Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

I-10 Index
Kazan, Zoe, 105
Keach, Stacy, 203
Kean, Charles, 146
Kean (Sartre), 313
Keitel, Harvey, 45
Keller, Helen, 35, 53
Kelly, Robert, 77
Kern, Jerome
Show Boat, 243
Sunny, 243
Very Good Eddie, 243
Kertész, Imre, Kaddish for an Unborn Child, 163
Kettering, Magge, 203
Kharms, Daniil, 302
Kiler, Kevin, 179, 186
The King and I (Rodgers and Hammerstein), 245
King Lear (Shakespeare), 19, 23, 30, 47, 61, 62,
117, 147, 162, 168, 269, 304
King’s Men (Shakespearean troupe), 11, 202
Kingsley, Eleanor, 177
Kinky Boots (Fierstein), 252
Kiss Me Kate (Porter), 245
Kitchen Dog Theatre (Dallas), 260
Kitt, Tom, Next to Normal, 253
Klimt, Gustav, 281
Klopatek, Chris, 293
Kneehigh Company (UK), 315
“A Knight Out” (Gay Games, 1994), 266
Knight, Vin, 272
Knightley, Keira, 58
Koch, Ted, 24
Kohler, Adrian, 134
Kolyada, Nikolai, 314
Kolyada Theatre (Russia), 314
Korins, David, 266
Kramer, Larry, The Normal Heart, 266, 268
Krieger, Sascha, 306, 307
Kron, Lisa, 254
Kronzer, James, 303
Kucharski, Joe, 135
Kukucka, Florence, 13
Kulick, Brian, 98
The Mysteries production, 198
Kung Fu (Hwang), 76, 262
kunqu (Chinese opera), 207–208, 207
Kushner, Tony
Angels in America, 22, 35, 74–75, 129,
157, 266
Brecht’s Mother Courage and Her Children
adaption by, 76
A Bright Room Called Day, 75
Caroline, or Change, 75–76, 252, 253
early life and career, 75
Homebody/Kabul, 75, 263
Intelligent Homosexual’s Guide to
Capitalism and Socialism with
a Key to the Scriptures, 76
Slavs! Thinking about the Longstanding
Problems of Virtue and Happiness, 75
Kuti, Fela Anikulapo, 249, 252
Kuzmanic, Ana, 289
Kvetch (Berkoff), 30
LaBute, Neil
The Distance from Here, 274, 276
Fat Pig, 65–66, 288
In the Company of Men (film), 78
Medea Redux, 80
The Mercy Seat, 99
photo essay about life and career of, 78–80
as playwright and director, 60
reasons to be happy, 78
reasons to be pretty, 78
The Shape of Things to Come, 78
Wrecks, 78, 79, 80, 281
Lachiusa, John, The Wild Party, 252–253
Lady Be Good, Oh, Kay! (Gershwin and
Gershwin), 243
Lady in the Dark (Hart), 245
Laguna Playhouse (California), 293
Lahr, John, 85
Lalonde, Nicole, 181, 183
Landau, Tina, 258
Lane, Nathan, 14, 26, 216
Langhoff, Matthais, 298
Lansbury, Angela, 54
The Laramie Project: Ten Years Later
(Kaufman), 25
The Laramie Project (Kaufman), 25
Latin American theatre
Los Conquistadores (Thenon), 294
Contact (Stroman), 294
Latina and Latino dramatists, 260, 262, 263,
264, 264
Latin theatre, 260, 262, 263, 264, 264
Latino Teatro (Los Angeles), 264
Latino Theatre Alliance (Austin), 264
Law, Cardinal Bernard, 272
Law, Jude, 18
Lawrence, Karen, 293
Lay Me Down Easy (Smith), 283
LeCompete, Elizabeth
Hamlet with The Wooster Group, 154
“The Wooster Group version of Vieux Carré ”
direction by, 152
LEDs (light-emitting diodes), 107, 111
Lee, Bruce, 76, 262
Leguizamo, John, 282, 283
Lehar, Franz, The Merry Widow, 243
Lehrer, Scott
early life and career of, 129
photo essay of career of, 129–131
rehearsals for Happiness, 131
sound design approach taken by, 129–130
South Pacific sound design by, 129
Leo X, Pope, 107
Leon, Kenny, 260, 261
Leonard, Robert Sean, 259
Leonardo da Vinci, 107, 136
Leonce and Lena (Büchner), 144
Lepage, Robert, 296
Lerner, Alan Jay
Brigadoon, 245
My Fair Lady, 242, 245
Leroux, Jean-Pierre, 204, 298
A Lesson from Aloes (Fugard), 298
Letts, Tracy
August: Osage County, 40, 288, 289, 291
roles played by, 11
Levy, Drew, 131
Lewis, Juliette, 90
Liberian Girl (Atuona), 261
Library Theatre (England), 236
Lieutenant of Inishmore (McDonagh), 273, 297
The Life and Death of Marina Abramovi[x107]
(Wilson), 148
The Life And Times of Chang and Eng
( Gotanda), 262
The Life and Times of Joseph Stalin (Wilson),
301
A Life in the Theatre (Mamet), 49
Life is a Dream (Calderón de la Barca), 260
Life X 3 (Reza), 304
lighting-board operators, 142
lighting design, 104–105, 142
Chekhov’s Ivanov, 95
contemporary lighting design, 107–108
electrical, 90, 107
ellipsoidal reflector spotlight (ERS), 111
fixed-focus spotlights, 111
fresnel spotlight, 111
importance and development of the stage,
106–107
The Insulted and Injured (Neumann), 109
LEDs (light-emitting diodes), 107, 111
light plot, cue sheet, calling book used in,
108, 110
lighting designer at work, 108, 110–111
Much Ado about Nothing, 106
parabolic aluminized reflectors (PARs), 111
Private Lives (Coward), 109
as scenery material, 97
Six Dance Lessons in Six Weeks light plot, 110
verisimilitude and atmosphere goals of, 108
visibility and focus considerations of, 108
lighting designers
Don Holder photo essay, 112–115
the work of the, 108, 110–111
“likeness to life,” realism conceived as
laboratory for examining, 215–216
Lincoln, Abraham, 82
Lincoln Center Theatre Festival, 144, 196, 279,
283, 305
Lincoln (Spielberg), 76
Lindsay-Abaire, David
Good People, 172
Rabbit Hole, 62, 291
Lingzhi, Liu, 212
The Lion King (film), 250
The Lion King (musical), 2, 94, 115, 133, 242,
250, 252
Lithgow, John, 135, 288
The Little Clay Cart (Sudraka), 206
Little Dancer (Stroman production), 248
Little Johnny Jones (Cohan), 243
The Little Mermaid (musical), 250
A Little Night Music (Sondheim), 248–249
“The Little Things You Do Together”
( Company), 248
Liu Yilong, 30
live performance
description of, 16
unique characteristics of, 16–17
Llana, Jose, 284
Lloyd, Paul, 297
Lloyd, Phyllida, 154
Lockhart, Dugald Bruce, 270
Loesser, Frank, Guys and Dolls, 135, 245
Loewe, Frederick
Brigadoon, 245
My Fair Lady, 242, 245
Logan, John, 12
Lombardi (Simonson), 10
Loncaric, Katrina, 149, 151
Long Day’s Journey into Night (O’Neill), 220
Long Friday, 163
Long, William Ivey, 14
Look Back in Anger (Osborne), 29
López, Josefina, Real Women Have Curves, 260
Lopez, Robert
Avenue Q, 133, 153, 253, 254, 284
The Book of Mormon, 103, 103, 242, 252,
254, 254, 288