22.02.2022 Views

Village Raw - ISSUE 15

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The fifteenth issue of Village Raw includes: UPSTAIRS AT THE GATEHOUSE - A look at Highgate’s fringe theatre. GETTING TO KNOW - The poetry and music of rapper and artist TaliaBle. FROM PAINT TO PRINT - How lockdown closures led an 81-year-old to a new career. SPACE TO THROW - Local ceramics studios offering courses. INSIDE THE SHEPHERD’S COTTAGE - Inside a 17th century Highgate house. RIGHT UP MY STREET - How to set up a community street party. UPON MEETING A FOX (OR TWO) - Launching the On Local Nature community. FILL ’ER UP - Exploring the local zero waste refill scene. ASK OLA - Refocusing the mind and dealing with hay fever. AND MORE…

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The fifteenth issue of Village Raw includes:

UPSTAIRS AT THE GATEHOUSE - A look at Highgate’s fringe theatre.
GETTING TO KNOW - The poetry and music of rapper and artist TaliaBle.
FROM PAINT TO PRINT - How lockdown closures led an 81-year-old to a new career.
SPACE TO THROW - Local ceramics studios offering courses.
INSIDE THE SHEPHERD’S COTTAGE - Inside a 17th century Highgate house.
RIGHT UP MY STREET - How to set up a community street party.
UPON MEETING A FOX (OR TWO) - Launching the On Local Nature community.
FILL ’ER UP - Exploring the local zero waste refill scene.
ASK OLA - Refocusing the mind and dealing with hay fever.
AND MORE…

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VILLAGE RAW<br />

ART & CULTURE<br />

These pages: Basil Olton and students at Highgate Art School.<br />

es children and young people as well as adults. “People in our lessons<br />

are from the local community and they come from all walks of<br />

life, the demographic is quite wide including professionals, working<br />

parents and students (including 6th formers). Young people have<br />

moved on to foundation courses and degree courses, which we help<br />

prepare for because we’re both practising artists and we’ve worked<br />

at the Tate and South London galleries, so we’ve got quite a wide<br />

range of experience.” Olton continues: “We try to create a supportive<br />

environment where ideas can flourish, where you’re free to make<br />

mistakes and it’s all part of the learning process. You should have<br />

an idea of what you want to make, but be flexible in process, which<br />

works out with clay as well because clay itself has its own mind.”<br />

One thing that came up in talking to the different studios in the<br />

area is that learning is a two-way street and that artists are continually<br />

learning. And all three studios have had to rethink how they<br />

operate as the pandemic continues, from reduced class numbers<br />

at Ricky Grimes Ceramics to online courses at Highgate Art School<br />

during lockdown, and crowdfunding at Turning Earth. But the appetite<br />

to learn ceramics is still strong, so what are the studios hoping<br />

for in 2022?<br />

Basil Olton is looking forward to building the momentum created<br />

by the art school’s growing online presence, with plans to<br />

add another kiln, add more wheels and develop the space further.<br />

“We’ve been busy post lockdown. We were able to access more<br />

people, and we used social media a lot more during the lockdown.<br />

We’re busier now than before. I think people have needed an outlet,<br />

and it’s given us renewed enthusiasm by helping the people that<br />

creating art helps.”<br />

Tallie Maughan is excited to bring more people together at<br />

Turning Earth N22, and plans to open more studios elsewhere in<br />

London and beyond. But right now you can check out the Haringey<br />

space. “It’s a stunningly beautiful space with light streaming<br />

through loads of plants, lots of lovely wood furniture that’s all<br />

handmade. It’s a really beautiful space to come and spend time<br />

and really connect.”<br />

And for Ricky Grimes it’s all about keeping the kilns fired up and<br />

making sure everyone is safe and happy at the studio. “I hope that<br />

my customers keep well, those normal types of hopes, and that we<br />

don’t have too many problems with the kilns or anything like that.<br />

And I hope to have a lot more fun in the classes too.”<br />

Through facilitating spaces to learn and practise, these studios<br />

have forged communities made up of professional makers and<br />

happy hobbyists - where friendships, relationships and sometimes<br />

even new generations of curious, creative people are moulded<br />

alongside the clay.•<br />

For information on classes from beginner to intermediate and membership at Highgate Art<br />

School/HalfaDozen Studio, Ricky Grimes Ceramics or Turning Earth visit:<br />

www.highgateartschool.com<br />

www.rickygrimes.co.uk<br />

www.turningearth.org<br />

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