Emotional inteligence

aygun.shukurova
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04.02.2022 Views

reactions. A few exceptions aside, we do not decidewhen to be mad, sad, and so on.A Symbolic, Childlike Reality560/661The logic of the emotional mind is associative; it takeselements that symbolize a reality, or trigger a memory ofit, to be the same as that reality. That is why similes,metaphors, and images speak directly to the emotionalmind, as do the arts—novels, film, poetry, song, theater,opera. Great spiritual teachers, like Buddha and Jesus,have touched their disciples' hearts by speaking in thelanguage of emotion, teaching in parables, fables, andstories. Indeed, religious symbol and ritual makes littlesense from the rational point of view; it is couched inthe vernacular of the heart.This logic of the heart—of the emotional mind—iswell-described by Freud in his concept of "primary process"thought; it is the logic of religion and poetry, psychosisand children, dream and myth (as Joseph Campbellput it, "Dreams are private myths; myths are shareddreams"). The primary process is the key that unlocksthe meanings of works like James Joyce's Ulysses: Inprimary process thought, loose associations determinethe flow of a narrative; one object symbolizes another;one feeling displaces another and stands for it; wholesare condensed into parts. There is no time, no laws of

561/661cause-and-effect. Indeed, there is no such thing as "No"in the primary process; anything is possible. The psychoanalyticmethod is in part the art of deciphering andunraveling these substitutions in meaning.If the emotional mind follows this logic and its rules,with one element standing for another, things need notnecessarily be defined by their objective identity: whatmatters is how they are perceived; things are as theyseem. What something reminds us of can be far moreimportant than what it "is." Indeed, in emotional life,identities can be like a hologram in the sense that asingle part evokes a whole. As Seymour Epstein pointsout, while the rational mind makes logical connectionsbetween causes and effects, the emotional mind is indiscriminate,connecting things that merely have similarstriking features. 5There are many ways in which the emotional mind ischildlike, the more so the stronger the emotion grows.One way is categorical thinking, where everything is inblack and white, with no shades of gray; someone who ismortified about a faux pas might have the immediatethought, "I always say the wrong thing." Another sign ofthis childlike mode is personalized thinking, with eventsperceived with a bias centering on oneself, like thedriver who, after an accident, explained that "the telephonepole came straight at me."

reactions. A few exceptions aside, we do not decide

when to be mad, sad, and so on.

A Symbolic, Childlike Reality

560/661

The logic of the emotional mind is associative; it takes

elements that symbolize a reality, or trigger a memory of

it, to be the same as that reality. That is why similes,

metaphors, and images speak directly to the emotional

mind, as do the arts—novels, film, poetry, song, theater,

opera. Great spiritual teachers, like Buddha and Jesus,

have touched their disciples' hearts by speaking in the

language of emotion, teaching in parables, fables, and

stories. Indeed, religious symbol and ritual makes little

sense from the rational point of view; it is couched in

the vernacular of the heart.

This logic of the heart—of the emotional mind—is

well-described by Freud in his concept of "primary process"

thought; it is the logic of religion and poetry, psychosis

and children, dream and myth (as Joseph Campbell

put it, "Dreams are private myths; myths are shared

dreams"). The primary process is the key that unlocks

the meanings of works like James Joyce's Ulysses: In

primary process thought, loose associations determine

the flow of a narrative; one object symbolizes another;

one feeling displaces another and stands for it; wholes

are condensed into parts. There is no time, no laws of

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