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Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

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26 Chapter 2 What Is a Play?

That drama is a category of literature does not

mean that it is necessarily serious, much less

profound. Shakespeare, for example, is best

known for his tragedies, but his comedies are

among the greatest theatrical achievements

of all time. This hilarious 2014 production of

his Comedy of Errors was directed by Blanche

McIntyre at the replica of Shakespeare’s Globe

Theatre in London, with Matthew Needham (left)

as Antipholus of Ephesus and Jamie Wikes as

Dromio of Ephesus. © Geraint Lewis

Megan Mullally and Nathan Lane laugh it up in

Terrence McNally’s It’s Only a Play, a theatrical

satire about the theatre itself, which opened

on Broadway in the 2014–2015 season. © Sara

Krulwich/The New York Times/Redux

Dramaturgy: The Construction

of Drama and Dramatic

Performance

A play is action, but it is patterned action. Unlike the

action of, say, a street riot, dramatic action has clearly

identifiable components and a specified beginning and

ending. Even when improvised or radically experimental,

a play’s dramatic action tends to be crafted in

well-understood compositional patterns. We call these

patterns a play’s dramaturgy.

Action provides a play’s thrills and excitement; dramaturgy

provides momentum and meaning by allowing

the action to become increasingly compelling and significant

as the play heads toward its eventual climax and

resolution. Dramaturgical devices lead an audience to see

the play’s action as consequential rather than as a random

series of events. So while a street riot may be action, dramaturgy

would lend structure and shape by determining

how we experience the riot: Which characters do we follow?

What events do we see unfold on stage? What information

do we find out—and when? Action gives us the

block of clay, but dramaturgy sculpts it. And the most

successful dramaturgy, even when buried deep within a

play’s dialogue and appearance, can create a profound

engagement with the audience’s thoughts, fantasies, and

feelings.

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