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Village Raw - ISSUE 15

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The fifteenth issue of Village Raw includes: UPSTAIRS AT THE GATEHOUSE - A look at Highgate’s fringe theatre. GETTING TO KNOW - The poetry and music of rapper and artist TaliaBle. FROM PAINT TO PRINT - How lockdown closures led an 81-year-old to a new career. SPACE TO THROW - Local ceramics studios offering courses. INSIDE THE SHEPHERD’S COTTAGE - Inside a 17th century Highgate house. RIGHT UP MY STREET - How to set up a community street party. UPON MEETING A FOX (OR TWO) - Launching the On Local Nature community. FILL ’ER UP - Exploring the local zero waste refill scene. ASK OLA - Refocusing the mind and dealing with hay fever. AND MORE…

Village Raw is a magazine that explores cultural stories from Crouch End, East Finchley, Highgate, Muswell Hill and the surrounding areas. The magazine is created by the community, for the community. If you like this issue you can support the project through a subscription or donation. See the links below. The fifteenth issue of Village Raw includes:

UPSTAIRS AT THE GATEHOUSE - A look at Highgate’s fringe theatre.
GETTING TO KNOW - The poetry and music of rapper and artist TaliaBle.
FROM PAINT TO PRINT - How lockdown closures led an 81-year-old to a new career.
SPACE TO THROW - Local ceramics studios offering courses.
INSIDE THE SHEPHERD’S COTTAGE - Inside a 17th century Highgate house.
RIGHT UP MY STREET - How to set up a community street party.
UPON MEETING A FOX (OR TWO) - Launching the On Local Nature community.
FILL ’ER UP - Exploring the local zero waste refill scene.
ASK OLA - Refocusing the mind and dealing with hay fever.
AND MORE…

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VILLAGE RAW<br />

ART & CULTURE<br />

SPACE TO THROW<br />

There is a deep love of ceramics and pottery in the UK, with more<br />

people looking to take up the craft both as hobbyists and artisans.<br />

Words by Becky Lima-Matthews. Photos by Kate Kuzminova.<br />

The long months of lockdown have inspired people to take up<br />

crafts and this winter The Great Pottery Throw Down returned to<br />

our screens. According to the Crafts Council, pottery made up 74%<br />

of crafts bought between 2018 and 2020, and the biggest buyers of<br />

ceramics today are under 35. But people from different age groups<br />

and backgrounds want to come together to learn how to throw. And<br />

all three studios we spoke to have personal experiences and reasons<br />

for sharing their skills with those who want to learn.<br />

Ricky Grimes Ceramics is a studio based behind his home in<br />

Muswell Hill. Ricky is a practising artist and runs classes alongside<br />

his colleague Jenny Williamson. But he started his career in electronics<br />

in Glasgow, before coming down to London in the mid-80s<br />

where he took a job as a baker in Neal’s Yard then later took a City &<br />

Guilds course in pottery which led to him swapping dough for clay.<br />

After working in schools and later in adult education, Grimes set up<br />

his own studio in 2003 to teach ceramics and pottery courses for<br />

adults. “It’s really taken off since then, especially in the last five,<br />

six years,” he explains. “I expanded the studio and allowed for more<br />

wheels. And demand has been very high. Especially now The Great<br />

Pottery Throw Down is back on, so enquiries have spiked again.”<br />

People come to his classes to learn throwing, hand-building and<br />

the studio is also set up for Japanese Raku Firing too.<br />

Raku translates as enjoyment or happiness, and the technique<br />

goes back to the 16th century. It’s a fast-firing technique where<br />

bisque fired pots are dipped in glaze and brought rapidly to temperature<br />

until the surfaces have a shiny orange-yellow glow and<br />

the glaze smoothes out. Then they’re extracted from the kiln with<br />

tongs and covered in leaves and sawdust to build a lustrous and<br />

crackled smoky surface. “You pick up the lid of the kiln and that’s<br />

when everybody always goes ’wow!’. People enjoy it because of its<br />

excitement factor, it’s very visual and immediate.”<br />

Raku is just part of what Ricky Grimes offers and pottery isn’t<br />

just a passing interest for people that come to his studio, and you<br />

only need to peek at his Instagram to see there is plenty of room<br />

to play while you learn, with his pets making the odd appearance<br />

too. “My classes are fun, sometimes people are intimidated by it all<br />

when they first come but I’m quite funny, and I’m very gentle with<br />

people when I’m teaching.”<br />

Making ceramics a more accessible craft was the vision behind<br />

Turning Earth. Founder and creative director Tallie Maughan was<br />

14 <strong>15</strong><br />

Opening page: Ricky Grimes in<br />

his studio. This page: Jenny<br />

Williamson at the wheel.

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