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Make 100GEMS Photobook

Photobook documenting our Make/100 project for 2021. A ceramic collaboration & creative challenge to make 100+ handmade bowls and mugs thrown on the pottery wheel. By Gabriela Margarita De Jesus and Ericka Marti Saracho.

Photobook documenting our Make/100 project for 2021. A ceramic collaboration & creative challenge to make 100+ handmade bowls and mugs thrown on the pottery wheel. By Gabriela Margarita De Jesus and Ericka Marti Saracho.

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MAKE/100 GEMS

A ceramic collaboration to make 100+

bowls for 2021 by Ericka Marti Saracho

and Gabriela Margarita De Jesús

Vol. 1


THANK YOU FOR YOUR

SUPPORT


We're very grateful to have been able to create these

bowls for you and wanted to acknowledge that without your

pledge this project would not have been at all possible.

Pottery is an expensive craft and not easy to break into.

When we first started making bowls we started by taking

workshops at our local art studio and although we loved

pottery, tuition was steep and come the end of every

semester we wondered if we would be able to continue.

When Covid-19 shut down our local pottery studio, we

basically had no way of continuing with pottery. We had our

pottery tools from our intro classes, but no clay, no glaze, no

brushes, no access to a kiln. With the Kickstarter funds we

were able to set up a working pottery space in our tiny living

space and rent space in a local kiln. More than that, having

this creative outlet and the goal of getting you your bowl has

helped us get through the darkest parts of 2021.



And while we thought 2021 would bring some relief from the

pandemic, it turns out Covid-19 complications never really

stopped? Pottery became a much more expensive hobby in

2021 due to shortages and supply chain issues that caused

glaze shortages, clay prices to increase, and long delays in

sourcing necessary materials. So we thank you SO MUCH for

your continued patience and support throughout this project!

We hope you enjoy flipping through this book that attempts to

document our process and the results of our labor. The bowl

you received was a labor of love and just one small part of this

project which started as a Make/ 100 project but turned out to

be a project to create 140+ bowls and some mugs that will end

up going to 70+ different homes across the U.S.

It turned out to be so much more complicated than we had

anticipated but we were able to learn so much as potters and

are grateful for the experience and opportunity.

With love,

Ericka & Gabriela



THE PROCESS


Each piece is handmade and made from a stoneware body clay

that is carefully cut, weighed, and then wedged by hand into a

humble ball of clay.

The balls are thrown on the wheel and then shaped into bowls.

The wet bowl is covered with plastic and left on the shelf to dry

until it becomes leather hard.


Leather hard bowls are then

reattached to the pottery

wheel, upside down, using

little wads of clay placed along

the rim. Using carving tools,

we trim away excess clay and

shape the foot. Once the

piece is trimmed, the bottom

is signed and numbered.

Depending on its intended

final design, the pieces are

then carved, drawn on, or

painted with underglaze.

Underglaze is a combination

of clay, colorants, and water.

They can be brushed on in

layers to achieve opaque or

translucent layers that give a

sort of watercolor effect.


They are then put back on the

shelf and lightly covered with

plastic so that they dry out

evenly as they reach what is

called their bone dry state.

You can tell the clay has

become bone dry when the

color becomes dramatically

lighter. This is the most

stressful process the piece

goes through, and it's very

delicate at this stage.

They are then fired in a kiln for

the very first time, in what is

known as a bisque fire. At this

point, the bisque ware has

become stronger but is still

not fully vitrified. So the bowls

are still porous enough to

soak up the glaze that will give

it its final color.


They are then glazed, a

painstaking process that involves

brushing on glaze chemistry in

layers. Each color must be

brushed on at least 3 times, and

each layer has to fully dry before

another can be brushed on.

This means that something like a

color-block piece can have as

much as 16 coats of glaze! It also

means we have to do extensive

testing of glaze combinations to

avoid combinations that run.

Once the glaze fully dries, the

pieces can then go back in the

kiln for their final firing.


Before & After

the glaze firing, although this

photo is slightly misleading

most glazes do not look so

similar out of the bottle to their

final fired result.


THE MAKE/100 GEMS





























COLOR-BLOCK MUGS




CYANOTYPE BOWLS



SETS OF FOUR











STAY IN TOUCH

bit.ly/brightravenmail

@brightravenstudio

Comments: Gabriela@brightravenstudio.com

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