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NZPhotographer Issue 53, March 2022

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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PUTTING THE GEAR INTO PRACTICE - ON<br />

LOCATION AT TUNNEL POINT, DUNEDIN,<br />

OTAGO.<br />

Richard Young and I spent a great afternoon at<br />

Tunnel Point before one of our wildlife workshops.<br />

I’d seen pictures of Tunnel Beach before but had<br />

never been there myself, so it was a real treat<br />

to have a few hours with the place mostly to<br />

ourselves. Access is down a steepish track to a<br />

spectacular headland that juts into the sea. From<br />

here, a series of steps leads into a tunnel, and<br />

down to the beach below – however, this is only<br />

accessible at low tide and can be very dangerous<br />

when the tide is high or incoming.<br />

With waves crashing over offshore rock stacks and<br />

lapping around boulders at the base of the cliffs,<br />

there is huge scope for doing all sorts of different<br />

landscape photography: either details, a stitchtogether<br />

panorama, or telephoto shots of crashing<br />

waves.<br />

There are some exquisite colours on the cliffs, with<br />

the orange-yellow rocks combined with water<br />

streaks and green algae. Combined with the everchanging<br />

tide, this offers great possibilities for the<br />

landscape photographer. Just watch those surging<br />

waves, and don’t leave your bag on the sand!<br />

The three images here show the range of<br />

photography possible at Tunnel Beach: a detail of<br />

rocks and the incoming tide, a telephoto of waves,<br />

and a panorama stitched together from five<br />

vertical shots.<br />

The photo below was taken at the base of the<br />

Tunnel Beach cliffs using my 18-35mm Nikkor lens.<br />

Obviously I used a slowish shutter speed to get<br />

the movement of the sea washing in around the<br />

boulders.<br />

This next shot (top right) was taken using my 70-<br />

300mm Nikkor lens. The telephoto allowed me to<br />

zoom in on the rock stack, and I used a cable to<br />

release the shutter just as the wave crashed in. This<br />

time, I wanted to freeze the wave action, so used a<br />

fast shutter speed.<br />

In the last shot (bottom right), I switched back to<br />

my 18-35mm lens, taking four vertical shots and<br />

later stitching them together in-post. This method<br />

allowed me to capture the wide seascape. On the<br />

left is the same sea stack in the previous image.<br />

The wet sand provided some reflection of the cliffs<br />

above.<br />

16 <strong>March</strong> <strong>2022</strong> <strong>NZPhotographer</strong>

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