Emotional inteligence

aygun.shukurova
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04.02.2022 Views

110/661It may be that a talent for psychological introspectionhinges on this same circuitry. Some of us are naturallymore attuned to the emotional mind's special symbolicmodes: metaphor and simile, along with poetry, song,and fable, are all cast in the language of the heart. So tooare dreams and myths, in which loose associations determinethe flow of narrative, abiding by the logic of theemotional mind. Those who have a natural attunementto their own heart's voice—the language of emotion—aresure to be more adept at articulating its messages,whether as a novelist, songwriter, or psychotherapist.This inner attunement should make them more gifted ingiving voice to the "wisdom of the unconscious"—the feltmeanings of our dreams and fantasies, the symbols thatembody our deepest wishes.Self-awareness is fundamental to psychological insight;this is the faculty that much of psychotherapymeans to strengthen. Indeed, Howard Gardner's modelfor intrapsychic intelligence is Sigmund Freud, the greatmapper of the psyche's secret dynamics. As Freud madeclear, much of emotional life is unconscious; feelingsthat stir within us do not always cross the threshold intoawareness. Empirical verification of this psychologicalaxiom comes, for instance, from experiments on unconsciousemotions, such as the remarkable finding thatpeople form definite likings for things they do not even

111/661realize they have seen before. Any emotion can be—andoften is—unconscious.The physiological beginnings of an emotion typicallyoccur before a person is consciously aware of the feelingitself. For example, when people who fear snakes areshown pictures of snakes, sensors on their skin will detectsweat breaking out, a sign of anxiety, though theysay they do not feel any fear. The sweat shows up insuch people even when the picture of a snake is presentedso rapidly that they have no conscious idea of what,exactly, they just saw, let alone that they are beginningto get anxious. As such preconscious emotional stirringscontinue to build, they eventually become strongenough to break into awareness. Thus there are twolevels of emotion, conscious and unconscious. The momentof an emotion coming into awareness marks its registeringas such in the frontal cortex. 14Emotions that simmer beneath the threshold ofawareness can have a powerful impact on how we perceiveand react, even though we have no idea they are atwork. Take someone who is annoyed by a rude encounterearly in the day, and then is peevish for hoursafterward, taking affront where none is intended andsnapping at people for no real reason. He may well beoblivious to his continuing irritability and will be surprisedif someone calls attention to it, though it stews

110/661

It may be that a talent for psychological introspection

hinges on this same circuitry. Some of us are naturally

more attuned to the emotional mind's special symbolic

modes: metaphor and simile, along with poetry, song,

and fable, are all cast in the language of the heart. So too

are dreams and myths, in which loose associations determine

the flow of narrative, abiding by the logic of the

emotional mind. Those who have a natural attunement

to their own heart's voice—the language of emotion—are

sure to be more adept at articulating its messages,

whether as a novelist, songwriter, or psychotherapist.

This inner attunement should make them more gifted in

giving voice to the "wisdom of the unconscious"—the felt

meanings of our dreams and fantasies, the symbols that

embody our deepest wishes.

Self-awareness is fundamental to psychological insight;

this is the faculty that much of psychotherapy

means to strengthen. Indeed, Howard Gardner's model

for intrapsychic intelligence is Sigmund Freud, the great

mapper of the psyche's secret dynamics. As Freud made

clear, much of emotional life is unconscious; feelings

that stir within us do not always cross the threshold into

awareness. Empirical verification of this psychological

axiom comes, for instance, from experiments on unconscious

emotions, such as the remarkable finding that

people form definite likings for things they do not even

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