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Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

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Index I-9

Hudson, Richard, 94

Huizhu Sun, 212

Humble Boy (Jones), 97

Hume, David, 23

The Hunchback of Notre Dame (musical),

250–251, 251

Hungarian Theatre (Cluj, Romania), 144, 225,

300

Hunt, Peter, 174

Hunter, Kathryn, 34, 305

Huntington Theatre Company, 220

Huppert, Isabelle, 118

Hutchings, Geoffrey, 29

Hwang, David Henry

Cain and Abel, 262

Chinglish, 76, 262, 263, 266

early life and career of, 76

Flower Drum Song, 76, 252

FOB (for Fresh Off the Boat), 76

Golden Child, 76, 260, 262

Kung Fu, 76, 262

M. Butterfly, 76, 260

Yellow Face, 76, 77, 262

Hytner, Nicholas, 252

I Am My Own Wife (Wright), 47, 52, 267, 281

Iacucci, Lisa, photo essay of Broadway stage

manager, 139–140

Ibsen, Henrik

A Doll’s House, 163, 217, 217

An Enemy of the People, 217

Ghosts, 217

Hedda Gabler, 213

Peer Gynt, 217–218

as pioneer of realism, 217–218

symbolist influence on, 221

When We Dead Awaken, 221, 222

The Wild Duck, 32–33, 218

The Iceman Cometh (O’Neill), 216

Idiot Savant (Foreman production), 223, 223

If/Then (Yorkey), 63

Iglarish, Hugh, 104

The Ilks (Brook), 306

The Illusion (Corneille), 75

“I’m a Yankee Doodle Dandy” (Cohan), 243

“immersive theatre,” 284, 286

Imperceptible Mutabilities in the Third Kingdom

(Parks), 77, 81

impersonation of characters

as element of the art of theatre, 12–13

masks used to convey, 13–14

“Imponderabilia” (Abramović), 271

In the Blood (Parks), 76–77

In the Company of Men (film), 78

In the Heights, 252

In the Next Room (or the vibrator play) (Ruhl),

83, 84–85, 84

In Treatment (TV show), 74

Indian drama

kathakali (story play), 206, 207

Natyasastra doctrines of, 206

Sanskrit theatre, 206

Indiana Repertory Theatre, 106

Inge, William, as gay playwright, 265

The Insulted and Injured (Neumann), 109

Intelligent Homosexual’s Guide to Capitalism

and Socialism with a Key to the Scriptures

(Kushner), 76

intensity of play, 71–72

internal acting method, 38–39

International Center of Theatre Research, 306

international theatre

African American theatre, 258–259

Americans traveling to experience London

theatre, 295–296

Asian theatre, 260, 262, 266

Australian theatre, 296, 298

Canadian’s bilingual theatre, 262–263, 296

current Latin American theatre, 294

Eastern European government censorship,

147, 156

Eastern European theatre, 299–300

French theatre, 262–263, 298, 298

German theatre, 298

global events and, 260, 262

increasing availability to a global audience,

294–295

Irish theatre and a global audience, 296, 297

Japanese drama, 209–213

Latin American theatre, 260, 262, 263,

264, 264

macaronic (mingling mix of languages) as

part of, 262–263, 265

Native American theatre, 262, 265

Romanian theatre, 156, 299–300

sexual-preference issues, 265–266

South African theatre, 298, 300

Stratford Shakespeare Festival (Canada),

296, 299

xiqu (Chinese opera), 30, 30, 207–209

Into the Woods (Sondheim), 40, 249

intrigue of play, 64–66

The Intruder (Maeterlinck), 221

The Invention of Love (Stoppard), 94, 259

Ion (ancient Greek rhapsodist), 39

Ionesco, Eugène

The Bald Soprano, 27

Rhinoceros, 156

theatre of the absurd works by, 232

Iphigenia at Aulis (Mitchell production), 307

Irish theatre, 296, 297

Irving, Amy, 281

The Island (Fugard), 298, 300

Italian Renaissance theatre, commedia dell’arte

of, 199, 201–202

It’s Only a Play (McNally), 26

Ivanov (Chekhov), 39, 95, 307

Ives, David, Venus in Fur, 38

Iveson, Mike, 272

Jackson, Angus, 51

Jackson, Samuel L., 261

Jacobs-Jenkins, Branden, 126

Jacobs-Jensen, Branden, An Octoroon, 265

Jacobs, Sally, 93

Jacoby, Ben, 293

James, Brian d’Arcy, 125

James I, King of England, 241

Jankens, Palmer, 179, 182

Japanese drama

bunraku (puppet-theatre), 133, 211, 213

kabuki, 32, 211–213

Nō, 116, 125, 209–211

Japanese theatre posters, 32

Jarry, Alfred

antirealistic approach by, 224–225

Ubu Roi (King Ubu), 221, 224–226, 225, 292,

306, 307

Jellison, Erin, 198

Jelly’s Last Jam (Wolfe), 249

Jensen, Howard, War of the Roses, 136

Jerome Robbins’ Broadway (Robbins), 247

Jerry Springer, The Opera (Thomas), 252, 253

Jersey Boys (musical), 242

Jesus Christ Superstar (Webber), 251, 299

The Jet of Blood (Artaud), 230–231

Jewish bar mitzvah ritual, 189

jingju (Beijing opera), 208

Job Experiment (Maniutiu), 161

Joe Turner’s Come and Gone (Wilson), 70–71

Johannson, Scarlett, 18

John, Elton

Billy Elliott, 253

The Lion King music by, 250

John Golden Theatre (New York), 153

Johnson, James P., Runnin’ Wild, 243

Johnson, Lyndon B., 63

La Jolla Playhouse (San Diego), 262

Jones, Basil, 134

Jones, Bill T., 252

Jones, Charlotte

as English dramatist, 295

Humble Boy, 97

Jones, Inigo, 91

Jones, James Earl, 47

Jones, LeRoi, 258

Jones, Robert, 99

Jones, Sarah, 269

Jonson, Ben, 202, 241

Jordan, Shari, 149

Jósef, Bartha, 147

Joseph and the Technicolor Dreamcoat

( Webber), 251

Jouvet, Louis, 119

Judd, Ashley, 18

Jue, Francis, 77

Julius Caesar (Shakespeare), 116, 120, 154

K-2 (Meyer), 96

Ka Mountain (Wilson), 22, 301

kabuki (Japanese theatre), 211–213

advertisement for, 32

Kagami Jishi (The Lion Dance), 210

Kaidan Chibusa no Enoki (or The Ghost Tale

of the Wet Nurse Tree), 279

Kabuki-za theatre posters, 32

Kaczorowski, Peter, 14

Kaddish for an Unborn Child (Kertész), 163

Kafka, Franz, 304

Kagami Jishi (The Lion Dance) [kabuki

dance-drama], 210

Kahn, Michael, Henry IV, Part II directed by,

203

Kaidan Chibusa no Enoki (or The Ghost Tale of

the Wet Nurse Tree) [kabuki masterpiece],

279

Kalidasa, Sakuntala and the Ring of

Recollection, 206

Kander, John, 149

Kane, Sarah

Blasted, 256, 273–274, 275

4:48 Psychosis, 73

Kani, John, 300

Kanin, Garson, Born Yesterday, 38, 124

Kankuro, Nakamura, 279

Kantor, Tadeusz, 306

Kaos (Clarke), 281

kathakali (story play) [India], 206, 207

Kaufman, George S., You Can’t Take It With

You, 4, 115

Kaufman, Moisés, 25, 118

Kavsdze, Irina, 280

Kazan, Elia, 19, 45, 174

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