Raster-Noton
Raster-Noton
Raster-Noton
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aster-noton. white line light<br />
a line of light, variable in it’s length (8 to 16 meters), consists of special hand-made neon<br />
lamps. illumination intensity responds to a specific music composition by means of an<br />
electric power control. a 5.1 surround system presents the piece of music to the listener<br />
simultaneously.<br />
an alternative source to regulate energy flow and illumination intensity of white line light could<br />
be sounds from the surroundings such as street noise.<br />
material und dimensions<br />
neontube diameter = 10 mm, length = 2000 mm<br />
mounting wall or ceiling mounting<br />
voltage 8 x 220 volt<br />
transport box 2400 mm x 550 mm x 600 mm, 70 kg<br />
insurance 5000,— euro<br />
to be provided 5.1 surround system (db audio, meyer),<br />
mixing board, cd player with loop function<br />
previous places of exhibition<br />
2002 haarlem / the netherlands<br />
2003 watari-um, tokyo / japan<br />
2004 gallery attitude, geneva / switzerland<br />
2005 jerwood gallery, london / united kingdom<br />
2005 vooruit, genth / belgium<br />
2006 deutschland in japan, tokyo / japan<br />
2006 la bf 15, lyon / france
aster-noton. walldrawing<br />
citylight prints (serigraphy) on affiche paper contain a pattern of motives that seem to be<br />
generated endlessly - an outline variation of a raster. black plastic film cuts accompany<br />
them. certain elements of the plastic film cut are taken of and pasted on the raster print<br />
following certain parameters. an overlapping structure emerges - a composition. both,<br />
positive (walldrawing) as well as negative (plastic film plot) structures are on display.<br />
walldrawing works like a wall paper. it can be adjusted to the dimensions of the<br />
particular room. in lyon visitors of the exhibition were involved in creating the metapatterns<br />
for walldrawing.<br />
material und dimensions<br />
city light poster x = 1280 mm, y = 1850 mm, affichen paper<br />
plastic film cut x = 1200 mm, y = 1800 mm<br />
mounting wall or ceiling mounting<br />
transport box 1350 mm x 200 mm x 200 mm, 18 kg<br />
insurance 200,— to 1000,— euro<br />
exendable items 25,— euro per platic film cut<br />
to be provided professional paperhanger for mounting<br />
previous places for exhibition<br />
2002 haarlem / the netherlands<br />
2003 watari-um, tokyo / japan<br />
2004 gallery attitude, geneva / switzerland<br />
2005 jerwood gallery, london / united kingdom<br />
2005 vooruit, genth / belgium<br />
2006 deutschland in japan, tokyo / japan<br />
2006 la bf 15, lyon / france
aster-noton. essential room<br />
essential room is a puristic space, a place of concentrated listening. the room is<br />
equipped with a quadraphonic audio system by german company “musikelektronik<br />
geithain”. the audio system is one of the best systems available on the market. it is<br />
recognized as a reference system throughout the world. in cooperation with “megeithain”<br />
raster-noton artists, such as COH, alva noto aka carsten nicolai, ryoji ikeda,<br />
et al., created specific quadraphonic compositions for this system. we will acoustically<br />
customize the room depending on the budget situation. when following the design of<br />
carsten nicolai the listening room can be developed into an installation, a masterpiece of<br />
art.<br />
the compositions focus on certain aspects of acoustics. they explore frequency spectra<br />
close to the auditory threshold, focus on spacial positioning and they confront the<br />
qualities of acoustic instruments with artificial, computer-generated sounds.<br />
a closed room with a diameter of maximum 12 meter is required. it might be necessary<br />
to limit admission to the room in order to present an “essential” listening experience to<br />
the audience. this listening room is especially suitable for inviting further artists with their<br />
compositions or for public lectures.<br />
minimal material and dimensions<br />
audio system 4 x rl 901k<br />
transport boxes 4 x 1100 mm x 1300 mm, a 40 kg<br />
insurance 26.000,— euro<br />
previous places of exhibition<br />
2006 sonar, barcelona / spain
carsten nicolai. telefunken<br />
since 1999 carsten nicolai constantly works on this piece. the basic idea behind<br />
telefunken was to manipulate the video input of a tv set by means of certain audio<br />
material. interferences emerge on the screen as a video display of current flow. acoustic<br />
wave-length find their counterpart on the glass screen. the experiment is of amazing<br />
simplicity and can easily be reproduced at home. the important aspect for nicolai are the<br />
possibilities of transformation of frequency spectra.<br />
the latest version of telefunken are three 50” flat screen tv sets facing the wall. so the<br />
visitor can only experience indirectly radiating light reflections.<br />
material und dimensions<br />
material 3x flatscreen tv set (panasonic 50” recommended)<br />
3x cd player, cable<br />
insurance ca.10.000,— euro<br />
previous places of exhibition (selection)<br />
2002 taktlos , bern / switzerland<br />
2003 watari-um, tokyo / japan<br />
2004 gallery attitude, geneva / switzerland<br />
2005 kunsthalle schirn, frankfurt a.m. / germany<br />
2005 s.m.a.k, genth / belgium
aster-noton. visual archive<br />
a 20” micro film reader from 1978 made by carl zeiss jena was refurbished. used as a<br />
terminal it works as an archive which the visitor can operate on him- or herself. the artist<br />
collective presents on 74 din a 4 pages its projects, releases, serial concepts, references<br />
and visions.<br />
material und dimensions<br />
film reader 450 mm x 500 mm x 600 mm<br />
mounting freestanding pedestal, 500 mm x 500 mm x 800 mm<br />
transport box 650 mm x 950 mm x 480 mm, 30 kg (without pedestal)<br />
insurance 2000,— euro<br />
previous places of exhibition<br />
2004 gallery attitude, geneva / switzerland<br />
2005 jerwood gallery, london / united kingdom<br />
2005 vooruit, genth / belgium<br />
2006 deutschland in japan, tokyo / japan<br />
2006 la bf 15, lyon / france
aster-noton. audio archive<br />
a 60 gb version of an apple i-pod was embedded in-between two acrylic glass panels.<br />
the visitor can access all audio titles released by the label and listen to these tracks in<br />
high resolution quality. the label’s catalogue comprises about 75 releases or 70 hours<br />
audio material.<br />
material und dimensions<br />
acrylic glass 480 mm x 500 mm x 200 mm<br />
mounting wall or ceiling mounting<br />
transport box 500 mm x 500 mm x 250 mm, 6 kg<br />
insurance 500,— euro<br />
previous places of exhibition<br />
2005 vooruit, genth / belgium<br />
2006 deutschland in japan, tokyo / japan<br />
2006 la bf 15, lyon / france
aster-noton. notationsarchiv I<br />
supervised by carsten nicolai, notationsarchiv is the result of a cooperation of students<br />
of klasse systemdesign at academy of visual arts leipzig and the renowned berlin<br />
agency cyan. the project focused on visualization of sound, converting raster-noton<br />
compositions from archiv 1 compilation album into graphic notations. the results of 13<br />
different approaches to this task are published in a folder.<br />
the 13 works are pretty suitable for presentation in a classical gallery setting. public<br />
lectures and talks by involved artists are possible.<br />
material und dimensions<br />
posters 600 mm x 900 mm<br />
folders in a cardboard box, 434 mm x 312 mm x 27 mm, 2,1 kg
aster-noton. archiv für ton und nichtton<br />
raster-noton<br />
limbacher straße 270<br />
d-09116 chemnitz<br />
germany<br />
tel ++49. 371.35 40 25 -8<br />
fax ++49. 371.35 40 25 -9<br />
contact germany<br />
olaf bender<br />
bender@raster-noton.de<br />
raster office<br />
office@raster-noton.de<br />
canadian support<br />
praveer bajal<br />
pb@raster-noton.de<br />
www.raster-noton.de