Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

B-2 Selected Bibliography
Kominiz, Laurence R. The Stars Who Created Kabuki. Tokyo:
Kodansha International, 1997.
Leiter, Samuel L. Frozen Moments: Writings on Kabuki 1966–
2001. Ithaca, NY: Cornell University Press, 2002.
—. New Kabuki Encyclopedia. Westport, CT: Greenwood
Press, 1997.
Ma, Qiang. The Pictorial Album of Costumes in Chinese Traditional
Opera. Shanxi, China: Shanxi Education Press, 1992.
Mackerras, Colin. The Performing Arts in Contemporary China.
2nd ed., London: Routledge, 2005.
Maruoka, Daiji, and Tatsuo Yoshikoshi. Noh. Translated by
Don Kenny. Osaka: Hoikusha Publishing, 1992.
Miettinen, Jukka O. Classical Dance and Theatre in South-East
Asia. Oxford: Oxford University Press, 1992.
Nakamura, Matazo. Kabuki, Backstage, Onstage: An Actor’s
Life. Translated by Mark Oshima. Tokyo: Kodansha International,
1990.
Ortolani, Benito. The Japanese Theatre: From Shamanistic
Ritual to Contemporary Pluralism. Leiden: E. J. Brill, 1990.
Richmond, Farley P., Darius L. Swann, and Phillip B. Zarilli,
eds. Indian Theatre: Traditions of Performance. Honolulu:
University of Hawai’i Press, 1990.
Scott, A. C. The Classical Theatre of China. London: Simson
Shand, 1957.
—. The Theatre in Asia. London: Weidenfeld and Nicholson,
1972.
Special Drama Artists in South India. Durham: Duke Uni versity
Press, 2005.
Shindo, Shigero. Kunisada (The Kabuki Actor Portraits).
Tokyo: Graphic-sha Publishing, 1993.
Toita, Yasuji, and Chiaki Yoshida. Kabuki. Translated by Don
Kenny. Osaka: Hoikusha Publishing, 1992.
Van Erven, Eugène. The Playful Revolution: Theatre and Liberation
in Asia. Bloomington: Indiana University Press, 1992.
Wang-ngai, Siu, with Peter Lovrick. Chinese Opera. Vancouver:
University of British Columbia Press, 1997.
Wichmann, Elizabeth. Listening to Theatre: The Aural Dimension
of Beijing Opera. Honolulu: University of Hawai’i Press, 1991.
Royal Theatre
Bradby, David, and Andrew Calder. The Cambridge Companion
to Moliere. Cambridge: Cambridge University Press, 2006.
Holland, Peter. The Ornament of Action: Text and Performance
in Restoration Comedy. New York: Cambridge University
Press, 1979.
Nicoll, Allardyce. History of English Drama, 1660–1900.
6 vols. London: Cambridge University Press, 1955–1959.
Nussbaum, Felicity. Rival Queens: Actresses, Performance, and
the Eighteenth-Century British Theater. Philadelphia: University
of Pennsylvania Press, 2010.
Scott, Virginia. Women on Stage in Early Modern France:
1540–1750. Cambridge: Cambridge University Press, 2010.
Modern and Postmodern Theatre
Artaud, Antonin. The Theatre and Its Double. Translated by Mary
C. Richards. New York: Grove Press, 1958.
Bentley, Eric. The Playwright as Thinker. 4th ed. Minneapolis:
University of Minnesota Press, 2010.
Bigsby, C. W. E. A Critical Introduction to Twentieth-Century
American Drama. 3 vols. Cambridge: Cambridge University
Press, 1985.
Bradby, David. Modern French Drama 1940–1980. Cambridge:
Cambridge University Press, 1984.
Brecht, Bertolt. Brecht on Theatre. Translated by John Willett.
New York: Hill & Wang, 1965.
Brook, Peter. The Empty Space. New York: Atheneum, 1968.
Brotchie, Alastair. Alfred Jarry: A Pataphysical Life. Cambridge,
MA: The MIT Press, 2011.
Craig, Edward Gordon. On the Art of the Theatre. 2nd ed. Boston:
Small, Maynard, 1924.
de Jongh, Nicholas. Not in Front of the Audience: Homosexuality
on Stage. London: Routledge, 1992.
Esslin, Martin. The Theatre of the Absurd. Rev. ed. New York:
Vintage, 2004.
Grotowski, Jerzy. Towards a Poor Theatre. Eugenio Barba, ed.
Rev. ed. New York: Routledge, 2002.
Harding, James Martin. The Ghosts of the Avant-Garde: Exorcising
Experimental Theater and Performance. Ann Arbor:
The University of Michigan Press, 2013.
Hercher, Jutta and Peter Urban, eds. Chekhov on Theatre. London:
Nick Hern Books, 2012.
Innes, Christopher. Modern German Drama: A Study in Form.
New York: Cambridge University Press, 1979.
Marranca, Bonnie, and Gautam Dasgupta, eds. Interculturalism
and Performance. New York: PAJ Publications, 1991.
Murphy, Brenda. American Realism and American Drama,
1880–1940. Cambridge: Cambridge University Press, 2008.
Puchner, Martin. Stage Fright: Modernism, Anti-Theatricality,
and Drama. Baltimore: The Johns Hopkins University
Press, 2011.
Roose-Evans, James. Experimental Theatre: From Stanislavski
to Peter Brook. 4th ed. New York: Routledge, 1996.
Salamon, Julie. Wendy and the Lost Boys: The Uncommon Life
of Wendy Wasserstein. New York: Penguin Press, 2011.
Savran, David. Breaking the Rules: The Wooster Group. New
York: Theatre Communications Group, 1993.
Shaw, George Bernard. The Quintessence of Ibsenism. London:
Constable, 1913.
Vanden Heuvel, Michael. Performing Drama/Dramatizing
Performance . Ann Arbor: University of Michigan Press, 1991.
Wekwerth, Manfred. Daring to Play: A Brecht Companion.
New York: Routledge, 2011.
Williams, Mance. Black Theatre in the 1960s and 1970s. Westport,
CT: Greenwood Press, 1985.
Music Theatre
Bloom, Ken. American Song. 2nd ed. New York: Schirmer,
1996.
Bordman, Gerald. American Musical Theatre. 2nd ed. New
York: Oxford, 1992.
Bradley, Ian, ed. The Complete Annotated Gilbert and Sullivan.
New York: Oxford University Press, 1996.
Everett, William A., and Paul R. Laird. The Cambridge Companion
to the Musical. Cambridge: Cambridge University
Press, 2002.
Ganzl, Kurt. The Encyclopedia of Musical Theatre. Oxford:
Blackwell, 1994.