable things.<br />
She pulled me down to the sand, kissing me. We lay like that for a while, maybe five<br />
seconds, kissing, then she pushed me off and stood up. Began walking down the beach again, her<br />
zipper still open in the back. I rolled over to my back, looked up as the clouds of early autumn<br />
rolled over the slowly rotating sky. When I got up she was sitting on the trunk of a fallen tree,<br />
throwing small rocks into the lake. I watched from a distance, rings in the water spreading from<br />
point of impact, white arcs on black and then disappearing. A minute later I asked if she wanted<br />
to go, and she said she did.<br />
It took only a few silent minutes for me to get her home and deposit her on the walk to her<br />
parent’s house, but after that it was only eight thirty so I decided to drive. I went around the<br />
freeway that bounded the cities, the loop of 494 and 694 that once was the outskirts of urban<br />
sprawl but now bounded the inner core of the urban area, had become the superfluous markers of<br />
the sprawling heart of the upper midwest. I went around the loop twice, the first time in forty<br />
minutes, the second in thirty-five.
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6.<br />
Other guests made trips to the ice machine throughout that night in the Holiday Inn. They<br />
came down the hall and I would be disturbed by their footsteps and laughter, by the wet rattle of<br />
ice being scooped up in plastic containers. At the first disturbance I half-woke, gaining enough<br />
presence to kick my shoes onto the floor, at the second I removed my coat. There were enough<br />
disturbances that by three a.m. I had stripped to my shorts and was tucked safely under the<br />
covers, a normal traveler in a normal pose.<br />
By dawn I was still tired, and so slept for a few hours after the room had filled with a gray<br />
uninspired light. Then, awake, I lay in bed and stared for a few minutes through a break in the<br />
curtains at a small vertical section of Binghamton, tasting the light of morning in a strange city.<br />
In daylight the room lost none of the pallid gray loneliness that had come over me the evening<br />
before. The drizzle of the previous night was still falling, and when I got up and opened the<br />
drapes I saw a full view of downtown Binghamton. There were many squat red and white<br />
sandstone buildings, a few buildings of black glass, and one town hall type building with a small<br />
green copper dome. The view was filtered through rivulets of water tracking down the dirty<br />
windowpane; the buildings themselves seemed to be melting down toward the earth. Cars<br />
crawled along indifferently mended streets or idled at red lights as pedestrians shuffled over<br />
cracked sidewalks. It was a scene you’d never want to see from a hotel room, but there I was.<br />
I showered, dressed, carefully remade the bed and then drove out to Larry’s, following<br />
directions Lizbeth had given me in the brief conversation we’d had a few days before I left. The<br />
dashboard clock read ten-thirty, a half hour past the time I told her I would be showing up.<br />
Main Street took me past the high school, a large depression era fortress of cement and<br />
brown brick. Only when I was well past did it occur to me that Jack had gone to school there,
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passing four years studying the basics as the fifties turned into the sixties and his mind turned to<br />
the road. He had walked over the same ground years before, had haunted the same halls as the<br />
students who now loitered on the commons, who with stylized snarls lit up forbidden cigarettes.<br />
There was only one story he ever told of those days, and it had to do with fall, and the fact<br />
that in when he was growing up you were still allowed to burn your leaves after you had raked<br />
them. He told me there was nothing like being able to burn your leaves, nothing like the feeling<br />
of leaning up on your rake and watching as smoke curled towards the sky to mingle with the<br />
smoke of other leaf fires. That was all he ever said of Binghamton.<br />
When I reached my grandfather’s and turned the car into the drive a woman who could only<br />
have been Lizbeth was in the garden, smoking and looking up at the top of the house. She gave<br />
no concession to the rain, not even the token upturned collar and hunched shoulders — no<br />
raincoat or umbrella, nothing but a blue windbreaker over a blue shirt and worn white jeans. Just<br />
Lizbeth looking exactly as Theo had described her. Pensive but hard edged, vulnerable only in<br />
spots she would never expose. She was a little taller than I had imagined, and a bit thinner,<br />
sharper, and her only acknowledgment that I had arrived was a quick glance in my direction as<br />
the car rolled to a stop. I parked the car behind the other car in the driveway and stepped out into<br />
the rain.<br />
“He isn’t here, Matthew,” she said, dropping the cigarette and crushing it into the pavement.<br />
“Excuse me?”<br />
“They took him away this morning.”<br />
“Took who away? To a hospital?”<br />
“No. Is that a Plymouth?” She pointed at the rental car.
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“Dodge,” I said. “Same thing. What happened?” I zipped up my coat, then unzipped it, put<br />
hands in pockets and tightened them around sticks of chewing gum and loose pieces of currency.<br />
“He had a condition. Apnea. He had it a long time. It means you stop breathing as you sleep.<br />
Lots of people have it for years and years. Usually you start breathing again. Sometimes you<br />
don’t.”<br />
“And last night he didn’t?”<br />
“Last night,” she said. A rivulet of water ran down the side of her face, crossing and<br />
recrossing a thin strand of hair stuck to her skin.<br />
“I’m sorry,” I said. We stood in the rain as it lightened from a drizzle to a mist. In the garden<br />
zinnias were blooming, vivid orange against fallen brown leaves. I pulled out a piece of gum and<br />
tried to unwrap it but it fell to the ground. Lizbeth watched as I bent over to pick it up and<br />
returned it to my pocket. “Can I go inside?” I asked.<br />
We walked slowly past the cars toward the side entrance. Behind the house was a broad<br />
green lawn, then a line of trees and beyond that the earth descended steeply to a wide, slow<br />
moving river, probably the Susquehanna. I asked Lizbeth what kind of trees those were, because<br />
I didn’t recognize them. She said Sycamore.<br />
Inside, I went to the first chair I saw and sat down while Lizbeth took off her coat. “It seems<br />
strange,” I said. “With everything else that was wrong with him that something he had lived with<br />
all his life should finally kill him. Can I have a cigarette?” She offered me one, gave me a lighter.<br />
I set them both down on an end table, folded hands over my stomach.<br />
“You can’t ever tell when people are going to die.” She placed her hands together, loose fist<br />
in palm. “The funeral is tomorrow. He made plans months ago, allowing just enough time to let<br />
his old business partners know. This was before Theo came out here, before he knew you were
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interested in him. He wasn’t very big on ceremony. There’s no church service. Just a chaplain at<br />
the cemetery. When is your flight?”<br />
“Day after tomorrow. Morning.” We sat for a while. She picked up the unlit cigarette I had<br />
set on the end table and lit it for herself, replacing the lighter when she had finished. I said, “I<br />
feel cheated.”<br />
She said, “You’re not like your brother.” The room became smaller as it filled with her<br />
smoky exhalations, but that didn’t bother me. What bothered me was that since dawn the clouds<br />
outside had thickened to make the day grow darker and more menacing. “Theo wouldn’t have<br />
come into the house on hearing news like I told you.”<br />
“Or so you’d imagine. Maybe you’re right. Are you here taking care of the estate?”<br />
“I’m not the executor. He has a lawyer for that. It reminds me, she was looking for a relative<br />
to sign some papers. I’ll give you directions. I’m here mainly to clean up, get the equipment out<br />
of the house. Settle things down in the house. Take care of it for a few minutes.”<br />
“Consoling an orphan house.”<br />
“I’m going back to my apartment soon,” she said. “I don’t even remember what it looks<br />
like.” She remained still as she spoke, her green eyes fixed on some point on or through a pane<br />
of rain streaked glass.<br />
I asked, “Do you have a Coke or anything?”<br />
She shook her head.<br />
“Water?”<br />
“In the kitchen.” She made no motion, so I got up, removed my coat and carried it over to the<br />
hall, peering ahead for signs of formica or large appliances. It was just off the side entrance, a<br />
large kitchen with dusty floors and glass fronted cabinets. Three inverted glasses and a few plates
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rested on a towel next to the sink. I took one and filled it with water and drank it there in the<br />
kitchen, looking out at the garden. The rain continued to fall, harder now. I rubbed at my eyes,<br />
filled the glass again and then poured the water down the drain. The scene felt flat, devoid of<br />
whatever emotions should have been there. I had come expecting little and received nothing.<br />
Anger or resentment seemed unwarranted and superfluous emotions without referents. Loose,<br />
flying symbols without anchor in the physical world. It would be this way: I would go to the<br />
funeral, I would pay my respects, I would fly to New York the next morning.<br />
I called into the next room, “Are there things to eat?”<br />
She called back, “Help yourself.”<br />
The refrigerator was empty, the shelves had only canned vegetables, soup. I shuffled back to<br />
the living room, looked at the desk Theo had told me about, picked up the anonymous bust and<br />
set it back down.<br />
“I really hate it when people die,” said Lizbeth.<br />
“So do I.”<br />
“So does everybody. They say it in other ways. Such a tragedy. Remember the life, not the<br />
death. But I hate death seems to be what they’re saying. Only nobody says it.”<br />
“It’s good to say it.”<br />
“He wasn’t in pain, they say. He led a good life.”<br />
“I know,” I said. “I’m sure he was a good man, one I would have been proud to meet.”<br />
“Let’s get out of here. There’s nothing to do here. I’m going out to get something to eat.<br />
You’d think I’d be in a different line of work, hating to see people die the way I do. But I got on<br />
the track and no one kicked me off — they encouraged me, after the coma, to continue. My<br />
mother, then the physical therapist. I was in an accident.”
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“Theo told me.”<br />
“And I never stopped either, though I knew maybe nursing didn’t mean what it meant before.<br />
People talked about how I overcame obstacles, they put an article in the paper. But the truth is I<br />
didn’t know when to quit and now I have nothing to fall back on.”<br />
“Where is a good place to eat?” I asked. I sat down, crossed my legs.<br />
“There are places.”<br />
“I guess what happens is you do what you’re good at. What you can get away with.”<br />
“There’s a restaurant on Main Street. A delicatessen on Court. Fast food everywhere, if you<br />
like that.”<br />
“I’d rather order my food sitting today.”<br />
“What do you think of working for a magazine?”<br />
“I’m probably going to quit.”<br />
“I think, when I was little, I wanted something else. But I’m not sure now. So much is blurry<br />
these days. Are you really going to quit?”<br />
“I hadn’t thought of it until I just said it. Jack — my father — used to say that when he was<br />
in a strange town, one of the things he did on the first night was go around to all the restaurants,<br />
eating just one thing from the menu. Appetizers mostly. He said it was a good way to get to<br />
know a city.”<br />
We sat there in the dim room without speaking. After a while I discovered that I was tapping<br />
the cigarette lighter against the wooden part of the chair’s arm, and that I had been doing so for a<br />
minute or two. I didn’t stop. Eventually we stood up and began moving toward the door.
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On the way to the car she said, “It feels sometimes like I died in that accident. Like whatever<br />
my life might have been died and this part you see now is a ghost.”<br />
“You feel like you’re wandering among the living.”<br />
“You know what I mean.”<br />
“Is that door locked?” I said. I inserted the metal part of the key into the car door, holding<br />
onto the chunky plastic handle, twisted. She pulled open the door and sat in the car, closed the<br />
door, sat staring straight ahead as if nothing of consequence had just been said or done.<br />
When I started up the car she said, “This is one of the few times since the accident I’ve been<br />
in a car with a man driving. It was my boyfriend, it was a nineteen eighty Chevy Sprint. My car,<br />
he was driving. Blue. It was a clear stretch of road, highway seventeen just west of Windsor. We<br />
weren’t fighting, we were getting along. The car went off the road. That’s all I remember. Going<br />
off the road.” I backed the Dodge into the turnaround, put it in gear and pulled out into the<br />
driveway. “We turned over a few times, I guess, but the next I remember is a room filled with<br />
white and bleached out bedsheets and tubes and everything in my head is at half speed.”<br />
“I hate hospitals,” I said. “I’ve only been in hospitals three, maybe four times. The last when<br />
Jack died. My father,” I said.<br />
“I hardly ever talk to my parents. They moved to Florida two years ago. I send a Christmas<br />
card, they send me presents. I’m not much of a talker.”<br />
“I’m sure you do fine.”<br />
I took a right onto Riverside drive, then turned left at the first stoplight. “Beethoven Street,” I<br />
said. “That’s nice.”<br />
“Beeth-oven,” she said.<br />
“What?”
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“That’s what we call it here in Binghamton. Beeth-oven Street.”<br />
“Is that like a Franklin Stove?”<br />
She waited a second, then said, “There’s also a Go-eathy Street.”<br />
“What’s that?”<br />
“G-o-e-t-h-e”<br />
“Goethe,” I said.<br />
“There’s also Schubert, Haydn and Mozart.”<br />
“I’ve heard of them,” I said. “But not Beeth-oven.” She didn’t say anything.<br />
We came to Main Street, where I took a right. I said, “Is that a restaurant?” She didn’t<br />
answer, but it was, so I pulled into the parking lot and shut off the engine.<br />
For the moment the rain had stopped, leaving a thin wet sheen over the parking lot and the<br />
rest of the landscape. The clouds remained, a slate grey sky that filtered down over the tops of<br />
the valley ridges visible in the distance. Water dripped listlessly from the eaves of the wooden<br />
building. The city felt closed in, flanked by hills and a low sky. Cracks ran through the asphalt<br />
and extended into the concrete sidewalks, an indiscriminate decay. Lizbeth walked toward the<br />
restaurant, not realizing or not caring that I had taken a moment to evaluate my surroundings. I<br />
watched her open the door and go inside, stood until the door had shut completely, then went to<br />
join her.<br />
We were seated against the wall, at a table covered with a red and white oilskin cloth, a fake<br />
carnation in a short bottle. “Is this place Italian?” I asked. “I didn’t even look at the name.”<br />
“This is McCurdy’s. They serve just about anything. Pizza, hoagies, hamburgers. I don’t<br />
know. I haven’t been to a restaurant in months.”
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When the waitress came, Lizbeth said, “We’ll have some appetizers.” We ate breadsticks and<br />
fried cheese curds, then asked for the check. The waitress, a middle aged woman with drop-<br />
frame plastic glasses attached to a string around her neck, asked us what the hurry was. No hurry<br />
at all, we said.<br />
The next place was Chinese, where we ordered egg rolls and won ton and sat in a booth<br />
under a picture of the owner shaking hands with a local politician. We didn’t talk about the food,<br />
whether it was any good. After finishing we drove to a diner where we had french fries and<br />
onion rings. There were more pictures of owners shaking hands with local celebrities. I poured<br />
ketchup on my plate and dipped, but Lizbeth ate methodically from the basket without adding<br />
anything. She looked up at me and said, “Do you ever think of words you don’t know the<br />
meaning to? This has been happening to me lately. Words come to me that I’ve heard<br />
somewhere, only I don’t know what they mean. Words like ulterior. Do you know these words?”<br />
“That one,” I said.<br />
“Maybe you can tell me what it means?”<br />
“It means there’s something else beyond the obvious. Like you have ulterior motive. That’s<br />
the only time you use that word. When someone has ulterior motives. Reasons that aren’t<br />
apparent.”<br />
Lizbeth nodded, finished the french fries and prepared to leave.<br />
We found another restaurant, a local place that tried to imitate the good-time chain<br />
restaurants like Chi-Chi’s and TGI Fridays. The name of the place was Greedy’s, and the decor<br />
reminded me of J.O. McRisky’s in the Twin Cities. Replicas of vintage advertisements, rusted<br />
out antique kitchen appliances, the requisite photographs of local entrepreneurs shaking hands
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with men of regional fame. Greedy’s had a wide selection of appetizers; we settled on a gigantic<br />
deep fried onion cut into petals and served with a french dressing dip.<br />
She looked up at me and said, “Trochaic.”<br />
“That’s a type of rhythmic pattern in poetry. Hard-soft, Hard-soft.”<br />
She said, “I blame a lot of things on the accident, I know that. I tell myself if my mind was a<br />
little bit clearer, my thoughts a little bit faster, I could decide what I want.”<br />
“Everybody thinks that,” I said.<br />
“Exactly.”<br />
Another Chinese place that she had to give me directions to find. South on Hawley, cross a<br />
bridge, take a right on Vestal Parkway, several miles west. It was a small old building across the<br />
road and uphill perhaps a third of a mile from a huge strip mall containing a Wal-Mart, Dick’s<br />
Sporting goods, a hobby shop and a tenplex theater. We stood in the parking lot and looked<br />
down on the cinder block retail bunkers shimmering damply in twilight.<br />
Lizbeth said, “It’s as if everything you ever wanted in your whole life should be down there<br />
in one of those stores. But you know it isn’t true.”<br />
I said, “The trick to being happy in America today is to deny that you know.”<br />
“They have chicken wings in here. Chinese chicken wings.” She turned and walked into the<br />
restaurant, as if not caring whether I would follow.<br />
On the basis of the appetizers we decided to stay for a main course. The only pictures were<br />
watercolors of Chinese landscapes on wide fans, and from the back room came the chatter of<br />
immigrants. Lizbeth coiled lo mein around her fork and said “I think happiness is irrelevant. I<br />
think people worry far too much about whether or not they’re happy. That’s what I decided over<br />
the last month.”
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“I used to think that if I were a different person I could be happy. If I could transform my<br />
personality. But I didn’t. I’m not a different person. Then I thought it was the people around me<br />
who were to blame for my not being happy.”<br />
“I don’t think happiness as a goal is attainable. It’s not that simple. It’s complex.<br />
Ubiquitous.”<br />
“It means something is everywhere. Widespread. Usually cultural objects, like Disney, or<br />
Major League Baseball caps.”<br />
The cooks chatted with the waitress out by the empty tables, an emphatic oriental banter with<br />
occasional raised voices and names of American movie stars.<br />
Outside the clouds were dispersing, leaving a black sheet punctuated with stars. I said,<br />
“Maybe what I’ve been waiting for is more a congregation of events. A nexus.”<br />
“Nexus,” said Lizbeth.<br />
“A place where things come together.”<br />
“We have to stop at the courthouse tomorrow anyway,” she said.<br />
“I know.”<br />
Cars drove by on the highway, the clouds continued to part. I thought, Sometimes decisions<br />
come on you in funny ways. We had to go to the courthouse anyway.<br />
I checked out of the Holiday Inn and spent that night at Larry’s. In the morning, awakened by<br />
the sound of Lizbeth’s door closing down the hall, I got up, showered, and went through the<br />
clothes hanging in the closet. They were smaller than Jack’s size, or about the size he might have<br />
been in high school, and they fit me better than the shirt I had found in the trunk of his car.<br />
Narrower across the shoulders, a bit more snug in the neck. The shirts had tidy collars, the sport
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coats had neat, knife blade lapels and three buttons. I pulled out the single dark suit that hung in<br />
the back recesses, hung it from a doorknob, looked at it closely. It appeared to have never been<br />
worn. There were no telltale creases at the knees or elbows and white tailor’s chalk still traced<br />
the seam between sleeve and shoulder. I brushed off the chalk, put on the white shirt I had<br />
brought and slipped into the suit. I looked for ties, found nothing. Took off the suit coat, dug<br />
through my bag for the ties I had brought, slung one loosely over my neck. I sat down on the<br />
edge of the bed, picked up the phone, dialed Mom’s number.<br />
said.<br />
I thought I had dialed incorrectly for a moment, then recognized Theo’s voice. “It’s Matt,” I<br />
“As if I can’t tell your voice by now,” he said.<br />
“You know I have trouble with phones.”<br />
“Where are you?”<br />
“At Larry’s.”<br />
“How is he?”<br />
“I’ll tell you later. How did your interview go?”<br />
“Tell me now.”<br />
I didn’t say anything.<br />
“This guy I talked to is a maniac, a real video philosopher. He’s working in video to pay the<br />
bills and film to fulfill his artistic vision. Anyway, I got a job. They’re going to call me a<br />
production assistant, they’re going to give me five dollars an hour, but I figure after a few<br />
months I’ll get a decent raise. How’s Larry?”<br />
“What does this shop do?”
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“They shoot commercials. They have a branch now that does computer generated special<br />
effects and that’s the branch that’s growing. But Tyler is still stuck on film and video. He says<br />
he’s excited now that videotape is in the first stages of obsolescence. He says that frees it up for<br />
real artistic possibilities.”<br />
I toyed with the phone cord, stretching and compressing sections of small coils. “So you’re<br />
stuck in the no-growth part of an industry?”<br />
“Oh, there he goes again. No, I’ll learn everything. Computers, video, the whole deal. I’m<br />
eager, I’m flexible. I’m a people person. I’ll prostitute myself for food money while I work on<br />
the side in my chosen medium.”<br />
“You’re going underground.”<br />
“Deep, deep cover. I’m the Velvet Mole. I need to get an apartment. There’s a new baby<br />
coming that needs my room.”<br />
“So you’re going to bring a camera down to the party grove?”<br />
“I think so. I think it’s time.”<br />
“With the obsolete, thus artistic, medium of videotape as your cover.”<br />
“Now you get it. Radio variety shows, poetry, vaudeville. All once commercially viable, now<br />
practiced only by a handful of dedicated cranks. You have to be an artist to cling to the old<br />
ways.”<br />
“It’s going to be hard for you to be an artist, since you can barely draw, Theo.”<br />
“The cameras do all the drawing. I compose and select and edit. Hell, I don’t do anything yet.<br />
I’m a gopher. I get coffee. Quit trying to crush my spirits.”<br />
“Well I’m sorry. I f<strong>org</strong>et you’re new to the grind of nine to five. When do you start?”<br />
“I start on Monday.”
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A pause that lasted too long. So I said, “Larry died yesterday morning before I got here.”<br />
“I figured you were going to tell me something like that. When you wouldn’t talk about it<br />
right away.”<br />
“We’re going to the funeral today. I wish there was a way to get you out here in time.”<br />
“I hate funerals.”<br />
“I know you do.”<br />
Theo had not gone to Jack’s funeral. On that morning Mom had gone to his room and he<br />
hadn’t been there. He was missing for the whole day through the wake and funeral and returned<br />
to the house at midnight and slept on the couch.<br />
“I know how you hate funerals,” I said. I picked at the sharp crease in the suitpants. “I<br />
remember one you didn’t even go to.”<br />
“I was out stealing that day,” he said. “I started out wanting to go to the funeral because he<br />
was my Dad but then I thought about how he seemed to be bailing out on us ... ”<br />
“He used to seem like he was bailing out on us three or four times a year. He always came<br />
back, Theo.”<br />
“I was fourteen. I thought this was the real thing. I still think it was, in a way. Not coming<br />
back. Mom was going to divorce him. That was real. It was the end times. So I put on my black<br />
slacks and a white shirt, then put on my sneakers because I didn’t have any dress shoes. Then I<br />
thought I’d take a walk before we left. I didn’t stop till I got downtown. I went into drug stores<br />
and when no one was looking I put things in my pockets. Breath mints, shampoo, condoms. I<br />
started stealing condoms that day. You don’t know this. All through high school I sold stolen<br />
condoms.”<br />
In order to appear as if I had known I said, “I knew something about that.”
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“When I got out of the drug stores I would walk to another store, dropping the things I’d<br />
stolen into garbage cans. I spent a lot of time doing that. Then I went to Heather Simmons’<br />
house.”<br />
“You don’t need to tell me this.”<br />
“I had the condoms, she had the reputation, I figured why not? She wasn’t home. Her sister<br />
was, though, and we sat and talked, and made out for a while.”<br />
“And you came home at midnight.”<br />
“Larry’s dead, Matt. You’re the oldest LaFleur now.”<br />
“I’m wearing Jack’s suit to the funeral.”<br />
“It didn’t fit me. Too small.”<br />
“Mom’s at work?”<br />
“Right.”<br />
When I looked up Lizbeth was standing in the doorway. She wore a plain grey dress with a<br />
high collar and long sleeves, her white nurse shoes, was staring at me with her flat eyes. I<br />
checked my watch, realized I had places to be, that I was probably late. I said goodbye to Theo,<br />
hung up, tied my tie. Shrugged my way into the suit coat and straightened the lapels. I smiled at<br />
Lizbeth. She nodded back.<br />
We got to the courthouse and stopped by the office of Larry’s legal representative, who was<br />
waiting for us with a coat in hand, ready to go to the funeral herself. We ran through the terms of<br />
the will. Much of Larry’s money was to go to charity. A brief, unassuming rider stipulated that<br />
the remainder was to be split among the issuance of the deceased or their issuance, should that
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person be dead. Us. Me and Kelley and Theo. I signed papers, chatted curtly with the lawyer,<br />
who offered to walk us out to our car. We said we had another stop to make and said goodbye.<br />
We checked the directory and found a second office. A person spoke to us for a few<br />
moments, and we signed more papers. Lizbeth took a copy of one of these papers, folded it into<br />
an envelope and placed it in her purse. At a certain point we were told to kiss each other, so we<br />
did. She tasted of toothpaste and nicotine. I thought, We are doing the right thing. I realized I<br />
hadn’t shaved that morning, that it didn’t matter. We left silently, several feet apart, and drove to<br />
the funeral.<br />
7.<br />
The rain had stopped and the clouds departed overnight. The dry roads had a grayish cast,<br />
and the houses in the neighborhood we drove through were in the midst of unchecked decay. We<br />
took a left off main street, drove. Came to a big old cemetery under a haze, the air and pollen<br />
somehow filtering the light in a way I had never seen in the Midwest. Large old trees loomed<br />
over tombstones and mausoleums on hills, we drove through the main gate past a caretaker’s<br />
house half embedded in the rise of earth to make it level with the corpses of men and women the<br />
caretaker was there to tend. The tombstones were worn with age, the names and dates indistinct<br />
to me as I drove through patches of sunlight and shade. I asked her how old the cemetery was.<br />
“There are civil war veterans in here,” she said. “People who fought in Antietam. A few from<br />
Gettysburg.” We passed a twenty foot obelisk, a stone angel, one wing chipping away.<br />
“They’re still using it,” I said.<br />
“People are still dying,” she said.
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The new section had fewer trees and smaller tombstones, cheaper testaments laid out<br />
unsheltered from the blue sky and bright sun. A hearse sat parked off the edge of the road near an<br />
erected tarpaulin over a square edged hole. Three other dark, expensive cars. I recognized the<br />
lawyer, who stood speaking to a small yellow haired man while five or six other people stood in<br />
a group and an elderly couple sat in folding chairs by the grave’s edge. As we drove up the<br />
yellow haired man made gestures toward the grave and the group broke up, moved towards the<br />
elderly couple, began arranging themselves for the service. I parked the car next to a dark<br />
Lincoln, shut off the engine. The assembled mourners turned their heads and looked at us, then<br />
turned their heads away to look at something else, looked back.<br />
The man with yellow hair came up to greet us, but the lawyer intercepted him, told him that<br />
she knew who we were and told him.<br />
“Well,” said the man. “I didn’t know you were out here. Welcome. I’m Robert Woodvine.<br />
I’ll be conducting the ceremony.” He had the devotional bearing of a protestant, the residue of<br />
self-righteous humility. He leaned to one side as he spoke, wore oversized plastic framed glasses,<br />
stared at me intently, unnervingly.<br />
“Okay,” I said.<br />
“Larry LaFleur was a good man,” he said.<br />
“I know he was,” I said.<br />
“He led a good life,” said Lizbeth.<br />
“I know he did.”<br />
We assembled over the hole in the earth, three or four on each side and Robert Woodvine at<br />
the head. He read a short passage from the Bible and talked about Larry’s contributions to<br />
Binghamton and the field of law. He had worked in tax law, serving the entire southern tier, and
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had contributed pro bono counsel to prisoners seeking retrials. He gave generously to charity,<br />
had fathered a child who was no longer with us but whose grandchild was, and at this point the<br />
pastor gestured to me. The other mourners looked at me again, whispered to each other, smiled<br />
politely. I shifted my weight nervously.<br />
The pastor threw a clump of dirt onto the coffin. An elderly woman threw in a rose and then<br />
put her shoulder on the man next to her. Then the service ended with a “Go with God” from<br />
Robert Woodvine and the mourners remained circled around the coffin for a few moments, then<br />
looked around at the cars again, then at me.<br />
“It was a nice service,” I said to Lizbeth.<br />
“That’s what people always say,” she answered.<br />
Pastor Woodvine approached us, asked me how long I was in town. I told him until the next<br />
morning, when I had a business appointment in New York. He shook hands with me, thanked me<br />
for coming, headed for the cars.<br />
“I don’t think he ever met your grandfather,” Lizbeth said. “I never saw him at the house.”<br />
I said, “In some countries they hire women to mourn.”<br />
The man who had been seated when we arrived approached us. He looked at me closely,<br />
nodding. “I can see it,” he said. “You have your father in you.”<br />
“It’s the shape of my chin,” I said. “My brother got his eyes.”<br />
“I knew Larry Junior. Course we called him Bud.”<br />
“My Mom called him Jack.”<br />
“Bud was a hard man to know, but I guess I knew him as well as anyone back in high school.<br />
Always was at the center of something, but no one could figure him out. I knew Dezzie, too.<br />
Through her sister — we were dating in those days.” He looked over his shoulder at the woman
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who had been next to him I assumed was his wife. She wore a navy dress with large gold<br />
trimmed buttons and was talking with another, older man. “Bud would come around to the<br />
house, looking up Dezzie. She was another spitfire, the only woman who could keep Bud<br />
checked. Remember one time I was on the porch with Juliet and Bud drives up in his dad’s car.<br />
Parked it and waited. Hit the horn, waited. Waves at me, waits. So he steps out of the car, starts<br />
coming up the walk, then stops. Puts his hand in a pocket of his windbreaker,” the man copied<br />
this gesture, slipping a hand in his suitcoat, “And pulls out half a sandwich. Ate it right there on<br />
the sidewalk, content as could be.” He looked at me, waiting for my reaction. “But I suppose<br />
you’ve heard that story already. I remember nothing ever happened to Bud that didn’t get turned<br />
into a story.”<br />
“I never heard that one,” I said.<br />
“Well, I remember it. Though I guess a man eats a lot of sandwiches, and you can’t expect<br />
him to remember every one.”<br />
“I guess not.”<br />
“I tell it because that’s what I remember about Larry Junior.” He stared at me hard to show<br />
that he had just said an important thing.<br />
I nodded intently, then I said, “Who was Dezzie?”<br />
“Dezzie was his high school flame. Desdemona Williams. Beautiful girl. Dark curly hair,<br />
fiery eyes. I was dating her sister, also beautiful. Would have married her. Juliet Williams. She’s<br />
here. Over there.” He pointed to a slim woman in another cluster of mourners. “Anyway, Larry<br />
would have married Des, but the Williams girls were put on earth to break hearts.” He smiled<br />
wistfully, almost proudly, at the memory of his heartbreak, then went on, “So, Dezzie married
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Chuck Reilly who took a job with his uncle in Kansas City and Juliet strung out an engagement<br />
with me that I won’t get into.”<br />
“And Jack followed Dezzie.”<br />
“Jack?”<br />
“Larry Junior. Bud.”<br />
“He followed Dezzie?”<br />
“He kept an apartment there. Before he got married. That’s what my mother says. She said<br />
something about a woman, but didn’t know her name.”<br />
“I guess I heard that. You’d be better off talking to Juliet. Hey, Juliet!” He waved to the<br />
woman. She looked at him with a serious expression that turned confused, then she smiled. He<br />
shouted to her that she should come over when she had a chance, then returned his attention to<br />
us. He said, “I remember he was always hanging around the school but never showed up for<br />
classes except maybe English, where he’d argue with the teacher about Dostoevski and modern<br />
poetics. Said that some day Allen Ginsberg would be recognized as a genius even in<br />
Binghamton. He campaigned to get Ginsberg in the library and lost. I think he’s still banned<br />
from the library. I heard he was g-a-y.” He looked up at the sky, then at the Juliet Williams, who<br />
sidled up and said hello and was hugged in response. Woodvine then turned to Lizbeth and me.<br />
“This is Bud’s son,” he said.<br />
“What?”<br />
“Bud. Larry Junior. This is his son.”<br />
“Hi,” I said, and then I told her my name.<br />
“Well holy God,” said Juliet. “That’s kind of amazing.” She put a hip against a tombstone<br />
and lit a cigarette. I watched, captivated, only a dim awareness that Lizbeth stood by my side.
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Juliet was slim and athletic, with short reddish brown hair and a splash of light freckles across<br />
her tan forehead. She was beautiful now, in middle age, with rounded cheekbones and a firm<br />
chin and the merest hint of crows feet around the eyes. How she’d looked as a teenager I didn’t<br />
want to imagine; and Woodvine had said her sister was the real beauty.<br />
She said, “You’re Bud’s kid, huh?” She looked at Lizbeth. “Aren’t you the Stevens’s<br />
daughter?”<br />
Lizbeth nodded. I noted, sheepishly, that her last name was Stevens. Or had been until this<br />
morning.<br />
“You out here to get the dirt on your old man?”<br />
“More or less.”<br />
“And you wanna know about Bud and Dezzie?”<br />
“Whatever you can tell me.”<br />
“Huh. Well. Let’s see. Dezzie’s still out in Kansas City, working on her third marriage to yet<br />
another remote asshole father figure. She’s an account manager for some computer company.<br />
Real middle management shit.”<br />
“What do you know about her and Jack? I mean Bud.”<br />
She rolled her eyes and sighed. Said, “Damn, I know it all.”<br />
It was a long, highly detailed mess, of course, as all the great romances are. There was high<br />
school, where they dated with the passion of puppies, and then there was the year afterwards,<br />
when Dezzie got married and was dragged out to Kansas City by her new husband, an older man<br />
with a business opportunity in the construction business. Jack was wandering, in California<br />
mostly, then one day he shows up on Dezzie’s doorstep in Kansas City, telling her she’s the one<br />
and no husband will stop him. But she won’t take him to bed yet as she’s married only a year and
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still happily deceived by love that her husband is perfect and her marriage secure. Though she’s<br />
unfaithful enough to keep Jack around, like a pet, a big shaggy mutt who can’t stand to be away<br />
from Dezzie. And she of course loves the attention and returns it by baking him pots of pasta and<br />
sweet pastries and flirting with him shamelessly and pecking his cheek and touching his arm.<br />
They’d go everywhere together, him lovesick and devoted and her pulling him along on a string.<br />
Until one day her husband comes home to say he’s been cheating on her and it’s time to come<br />
clean and he moves out. And then out of spite and revenge and let’s face it curiosity and pent-up<br />
sexual tension Dezzie takes Jack to bed. He thinks it’s his time, that Dezzie is his reward for<br />
playing the patient and saintly and loyal mutt for all these months. And then of course she takes<br />
her husband back, and then when the husband cheats again, Jack’s back in the picture. It goes on<br />
like this for a couple years, Juliet told me, various combinations of breaking up and reconciling<br />
and moving in and out.<br />
She said, “Then she met her second husband, a lawyer, a guy who could keep her in the<br />
money, which she’s never had because Chuck Reilly’s got no business sense at all, it turns out.<br />
And three is one too many for Dezzie to keep on her schedule what with the divorce proceedings<br />
and did I mention there was a kid? So it’s good-bye, Bud, and she meant it that time. She told<br />
him, ‘You say you love me but you never listen to what I say. You bring your creepy friends<br />
around at all hours and you drag me out to run-down dives and you’re always drinking or drunk.<br />
And now I’ve got a real man who can take me to the opera and buy me nice dinners in<br />
restaurants with cloth napkins and I’m not going back, Jack, I’m cutting you loose I mean it.’”<br />
Juliet dropped her cigarette into the grass and ground it into the earth with the toe of her<br />
narrow black pump. “That’s the last any of us heard from Jack. All we knew was my sister
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kicked him out of her life and everyone was happy ever after. Till she and the lawyer got fed up<br />
with each other. Which is a story you don’t need but is kind of more of the same.”<br />
I looked at her. I looked at the gravesite where Larry’s coffin still hung over the hole in the<br />
ground and its border of green plastic carpet.<br />
“Liz, right?” Juliet said to Lizbeth.<br />
“Lizbeth,” I said. “No ‘e,’ no ‘a.’”<br />
Juliet nodded. “You two come together?”<br />
“A matched set,” I said.<br />
Woodvine cleared his throat and pushed at the knot of his tie. He excused himself and<br />
walked back to the cars on the road.<br />
Juliet said, “I should be going, too.”<br />
“I’m glad I met you,” I said.<br />
“Yeah. Listen. I always felt sorry for Jack, really. The poor mook, letting himself get strung<br />
along like that. Dezzie never did have a talent for letting people go easy. She was pretty. Hell,<br />
she was g<strong>org</strong>eous, which meant she knew there’d always be more guys coming along. Goodbye,<br />
Jack, she said. And that was it.”<br />
That was it, I figured as Juliet turned around and walked away. I guess at that point he left<br />
Kansas City for good. He wandered again, rootless and free and for two, three years he didn’t go<br />
back, only hearing from friends on occasion that Dezzie was happily transformed into a lawyer’s<br />
wife, draped in high fashion outfits and ensconsed in a well appointed split-level in a posh<br />
suburban neighborhood. Married to a lawyer just like his crappy old man.<br />
He won’t go back, he can’t, though often enough he finds himself in Missouri and getting<br />
closer as if pulled by remote siren voices and he has to hitch a ride with anyone he can that’s
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going the other way, any other way, and one day it’s these hippy kids in a VW microbus and<br />
they’re plowing north cause the guy has knocked up his girlfriend and the only place they know<br />
where the kid’ll get anywhere near a fair shake is her parents place in Madison, Wisconsin but<br />
they’ve gotta stop in St. Paul first cause they a know a guy there’ll hook them up with some<br />
weed so come on in, Jack, we’ll take you where you’re going and damn if Jack didn’t meet a guy<br />
few weeks ago from some town called Clear Lake near St. Paul so he says Sure I’ll come north<br />
and the tie-dye kid says Glad to have you, only be aware of Sunshine back there who’s in her<br />
eighth month meaning we gotta stop and let her pee every forty miles or so, and so that’s what<br />
Jack did.<br />
8.<br />
Once we reached New York City there was a lot of activity, long uneventful sequences of<br />
planned meetings and contract signings and quick promotional events where I shook hands and<br />
waved to strangers. I handed over a few photos of Jack so they could pick the one they wanted<br />
for the anthology’s dust jacket. We were there for only two days that went by like hours. From<br />
the brief slots of time we were given to try our hands at tourism, I don’t remember much about<br />
the city except what you see on postcards or in television montages. There seemed to be<br />
something about the city’s design that encouraged transient memories, some prevalent style of<br />
architecture that suspended experience in favor of recollection. That rendered the city as a thing<br />
not to be explored but as a series of pre-ingrained sensory images to be checked off against a<br />
master list of New York highlights. Skyscrapers looming overhead, garish Times Square sex-<br />
shop enticements, Radio City Music Hall. The bustling indifference of a city riding a hip, dark<br />
edge. Dirty street, dying trees. Shuffling listless people, their stories lost to the world and<br />
themselves. A city Jack had hated for its impersonal nature. Though the people he had known
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here were friendly enough, none of them were from the city. All the natives, he said, hung<br />
together in packs or left for Connecticut, meaning perhaps that the people the city collected were<br />
more interesting than those it raised.<br />
In the small hotel room, the bed crowding the walls to leave only a small walkway from<br />
closet to television to a small apron in front of the window, Lizbeth and I unpacked our things<br />
and clumsily tried to establish a domestic relationship. I walked to the window to let her move<br />
about more freely in what little space there was. Half of the view was a brick wall, the other half<br />
a partially obstructed view of lights and wire and cars passing through Times Square.<br />
We were expected in the lobby shortly, but needed to take showers. After a brief hesitation<br />
she decided to shower first. I sat on the bed, turned on the television, feeling both nervous and as<br />
if I were fulfilling a role I had been born for. Ten minutes later she emerged from the shower soft<br />
and damp, wearing the hotel bathrobe tied loosely about her waist. The skin of her chest was<br />
freckled and taut; she was drying her hair with a towel.<br />
“It’s yours,” she said.<br />
“Thanks.” We stood close to each other, face to face, and I noticed that she was an inch or so<br />
taller than me, that her sharp nose had a single dark spot just off center of the tip. She hadn’t had<br />
a cigarette for hours. I said, “How’s the water?”<br />
She said, “It’s very hot. Almost too hot.” I touched her waist with my fingertips, and she<br />
responded by placing her hand in the crook of my elbow. We stood like that for a while, and then<br />
I kissed her. There was the noise of people talking from the television set. When we parted she<br />
looked over my shoulder. Asked, “What are you watching?”<br />
I said I didn’t know. Then I said, “We’re in New York.”
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During our brief meetings Nick Kastle he showed us his old charm, smiling and thoughtful.<br />
He inquired about the family, then took us to dinner. He handed me back the photographs I’d<br />
given him, along with a packet of enlargements that had been digitally enhanced. They’d chosen<br />
the one I’d expected them to, the one of Jack in his white driving jacket, leaning against a<br />
fireplace with a cigarette dangling from his fingers. A sly grin tweaks the corner of his mouth,<br />
his head and eyes cocked upwards toward a corner in the ceiling or some point beyond, his<br />
thoughts lost in that other world only poets have seen. A woman’s hand is on his arm, extending<br />
out of the picture frame; Mom’s, I’d always thought, but you couldn’t tell.<br />
I told Nick Kastle Mom was fine, Kelley was pregnant, Theo was about to start a new job. I<br />
told him I was married to Lizbeth, and when he asked when the wedding had been I told him two<br />
days earlier. He asked how long we’d known each other and Lizbeth said a few weeks. Nick<br />
laughed warmly, and made it seem like the sanest thing in the world when he told us that was an<br />
amazing thing, and wished us luck.<br />
The last time I’d seen him was during the same week Dawn Engle broke up with me. One<br />
morning shortly after that night on the beach I woke up and went out to get the newspaper and<br />
there he was on the front lawn, staring into the east at the sunrise. He lifted his arms, hesitated,<br />
began guiding them through intricate open-palmed gestures. I watched from the porch, the<br />
newspaper in my hand, as his limbs flowed through motion after motion, repeating certain moves<br />
over and over: the flick of a wrist to turn over a palm, an outstretching of hand and arm to grasp<br />
an invisible object, a look of steady concentration on his dark, sharp-featured face.<br />
I watched him for several minutes, then set down the paper and approached him, feeling a<br />
resurgence of what I had felt before in his presence, an upsurge of confidence, a link to a more
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powerful world. He looked at me, continued in his motions, slowed them, then stopped. Tai Chi,<br />
he said.<br />
I know what it is, I said.<br />
You’ve grown about four inches, Matt.<br />
Thank you.<br />
He nodded, began moving again. I tried to follow, looking to understand the essence of his<br />
motions. He said, Let’s start from the beginning. Stand arms at your sides, legs apart. Lift your<br />
arms like this. He raised his arms and held them at his chest like a begging dog, then began<br />
pushing out his hands alternately. I repeated the motions slowly.<br />
I said, Do you ever call when you come in to town? None of you ever call.<br />
We do generally call, said Nick. But when we get your mother she tells us not to come; when<br />
we get your Dad he doesn’t tell you.<br />
My family’s messed up, I guess.<br />
Well, your mother likes her privacy, is all. Nothing wrong with that. I’m not staying here<br />
anyway. I’m on a book tour. Hotels all the way. Rock from side to side as you do that. Knees<br />
bent. Americans never want to bend their knees.<br />
He still drinks too much, I said. It drives me crazy that he can’t stop. It makes him expect too<br />
much of me. His life is limited now, and he sees mine as dwindling at the same time.<br />
I hadn’t planned to say these things; I hadn’t even had these thoughts before. But with Nick<br />
that was the way it was. He inhabited a world where people constantly unburdened themselves,<br />
and wherever he went that world came along. You would be in his presence and begin to play the<br />
role of confessor, to speak from some part of your self that he conjured up.<br />
Nick said, Has he tried counseling? AA? Self-help?
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He says all that is a big conspiracy. If it were really self-help you wouldn’t need a book<br />
someone else had written, he says.<br />
Jack’s logic. Fully self-contained and irrefutable.<br />
He drives me nuts.<br />
Maybe you should get some counseling.<br />
No. I’m young and still psychologically resilient. Could you talk to him about it?<br />
Nobody can talk to Jack.<br />
I continued the motions he had shown me, feeling the muscles in my upper back stretch and<br />
relax. My socks became damp and heavy from the morning dew. I swayed back and forth,<br />
keeping my eyes on the sun just beginning to emerge from behind the houses across the street.<br />
Then the door opened and Jack came out. Oh, mother of Moses it’s Nick Kastle, he said. Matt,<br />
whatta ya doing keeping this bastard all ta yourself?<br />
He was showing me Tai Chi, I said.<br />
Keep yer knees bent, kid. That’s the secret to the Oriental mystic art of motion. Hold on. He<br />
looked back through the window in the door to make sure the coast was clear, then walked to a<br />
corner of the porch and lifted up a loose floorboard. He pulled out a flask and took a swig of<br />
liquor, then offered it to Nick.<br />
No thanks, Nick said. It’s too early for me.<br />
And it’s too late for me, Jack said. Hee Hee. No telling Carrie, now. Oh, God it’s good ta see<br />
you, Nick. Let’s go. I’ll call in sick and we’ll go somewhere.<br />
Where you working now? Nick said.<br />
I’m filling in at Bob’s, said Jack. But hell with it, there’s nothing but oil changes lined up for<br />
this day.
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I have to be somewhere at ten, Nick said.<br />
Then tonight. We’ll hoist a few at the Clear Lake Tavern. Say you will.<br />
I will, Nick said.<br />
And we’ll bring Matt along. We can sneak him in. That is, if he’s not seeing his girl tonight.<br />
You’re seeing a girl? Said Nick.<br />
Before I could stop myself I said, No. She dumped me. And then I felt the gaze of Jack turn<br />
to a scowl.<br />
He said, She did what? Ah, Buddy. How’d you manage that? What’d you do to her? Ah,<br />
Nick, look at him now, he’s heartbroken and he thinks it ain’t even his fault.<br />
Jack, said Nick. Lay off.<br />
Jesus, Nick. Listen. You don’t know anything. I’m trying to console him, and you can’t even<br />
tell. I have confidence in my son. I know maybe someday Matt’ll pull his head out of his ass,<br />
maybe. But till that day I’ll be here with a crowbar helping him along, and it won’t be pretty. But<br />
all right and let’s look at the time and I have to be going to work now so I’ll see you tonight,<br />
Nick, and I’ll see you too, Matt. I love you, ya little shit.<br />
He walked out to the Buick and started it up. The car needed a wash and was starting to rust<br />
around the wheel wells, but the engine still purred like kittens, and he backed it out and drove it<br />
away and Nick and I stood on the lawn and watched until he went around the corner and was<br />
gone.<br />
That night, like I had been doing in the days after Dawn stopped seeing me, I took out the car<br />
and drove. After the Pontiac died Jack bought a second-hand Toyota for the family to drive while<br />
he took the Century every place he went. On the weekends Kelley would be out with a boyfriend
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and Theo spent time at friends’ houses, so I had the car to myself, since Mom always stayed at<br />
home. I would drive out to distant suburbs and stop in parking lots for maybe ten minutes, just to<br />
get out of the car for a while. I’d go to suburbs that might as well have been in other states:<br />
Minnetonka, Eden Prairie, Hastings, Orono, Maple Grove, Wayzata, Woodbury. Mile after mile<br />
of anonymous cities made of four lane highways lined with low square warehouse style<br />
buildings. There were houses in there somewhere, sitting on their grid, hidden from the<br />
unsightliness, but I never found them. On that night I drove around the loop three times until I<br />
wasn’t sure where I was. I took an exit that turned out to be for Clear Lake and drove down the<br />
lamp-lit streets of my home town without fully realizing where I was. Familiar streets looked<br />
dark, held that alien aura of wet pavement and stranger’s furtive glances from parking lots of<br />
bars and the windows of all-night gas stations. I passed a bar with an orange roof and a crowd<br />
outside gathering around a police car, two uniformed officers in black jackets holding a drunk<br />
man by the elbows. After a moment I recognized the bar as the Clear Lake Tavern and suddenly<br />
knew where I was and that I had always, since the exit, known where I was but had been too<br />
preoccupied to recognize the fact. The man being guided gently into the police car and holding a<br />
moist, reddening compress to his face, was Jack.<br />
I guided the car onto a side street, parked in the first stretch of pavement not being used for<br />
traffic, and ran back to the Tavern just as the police car was pulling away. I looked through the<br />
crowd for someone, anyone I might recognize, and after a moment I spotted Nick Kastle,<br />
standing in a small knot of Jack’s friends. Will Johnson, Bob LaFontaine, Carl Lund. Nick<br />
spotted me, squinted in recognition, waved me over.<br />
You saw what happened?<br />
I saw them putting him in, and then driving away.
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Jukebox, said Nick.<br />
Of all the things, said Bob LaFontaine. He rubbed a hand over the mound of his belly,<br />
adjusted the angle of his cap.<br />
We’ll let him sit for a while, said Nick. He put his arm around me, though I felt little need for<br />
consolation.<br />
Someone said, He hasn’t been himself the past few weeks.<br />
I didn’t know what to say. The police car drove away leaving tracks in wet pavement.<br />
I went home. Mom didn’t ask where I had been and had no reason to ask if I knew where<br />
Jack was, so I didn’t tell her anything. I went straight to bed and laid down, expecting the phone<br />
to ring with the news. Theo lay sleeping in his bed, dreaming his video dreams, and in a while I<br />
heard Kelley sneaking in from her date. I thought about Dawn and about the rest of my life. How<br />
Dawn sat on that tree trunk throwing stones into the depths as my father drank and Nick read his<br />
poems. I thought of all the things I wanted — that all of us wanted — but couldn’t name. Dawn<br />
and me. Mom and Theo and Kelley. Nick Kastle.<br />
And Jack in the bar. Jukebox playing Journey for the eighth time like no one’s sick of it yet.<br />
Thinking everything is bullshit, even when Nick arrived as Jack knew he would. To try and<br />
smooth things over, to try and take the rough edges off the world, the poet as God striding<br />
through his own little universe, scattering wisdom from a pouch full of cleverly disguised<br />
cliches. And yes he’d admit it, Jack seven-eighths through the slide into drunkenness, already<br />
having finished off several shots and working on a pitcher of beer, pouring it into a mug and<br />
drinking and then pouring more, he’d admit there was nothing left to be said. If that meant<br />
anything. And the jukebox says, Wonder who’s sorry now? as Nick is coming and then Jack says<br />
to him, I knew you’d be here you sorry pile of bullshit. I knew you’d show up to try and smooth
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things over, but it’s too late because everything’s turned to bullshit now and it doesn’t matter.<br />
Said to Nick, Do you hear this music they’re playing? Something my son probably likes. Pop in<br />
another quarter, Nicky, help us cram it down our own throats. You saw my son. And what do<br />
you think of that, Mister? He’s mine all right, little bastard. Thinks he can do whatever the hell<br />
he wants.<br />
And Nick said, Matt’s a fine boy, Jack.<br />
Jack turned, saw the row of bottles lined up in front of a mirror behind the bar, cocked his<br />
arm, and after a quick check to make sure the bartender wasn’t looking, threw the glass. Bottles<br />
fell over, rolled off the shelves, some of them breaking into sharp edged fragments that mingled,<br />
falling, with the glass of other broken things as the mirror splintered into spider-web shards. Jack<br />
pointed at the shattered image, at the great dark wedge of wall where silvered glass had fallen<br />
away. He hooted, jumped up and down. Gave Nick an experimental shove, then a harder one. It<br />
was a commotion now, a Jack-centered disequilibrium spreading through the room. People stared<br />
and pointed, and then men began lumbering toward him, arms like horror show zombies reaching<br />
out to restrain, and Nick made motions to lead him to the door to allay the bouncers, but Jack<br />
threw off Nick’s hands. He jumped up and down again, reached out, knocked off the hat of the<br />
person next to him, then looked for more hats, pushing his way through the crowd. A hat flew<br />
toward the ceiling, a small man in glasses fell over. When Jack came to the jukebox he lifted up<br />
one leg and kicked at the glass three times before a web of cracks appeared. Then the knee of the<br />
leg he was standing on buckled and twisted and he fell to the damp floor, where he flailed for a<br />
few seconds, fingers scrabbling at cigarette butts and chair legs on their way to his injured leg. It<br />
was his eleventh jukebox kicking, and he couldn’t even get his foot through the glass. He was<br />
old, a failure, and Journey played on. Or it wasn’t his fault. Space age polymers, Jack thought, a
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clear carbon-fiber plastic glass substitute, most likely. The world had, indeed, gone to hell when<br />
even glass couldn’t be trusted. It was then the zombies converged on him, led by Nick. They<br />
helped him up, and Jack could see in the moment his armpits were being pulled that Nick too had<br />
been sucked into the machine, had converted his art into lubrication to keep the gears from<br />
wearing out as quick and to make up for this betrayal he tried to punch Nick, his friend, with in<br />
the back of his mind the knowledge that he was free to do as he pleased, now, in this drunken<br />
state, because in sobriety Nick would be his friend again, would f<strong>org</strong>ive him as he had in the<br />
past. The world was like that; a f<strong>org</strong>iving place with hard edges and soft corners and too much<br />
bad music and there was nothing left but to start throwing punches, drunken roundhouse flailings<br />
with no object or purpose fading into exhaustion, as the sound of broken glass faded into the<br />
sounds of people making plans to find a broom.<br />
Part III<br />
1.<br />
There were odd days, weeks even, that I don’t pretend to understand now. I had to learn<br />
things about living with a woman that I’d rather not have had to learn. Not the usual things about<br />
a woman’s physical needs, though these were disconcerting in their own right, and not even the<br />
usual male complaints about saying the wrong thing when she asked me how she looked,<br />
because in these areas Lizbeth seemed not to care and never asked. What bothered me was the<br />
intrusion on an entrenched way of life. After washing dishes she would put them in places I<br />
couldn’t find and I had to search through cabinets before asking her where, say, the colander had<br />
ended up. She took up closet space, bought groceries that I wasn’t used to, had a different brand<br />
of toothpaste. She began eyeing my furniture skeptically and spoke of replacing it. I became<br />
nervous when I came home from work to discover she had already gotten the mail, had an
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anxiety attack when mail arrived for her. (They were responses to resumes sent to local hospices<br />
and nursing homes; after two weeks she began getting calls for interviews.) But I adjusted,<br />
realized that this was all normal.<br />
And then there were adjustments of the smaller, more intimate kind, and the reason I didn’t<br />
want to have to learn them was because they were things I should have known. Things that<br />
should have been common sense. I had to grow used to the fact that she would sometimes look at<br />
me with no intention of telling me anything — just a long glance with no other intent. There<br />
seemed many of these gestures toward me that could have been given to anyone. Non specific<br />
shows of attention. The time we spent together had long stretches where we could have been<br />
strangers thrown together on a long bus ride, our conversations filled with commonplace phrases<br />
having nothing to do with our legal, romantic, or societal connection to each other.<br />
Every night she fitted the couch with sheets and blankets and curled up to sleep, her head<br />
settled into a pillow she had bought at a Target store on her second day in Minneapolis. Some<br />
mornings as I came out of the shower I would find her standing by the window, staring at the<br />
buildings of downtown. What she was seeing I didn’t know, what she was thinking I didn’t ask. I<br />
had requested that she please not smoke in my, now our, apartment, but sometimes on these<br />
mornings she would have a lit cigarette cocked between her fingers and an old, chipped coffee<br />
mug for an ashtray on the end table next to her, and I found I didn’t much care if she smoked in<br />
the house or not. She was trying to quit anyway, was down to two or three a day, and skipped<br />
days as often as not.<br />
It was on these mornings that my heart began to move more solidly in her direction. It had<br />
never occurred to me before that love – if I may use the word for those early days of our<br />
marriage — could be filled with dead space, that it was not an all-consuming distraction. That
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passion could be an intermittent phenomenon, that the most intimate parts of my psyche had their<br />
own cycle of ebb and flow. On these mornings I would take the cigarettes from the end table and<br />
light one for myself and smoke with her, and she would look at me, squint, and shorten her neck,<br />
a mannerism I had only recently determined she did in place of laughing.<br />
It did not surprise me that I had difficulty in telling the family what I had done, and it was in<br />
this area that caused what tension there was between me and Lizbeth. She noticed that on the rare<br />
occasions when the phone rang I was anxious to be the one to answer, and while I talked she<br />
sulked on the sofa. We didn’t talk about it, though we both knew we were going to have to.<br />
Theo, of course, was the first one who found out. He called one Friday to see if I wanted to<br />
go get a cup of coffee, go to a movie, and work out some details of a video project he was<br />
starting and needed some help on. I told him to come by the apartment, and we would go out<br />
from there. I hung up the phone and sat next to Lizbeth and took her hand.<br />
“Are you sure you want to do this?” She said.<br />
“We have to make this official,” I said.<br />
“Is this what it takes?”<br />
I looked out the window; rain had begun to fall on the church, on the message box that read,<br />
“Hope Frees you Up.”<br />
“You’re feeling melodramatic,” she said. “And it’s rubbing off on me.”<br />
“I’m thinking ‘frees’ sounds just like ‘freeze,’” I said, spelling out each in turn. “But they<br />
mean the opposite.”<br />
“Melancholy, I meant. I meant melancholy.”<br />
“Just a little bit. What do you think would make it official?”
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“It feels official,” she said, looking in the same direction I was. She said, “That looks like a<br />
Binghamton rain.”<br />
“Drizzly,” I said.<br />
Theo knocked on the door half an hour later. We were in pretty much the same position,<br />
though Lizbeth had turned on the television set to watch the end of a golf tournament in a place<br />
which was getting far more sun than the Twin Cities. “Do you want to get that?” I said to her. So<br />
she went to the door and opened it. From where I was I couldn’t see Theo, but I saw Lizbeth<br />
smile and gesture for him to come in. He turned the corner and looked at me as Lizbeth returned<br />
to the couch and sat next to me. “Hi, Theo,” I said.<br />
He started laughing, ran a hand through the hair on the back of his head and said, “This is the<br />
type of thing I should have known was going to happen.”<br />
“It’s not really like it seems,” I said.<br />
“Oh.”<br />
sense.”<br />
“We’re kind of married.”<br />
Lizbeth said, “Not kind of. We are married.”<br />
I said, “As opposed to, say, simply living in sin.”<br />
He stood there for a few seconds, then said, “So it is what it looks like, then. In the traditional<br />
“We have the certificate, somewhere.”<br />
“In my purse,” said Lizbeth. She looked at me and said, “I should put it somewhere.”<br />
“The filing cabinet,” I said. “Maybe we should get a safety deposit box.”<br />
Theo said, “I’m kind of thirsty. Do you have anything to drink around here?”<br />
I said to him, “I’ve been having trouble figuring out how to tell people.”
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“If you have anything. Beer. Coca-cola.”<br />
“You know where to look. Now that I’ve told you, I’ll probably call Kelley tomorrow.”<br />
“She’ll want to know.”<br />
“Mom is another matter.”<br />
“How is that?”<br />
“I feel as though I’ve lied to her. Deprived her of something. Of all the pre-marriage, in-law<br />
rituals, and now I don’t know what to say.”<br />
He backed into the kitchen and opened the refrigerator. “How about saying ‘Mom, I got<br />
married?’”<br />
“I’m trying to figure out her reaction. How to get the least volatile one.”<br />
“I’m sticking with, you say: ‘Mom, I got married.’” Lizbeth closed her eyes and briefly<br />
shortened her neck. Theo returned with three cans of soda and began passing them around.<br />
I said, “You don’t seem too surprised by this.”<br />
“I guess knowing I should have seen it coming made it easier. It seemed to make sense when<br />
you opened the door. You blend in to these surroundings. Already you’ve softened the masculine<br />
edges of the place.”<br />
I said, “Is that why you’re not talking about how big a mistake we’re making?”<br />
“Is it a mistake? It’s an easily fixed one, if it is.”<br />
“It’s not a mistake,” said Lizbeth.<br />
“That’s not my place to say. Besides, this is more your style. You’re not the meet-a-girl-in-a-<br />
bar, plan-a-dream-wedding, long-engagement type. You’re more the type to make subversive<br />
assaults on time-honored institutions.”
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“That’s why I’m dreading telling Mom. Because she’d have wanted to see the traditional<br />
white dress and cummerbund, dog-and-pony show. She’ll be upset I took that away from her.”<br />
“Call her now,” said Lizbeth. “Call her and tell her right now.”<br />
I stared at her. She said, “It will only get worse if you don’t.” She looked at Theo. “I’ll call<br />
my parents right after.”<br />
I dialed, waited. Heard the low buzzing of three rings before a series of clicks gave way to<br />
mom’s voice saying hello. Then I said, “It’s me, Mom.”<br />
She said “Hi, Matt.”<br />
I said, “Mom, I, uh...”<br />
She said, “Is something wrong?”<br />
“Ah...”<br />
“What is it?”<br />
“Well — it’s a good thing, actually.”<br />
“Tell it, then.”<br />
“I met this girl out in Binghamton.”<br />
“Yes?”<br />
“I’d like you to meet her.”<br />
“Okay.”<br />
“We should set a time as soon as possible.”<br />
“Sure,” she said. There was a long pause, then she said, “Is there anything else you’d like to<br />
tell me?”<br />
“Like maybe what?”
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“I don’t know. What does one say in times like this? Except, is she there with you now? Did<br />
she follow you back here, to Minnesota? Does she have a name, what’s the color of her eyes,<br />
how much do you love her?”<br />
“Her name is Lizbeth, she’s here next to me and her eyes are green.”<br />
“Hazel,” said Lizbeth.<br />
“It depends on the light,” I said to Mom. “Her eye color.”<br />
“Would it be safe for me to talk to her?”<br />
I handed the phone out Lizbeth, shrugging to ask her what she wanted. She held out her hand<br />
and I laid the sweat-slicked receiver across her palm. She wiped it on her shirt, then held it to her<br />
ear and said, “This is Lizbeth.” She listened for a second, then spelled out her name. “Twenty-<br />
six,” she said after another pause. Then, “I’m a nurse.”<br />
I stood next to Theo until Lizbeth waved us both out of the room. We walked back to the<br />
television set and stood by the window, watching as a man across the street began rearranging<br />
the letters in the church announcement box. He worked slowly, sorting through the letter box and<br />
arranging them on top of the box before carefully inserting them into the grooved felt placard.<br />
He finished, closed and locked the box and entered the church just as Lizbeth hung up the phone.<br />
The next sermon would be “Loaves and Fishes.”<br />
The next day I helped Theo with his project. I met him in front of a small office building in<br />
the middle of a parking lot ringed by several other small nondescript office buildings in a kind of<br />
slapped together style, a small cluster Jack would have called a trailer park for offices. Theo was<br />
waiting for me by the entrance, nervously jangling things in his pocket. I parked in the middle<br />
row of painted white grids in the nearly empty lot, locked the door and walked up to Theo while
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he opened the door with a large key. We strode past the lobby’s shabby furniture and cheap<br />
bulletin boards, paper fluttering by single thumbtacks in the wake of our passage, into a hallway<br />
where from behind the second door a man emerged to look at us. He had thick glasses and a<br />
large beard and on his shirt, nearly destroyed by age, was a cracked and faded cartoon figure of a<br />
round green troll showing us his middle finger.<br />
“This is Lenny,” said Theo. “Lenny, this is my brother, Matt.” Lenny gave a reclusive nod<br />
and a brief thing which might have been a wave hello.<br />
“Doing it today?” he said.<br />
“Might as well dive in.”<br />
Lenny gave another nod, this time a bit more firm, and ducked back inside his room. Theo<br />
looked at me and said, “We’ll see him again when the camera is rolling. And I should warn you,<br />
a lot of what’s going to be said is total crap. Lies, really. This is kind of a performance piece.”<br />
He led me down corridors whose walls were made of a soft plasterboard cubicle material<br />
covered with cut out magazine pages and stills from movies and television shows, a large glossy<br />
collage that reminded me of the walls around my computer, still scaled with pages of Jack’s<br />
poetry. The light was poor in the corridor and many of the images were dark. Theo stopped,<br />
pointed one out to me.<br />
“This is mine,” he said. “They asked me to put one up my first day here — they ask every<br />
visitor to add to the collection. Kind of a community work in progress.”<br />
I looked at the image he had chosen for his addition. A postcard from Graceland showing<br />
Elvis shaking hands with President Nixon. I remembered getting it in the mail about ten years<br />
ago, and that Jack had scrawled across the back “See you soon,” and signing it “The King,” and
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that the postmark had been registered in Lexington, Kentucky. It had spent some time on Theo’s<br />
wall, but how recently I couldn’t recall. “Interesting choice,” I said.<br />
“Men destroyed by fame,” he said. “Whose images trapped them in failure.”<br />
I looked more closely at the wall, saw Neil Armstrong stepping on the moon, one of those<br />
gold-limned Klimt portraits, Bob Dylan in heavy black mascara, William Faulkner in a tightly<br />
knotted tie.<br />
“Did you bring one?”<br />
“Yeah.” I pulled out one of the enlargements of Jack’s dust jacket picture and tacked it to the<br />
wall in the nearest open space. And then both Theo and I looked at it, at the image of him staring<br />
up at something and thinking whatever it was he thought that put that grin on his face.<br />
Theo said, “In history there are no people. Only images of people.” He started moving,<br />
gestured me to follow. “I don’t know. But it’s kind of a cool wall, in a fire hazard sort of way.”<br />
We took a few turns and went through a door into a large studio with exposed metal braces<br />
against grey cinder-block walls. Cameras stood on wheeled tripods near padded trunks. In one<br />
corner sat a red overstuffed chair by a false fireplace and an end table with a vase of red plastic<br />
carnations. “We film a cable access show here. Mainly it’s just a guy making fun of bad movies,<br />
but it’s kind of amusing. Back here.” He slipped behind two false walls and through a door into a<br />
flourescent lit storage room filled with metal shelves stacked with old electronic equipment,<br />
much of it torn apart to expose wiring and green cards studded with capacitors and resistors. An<br />
editing suite with a panel removed against one wall, a spaghetti pile of patch cords in the corner.<br />
“This is the one,” Theo said, picking up a camera attached by cable to a cassette recorder.<br />
“Beta, but we can convert it in editing to VHS. You remember how to use these things?”<br />
“Point and shoot,” I said.
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“That’s the basics.” He showed me the proper switches, checked the power levels, scrounged<br />
through a table and came up with a battery pack, which he clipped to the tape assembly.<br />
“Charged it up yesterday,” he said. “We’re ready to go. And remember, most of the stuff I’m<br />
going to say is a lie.”<br />
He’d promised we weren’t going to the cemetery today, that we would just be driving around<br />
the city, talking with Lenny and Lenny’s friends. I nodded, hefted the tape unit over my shoulder<br />
and put the camera to my eye and began to shoot as Theo started talking.<br />
2.<br />
I woke up the next morning with a headache. I was also light-headed, with a nauseous pit in<br />
my stomach which I thought was nerves. But it settled down to a bearable level, and when it was<br />
time to leave for mom’s I was still sick, but not sick enough to call anything off, so we made<br />
preparations, walked down to the car and started on our way. On the first stretch of freeway I<br />
said to Lizbeth, “We might start talking about Jack, my Dad. We always do.”<br />
“What was he, like, crazy?”<br />
“He was strange. He drank too much.”<br />
“Was he violent?”<br />
“No. Never.”<br />
Lizbeth didn’t say anything, but sat staring out the window at the scenery. It was the season<br />
of deepening fall, leaves drifting on gusts of winds and settling in stretched out piles against<br />
fences and hedges. Immense towers of latticed steel stood on either side of the freeway, holding<br />
a meshed web of power lines for us to drive under. Lizbeth held her seat belt just over her right
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shoulder and every few seconds tested its resistance, pulling it out and then letting it reel slowly<br />
back into its housing.<br />
When the towers were well behind us I said, “Well, once, yes. He hit me. Once. But for some<br />
reason it doesn’t count. It was in the beginning of my senior year of high school.”<br />
“What happened? Why?”<br />
“Nothing. I don’t know. I just said something stupid, maybe, not realizing how drunk he was<br />
or not caring but just wanting to speak my mind for once whether he would understand or not. Or<br />
it was something I did, or maybe didn’t do.”<br />
As Lizbeth continued to stare out the window so I could see only the tip of her nose and side<br />
of her cheek. I passed a red Geo, checked my speedometer: 75 miles per hour.<br />
As I eased off the gas Lizbeth said, “What was the thing? That you did or didn’t do?”<br />
“I don’t remember. I said some dumb thing. He’d just been let out of jail for causing a<br />
disturbance in a bar. Tried to kick the glass out of a jukebox. And he went from the jail to the bar<br />
and from the bar to home and I called him a stupid drunk, and that was it.” We were approaching<br />
the mall, acres of low flat buildings amid plastic signs on tall polygonal poles.<br />
I didn’t tell her about Dawn Engle. How it seemed to me at the time his fury was focused on<br />
how I couldn’t keep a girlfriend. But anyway I called him a drunk and he said You’d be drunk<br />
too, if you had yourself as a son.<br />
Jack, I said. What did I ever do to you?<br />
For an answer he shoved me a couple times till I was against the wall and then swung a fist<br />
around and smacked me in the chest. It was a funny swing, I realized as I fell to the floor more<br />
from the shock of it than from the pain. It was as if he couldn’t believe he was swinging it and<br />
didn’t know where he wanted it to land. He looked down at me on the floor and I saw Mom and
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Kelley in the hall watching and then he started laughing. Ah, Buddy, he said. I’m so effin’ sorry.<br />
Jesus F. Christ, get up and let’s have some cocoa. C’mon. He offered me a hand and pulled me to<br />
my feet and put an arm around my shoulder and patted me on the head, laughing and chuckling<br />
like we’d just resolved every problem there ever was.<br />
The same red Geo I had just passed passed me. I checked my speedometer again: 50.<br />
Accelerated. I said, “Do you know what we should do? Pick up something for Kelley’s baby.<br />
Something to deflect attention from ourselves. Because I feel tense. I really do.”<br />
sorry.”<br />
“Okay,” Lizbeth said. Then she turned the topic back to Jack by saying, “He told you he was<br />
“Yeah. He did. It was funny. It was like he was treating me like I was one of his rough-house<br />
friends, where you smacked each other around and then you had another round. Only I didn’t<br />
know it. And Mom didn’t know it.”<br />
silent.<br />
She opened her mouth to say something, didn’t. A cross look on her face, but she stayed<br />
I exited the freeway, coasted through a green light, sped up while guiding the car between<br />
sets of broken white lines. Up a hill, over asphalt. The next light was red, and I stopped as a<br />
stream of cars moved through. I watched the drivers slip by us. Obese women in flowered<br />
overcoats with strands of sweaty hair stuck to their faces, black men in short dreadlocks, rusted<br />
out fifteen year old Toyotas piloted by balding professorial types in wire-rimmed spectacles. A<br />
multitude gathering for varied tasks in this center of commerce. A cloud covered the sun, turned<br />
their faces grey. The light changed.
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It took several more minutes to get into the parking lot and find a space. We walked through<br />
the chill of early winter and parked cars gleaming under sunlight, an accumulation of wealth<br />
sunk into transportation needs and left here on display while the owners shopped inside. A warm<br />
blast struck us as we entered the store through the mechanical sliding doors, then a slightly more<br />
comfortable heat in the store itself, a vast warehouse the size of a baseball field filled with<br />
children’s clothing and accessories. Wide twisted strips of bright green bunting swayed in the<br />
currents of the room’s upper atmosphere, colorful placards embossed with infantalized teddy<br />
bears, wooden rocking horses, tin soldiers and other antique Christmas decorations. We walked<br />
past carousels of tiny clothing, of jumpers in five colors and ten sizes, past racks of doll sized<br />
shoes, bins of caps and mittens and blankets. Cartoon characters leered at us cheerfully from the<br />
pockets of shirts and the backs of jackets, bow-headed mice and pajamaed frogs, icons of fruitful<br />
play, guardian sylphs for the Eden we have made of our American childhood.<br />
We talked about getting rattles, a diaper bag, baseball caps, finally settled on a simple green<br />
outfit designed, perhaps, for a female baby, though we couldn’t be sure. We charged the amount<br />
to a credit card and walked outside, then drove back into the traffic. The sun was shining from<br />
directly overhead now, glaring off icy patches in the road that deadened the sound of our tires as<br />
we passed over them.<br />
I said, “You’ll like Mom. After you get used to her. She’s kind of quiet.”<br />
“I like her already,” she said. “I’ve talked to her.”<br />
“And Kelley. But not as quiet.”<br />
We drove up Highway 61, past the car dealers, across the bridge separating a small lake<br />
called Eagle Lake from Clear Lake on the other side. “Look at them,” Lizbeth said, pointing to a<br />
group of ducks swimming on a circle of water surrounded by ice ringing the shore.
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“They always stay longer than you’d think,” I said.<br />
We drove past all the things that were familiar to me and I found myself explaining them to<br />
Lizbeth. The Kingfisher Auto lot, where a twenty foot statue of the founder on the roof was<br />
always decorated according to season, at this moment in a pilgrim’s hat and holding a musket. I<br />
felt like Nancy Rohn on the night I had arrived in Binghamton, rattling through an endless chain<br />
of trivial associations, but Lizbeth didn’t seem to mind. As we passed through downtown Lizbeth<br />
said, “Is that your brother?”<br />
I turned to look in the direction she was pointing, toward the small gazebo and fountain near<br />
market square. Theo was sitting on the gazebo roof, legs dangling in front of the gables. The<br />
video camera was up to his face, he was panning over the highway. I looked closer, confirming<br />
that it was Theo, then began guiding the car in his direction. I parked in the market lot, stepped<br />
out of the car, walked up to the gazebo. He panned the camera down until it pointed at us, shot<br />
our images for a few seconds, then shut it off.<br />
“Do you have a permit for that?” I asked<br />
“I have an artistic license.”<br />
“How’s the project going?”<br />
He rubbed at his neck, stared at the view. “I think it’s found it’s focus. Center. Whatever.”<br />
“What is that?”<br />
“I can’t tell you.” He slung the camera over his shoulder, twisted himself around and dropped<br />
to hang from the roof for a second, then swung his body outward and dropped the rest of the<br />
way, crouching low on impact and steadying himself with a hand. “Captain Action Figure,” he<br />
said. He looked tired, with dark circles under his eyes and a dark stubble on his chin. He rubbed<br />
at his eyes and yawned.
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“Were you planning on being at the house?” I checked my watch to see we were twenty<br />
minutes late already.<br />
“I was waiting for my ride.”<br />
“Ready?”<br />
He nodded. “And Elliott is there.”<br />
“Oh,” I said.<br />
“He didn’t spend the night, even though I told Mom it would be okay.”<br />
“You’re trying to mend the bridge?” I said.<br />
“It’s just wasted energy,” he said. “Sure I don’t like the guy, but where’s that get anyone?”<br />
A light snow began to fall as we drove to Mom’s, the kind of light, drifty snow that would<br />
blow across roads in feathery, writhing crescents but wouldn’t accumulate into ground cover.<br />
There was a knot in my stomach, my head felt suddenly light. Theo said, “That was a stop sign,<br />
back there.”<br />
I said, “Oh.” then, maybe fifteen seconds later, I said, “I’ll stop twice at the next one.” And<br />
suddenly I felt a visceral jolt of excitement and dread; the thrill and agony of leaving things<br />
behind. I rolled through another stop sign, or so Theo told me. As the knot in my stomach turned<br />
into distress, turned over quickly into nausea, moved up in my throat. My mouth filled with that<br />
clean, watery saliva you get in those moments just before vomiting. I pulled into mom’s<br />
driveway. I released the clutch, killing the engine, and lunged out of the car, one foot somehow<br />
tangling up in the seat belt, then stumbled into the remnants of a leaf pile. Rose to a kneeling<br />
position and vomited. Sat looking at the spreading pool of sick, then did it again.
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Theo helped me to my feet, Lizbeth helped me to the door. I explained that it was just nerves,<br />
but suspected otherwise. My head was still light, though for the moment I felt better. I asked<br />
them not to tell anyone what had happened, that it wouldn’t happen again, though the truth<br />
seemed otherwise. We went in, where Kelley was reclining on the couch in stretch pants and a<br />
loose flowery dress of the recently popular style — high waisted and flimsy. I told her she was<br />
glowing expectantly.<br />
date.”<br />
“Oh, to heck with you,” she said. “I’m swelling. I’m displaying my condition. I’ll never get a<br />
Theo said, “I like that dress. I should have known you’d get pregnant when fashions turned to<br />
the maternity look.”<br />
“Yeah, clever funny guy. And get me some ice cream.” She laughed, then said, “I’m serious.<br />
So who’s the little friend, Matt?”<br />
“Little friend ha ha ha,” I said.<br />
Lizbeth said, “I’m Lizbeth.”<br />
“Lizbeth what?”<br />
“LaFleur.”<br />
Kelley nodded. “Well, isn’t that a coincidence?”<br />
“No,” said Lizbeth. “Not too much.” She looked down at the Kids R Us bag holding the mint<br />
green jumper and handed it to Kelley. “This is for the baby,” she said. “What trimester are you<br />
in?”<br />
“Whichever one demands the most ice cream,” Kelley said.<br />
“I’ll do it,” I said. “Where are Mom and ...”<br />
“Elliott,” Kelley said. “In the kitchen. Where you’ll find the ice cream.”
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“She’s not normally like this,” I told Lizbeth.<br />
“It’s the vitamins,” Theo said. “She’s healthy for the first time and can’t handle it.”<br />
Kelley said, “They’re making me take the vitamins! The health fascists! It’s all like Jack<br />
said. Now, you to go get ice cream. Both of you. So I can chat with Matt’s little friend.”<br />
“I’m going,” I said, and I went.<br />
The wallpaper in the hall seemed different, its pattern more intricate, the colors less vibrant;<br />
the floor, too, seemed canted at an odd angle. I turned a corner, shoulder jarring a spice rack with<br />
a bottle-rattling thump. Mom was seated at the table, chopping carrots while Elliott washed out a<br />
pot at the sink. Very domestic, very normal looking, very message delivered, I thought.<br />
“Hi, Matt,” she said.<br />
“Hi, Matt,” Said Elliott.<br />
And then I was sitting down, a sensation in my spine as though it had been a sudden or<br />
unexpected manoeuver. Mom was saying “... never this touchy when I was pregnant. Your<br />
father’s genes, probably. Are you okay?”<br />
“I’m just tired,” I lied. “I want to tell you two things. First, Lizbeth and I are married. Second<br />
... ” I had no idea what the second thing was. So I said, “I was lying about being okay. I think<br />
I’m coming down with something.”<br />
Mom turned the knife over and scratched at the stretch of wrist below her palm. Elliott said,<br />
“Married?”<br />
“The whole thing,” I said.<br />
Theo came in then and said, “Ice cream.”<br />
“Jesus,” said Mom. “What’s she doing with all that ice cream?”<br />
“Making an amniotic float,” Theo said.
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This struck me as unbelievably funny and I began laughing, hard. I doubled over, braced<br />
against the table and rocking with silent laughter. Caught streaky glimpses of floor and shoes<br />
from the slits of tear smeared eyelids. Then I was standing again, red-faced and dizzy. I stared at<br />
Elliott, who had moved to stand next to Mom, and I looked at Theo, then down the hall where I<br />
saw Lizbeth sitting on the edge of mom’s recliner. Realities began to overlap, images of my<br />
family I had held for so long destroyed by the simple realization that the people I had known all<br />
my life were not the same people they had been. I didn’t know them, I didn’t know me. I walked,<br />
head bent, hand cupped over my mouth, to the bathroom, where I vomited again. Then I walked<br />
back out to the living room, lay down on the couch, and abandoned myself to the flu.<br />
3.<br />
When I was in college I had minimal contact with Jack. I spent two summers with mom’s<br />
cousins in Ohio, and then moved into a house I found from an ad on a bulletin board, a house I<br />
shared with five other guys. I worked full time in a grocery store, then interned at a newspaper.<br />
Roommates set me up with good looking, disinterested sorority girls whom I dated, then stopped<br />
dating, with little emotional damage to either of us. To pass time between classes I hung out in<br />
coffee shops and rented movies. Contact with Theo led me to believe that Jack was trying to<br />
change, and I didn’t doubt it. I didn’t doubt he could change, if he tried hard. But I couldn’t see<br />
that it mattered if he did.<br />
He stayed sober, and along with drunkenness abandoned the exuberance of his wilder days.<br />
He moved around the house like a sedated replica of the former Jack. He quit his job at Bob<br />
LaFontaine’s garage to get away from the temptation of old drinking patterns. He stopped telling<br />
his stories, stopped talking at all about anything except the day to day affairs of keeping a house
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together. He repaired the stereos and radios and televisions that came in, but there were fewer<br />
and fewer now with the solid state equipment being turned out by Japan.<br />
Theo said he trusted Jack to remain sober even though no one else did. Theo said Jack had<br />
turned a corner, that getting arrested and slipping almost over the edge like he had was the final<br />
message. Mom and Kelley wouldn’t let themselves be fooled. Mom moved into the guest room<br />
and picked up a night job at a local drugstore. Kelley, when she was home (she had picked up<br />
another boyfriend, a college student and struggling poet), stayed in her room, reading and calling<br />
her friends. They waited, biding their time, for the final collapse.<br />
Three years later, in the heat of early autumn, it came. Mom found a half empty bottle of<br />
scotch under the sink, called the golf course where Jack had a part-time landscaping job, and<br />
found that they hadn’t seen him all day.<br />
She took Kelley and drove out to Davey’s, leaving a note for Theo to call her when he got<br />
home. Then she called me. In a brief, intense conversation in which she avoided specifics as only<br />
my mother can, she told me nothing you wouldn’t have expected to hear under the<br />
circumstances. She told me divorce was all but certain. She said she wanted to take control of her<br />
own life. That she had been foolishly optimistic and naive. That she hoped it wouldn’t hurt us as<br />
children too much, that we were old enough as adults to take things in stride. I made noises of<br />
agreement and consolation when it was that time for her to cry. Then I hung up, and when the<br />
phone rang a few minutes later I answered it again. It was Theo, at the house, saying he was<br />
going to stay at home and wait for Jack. He knew Mom would see it as taking sides, but it<br />
wasn’t. It was Theo making a choice of his own, out of a desire to be in a place where his choice<br />
mattered, making an adult decision. And even if it were a matter of taking sides, he said, then he<br />
was going to take Jack’s.
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I listened, my mind too enshrouded by shock to make any comments at all, barely registering<br />
the things he said. When it seemed like the appropriate moment I hung up, stood by the wall<br />
phone, stared at various things in my roommate’s room. The chunk of wood hacked from my his<br />
desk, the twisted yellow wreckage of his bedsheets. I went in, picked up one of his pens,<br />
inspected the raggedly chewed end. There seemed to be the same pattern of damage in the<br />
chewed pen as in the twisted sheets. Intrigued, I peered at the laundry in his closet and saw the<br />
same indescribably similar display of characteristics — whorls of cloth, an identifiable sense of<br />
roommate-inflicted compression — in the pile of shirts and mangled white jockey shorts.<br />
I was looking at samples of his handwriting when I saw him coming down the hall. Startled, I<br />
walked out to join him and stood, panicky, by the window. A car horn sounded from the parking<br />
lot below. Hey, Laffy, he said. I can’t remember his name now, only that he assigned me a<br />
nickname no one else used. He said, What’s going on?<br />
I was looking for a pen, I said, holding up the raggedly chewed Bic.<br />
Oh. You look kind of rattled.<br />
Well. I guess my parents are splitting up. Getting a divorce.<br />
No shit? he said.<br />
No shit, I answered.<br />
That’s gotta suck, he said.<br />
Jack disappeared without a word, and as the days of fall shortened into the days of early<br />
winter we expectantly waited. Mom and Kelley stayed with Davey, and Theo stayed at the<br />
house. He skipped school regularly and began hanging out with a rougher crowd. Because of his<br />
truancy the new vice principal, Elliott Festival, called my mother to find out what might be
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wrong. They met for lunch, they met for dinner, and things progressed from there. He would<br />
have dinner with Mom and Davey’s family; they would take Kelley and my cousins to free<br />
screenings of new movies. Kelley insisted they were lovers, and though I didn’t dwell on it, it<br />
was probably true.<br />
As a favor to my mother I made frequent visits to Clear Lake to check up on Theo. As often<br />
as not when I went out there he was gone, even if I called before leaving. Once or twice I found<br />
him smoking in the kitchen with a skinny, blond girl in bare feet and overalls. We would talk for<br />
a while, maybe grab some hamburgers, and when I got home I’d call Mom and tell her<br />
everything was fine. In the evenings I devoted myself to schoolwork. Far from being a<br />
distraction, the chaos of my life forced me into a steely concentration and my grades — always<br />
good, never great — began to show improvement. In one course we were reading the<br />
contemporary masters of the short story such as Carver, Munro and Ford. I felt free to roam<br />
amidst the sparseness of their prose and draw conclusions that pleased my teaching assistants and<br />
professor. A woman in my European History class took an interest in me so we went to a few<br />
movies and generally spent some time together. We talked about a lot of things, but not about<br />
Jack or my family, and my inability to open up to her eventually caused her to lose interest; we<br />
stopped seeing each other after about three months. It didn’t bother me. I can’t remember her<br />
name either. Life seemed calm and uncomplicated when I wasn’t being forced to think about<br />
Jack, and my only worry where he was concerned was that, unless Theo or Mom called, I wasn’t<br />
concerned with him at all.<br />
Then, one afternoon shortly after the woman I’d been seeing told me she’d rather not see me<br />
any more, I went out to the house to look after Theo. He wasn’t there, which wasn’t a surprise,<br />
but I stayed, opening up a book and reading it on the front porch. I had read a few pages and then
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gone inside for something to drink when Theo came home. He found me in the kitchen making<br />
lemonade. There you are, he said. We’ve been looking for you.<br />
I’ve been here, I said. Waiting for you. Who’s we?<br />
Me and Jack. He came by about an hour ago and we went to get you. Your roommate said<br />
you were out here. Come on. Jack’s taking us for a ride.<br />
It was a Thursday afternoon and on Fridays that semester I had only one class until Monday,<br />
which again had only one class, and after that I didn’t think any further. Life was uncomplicated.<br />
I didn’t think about anything but instead flowed on instinct. I followed Theo outside, and there<br />
he was.<br />
He was leaning against the fender of the brown Century, smoking, one hand stuffed into his<br />
jeans pocket. He was wearing his tattered white road jacket with the quilted collar and button-up<br />
cuffs.<br />
keys?<br />
I said, Where you been, Jack?<br />
Chicago. Detroit. Kansas City.<br />
Where we going?<br />
Davey’s cabin.<br />
I looked around, a tactical pause. Ran a hand over the back of my neck, and said, You got<br />
I got the keys, Theo said. From the house.<br />
Where after the cabin? I asked.<br />
Wherever you want to go, Jack said. He looked down at the book in my hands. What’s that,<br />
he said.
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class.<br />
I held it up. It was a copy of the Beat Companion, required reading for my modern poetry<br />
Shit, said Jack. I coulda been in that.<br />
We stopped to gas up the car, then headed north as a mist settled in and deepened into fog as<br />
the sky darkened and night set in. We drove through a dull white opacity laced with the bare<br />
branches of black trees, grasping at us like fingers.<br />
I stopped again, Jack said. Drinking. I had that three day bender and woke up in the morning<br />
ashamed again and somewhere in Onomonowoc, Wisconsin. Ashamed because being drunk is<br />
kid’s stuff. Anyone with a bottle can be a drunk. He winced, clutched at his side with one hand,<br />
cigarette ashes crumbling into his lap.<br />
I said, You okay, Jack?<br />
Right as rain, he said. I guess I missed knowing what it was like, being drunk. How liberating<br />
it was. How elemental the impulses are. How it makes your life seem simple, black and white,<br />
when it’s really just getting worse and worse. I missed not knowing exactly how long it had been<br />
since I lost control.<br />
Two years, eight months, six days, said Theo.<br />
I lost count in the units that mattered, Jack said. In the units my heart uses. He grimaced<br />
again, clutched his side through layers of cloth.<br />
Duluth was fog-muted city lights and the invisible specter of Lake Superior, a great cold<br />
mountain of water turned over to rest on its peaks. Jack piloted the car onto the state highway<br />
that would take us to the village-like cabins of Windy Point and the cabin Davey had bought in
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the a few years earlier, when his career had solidified at vice president of regional operations for<br />
General Cinema’s Midwest area.<br />
We came to the exit for the road to the cabin. Jack pulled over, rolled to a stop, idled at the<br />
intersection. The last time we had been out this way, in the first summer Davey had the cabin,<br />
the road had been newly paved and at the turnoff from the highway stood a new ten pump gas<br />
station and convenience store, and ground had been broken across the street for a Perkins. That<br />
site had never been developed and stood now as an empty sheet of pavement jutting into the<br />
grass. The convenience store had closed five of its pumps, and when we went in for supplies we<br />
discovered the rear quarter had been abandoned to empty, dust laden shelves under burned out<br />
light bulbs. We filled a basket with canned goods and overpriced bread and paid a young woman<br />
with jet black hair and purple nail polish. She asked Jack where we’d come from and when he<br />
said Minneapolis, she said she was planning on moving down there in a couple months.<br />
I suppose you think it’s pretty exciting down there, Jack said.<br />
Better than here, was her answer.<br />
Because Jack said he was tired, I drove the rest of the way. I had never driven the Century<br />
before. The steering was loose and the brakes were getting soft, but the engine still ticked evenly.<br />
A few miles from the cabin the road turned to gravel. We bounced along the rutted path for half<br />
an hour, tan dust kicking up behind us to mingle with the moist fog of the north woods. My rear<br />
view mirror was worthless, and ahead of the car I saw only two white cones of fog and blurred<br />
streaks of gravel.<br />
The cabin door was unlocked and slightly ajar. Jack pushed it open and tried the lights, but<br />
nothing happened. He stumbled around till he found the fuse box, tripped the breakers, and the
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lights came on. Someone had been there, probably kids from surrounding small towns come out<br />
to party. They hadn’t stolen or broken anything, but beer cans and empty bottles littered the floor<br />
and end tables, and in the kitchen soot blackened pans lay on spill stained counters. Jack<br />
inspected the disarray, found half a bottle of vodka and poured it down the sink as Theo and I<br />
watched. Kids, he said. Reminds me of long ago times, kind of thing I would have done at their<br />
age. Theo’s age, I guess.<br />
Guess I was never that age, I said.<br />
Doesn’ matter, Jack said. It was a long time ago.<br />
What are we doing here? Theo asked. He cleared a space on the couch and slouched into it,<br />
feet propped on the debris laden coffee table.<br />
We’re cleaning up, Jack said, pulling a white brassiere from the corner of a tasteful Monet.<br />
Then we’re going to wait until things downstate settle a little. There’s going to be lawyers and<br />
proceedings and court dates. I wanted you two to take a little breather before all that. He was<br />
putting beer cans into a brown paper grocery sack as he spoke, dropping them in with dry<br />
metallic rattling sounds. He stopped, clutched at his side again.<br />
See a doctor, said Theo.<br />
No doctors, said Jack. I haven’t seen a doctor since I was twelve. Besides, what if this pain is<br />
my ticket out? He laughed, and for a second looked like the old Jack. Brushed a hand through his<br />
hair, rubbed his mouth. Said, You boys think I’m kidding.<br />
He cleared off a chair, set the bag aside, sat down. He grabbed a soup bowl covered with<br />
burn marks and cigarette ash from the party and set it on his lap.<br />
Foo, said Jack. I’m plain tired. Wore out.<br />
I was still standing, looking around at the debris on the furniture.
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Have a seat, boys, Jack said. We’ll be here fer a while.<br />
I began looking for a spot I could clear to sit. Finally settled in on the couch, feet up on the<br />
coffee table. I watched Jack as he rubbed at his chin, ruffled his hair. Theo carried the supplies<br />
we’d picked up to the kitchen where he started putting things away.<br />
Jack fell asleep there. I took the cigarette from his fingers and the ashtray from his knee and<br />
set them back on the coffee table while Theo covered him with a blanket.<br />
What the hell are we doing? Theo said.<br />
Whatever he wants, I guess.<br />
We gathered some firewood, then built a fire and went to sleep. At some point the fire went<br />
out and the night turned cold and I shivered half sleeping until dawn, breathing into the space<br />
under my single blanket to retain what warmth I could.<br />
In the morning we scoured the grounds of the cabin for downed trees and stripped the small<br />
branches and carried back logs that we hacked at and split into firewood. It was good work that<br />
kept us warm and our minds off what was happening and why we were really there. And then as<br />
we were stacking the wood on top of the meager pile Davey had left for us, Jack said, A more<br />
philosophical person would give you two a big speech here.<br />
I wasn’t sure at first what he said. Theo said, What?<br />
Yeah, a decent father would have words of advice, something suitably moral laden that you<br />
could live by. He chucked a block of wood onto the pile. It was growing at a funny angle away<br />
from the cabin.<br />
No they wouldn’t, Theo said. I’ve met fathers like that. They say stupid things all day long.<br />
Things like Just apply yourself, and You’ve got to behave more responsibly.<br />
I’d never tell you that, Jack said.
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Damn right you wouldn’t, Theo said. He swung the ax into a log and wood chips jumped<br />
from the cut and settled on the ground. There was a chainsaw in the toolshed, a nice electric job<br />
that would have gone through the log in seconds, but we didn’t care.<br />
I said, I’m sure you’ll come up with something to tell us, Jack. Something good.<br />
Jack laughed. He said, Jesus. You still believe in the tooth fairy, don’t you buddy? But<br />
you’ve got a good heart. I know that much. It’s in there somewhere.<br />
He set another block of wood on the funny pile and took a look at it. He put both hands<br />
against the pile and leaned in and with a quick heave set it true to the cabin wall. Then he<br />
grabbed at his side again, breathed heavily a few times.<br />
He said, You guys remind me of me. Like parts of me got split out and dumped into two<br />
other people. And so what’s the point of me any more, I think sometimes.<br />
I wanted to say being Jack LaFleur is the point of you, but I figured he’d just push that back<br />
in my face as well, so I kept my mouth shut.<br />
Then Theo said, The point of you is your entire life.<br />
And Jack said, Are you trying to cheer my up or piss me off? Listen. Did I ever tell you two<br />
about the time I almost met Kerouac again? I was going to go down to St. Pete and see if he<br />
remembered me. I’d see if I had the balls to call him for giving my best lines to Dave Wain.<br />
He took the ax from Theo and hacked at the log as he spoke. He said, I went down there<br />
primed to meet him, set to knock on his door and walk in and talk to the man. I knew what he’d<br />
turned into, mind ya. Bitter ole drunken hermit who didden even want to see his own daughter so<br />
I’s pretty sure I wasn’t gonna get in myself, but what the F? It’d be a story to say Kerouac kicked<br />
me out of his house, anyway. So I hitched down to St. Pete where he’d holed up with his mother
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and wife to pretend to write, though nothing he wrote sold any more. His usefulness as a living<br />
person was over. Ready to pass into the sainted dead, he was.<br />
Jack had set the ax down after chopping a few times. His face was pale and he was sweating.<br />
You don’t look so good, Jack, I said.<br />
I been under stress, Jack said.<br />
I picked up the ax and took his spot over the log. Swung the ax into the notch he’d made,<br />
then did it again.<br />
Jack said, Back then it was one moment of beauty after another. There was an Idaho sunset<br />
from the back seat of a Greyhound bus I’d spent my last twenty dollars to get to Seattle. There<br />
was a Kansas City dawn filled with gold light where I woke up with best girl in the world by my<br />
side...<br />
We finished chopping and stacking the wood. It was early afternoon so we made some<br />
sandwiches, then found some rakes and started gathering leaves into a pile. Jack said, We should<br />
go to a movie later. Drive into town somewhere and find a theater and see whatever’s playing.<br />
Yeah, said Theo.<br />
I thought we were laying low, I said.<br />
Aye, said Jack. But he’d gotten that look in his eye and his hands were fidgety.<br />
You didn’t finish your Kerouac story, Theo said.<br />
Jack said, So I went down to St Pete, hoping to see Jack Kerouac again. See if he<br />
remembered me. Maybe I could tell him how delighted I was that he quoted me and pissed I was<br />
that he gave the speech to that bastard Lew Welch who he called Dave Wain. I’m hitching<br />
through Tennessee, through Alabama, and the weather is beautiful and the hitching easy if thick<br />
with hicks and bigots. Sunsets like oil paintings every night, sunrises like fire. Picked up a few
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road friends. Life seemed good, that good you only recognize later is the good that comes from<br />
final things. Around Jacksonville I pick up a paper and see he’s dead. His liver had collapsed the<br />
previous afternoon and he bled to death on the inside.<br />
I went down there anyway, walking like a robot, hitching like a derelict, which is what I felt<br />
like now that Kerouac was dead. I thought about Clear Lake, where things weren’t perfect but<br />
was better than anywhere else.<br />
We’d piled up the leaves in a big clearing behind the house. We should burn ‘em, said Jack.<br />
Get a bonfire roaring and snapping.<br />
I’ll find the gas, Theo said. He went to the utility shed and started moving things around, and<br />
soon returned with a red can and handed it to Jack.<br />
As he splashed gas onto the leaves Jack said, I walked by his house; by that time it was<br />
empty, everyone’d cleared out to Lowell for the funeral. It was just another house in just another<br />
city. So I headed back north. Figured it was finally time to try my hand at being a grown-up in a<br />
city where a good woman loved me.<br />
He lit a cigarette and tossed the match onto the leaves. The flame spread slowly, then the<br />
leaves caught and burned with a dark smoke that rolled upwards carrying burned out frameworks<br />
of leaves that tumbled from the rising column of heat back to the earth.<br />
Jack said, I suppose now I couldn’t even do that.<br />
Theo snatched up Jack’s pack of cigarettes, pulled one out and lit it. I think you don’t give<br />
yourself enough credit, he said.<br />
Jack took a drag, looked at me, then at Theo, and said, Maybe so.<br />
4.
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After the anthology was published it sold surprisingly well. It gained the attention of local<br />
media, with a short piece appearing in the books section of the paper. Then I was asked to appear<br />
on a radio show produced by NPR’s local affiliate. I did my best to relate the stories I best<br />
remembered. Spontaneous, ill-fated camping trips to the Tetons, a fall spent fire watching in<br />
Montana, the endless road stories. Of crashing hippie communes in Idaho, drunken midnight<br />
games of statue tag in San Francisco parking lots, a tagalong hitcher who slit his wrists one night<br />
as Jack slept in the back of an abandoned rail yard, leaving Jack to wake up and discover the<br />
body in a pool of dried blood covered in a thin grey layer of rail yard dust.<br />
But they weren’t my stories, and I felt guilty that I was riding Jack’s life to a kind of pseudo<br />
fame. So I read a few of the poems, and then told the interviewer some things that I remembered<br />
about Jack. The stories of him and me walking through Clear Lake, chatting with barbers and<br />
street sweepers. About him going out in the street at midnight and yelling whee-ha, and then later<br />
coming home and getting into shouting matches with the neighbor’s dog. I told about all the<br />
people who’d showed up unexpectedly over the years, the Nick Kastles and the strangers to us<br />
who Jack greeted like royalty.<br />
I even told them about the cabin. How he took Theo and me up to Davey’s cabin and how on<br />
the second morning we woke up and he wasn’t there. We poked around and outside the cabin,<br />
looked at the big burned out circle where we’d burned the leaves and twigs the day before. All<br />
we found was a note on the kitchen table that said Went to the movies.<br />
So we waited there, without a car, until rains came and the mid-afternoon sun started going<br />
down the western side of the sky. The phone was not connected, we discovered. We talked a<br />
little bit, about where he might have gone and if he was coming back. By early evening we
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figured he was gone, and even if he wasn’t, then so what? We’d start walking, make for that<br />
half-empty convenience store where we could find a phone and call mom. Go crawling back.<br />
Does it bother you what he said yesterday, I asked Theo as we set out.<br />
Does what bother me?<br />
What he said about he came north and married mom because basically he didn’t have<br />
anything better to do?<br />
That’s not what I heard, Theo said. I heard he was in love and wanted to start a family.<br />
Well, I heard something else, I said. I thought to myself that pretty much everything about<br />
Jack bothered me. The way he lived, the way he thought either too little of us or too much and<br />
couldn’t decide just to be our father and leave it at that. Better not to even think about it. So I<br />
didn’t.<br />
About half a mile down the road, tucked behind a bend, we found the Century of Doubt<br />
parked in the brush just beyond the shoulder. The keys were in the ignition and on the dashboard<br />
lay fifty dollars in a disorderly array of fives and tens. Some second car had left tracks in the<br />
mud, wide script-like patterns of arcs ending in points. Theo and I looked at each other, then at<br />
the car, then at the tire tracks in the mud. At the sky, at the trees, back to the car.<br />
We got in, and I started the engine and put the car in gear.<br />
Wait a second, Theo said. Where are we going?<br />
I stopped and thought about it.<br />
We could go anywhere, he said.<br />
It wasn’t true. So I drove home.
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The interviewer asked me in her concern-laden, overly intonated NPR voice if that had felt<br />
like a betrayal, and if I was devastated by his desertion of us. It’s what I would have asked, and<br />
it’s what you’d expect to hear. But it wasn’t really the case at all. Because Theo and I knew Jack.<br />
We knew that this was what he did, and part of us knew it was the last time he’d get a chance.<br />
Because three weeks later he was dead. That woman, whoever she was, dropped him off at a<br />
hospital in Duluth and disappeared; Mom broke off her relationship with Elliott and drove north<br />
to see Jack, taking the three of us along. He died quietly one night shortly after being admitted,<br />
the cancer in his stomach particularly efficient in its job. There were no stirring final words or<br />
actions, no resolution of old hard feelings. He just died, leaving it up to us to sort through what<br />
he had left behind. There was a funeral, and mourning, and the resumption of my life. We put<br />
him in the ground under a modest tombstone, one just big enough to chip the blade of any mower<br />
that tried to pass over it. Then we went on with our lives.<br />
I went back to school as quickly as I could and returned to my studies with a steely<br />
concentration I hadn’t had before and haven’t had since. I finished the semester with a 4.0, made<br />
the dean’s list, had an essay nominated for a composition award.<br />
Life became simple, free of entanglements and complexities. Things could have gone on in<br />
this way forever, and without Theo’s trip to Binghamton, they might have. Because I wouldn’t<br />
have stopped feeling safe, feeling clever, as though I had cheated the world by finding a<br />
relatively painless path through life. Jack was far from my mind, though it wouldn’t be fair, as I<br />
have said before, to say I f<strong>org</strong>ot.<br />
5.
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The book continued to sell into a second printing. Lately there has been talk about printing<br />
Jack’s section together with the poems that weren’t included in the anthology as a separate<br />
volume called Late to Rest: The Complete Works of Jack LaFleur. An independent film maker<br />
called asking for rights to film the poems as a movie (I don’t see how it would work, but we’re<br />
talking about it). I have been urged by lawyers to incorporate his memory into a holding<br />
company that will protect his image, likeness, and literary works against infringement. Old road<br />
friends of Jack’s call, they send letters, they want either a piece of his action or help in<br />
publishing their own work. I ignore most of it. Three different women have called claiming to<br />
have had affairs with Jack at various points in time, but I’m not sure about them. They could<br />
have, of course. None of them are Desdemona Williams, who remains, as far as I know, in<br />
Kansas City, married to her third husband.<br />
Kelley had her baby, which turned out to be a boy she named Owen Lawrence. Mom and<br />
Elliott are engaged now, they’re planning a quiet ceremony in the Spring, when she and Kelley<br />
and Owen will move into Elliott’s four bedroom house near the park in Clear Lake. Theo may or<br />
may not move along with them. He’s been hanging out with some of his friends who went to the<br />
University of Minnesota, and discovered that there are extension classes where he can study film,<br />
so he’s taking one. And then he found out there’s an option at the University to create your own<br />
degree program, so he thinks that’s what he’s going to do.<br />
I came home from work one day to find a package with no return address had arrived in the<br />
mail, and when I opened it I found an unlabeled videotape, the casing a dull grayish black except<br />
for the maker’s white logo. The lack of identification, its un-rewound state, the covert delivery<br />
system, all these things clearly marked it as Theo’s project, finished, edited and delivered.
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I put the tape in the machine, rewound it, settled back on the couch. Lizbeth was out<br />
working, having taken the night shift at a nursing home as the first best offer she was given. I<br />
was grateful for the time alone and slightly guilty to be happy in her absence, but I missed her as<br />
well. Things, as the say, worked themselves out in those months after we came home from New<br />
York, after she nursed me through that nasty five-day flu that wreaked my joints and made me<br />
babble incoherently. When she came home, usually after two in the morning, she would join me<br />
in our bed, and my sleep would become more sound.<br />
When the tape finally began to play there were several seconds of nothingness, the dead grey<br />
and white buzz of blank tape, then a blue screen, slanting lines, and a brief message reading<br />
“rewinding” next to a backwards running clock. When the clock hit zero the screen went blank<br />
and I heard a woman’s voice say, “Okay. I think it’s ready now.”<br />
The screen showed the building where Theo and I had gotten the camera, then cut to the<br />
supply room. Theo stood by the editing suite and said, “I’m stealing this camera from the place<br />
I’ve worked for less than a month. They made me promise to bring it back, but I don’t think so.”<br />
His face, backlit by fixtures against the far wall, turned from side to side as he spoke; the colors<br />
minimal, the barest of images. He says, “Let’s move out.”<br />
His image walks out through the gap between dividers and wall, into the studio with the<br />
camera following shakily and shooting from a low, disorienting angle. Theo walks quickly<br />
through the studio and into the maze of halls; the camera pans across the wall of images but only<br />
a few are visible. Spiro Agnew, Betty Page. Lenny is waiting in the hall by the exit, watching<br />
casually and holding a can of diet soda.<br />
“This is Lenny,” says Theo, talking to the camera. “Lenny’s a crazy bastard. Let’s see if we<br />
can get him to come along with us.”
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“So where you going?”<br />
They exit. The shot switches to the outside, from near Theo’s car. Lenny is standing by the<br />
building, laughing at something Theo has said, the troll on his shirt rippling.<br />
“Are you coming?” Theo says. Lenny looks stunned, thinking it over, and in the next shot he<br />
is in the car, the camera in the back seat shooting grainy silhouettes of Lenny and Theo’s heads<br />
before panning to shoot out the side window at passing trees and small houses.<br />
Lenny says, “So what’s the plan?”<br />
“The plan,” says Theo, “Is right now just to go out and ask people questions. Like, what’s the<br />
most dangerous thing you ever did?”<br />
“Hey, cool, man.”<br />
The car slows, stops, and as it moves through the intersection Theo says, “So what’s the most<br />
dangerous thing you ever did, Lenny?”<br />
“Oh, like me, man? I didn’t think you meant me.”<br />
“Don’t answer if you don’t want to.”<br />
“Heroin, man. Yeah. You’re totally like not there, only you’re so there at the same time you<br />
can only just be, like cottage cheese, man, but it can see. Big buggy eyed cottage cheese. And it’s<br />
you at the same time. I can see how people get hooked. Like tapping into oblivion. Is that the<br />
type of danger you mean?”<br />
Theo had taken the car onto the freeway. The camera pans from the drivers side across the<br />
rear window and out the passenger side window. Trees and grassy plains, clouds and blue sky in<br />
streaky cheap video; the typhoon hiss of wind in the microphone. “I just ask the question. Danger<br />
is danger,” Theo says.<br />
“Oh ... Angel Dust, man. I f<strong>org</strong>ot about Angel Dust. That’s fucking killer, man.”
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The scene cuts from the back seat of a car to the bluffs of the St Croix river. Theo is walking<br />
through trees and over rocks, the low jagged cliffs behind him looming dark against the late<br />
morning sun. Lenny walks into the picture carrying a midsize rock. He drops it, stares at it. Theo<br />
says, “We stopped at Lenny’s place to pick up some stuff. You okay, Lenny?”<br />
“Quesa tostada,” says Lenny. A woman comes into the picture, a gawky woman with long,<br />
tangled hair and freckled skin in a loosely fitting black dress. She approaches the camera with a<br />
natural smile, hemp necklaces dangling stone amulets and says, “Doing things in the woods,<br />
sunshine.”<br />
Theo says “One of the other things we picked up was Lenny’s wife, Zoe.”<br />
Zoe says to Lenny, “How about we do it?”<br />
Lenny says to Theo as the camera wobbles, “Can we?”<br />
Theo says, “Do what you want.” The camera, however, stays on Theo as he watches Zoe and<br />
Lenny move off to the side. “Kesey used to do things like this,” Theo says. “Him and the<br />
pranksters, which coincidentally included Neal Cassady, who appears as Dean Moriarty in<br />
Kerouac’s On the Road and as Cody Pomeroy in several other Kerouac novels. This makes him<br />
the only figure successfully involved in the two major counter culture movements of post-war<br />
America. Just a bit of trivia. Show them for a second.” The camera pans over to Lenny and Zoe,<br />
who despite plentiful love-making sounds are sitting three feet apart from each other, Zoe<br />
wearing Lenny’s shirt over her dress. Zoe takes off Lenny’s shirt, stands up, pulls her dress over<br />
her head. “Better pan back over here,” Theo says. Then, “It’s interesting. How some women look<br />
better with clothes on. “And pretty much all men.”<br />
Theo standing in front of a coffee shop in a scene I had not been involved with. He stands<br />
still for several seconds, waiting or just standing. He is wearing Lenny’s shirt, the faded green
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troll, under his now trademark black jacket. Then he is standing in front of a shopping mall in the<br />
same pose, still waiting. The scene shifts several more times, and it is always Theo standing<br />
slightly left of center, in front of several buildings. Somehow he’s managed to stand in the exact<br />
same spot in every scene. The Crystal Court, the Ordway, in front of banks, houses, skating<br />
rinks. In the last shot, standing against the wall of a Perkins, he says, “It’s always me. Wherever<br />
I am. Isn’t that crazy?”<br />
Then it is night, in a cemetery. People are standing around a mausoleum. Theo’s off-camera<br />
voice says: “They don’t know I’m here, and it’s better that way.” Several more seconds of this,<br />
and then the camera is on a woman in Uptown, pulling a purse strap up onto her shoulder. She<br />
says, “The most dangerous thing I ever did, is stay with my last boyfriend.” A clean cut man in a<br />
baseball cap says, “I played football my senior year without a cup.” A man in a business suit<br />
says, “I just quit my job.”<br />
Shot of a tall, thin man in a weary leather sport coat. He says, “I don’t know what you’re<br />
asking, kid. Is that a real question?”<br />
“Just what’s the most reckless thing you ever did. Craziest. Most likely to cause shitloads of<br />
trouble.”<br />
“You know I’m not saying anything real when the camera’s rolling.”<br />
“Yeah, yeah. I know you don’t have a real job or anything, but I’ve seen all the equipment<br />
you have in your house...”<br />
“I’d like to know what you’re going to do with that tape, first of all.”<br />
“Just say something.”
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“I do what’s necessary. And right now that is to say that perhaps as far as safeguarding my<br />
welfare, the most prudent strategy is to maintain as low a profile as possible. A state of perceived<br />
non-existence whether or not substantiated by fact would perhaps be low enough.”<br />
A shot from the roof of a building, still in Uptown, landmarks all around; Calhoun Square,<br />
Lake Calhoun, the marquis of the Suburban World Theater. “My father lived on the road for a<br />
long time.” Theo walks into view, sits on the ledge. “We didn’t see him much. He had a network<br />
of friends he would take off and see. Without telling us where he was going. He also wrote<br />
poetry, something else he didn’t tell us about. The call of Bohemia, I guess. Though it’s not that<br />
glamorous. I’m only eighteen and I’m already kind of sick of the whole alternative scene. Not<br />
that this area...” a wave of the arm “... Has anything to do with the alternative scene. Most of<br />
these shops are corporate owned. Most of the people here are just folks looking to spend money.”<br />
Another, perhaps the same, shot of the cemetery. “These folk, though. I don’t know what to<br />
call these guys. The true rootless. A purer breed built for survival. No conception of danger. I’ll<br />
be back.” He enters the picture, descends the slope. A jumpy cut where he disappears and<br />
reappears halfway down the hill, then another where he reappears in the middle of the group. He<br />
approaches one of them, Pauly, perhaps, and receives a brown paper bag, which he tucks into his<br />
belt, and then he starts coming back up the hill in the same sequence of cuts.<br />
Uptown, the rooftop, for a few brief seconds. Theo lights a cigarette and looks down on the<br />
intersection of Hennepin and Lake, walks to the camera.<br />
In the woods, again, this time in Founder’s Park on the shores of Clear Lake. Light snow<br />
cover, the sounds of feet crunching newly frozen ground. Sets the camera down with a series of<br />
swirling images poorly captured by the video tape, streaky glares of sky and branches, until<br />
finally the picture steadies, a shot from the ground of birch trees and water. Theo walks about
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fifteen feet away and says, “Neal Cassady died in Mexico, his body found by the railroad tracks<br />
where he’d been wandering, heading somewhere God knows where.” He pulls out the brown<br />
paper bag, removes the gun, checks the clip. He smiles, says, “I know none of this makes sense.<br />
It’s because I’m still learning how to do things. I’m still learning what it is I want to say. I am in<br />
the lion’s den, armed only with a my faith in the magic of a mystic world beyond our own.” He<br />
points the gun, an indistinct blur in his hands, at the camera. There seems for an instant to be a<br />
small point of light in the muzzle of the gun before the screen goes blank, returning to the grey<br />
and white buzz of uncoded tape it had begun with.<br />
Epilog<br />
It surprises you, the way the largest shopping mall in the United States can sneak up on you<br />
the way it does. No billboards, no flashing lights, only the barest of signs directing traffic and the<br />
surrounding landscape filled with trees and office parks and car dealerships and the ominous<br />
loomings of jet airplanes taking off and landing, huge black crosses moving at unsettling angles<br />
across blue sky. Then, driving under the freeway and through a lean arterial junction of<br />
underpasses and branching, divided highway it is there, a low, solid concrete monolith flanked<br />
by slant-layered parking ramps and orange traffic cones. Mall of America. The Mall of<br />
Mammon. HugeDale. The Mega-Mall.<br />
Cops direct you — the fiancé of your friend from Wisconsin, who is driving — around, up a<br />
ramp, into a free slot about two city blocks from the entrance to Nordstrom’s. The four of you<br />
step out of the car, stretching, confirming the presence and contents of purses and wallets. Pre-<br />
consumption rituals akin, your friend says, to hunting rites and fertility dances. Then you walk
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through the parked cars towards the entrance, looking out onto the surrounding development.<br />
She says, This will be your last view of the outside. You know malls never have windows.<br />
No windows, no clocks, you think, then say. Pure product divested of temporal and spatial<br />
constraints. The lessons of history made corporate and franchised.<br />
You walk through the shops, the vast concourses in various designs from steely metallic to<br />
warm earth tones, past fountains, through the masses of tourists from New York on day trips,<br />
past the locals on blind dates, past foreigners speaking in unintelligible tongues. Past the Western<br />
wear stores, the Chinese food stands, the Franklin Mint outlet, something called the Recycling<br />
Store. Numerous shops with nature and science themes — The Endangered Species store, the<br />
Nature Conservancy, a shop called Bare Bones selling medical charts and novelty keychains and<br />
make your own chewing gum kits. World’s strongest magnets. The nature stores all sell the kinds<br />
of things you used to see at National Park service souvenir shops — rocks laminated to index<br />
cards, pocket sized guide books to birds or cactuses, stones on black string necklaces and guides<br />
to the night sky made of phosphorescent stars on blue cardboard. Map stores and travel agencies<br />
and information booths for state tourism boards and reservation based casino gambling. She<br />
says, I guess people come here to get an idea of where else they might like to go.<br />
In the Hologram shop you stare at a variety of three dimensional images in eerie shades of<br />
copper and greenish blue: stuffed birds, crystal balls, motorcycles, copper haired women who<br />
lower sunglasses and wink as you walk by. In the windows of the sporting goods stores stand<br />
banks of television sets wired to perform as a single unit. While you walk by there is a football<br />
game from Florida, the picture sliced into twelve sections so the key elements — part of the<br />
offensive line, the fullback — are cut in half by dark margins between single televisions. She<br />
says, You can watch twelve TVs at once this way.
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Florida—Penn State, Her fiancé says.<br />
Your wife says, I almost went to Penn State.<br />
In the bookstores you see copies of your father’s book set up in a prominent display, a small<br />
tag saying Local Author helping to move the merchandise. You leaf through a copy, peer at the<br />
end pages to get a glimpse of your name. This is the kind of fame you enjoy. The photograph of<br />
your father on the back cover has been enlarged and placed on an easel where he can look out on<br />
the crowd as it passes by him, his enigmatic smile unsurprised; he saw all this coming years ago.<br />
Perhaps he would have hated it after all to be a pre-packaged product shrink-wrapped for<br />
consumption. Then again, maybe he would have loved it.<br />
Then your wife is tired, so you go into the amusement park and sit. You ask your wife how<br />
the baby is, and she says it’s fine. Your friend gives her consoling words, touches her stomach as<br />
her fiancé leans in close, punches you playfully on the shoulder and tells you you’re going to be<br />
a father. It is not certain whether he’s feeling jealous or lucky that it’s not him.<br />
You are in the center of the mall on the fringes of the amusement park, in the lazy shade of<br />
sunshine filtered through skylights and an intricate web of structural beams. Around you are<br />
exotic firs, underneath you a bench made of plastic formed into wood-grain, your feet resting on<br />
a cobblestone path of some resinous, stain resistant polymer. Strangers move past you on vague<br />
errands of the moment, on their way from one corner of this world to the next. The rides swirl<br />
around you, gleeful shouts echo off facades of plastic and neon. There is an odor of air<br />
conditioning, and chlorine from the log-flume ride; the animal scent of humans in fervent<br />
recreation. Around you the buzz is sexual, animalistic, the teenagers in makeup or leather or<br />
stringy dreadlocks, reveling in the liberation reduction to modern primal urges has brought to
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them. This is where we are, this is what we do now. You are safe, you think. You are where you<br />
were always meant to be.<br />
END