Emotional inteligence
212/661cycle that precipitates their cruel acts. Witness the emotionalsequence that typically leads to a sex crime suchas child molestation. 17 The cycle begins with the molesterfeeling upset: angry, depressed, lonely. These sentimentsmight be triggered by, say, watching happycouples on TV, and then feeling depressed about beingalone. The molester then seeks solace in a favoredfantasy, typically about a warm friendship with a child;the fantasy becomes sexual and ends in masturbation.Afterward, the molester feels a temporary relief from thesadness, but the relief is short-lived; the depression andloneliness return even more strongly. The molester beginsto think about acting out the fantasy, telling himselfjustifications like "I'm not doing any real harm if thechild is not physically hurt" and "If a child really didn'twant to have sex with me, she could stop it."At this point the molester is seeing the child throughthe lens of the perverted fantasy, not with empathy forwhat a real child would feel in the situation. That emotionaldetachment characterizes everything that follows,from the ensuing plan to get a child alone, to the carefulrehearsal of what will happen, and then the execution ofthe plan. All of it is pursued as though the child involvedhad no feelings of her own; instead the molester projectson her the cooperative attitude of the child in hisfantasy. Her feelings—revulsion, fear, disgust—do not
213/661register. If they did, it would "ruin" things for themolester.This utter lack of empathy for their victims is one ofthe main focuses of new treatments being devised forchild molesters and other such offenders. In one of themost promising treatment programs, the offenders readheart-wrenching accounts of crimes like their own, toldfrom the victim's perspective. They also watch videotapesof victims tearfully telling what it was like to bemolested. The offenders then write about their own offensefrom the victim's point of view, imagining whatthe victim felt. They read this account to a therapygroup, and try to answer questions about the assaultfrom the victim's perspective. Finally, the offender goesthrough a simulated reenactment of the crime, this timeplaying the role of the victim.William Pithers, the Vermont prison psychologist whodeveloped this perspective-taking therapy, told me,"Empathy with the victim shifts perception so that thedenial of pain, even in one's fantasies, is difficult" and sostrengthens the men's motivation to fight their perversesexual urges. Sex offenders who have been through theprogram in prison had only half the rate of subsequentoffenses after release compared to those who had nosuch treatment. Without this initial empathy-inspiredmotivation, none of the rest of treatment will work.
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- Page 176 and 177: 176/661Seligman defines optimism in
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cycle that precipitates their cruel acts. Witness the emotional
sequence that typically leads to a sex crime such
as child molestation. 17 The cycle begins with the molester
feeling upset: angry, depressed, lonely. These sentiments
might be triggered by, say, watching happy
couples on TV, and then feeling depressed about being
alone. The molester then seeks solace in a favored
fantasy, typically about a warm friendship with a child;
the fantasy becomes sexual and ends in masturbation.
Afterward, the molester feels a temporary relief from the
sadness, but the relief is short-lived; the depression and
loneliness return even more strongly. The molester begins
to think about acting out the fantasy, telling himself
justifications like "I'm not doing any real harm if the
child is not physically hurt" and "If a child really didn't
want to have sex with me, she could stop it."
At this point the molester is seeing the child through
the lens of the perverted fantasy, not with empathy for
what a real child would feel in the situation. That emotional
detachment characterizes everything that follows,
from the ensuing plan to get a child alone, to the careful
rehearsal of what will happen, and then the execution of
the plan. All of it is pursued as though the child involved
had no feelings of her own; instead the molester projects
on her the cooperative attitude of the child in his
fantasy. Her feelings—revulsion, fear, disgust—do not