Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

Index I-7
The Fault in Our Stars (film), 13
Faust (Goethe), 98
Faust (Purcarete production), 300, 303
Fela! (Soyinka), 249, 252, 252
Fences (Williams), 260
Fennario, David, Balconville, 262
Ferber, Edna, Show Boat, 243–244
Fever (Rebeck), 82
Fiddler on the Roof (Bock and Harnick),
176, 245
Fields, W. C., 242
Fierstein, Harvey, 252
59 Productions, 134, 136
Filipino theatre troupe protest, 312
Filippusdottir, Nina Dogg, 89
films. See American cinema; cinema
Finley, Karen, Shut Up and Love Me, 271
Fiorello! (musical), 242
Fires in the Mirror (Smith), 281
first hands, 142
Fischer, Jenna, 78
fixed-focus spotlights, 111
Flea Theatre (New York), 260, 262
The Flick (Baker), 291
Flora the Red Menace, 149
Flower Drum Song (Hwang production), 76, 252
Flower Drum Song (Rodgers and Hammerstein),
76, 245
The Fly (Shore), 76
FOB (for Fresh Off the Boat) [Hwang], 76
Follies (Sondheim), 248
follow-spot operators, 142
Fonda, Jane, 53
Fool for Love (Shepard), 31, 90
football player grease strips, 126
The Forbidden Zone (Macmillan) [Mitchell
production], 308, 309
Ford, Rick, 179, 185, 186
Foreman, Richard, 223
Fort, Paul, 221, 222
42nd Street, 247
Fosse, 247
Fosse, Bob
All That Jazz (film) choreography by, 247
Cabaret (film) choreography by, 247
Chicago choreography by, 247
Damn Yankees choreography by, 245, 247
Dancin’ choreography by, 247
Fosse choreography by, 247
The Pajama Game choreography by, 245, 247
Foster, Jodie, 304
Foundry Theatre, 234
4:48 Psychosis (Kane), 73
Franco, James, 18
Franney’s Way (Nelson), 130
Frantic Assembly, 93, 295
Fraser, Patricia, 219
Frayn, Michael, Noises Off, 313
Freak, 283
Free Southern Theatre (New Orleans), 276
Freedman, Robert L., A Gentleman’s Guide to
Love and Murder, 47, 52, 136, 252, 288
Freeman, Morgan, 269
Frelich, Phyllis, 267
French avant-garde
definition of, 224
Ubu Roi (King Ubu) [Jarry] example of, 221,
224–226, 225
French theatre
Comédie Française (France), 117, 155, 170,
205, 298
macaronic (mingling mix of languages) in,
262–263
national theatres supported in contemporary,
298, 298
fresnel spotlight, 111
Freud, Sigmund, 215, 221
Friel, Brian
Here I Come: Translations; Dancing at
Lughnasa, 296
Philadelphia, 296
Friml, Rudolf, The Vagabond King, 243
Fringe Festival, 288
The Frogs (Aristophanes), 194
The Frybread Queen (Dunn), 262, 265
Fucking A (Parks), 63
Fuertzabruta (Brute Force) [De La Guarda], 282
Fugard, Athol
Coming Home, 298
The Island, 298, 300
A Lesson from Aloes, 298
Master Harold...and the Boys, 298
My Children! My Africa!, 298
Playland, 298
as playwright and actor, 60
Sizwe Banzi Is Dead, 298
The Train Driver, 298
Valley Song, 298
The Full Monty, 252
Fuller, Charles, A Soldier’s Play, 258
Fullerton, Michelle, 179
Fun Home, 252, 254, 288
Funny Face (Gershwin and Gershwin), 243
A Funny Thing Happened on the Way to the
Forum (Sondheim), 248
furniture and props, 98–99
Gabriadze, Rezo, 283
Gad, Josh, 254
Gala Hispanic Theatre (Washington), 264
Galileo (Brecht), 25, 134
games/sports, shared history of ancient Greek
theatre and, 11
Gandolfini, James, 302
Garayua, Gloria, 263
Garcés, Michael John, 278
Gardarsson, Gisli Orn, 89
The Garden of Earthly Delights (Clarke), 279,
280
Gardiner, Matthew, 303
Gate Theatre (Dublin), 296
gay and lesbian issues, 265–266, 267
Gay Games (New York, 1994), 266
gay playwrights, 265
Gay Theatre Festival (Dublin), 266
Genet, Jean, 300
Artaud’s influence on, 231
The Blacks, 126
The Maids, 118
theatre of the absurd works by, 232
A Gentleman’s Guide to Love and Murder
( Lutvak and Freedman), 47, 52, 136,
252, 288
George II, Dule of Saxe-Meiningen, 146
German theatre
dramatic activity of modern, 298
Meiningen theatre style, 146
Theatertreffen (Theatre Meeting) held
annually in, 298
Gershwin, George
Funny Face, 243
Girl Crazy, 243
Lady Be Good, Oh, Kay!, 243
Of Thee I Sing, 242, 244
Porgy and Bess, 154, 244, 244
Strike Up the Band, 244
Gershwin, Ira
Funny Face, 243
Girl Crazy, 243
Lady Be Good, Oh, Kay!, 243
musical lyrics of, 243, 245
Of Thee I Sing, 242, 244
Porgy and Bess, 154, 244, 244
Strike Up the Band, 244
The Gershwins’ Porgy and Bess (Parks), 154,
249–250, 259
Getsevich, Elena, 314
Ghetto Klown, 282, 283
The Ghost Quarter, 286
Ghosts (Ibsen), 217, 218
Gibson, William, The Miracle Worker, 35, 53
Gielgud, Sir John, 119
Gielgud Theatre (London), 133
Giguere, Amanda, 304
Gilbert, W. S.
HMS Pinafore, 242
The Mikado, 242
The Pirates of Penzance, 241, 242
Gill, Peter, 200
Gillard, Françoise, 205
Giordano, Tyrone, 268
Girard, Philippe, 162
Giraudoux, Jean
The Madwoman of Chaillot, 119
Ondine, 136
Girl Crazy (Gershwin and Gershwin), 243
Give ‘Em Hell Harry!, 281
“Give My Regards to Broadway” (Cohan), 243
The Glass Menagerie (Williams), 29, 53, 99, 135
Glass, Philip
Monsters of Grace, 302
The Sound of a Voice, 76
Glengarry Glen Ross (Mamet), 65, 274
global theatre. See international theatre
The Globe (Shakespearean theatre)
experience of the audience at, 3–4
fire destruction of, 107, 136
Mark Rylance’s performance in Twelfth
Night at, 270
modern reconstruction of the, 9, 295
modern replica presenting As You Like It, 200
Shakespeare’s part-ownership of, 202
Globe Theatre of Tokyo, 23
Glover, Savion, 249
God of Carnage (Reza), 288, 302, 304
Goethe, Johann Wolfgang von, Faust, 98
Goldberg, Andrew, 154
Golden Child (Hwang), 76, 260, 262
Goldman, Matt, Tubes, 280
Goldsmith, Oliver, 296
She Stoops to Conquer, 296
Good People (Lindsay-Abaire), 172
The Good Person of Szechuan (Brecht),
233–235, 234
Goodman Theatre (Chicago), 159, 216, 266
Goold, Rupert, 157, 275
Gopi, Kalamandalam, 207
Gordon, Stuart, 135, 136
Gotanda, Philip Kan, The Life And Times of
Chang and Eng, 262
Gottscheff, Dimiter, 95
Graham, Sean, Othello production, 93, 295
Granville-Barker, Harley, 146