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Robert Cohen - Theatre, Brief Version-McGraw-Hill Education (2016)

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88 Chapter 5 Designers and Technicians

Thomas Umfrid’s realistic scenery for a production of Noel Coward’s Hay Fever, a comedy set in a well-to-do theatrical

family’s English country home in the mid-1920s, is beautifully realized for this production at the Utah Shakespeare

Festival. Umfrid’s set forcefully projects the action of the play through a skillful arrangement of staircase, doors, and

landing. The showy flapper-age costumes were designed by Kevin Alberts, and the posh lighting was designed by

Lonnie Alcaraz. © Utah Shakespearean Festival

What Design Does

Theatrical design in the twenty-first century presents

a wide-open field for artistic creativity. While a play

normally has thousands of lines for the actors to speak

and hundreds of implicit or explicit stage directions for

the director to stage, it rarely provides more than brief

descriptions for its setting or costumes. At the beginning

of Waiting for Godot, for example, Samuel Beckett simply

writes, “A country road. A tree. Evening.” He then

launches directly into the opening dialogue, leaving us

to wonder: What sort of road should this be? What sort

of tree? Where is it in relation to the road? And how dark

an “evening” is it? Later in the play Beckett provides

another stage description: “The light suddenly fails. In

a moment it is night. The moon rises at back, mounts in

the sky, stands still, shedding a pale light on the scene.”

But how is all this accomplished? How much darker

does the stage get? What does the “moon” look like:

full? crescent? How quickly does it rise? How suddenly

does it stop? And what is it made of: projected light? a

wooden cutout on a wire? And if a wire, is it meant to

be seen or should it be invisible to the audience? Or is

the moon simply a lantern carried by an actor—as in the

“Pyramus and Thisbe” play embedded in Shakespeare’s

A Midsummer Night’s Dream?

And what do Godot’s actors wear? We read in the

dialogue of bowlers, boots, and coats, but what do these

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