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Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

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268 Chapter 10 Global Theatre Today

Larry Kramer’s 1985 off-Broadway

production of The Normal Heart was

instrumental in making the American

public, and then the government,

far more responsive to the AIDS

crisis than it had been. The play’s

2011 revival, on Broadway this time,

won three Tony Awards. Shown

are Joe Mantello (left) as Ned

Weeks, an AIDS activist, and John

Benjamin Hickey as Felix, Ned’s love

interest. Looming behind them are

the names of the dead and dying.

George C. Wolfe and Joel Grey

codirected the production; Kramer,

whose activism on this issue has

never slowed, was out front after

most performances, handing out

blistering letters to exiting audience

members so as “to get the word

out, again.” © Joan Marcus

Deaf West is a Los Angeles theatre for the hearing-impaired, and its production of the musical Big River, in which

characters alternately speak, sing, and sign their roles, began on the company’s tiny home stage. From there it moved

to the much larger Mark Taper Forum and then to Broadway, winning critical acclaim not merely for overcoming its

“handicapped” label but for creating an altogether new theatre aesthetic of hearing and “seeing” musical drama at the

same time. Tyrone Giordano (left) plays Huckleberry Finn, with Michael McElroy as Jim, at the American Airlines Theater

in 2003. © Sara Krulwich/The New York Times/Redux

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