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Red Door 29

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EDITORIAL<br />

EDITORIAL<br />

06<br />

Dear all,<br />

Please insert here the appropriate new year<br />

greetings and best wishes, an optimistic yet<br />

realistic phrase on how to set projects and<br />

resolutions by aiming high while continuing<br />

to be in the middle of a global pandemic. I am<br />

a poet, yes, but I think this message needs to<br />

adjust individually based on the region and<br />

situation these words find you, so please<br />

imagine I have said just what you wanted to<br />

hear in order to feel inspired and comforted.<br />

Now, getting straight to the point: The<br />

themes of the magazine are often chosen<br />

by the collaborators and correspondents of<br />

the magazine. The theme of UNINHABITED<br />

was chosen by Tremella radio host Solveig<br />

Willum, who is an outdoors enthusiast and<br />

lecturer on the subject, and with whom <strong>Red</strong><br />

<strong>Door</strong> is collaborating this summer to host<br />

the very first Uninhabited International Film<br />

Festival, a series of documentaries, short films,<br />

poetry films and lectures on precisely that:<br />

The uninhabited, undisturbed, untainted<br />

places of our planet...and humanity’s<br />

relationship with nature. This is why it was<br />

the perfect opportunity to focus our eyes on<br />

the landscapes, on the abandoned lands,<br />

on the empty spaces, through the art of<br />

three very different artists, two who focus on<br />

landscapes and one whose art is an entire<br />

world of scenes of the aftermath, homes left<br />

behind in some corner of our own being.<br />

Alan Rankle’s landscapes lean towards<br />

abstraction but are also enchanting scenes<br />

of their own, and I look very much forward to<br />

hosting his exhibition at <strong>Red</strong> <strong>Door</strong> this spring.<br />

Of Per Adolfsen, you will read more in the<br />

pages of his featured article, and you can<br />

hear his thoughts directly on the podcast.<br />

Before I go on there is something that I need<br />

to mention regarding the choice of artists in<br />

these pages, because I am often speaking of<br />

inclusion. I want to note that I did do research,<br />

and contact artists of other genders, but<br />

sadly did not hear back from any of them. I do<br />

not say this as an excuse, but to encourage<br />

the readers of this magazine to help with the<br />

curation and diversity of the work in these<br />

pages, so that all colors and genders are<br />

represented... and to keep me in check too.<br />

Speaking of goals for 2022, there’s<br />

something I am attempting to push forward<br />

with a group of collaborators of <strong>Red</strong> <strong>Door</strong>.<br />

We have in the past spoken of <strong>Red</strong> Press, as<br />

an independent publishing project, mainly of<br />

poetry in translation, which I began with the<br />

poet Lalo Barrubia. There is a series of books<br />

in various languages which we have busily<br />

translated to English, and which I hope to<br />

begin releasing later this year.<br />

Then there’s also Tremella Radio, an<br />

independent radio station of literary and<br />

cultural conversations, wellness, mindfulness<br />

and excellent music... and the physical<br />

gallery on Møllegade, always welcoming<br />

new exhibitions, but which has been forced<br />

to be closed more often than open the past<br />

two years due to the pandemic. If you are<br />

reading this you probably know that I run all<br />

these projects independently, with no private<br />

nor public support, apart from my patreon<br />

subscribers. Here is my official invitation to<br />

you, to join me this year that begins now, and<br />

begin receiving your quarterly subscription<br />

of the magazine:<br />

www.patreon.com/madamneverstop<br />

or simply give a pledge of your support and<br />

help me continue all these projects, which<br />

aim to document, entertain and inform, from<br />

both a local and international standpoint,<br />

with many voices and initiatives.<br />

This paragraph must be the one where I<br />

share my gratitude, my joy and my delight<br />

to be working with the cultural organizers,<br />

collaborators, correspondents and artists<br />

who make of <strong>Red</strong> <strong>Door</strong> such a beautiful<br />

publication. Special thanks to Frank, Colm<br />

and Magnus in Kultivera, Dominic, Mel and<br />

Aleisa in Litteraturcentrum KVU, Solveig<br />

Willum, Martin Andersen, Tanya Cosio, Mario<br />

Z. Publisi, Brandon Davis, and of course to<br />

my husband Dr. Hansen who is so giving<br />

and willing to help out at every exhibition,<br />

give an ear to every podcast, and provide<br />

the emotional support during the long winter<br />

months and all year round.<br />

To each and everyone of you who since<br />

2009 has accompanied <strong>Red</strong> <strong>Door</strong> Magazine<br />

through its transformations and adventures,<br />

may poetry keep you warm, inspired, alive.<br />

-Madam Neverstop.

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