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Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

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Sports, games, and serious theatre have always been related, and some plays combine these different “playing”

motifs. Richard Greenberg’s Take Me Out takes place in a baseball locker room in America, Eric Simonson’s Lombardi

in a football locker room, David Storey’s The Changing Room in a rugby locker room, Andrew Lloyd Webber’s The

Beautiful Game on a soccer field in Ireland, and Thomas Meehan’s musical adaption of the well-known film Rocky

concludes in a boxing ring. Pictured here, Rocky the Musical premiered in Hamburg, Germany, in 2013 before heading

to Broadway. © Photographer: Ralf Brinkhoff for Stage Entertainment Germany

almost entirely consumed. The theatre enterprise may

involve hundreds of people in scores of different efforts.

Most of these people are actually backstage, where the

audience can’t see them, silently and invisibly making

everything run smoothly. There are so many different

tasks in the theater that one kind of theatrical work, stage

management, consists entirely of the coordination of all

the other activities.

The work of the theatre is generally divisible into a

number of crafts:

Producing includes securing all necessary personnel,

space, and financing; supervising all production and

promotional efforts; fielding all legal matters; and

distributing all proceeds derived from receipts.

Directing consists of controlling and developing the

artistic product and providing it with a unified vision,

coordinating all of its components, and supervising

its rehearsals.

Acting comprises the most famous and visible of

theatrical work, in which actors perform the roles of

characters in a play.

Designing entails the creation of visual and aural

elements of a production, including the scenery,

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properties, costumes and wigs, makeup, lighting,

sound, programs, advertising, and general ambience

of the location.

Building includes the realization of the designers’

vision through the work of carpenters, costumers,

wig-makers, electricians, makeup artists, recording

and sound engineers, painters, and a host of other

specially designated craftspeople who construct the

“hardware” of a play.

Crewing consists of technicians who execute, in

proper sequence and with carefully rehearsed timing,

the light and sound cues and the shifting of scenery,

as well as oversee the placement and return of

properties and the assignment, laundering, repair,

and changes of costumes.

Stage managing consists of “running” a play

production in all its complexity in performance after

performance.

House managing includes the responsibilities for

admitting, seating, and providing for the general

comfort of the audience.

There is one task that does not take place during the

enactment of a play, but is absolutely critical to the whole

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