Volume 17, December 2009 - New England Conservatorium of ...

Photo: Jessica Wright 

Volume 17, December 2009 

NECOM NEWS DECEMBER 2009 1

DIRECTOR’S REPORT 

2 NECOM NEWS DECEMBER 2009 

What brilliant closing months of another 

exciting year for the Conservatorium! 

A cornucopia of delectable musical 

experiences has again enriched 

and delighted many. 

Masterclasses with the experts in 

French horn, guitar, cello, violin and viola 

have honed skills of scholarship holders 

and advanced players while workshops 

incorporating diverse genres and instruments – jazz, strings 

and creative music-making – have extended the musical horizons 

of children, adolescents and adults alike. The Cantilena 

Singers helped to put NECOM more clearly on the map with 

their acclaimed solo performances in the Celebration Concert 

at the State Sports Centre. The Choral Program’s four choirs 

have magically moved us into the festive season with concerts 

at NECOM and in popular public spaces in Armidale. 

Having exposure to live musical performances from an early 

age can catalyse life long learning and interest in music, and 

so it has been particularly gratifying to have over 900 primary 

students attend the Walk Through the Orchestra Concerts with 

the Youth Orchestra and to have the NECOM Trio introduce 

chamber music to 340 primary students in isolated schools in 

the Narrabri district. 

We are beginning to see the longer term outcomes of the 

Beginner Strings Program with the first two students to progress 

through the entire ensemble structure and successfully 

audition for the Armidale Youth Orchestra. This is a remarkable 

achievement for the five years the program has been operating. 

Next year the Beginner Strings and Woodwind Programs 

will be complimented by the inauguration of a Beginner Brass 

Program. Interviews for the position of brass teacher will take 

place this week. The high calibre of applicants for this role no 

doubt reflects the Conservatorium’s growing reputation as a 

centre of excellence in music education as well as the community’s 

rich cultural life. The new appointee will work in both 

Inverell and Armidale. Next year will also witness the introduction 

of two new ensembles - the NECOM Jazz Ensemble, led by 

Warwisk Dunham, and a Celtic Group, led by Nick Negerevich. 

NECOM has been successful in gaining a Community Building 

Partnership grant for the development of the Inverell campus. 

This will provide necessary infrastructure to enable the 

steady expansion of this important arm of NECOM, in line with 

its comprehensive three year Business Plan. 2010 will see the 

introduction of the Conservatorium’s first Indigenous music 

program. A partnership has been established with Ross Hill 

Public School in Inverell in which NECOM will provide an Early 

Childhood Music Program for preschool to Year 2 students, 

support for an ongoing sequential program for Years 3 to 6 

and engagement of professional Indigenous musicians as 

teachers and mentors. It is envisaged that this project will pilot 

quality music programs for Indigenous students across the 

New England region. 

The NECOM Board has initiated a Sponsorship and Promotions 

Committee chaired by Jenifer Sholl and a Strategic Planning 

Committee led by the Director. I look forward to working 

closely with these committees to engender further community 

and corporate support for the organisation and to thoughtfully 

plan for the years ahead. I welcome any ideas and contributions 

in these areas from interested people throughout 

the region. 

It has been a challenging year for NECOM with the induction 

of a new Director and behind the scenes negotiations to 

secure increased funding and to open new pathways, in addition 

to sustaining the full gamut of programs. 

I would like to extend a heart felt thank you to our NECOM 

staff - Marion Barford, Nick Negerevich, April Kelson and Eleanor 

Streatfeild for their quality teaching and mentoring of so 

many students and their commitment to the highest possible 

standards in music education; Corinne Arter for her support 

and program management par excellence; to Heather Pavel 

for her patience and various contributions; to Faewyn Goyen 

for her remarkable resilience and dedication in providing a 

huge range of administrative, project coordination and financial 

services and to all the staff involved in the Early Childhood 

Music, Choral, Instrumental and Ensemble programs – thank 

you for your outstanding work. 

Congratulations NECOM students for engaging whole heartedly 

in one of life’s most rewarding pursuits, and thank you 

parents for having the wisdom and wherewithal to provide 

such enriching experiences for our young musicians. Wishing 

you a safe and very happy Christmas and New Year. 

Armidale Youth Orchestra 

A Walk through the Orchestra 

Julie Croft, Director 

On Friday the 23rd of October 2009, the Armidale Youth 

Orchestra hosted a series of Walk Through The Orchestra 

concerts for primary and secondary schools in the Armidale 

district. Over 900 students attended the concerts, which 

took place at the University of New England’s Lazenby Hall. 

Celebrating its 40th birthday in 2008, the Armidale Youth 

Orchestra has now joined with the New England Conservatorium 

of Music (NECOM) to become the flagship of NECOM’s 

orchestral tuition program. The AYO’s A Walk Through The 

Orchestra was a marvellous performance opportunity for the 

players, and also a chance for young students to see orchestral 

works performed by their peers. 

For more information on the AYO or any of NECOM’s tiered 

instrumental ensembles designed to encourage students to 

progress to orchestral playing please contact the NECOM office 

on (02) 6772 7203 or necom@northnet.com.

CONCERT 

Cantilena singers a hit at celebration concert 2009 

Early on Saturday morning, 31st October, on what was shaping 

up to be a very hot day, all the Cantilena parents, members 

and teachers met outside NECOM to say their goodbyes 

and jump on the bus for Sydney. 

I have to admit that as a primary school teacher myself and 

parent of two Cantilena members, I was NOT looking forward 

to this part of the trip – imagining a loud, noisy raucous 

squashy ride. However, the trip was thoroughly pleasant, cool 

and quiet and I really I enjoyed my conversations with a couple 

of parents along the way. 

Before we knew it, we were at Narrabeen Sport and Recreation 

Centre, having stopped at Murrurundi for lunch. The 

NSRC is in a beautiful setting, in the bush between sandstone 

cliffs, and has a sports field, meeting halls, indoor swimming 

pool and separate little “villages” for accommodation. We 

stayed in the motel section, all set around a little grassy hill. 

We hit the pool as soon as we arrived, then settled down 

to a fabulous BBQ meal. In fact all the food at this place was 

fantastic – lots of salads, veggies, and well prepared meats. We 

could sit outside at the tables if we wished and soak up the 

bird sounds and cool breeze through the valley. 

After breakfast on Sunday, we all headed to the Powerhouse 

Museum to enjoy the exhibits - I enjoyed the space exhibition 

– amazing pictures of supernovas and expanding stars. My 

children loved the hands on experimental section. 

After a cut lunch near China town and an eventful journey 

“through” paddy markets to the only toilet we could find for 

the desperate, we jumped back on the bus and headed to Nepean 

High school for a rehearsal. It was by now we were appreciating 

the “dry“ heat in Armidale . We bought 30 bottles of 

water to supplement the supplies of the singers as the humidity 

was getting oppressive. 

Not always singing seriously on their Sydney sojourn 

Cantilena Singers were also a hit in their home town. Pictured here at the Turning 

on of the Christmas Lights with their talented conductor, Rowena Tall 

However, it was great to be part of the wider group of primary 

school singers and meet our mass choir conductor, Mrs 

Blackwood. By the time we staggered back on the bus, we 

were very tired and hungry and ready to devour our waiting 

dinner. 

Games were on the agenda for the evening - a raucous and 

hilarious time was had by all as we played “what’s the time Mr 

Wolf” and “ musical chairs” and others. It was lovely for the 

younger ones being involved with the impressive high school 

kids in the expertly run games. Everyone settled down to a 

DVD after that, and crashed big time at about 8.30pm. 

Monday took us to the Aquatic Centre at Homebush Bay 

where the kids had a ball in the water activity section of whirlpools, 

waterfalls, climbing structures and slides – they did not 

want to leave! From there we ate lunch at the park, then attended 

a full primary rehearsal at the State Sports Centre, a 

massive venue which accommodated both primary and secondary 

mass choirs on one side, and as much audience as required 

on the other sides, in a tiered seating arrangement. 

On the night, Cantilena was a hit with the lively and entertaining 

“Gallop” together with the lyrical piece “The Owl”. I was 

so proud of the children, their focus and the quality of sound 

they produced. Thank you, Rowena Tall for your amazing choral 

direction - we are all so fortunate to have you. Thank you 

too, to Naomi O’Hearn our talented accompanist, and Leanne 

Roobal, whose organisation made it all possible. 

Our children loved the experience of being in the mass choir 

– there is nothing like hearing hundreds of children’s voices 

singing both in unison and harmony. Hearing “This Old Man” 

in many parts was quite an experience. 

All in all, the 4 days were delightful. We had a terrific time, 

and thoroughly enjoyed each other’s company. Thank you to 

NECOM for making this unique experience available to our 

children and ourselves 

Sara McNeall 


REPORT 

Lyon String Trio Masterclass Report 

Term 4 on the NECOM calendar is a whirlwind of activity. In 

term 4, young string players have been especially well provided 

for. Amongst the plethora of workshops, concerts and 

other activities was the wonderful visit by the Lyon String 

Trio sponsored by Musica Viva. 

The string trio repertoire, often regarded as inferior to the 

more widely known string quartet genre was showcased at a 

fantastic concert on Saturday night. Virtuosic elements were 

evident in the modern repertoire from Belgium and the energetic 

Hungarian pieces and the trio showed exceptional 

blending in the beautiful Schubert B flat major movement. 

The group comprised three young men, all outstanding 

players in their own right, coming together from France (violinist 

Julien Dieudegard) Belgium (violist Nathan Braude) and 

Australia (cellist Martin Smith). 

Having shown their playing credentials in the evening concert 

the trio members and NECOM’s string scholarship holders 

gathered the next morning to perform in a class situation 

and share musical ideas and expertise. I was lucky to attend 

the violin class with Julien Dieudegard while he worked with 

the students of April Kelson, Errol Russell, Sophia Debus and 

myself. 

Despite some minor communication difficulties, Julien was 

able to quickly assess individual strengths and weaknesses 

and offer concise, practical advice, often illustrated with a humorous 

anecdote. 

Some of the performance points highlighted were: The importance 

of a naturally balanced stance with a relaxed bow 

hold and light clear articulation in the left hand. To be very 

clear about the position of the semitones in each octave. To exaggerate 

the flavour of the music particularly when performing 

strongly contrasted pieces. 

I really enjoyed the way he interacted with the students and 

shared his excellent musicianship and obvious passion for the 

violin. Marion Barford 

Virginia Botha listens intently to the instruction of violinist Julien Dieudegard 


Viola Masterclass 

On November 15, Jess Pearson and I met in the seminar room 

to take part in a viola masterclass with a professional Belgian 

violist and musician, Nathan Braude. He was most helpful and 

understanding and he gave us a great deal of insight into the 

depth and complexity of our pieces. Jess was playing the first 

movement of Telemann’s Fantasia, and I was struggling with 

the Stamitz Viola Concerto in D major. He was particularly 

helpful with the musicality and the interpretation of style and 

dynamics. It was a session which was fun and enjoyable as well 

as educational, and it was great to meet a professional who 

took us seriously as young musicians. Sophia Dillon 

The lights go on for violist Sophia Dillon as she participates in the masterclass 

The Lyon Trio – Cello Masterclass 

The masterclasses run by the inspirational Lyon trio were as 

dazzling as their performance on the Saturday night. Martin 

Smith worked with our young cellists on repertoire ranging 

from Bach to Rachmaninov, bringing a wealth of knowledge 

and enthusiasm. 

The students were given the chance to perform and gain the 

benefit not just from constructive advice about their own performances 

but through the observation of the other sessions. 

Martin has a unique teaching style that very quickly gave the 

students a physical understanding of the mechanics required 

for musical expression. 

He worked with each student on the stylistic requirements 

of their chosen pieces while honing in on their production of 

sound, frequently employing drastic measures to emphasize 

the necessity of a physically relaxed posture. 

Masterclasses from seasoned performers of this calibre allow 

the students to gain a rare insight into the possibilities of 

expression through the medium of their instrument. 

The students’ performances were markedly lifted through 

these insights, and through observing his approach to problem 

solving, the teachers were also able to glean insight and 

inspiration. Eleanor Streatfeild

WORKSHOP 

Creative Music Workshop 

On the weekend of the 7th and 8th of November, many 

AYSO members attended the Creative Music Workshop with 

Gillian Howell from the Melbourne Conservatorium of Music. 

She was assisted by some of the local music teachers 

April Kelson, Marion Barford, Eleanor Streatfeild and Zana 

Clarke. 

To get our minds in a creative thinking mode we played a 

few sound games to introduce us to a new way of looking at 

music. This helped us to prepare a piece. 

Emma Scott and Ziggy Harris relishing the creative process 

Isabella Post and James Reed, extending their musical minds 

The first step was to choose a segment of an article provided 

by the Armidale Tourist Information Centre. After we had 

chosen our segment we split into groups and put the words 

to a rhythm. We then had to decide which order and which 

rhythms worked well together. Then we performed this work 

for the other groups. 

The next step was to form our rhythms into a piece of music, 

creating different ways to change one tune to another. To 

many of us, this was a challenging but exciting new experience. 

After a long, hard day of work creating new music, we performed 

our pieces for the rest of the group. When we finished 

for the day we were told to go home and get lots of rest and 

practice our pieces. The next day we edited our pieces to fit 

them together into one amazing work. 

We believe that all the participants benefitted enormously 

from this experience and had great fun realising that we were 

composers and we didn’t even know it! 

Thank you NECOM staff for organising another great workshop 

for us. 

By Lucy Isaac and Emma Scott. 

Gillian Howell’s ability to facilitate creative 

outcomes was extraordinary 


WORKSHOPS 

Armidale String Workshops 

The Armidale String Workshops were held on Sunday, November 

8th, bringing many young musicians together for a wonderful 

musical experience. The participants were split into two 

groups - the Marvellous Mozarts (conducted by Liz Scott), and 

the Brilliant Beethovens (taken by Wendy Ireland). Olivia Pain, 

Esther Henderson and myself were student assistants for the 

workshop. We got to help with setting up, tuning and other 

fun jobs, as well as playing alongside the others. The day consisted 

of a series of rehearsals, before a joined concert at the 

end of the day. It was a great success. I really enjoyed participating 

at the workshop and I know the students did too. 

Georgie Ostenfeld 

Members of the “Brilliant Beethovens”, Sophie Gibson, Portia McLenaghan 

and Adam Herden 

Marvellous Mozarts 

On 8th November lots of excited beginner violins descended 

upon NECOM as the Marvellous Mozarts began their string 

workshop. Any nervousness was soon gone, as the wonderful 

Liz Scott led the group in some games before starting with 

our pieces for the day. Helped by Esther Henderson and Olivia 

Pain, the Marvellous Mozarts played pieces like a true string 

orchestra- everyone with an exciting part to play, from the first 

to third violins and the cellos. We played the ‘Heel and Toe Pol- 

Helped by tutors Olivia Pain and Esther Henderson the ‘Marvellous Mozarts” 

played with zeal 


ka’, after first dancing it of course, ‘Rudolf the Red Nosed Reindeer’, 

and ‘We Wish You a Merry Christmas’. Everyone worked 

very hard all day- and also had lots of fun playing games, and 

eating a good supply of lollies! Esther and Olivia even played 

some Mozart, so everyone could hear some of the music of 

the composer we were named after. At the concert in the afternoon, 

we enjoyed listening to all the other groups play and 

performing what we had learned for all our great supporters! 

Olivia Pain 

French Horn Development Workshops 

The last weekend in November is special for many reasons. 

It signalled the last time we needed to look at curious facial 

hair for Movemeber, and, most importantly, the last Horn 

weekend for the year. 

Yet again a superb time was had by all. The students and 

adults were encouraged, enriched and enthused by the fabulous 

personality and expertise of Robert Johnson in their private 

lessons, group activities and on the social outings. 

It was a pleasure to see a new horn player, Kirsten from Inverell, 

and we welcome her with open arms to the horn fraternity 

and congratulate her on her fine choice in instruments. 

The weekend culminated in a concert to give the students 

a chance to show how they have grown over the year and to 

give people the chance to hear some great pieces from the 

horn repertoire. The Brahms horn, piano and violin trio, one of 

the most beautiful pieces in the horn repertoire, was played 

superbly by Rob, Errol Russell and Emma Hadfield. A most 

entertaining vocal and horn rendition of the Mozart 4th Horn 

concerto Rondo movement, very ably accompanied by Sheila 

Guymer raised more than a few chuckles around the hall. 

I Cornisti, the ASO horn section, also belted out some of the 

classic horn repertoire quartets. 

While this great music was most entertaining, by far the 

highlight of the concert was seeing all the horn students get 

up to play duets, quartets and solo pieces. There was an overwhelming 

sense of pride flowing from all the glowing parents 

as their kids played, mostly for the first time in public, and they 

all did an outstanding job. Huge congratulations to Nick, Erin, 

Maddy and Nicole for their great efforts over this year on what 

can be a challenging instrument. 

Rob also gave presentations to Armidale High and Duval, 

completing the cycle of schools in Armidale. Thanks again 

for those that allowed all the presentations to occur, demonstrating 

the horn and assisting the students in schools around 

town. 

I would also like to thank all those that have supported these 

workshops over the year, NECOM for their assistance and facilities, 

AMTA and all the members for their encouragement and 

advice and especially to Kerry Hawkins, an organisational guru

WORKSHOPS 

who has been vital to ensuring the smooth running of these 

workshops. Thanks again for all the enthusiasm and passion 

shown by performers and families leading to these successful 

weekends. We all look forward to the continued development 

of the French horn in the region next year. 

Alastair Finco 

the students and adults were encouraged, enriched and enthused by the 

fabulous personality and expertise of Robert Johnson 

Tom Abbott Jazz Workshop 

On Saturday, 7th November I arrived at NECOM unsure of 

what to expect and wondering if my jazz skills were good 

enough to gain something from the day. 

The workshop created much interest from the New England 

region and it was great to see so many young musicians turning 

up to find out about what jazz playing has to offer. 

We were firstly split up to sections and I received a good 

half hour with Nick Southcott, the specialist jazz piano tutor. 

I gained a better idea of basic chord structure and elements 

of jazz piano. 

Following that we moved to groups comprising of all instruments, 

from the novice players to the older and more experienced 

jazz players. Tuition was rotated through the jazz band’s 

members, each of them teaching us different pieces, different 

soloing methods and how to improve our skills in playing with 

a group. Combined with that, the drummer taught us some 

standard jazz rhythms, as well as some very challenging syncopated 

rhythm patterns. 

The day concluded with a concert showcasing the skills we 

had learnt throughout the day. I was lucky to be able to play 

both the piano and the trombone, gaining a better insight 

into the world of jazz. 

In Armidale we are fortunate to have the Conservatorium of 

Music that provides us with great opportunities to learn from, 

and play with amazing talented musicians like Tom Abbott 

and his band. I am grateful to have had the opportunity. 

The workshop was inspired by its leader Tom Abbott 

Angus Trenerry 

Multi instrumentalist Nick Southcott (flute, also keyboard player) accompanied 

by another versatile instrumentalist, Angus Trenerry (piano, also a trombonist) 

Saxophonists Michelle Ledger and Fletcher Ward enjoying the jazz 


NEWS 

Eliza Wins Gold at Orange 

I recently travelled with my Dad, Tim Scott, to play in the annual 

Orange Regional Conservatorium Violin Competition 

which was held on 1st November. This is a competition for 

school age violin players who live west of the Blue Mountains. 

We travelled down the day before the competition and met 

up with Marion Barford, my violin teacher in Bathurst on the 

way to Orange. Marion had organised an accompaniment session 

with Elaina, a Bathurst based pianist who was my fantastic 

accompanist for the competition. The few hours in Bathurst 

were quite eventful - Dad and I found a marriage certificate 

at the civic park which had been left behind after a wedding 

and returned it to the grateful celebrant, had a spin around 

the racetrack and, having just learnt that a new bell tower had 

been opened that day, walked around the corner and ran into 

Mr John Hadfield! I guess it’s true you really can’t get away from 

Armidale! After that, Dad and I went on to Orange to meet up 

with my Grandparents and settle in to our motel for an early 

night so that we would be ready for the next day. 

Teacher, Marion Barford (left), Eliza Scott and accompanist Elena Day-Hakker 

My section started at 11 o’clock on the Sunday, so I had 

plenty of time to get ready, warm up and go over the hard 

sections of my study. I was required to play 3 pieces: a study 

or caprice (number 35 - Kreutzer), a piece written in the Baroque 

period (the second movement of Sonata - Veracini) and 

an own choice (The Ritual Fire Dance - De ‘ Falla) which all had 

to fit into a 10 minute time limit. 

I was the second competitor of seven in my section and I 

was happy with my performance. According to my Dad (who 

said it was my best performance of those pieces yet) my 

Grandma (who cried) Marion (who said it was very good) all 

the feedback I got was positive. But that didn’t stop me from 

getting nervous at the presentation time. I was very excited 

when I won my section (intermediate) which was $500 cash + 

a $250 gift voucher to Landers Music and a solo performance 

in an ORC public concert and I was pretty happy with that, 

but the next thing was the icing on the cake. I won the major 

prize, a violin valued at $2,500 by luthier John Wu, hand made 

in China and donated by John Van Wirdum. At the end of the 

competition John Van Wirdum had two John Wu violins for me 


to choose from. I’ve been playing the one I chose ever since 

and am very pleased with it. 

I’d like to thank NECOM and PLC for letting me know about 

this competition, my wonderful teacher Marion Barford who 

prepared me for it and my Dad who was my driver and supporter. 

If there are other violin players who are thinking about 

travelling to Orange next year for the competition, I’d encourage 

you to do so. It was a lot of fun, and a great experience. 

Eliza Scott 

Eisteddfod 2010 Update 

Volunteer Co-Ordinator and Assistant 

Telephonists needed. 

Margaret Bashford who has worked tirelessly for a number of 

years on the eisteddfod committee has had to resign from the 

position of volunteer co-ordinator for family reasons, so we are 

seeking a person who is comfortable on the phone with lots 

of time in late April and all of May next year to take on the all 

important role of Volunteer Co-ordinator. This would not suit a 

person working full-time but a retiree would be ideal. We have 

an excellent system worked out and lists of names of people 

prepared to help (so there isn’t any cold calling involved), but 

we need that special person to co-ordinate it. There are 4 assistants 

to help with contacting people in April to cover the 72 

sessions of the eisteddfod. 5 volunteers are required for each 

session which last around 3 hours. There are generally 3 sessions 

daily at either Old Teacher’s College or Lazenby Hall. 

It will be impossible to run the Eisteddfod without someone 

prepared to take on this position so please pass the word 

around. Please put up a notice in your work space. 

The co-ordinator needs the help of 4 Assistants to help in 

April to telephone volunteers for the 72 sessions. Being an assistant 

is not onerous and is quite compatible with full-time 

work, involving about 8 hours of telephoning over a couple 

of weeks. 

Please contact Jennifer Leske (tel 6772 2983) or Inge Southcott 

(6772 0258) for further details about either of these roles. 

2010 Syllabus On-Line 

Visit the new Armidale Eisteddfod website by going to www. 

armidale-eisteddfod.org.au and download the syllabus which 

is now available on-line for next year’s event. Printed copies 

will not be distributed this year. You will also find the 2010 

timetable and entry forms. The webmaster is Bob Kirk. 

Adjudicators 

We are happy to have the following high profile people to adjudicate 

so far: Rosemary Allen (keyboard), Carl Pini and Jane 

Hazelwood (strings), Peta Blyth (vocal), Ruth Wilkinson (recorder), 

Martin Crook (bands, brass, woodwind and reed) and 

Jacqueline Field (speech and drama). 

Inge Southcott, President

CONCERT 

Beginner String and Woodwind Programs- Christmas Concert 2009 

December 5th was the date of the final concert in a year 

filled with activities for NECOM’s busy beginner instrumental 

programs. The students from our beginner string and 

woodwind programs combined for the first time, ending 

2009 with a flurry of carols mixed with some popular items. 

The concert was a very relaxed way to end an incredibly 

busy year. Performance opportunities throughout the year 

included well attended workshops, studio concerts and standard 

events such as the eisteddfod and exams. These have 

added polish to the stage craft and composure of many of the 

performers. 

It is also a stress free environment that the less experienced 

students can gain confidence and experience the robust 

sounds of a massed instrumental ensemble. 

Congratulations to all the graduates of the programs. There 

is a lot of time and effort invested by all of you and your parents 

and teachers to have achieved this result. It is also worth 

noting that the first two students to go all the way through the 

string program have just been auditioned into the Armidale 

Youth Orchestra. I have no doubt that this will become a flood 

in the very near future. 

Marion Barford 

Some of the ninety Beginner Strings Program students at the final performance of the year 

Woodwind students, Caitlin Sillar, Laughlin Millet, Claudia Clark and Oliver 

Bruhl played with artistic flair 

Cellos galore! 


PROgRamS 

NECOM Trio Reaches Out 

On the 12th and 13th of November, the NECOM Trio toured 

primary schools in the Narrabri district. First stop was Carroll 

Primary, a tiny school with just eight students about 30 minutes 

south-east of Gunnedah. Small it may be, but Carroll 

has a big heart! The school captain raced out to welcome us 

at the school gates, and the little bunch of children willingly 

carried our stands and music. However, because it’s a floodprone 

district, the classroom is built high off the ground… 

so the Trio first had to carry my (not-really-that-portable) 

keyboard up two steep flights of steps, with flute-player 

Nick muttering that we should each only have to carry our 

own instruments next time... 

The NECOM trio with students from Narrabri West 

But once set up, we had a delightful time! The Trio was plied 

with home-made biscuits and sandwiches, and Carroll Primary 

had invited interested parents and neighbours to attend our 

presentation along with the students. A newspaper journalist 

from Gunnedah also attended… with so much enthusiastic attention, 

the Trio felt like pop stars! 

Next stop was Wee Waa. The Trio always enjoys interacting 

with the school children, whether it’s a group of eight or 80, 

and Wee Waa likewise gave us a warm reception, although 

this time it was a class of 62. We arrived in time to have lunch 

in the staff common room (chicken, asparagus, rye bread and 

salad), and Nick and Eleanor caught up with musicians that 

they had performed with for Opera In the Paddock. One of the 

most enjoyable aspects of these tours is strengthening the 

links between musicians and schools around the New England 

region, exchanging ideas and (let’s face it) friendly gossip. We 

also heard that veteran New England traveller John Hadfield 

would be arriving the next day to tune the school’s piano… 

unfortunately not quite in time for us (one sticky E-flat created 

an interesting effect), but that didn’t spoil the fun. 

After Wee Waa we headed to Narrabri, to settle-in with our 

hosts Rosemary and Steve. Rosemary Smith teaches clarinet 

and saxophone at the Narrabri schools and currently she is 

an external student with UNE Music Department. Again, music 

(and music teaching) was a frequent topic of conversation 

over another delicious meal. 

The next day, first stop was a double presentation at Narra- 


bri West Public School. About 140 children attended our two 

sessions, and the fruits of Rosemary’s hard work (along with 

that of several other music teachers in the district) were clearly 

in evidence. After lunch, the Trio headed up to Bellata. With 

temperatures soaring into the high 30s, the Trio appreciated 

our hire car’s air conditioning… not to mention Nick’s cool CD 

of classical music inspired by train travel! Dvorák, Strauss, Copland 

and Honegger provided the sound track for (some of) our 

4+ hours of travelling. 

At Bellata, fruits of a different sort greeted us, as Bellata Primary’s 

29 students were busy with an apple-eating-athon. So 

our presentation was accompanied by lots of apple munching, 

an unusual, but not unwelcome effect. NB we received 

loud cheers and appreciative applause for our performance… 

absolutely no apple cores were thrown in our direction! 

Afterwards, the Trio raced back to Armidale just in time for 

Eleanor to play cello for Into The Woods. These tours are a challenge 

to plan, with the busy teaching schedules that the Trio 

members all have (many thanks to parents and children for 

their patience with re-scheduled lessons), but the absolute 

enjoyment that we’re able to bring isolated schools like Carroll 

and Bellata makes all the effort worthwhile! 

Sheila Guymer 

Sing for Your Supper 

On Monday 30th November NECOM held one of its Christmas 

concerts for both the New England Singers and Cantelina. 

The concert was held in the Hanna’s Arcade. 

The choirs “sang for their supper” producing a wide Christmas 

repertoire including numerous soloists and even the 

audience were encouraged to raise their voices. The superb 

acoustics of Hanna’s Arcade heightened the choirs’ performances 

creating a magical sound. 

Afterwards the choristers and their family and friends sat 

down for an exquisite meal at Fusions of Flavour restaurant. We 

were treated to hearty 

main meals which were 

followed by mouth watering 

desserts of either 

Very Lime Tarts or 

Almond and Blueberry 

Tart. 

Overall the night was 

a great success with all 

leaving satisfied with 

both the joy of Christmas 

songs and beautiful 

food. 

Nicola Traise 

The NECOM 09 Christmas Choral Pogram also included a 

Sing for Your Supper concert in Hanna’s Arcade, Armidale

CONCERT 

Minisingers …from the Accompanist’s Chair 

As the accompanist of The Minisingers for the past five 

years, I have undoubtedly been in a privileged position. For 

the first four years, I worked with two very capable and passionate 

music educators, Jodie Winton and Rowena Teege. 

During this time we were fortunate enough to build a wonderful 

working relationship together. The three of us worked 

together with the children from the Kindergarten to Year 2 

choir where we combined hard work with the sheer joy of 

watching the children grow in their musical abilities. 

Over the four years, a level of collegial professionalism in 

combination with a very dear friendship grew between the 

three of us allowing us to develop an understanding of each 

others teaching style. This naturally enhanced our ability to 

work together beautifully as a team which meant the children 

and staff grew together in a very positive and nurturing musical 

environment. When I heard that both Jodie and Rowena 

were going to be leaving the Minisingers, my heart sank. I was 

about to lose two dear friends and the opportunity to work 

with two very experienced music educators. Uggghhh! However, 

times change and I had a gut feeling that somehow it 

was going to work out just fine. I took the approach that if I 

had had such an unexpected positive experience with Jodie 

and Rowena, then it was just as possible for that to happen 

again, possibly in a way that I had no concept of at that point 

in time. 

Enter Binnie Niemeyer and Sarah McNeal.... 

I have just finished my first twelve months with Binnie and 

Sarah and I am filled with gratitude that once again I have 

been able to work with two very precious people. Within the 

first session at the beginning of this year, my gut said a very 

resounding, “YES, THIS IS GOING TO WORK!” From my perspective, 

the combination of our three personalities complimented 

each other and there was a natural ‘flow’ to the way we worked 

together. 

As a solo Music teacher in a local High School, it is nothing 

short of a treat to have my weekly ‘fix’ of working with other 

music teachers, particularly when those teachers are so eager 

to continue with professional development. By doing courses 

New England Singers in the spirit of Christmas at the NECOM Choral Concert 

Singing with Soul, members of Cantilena Singers at the NECOM Christmas 

Choral Concert on 25 November 

and by simply pouring their energy back into the students for 

the benefit of the individuals, the schools and the community, 

working with Binnie and Sarah is an absolute joy. As the 

accompanist, I often get the chance to watch both of them 

working with the students and I am frequently very moved by 

the amount of ‘heart’ these two put into their work. I know for 

myself, that in many respects, it isn’t work. Sure, at the end of a 

day of teaching at school, it is a high-energy commitment and 

at times I wonder how I am ever going to be able to get up to 

the energy level of the youngens! However, I walk in that door, 

see Binnie’s, Sarah’s and the children’s faces and know that I 

am in the right place. 

One of my greatest joys in life is to make music with others. 

To be a part of the exuberance that the children feel through 

the music is what recharges my soul’s batteries. The year has 

been filled with wonderful performances including the Eisteddfod, 

end of term performances and, of course, the turning 

on of the lights in the mall most recently. I know that we 

can all go into the Christmas break knowing that the children 

and staff have made some new friends and we have all had fun 

and worked very hard to make some of the most beautiful and 

unique music that any K - 2 choir can create. What a team! 

Louise Nano 

“…the exuberance that children feel through the music…” Minisingers at 

the NECOM Christmas Choral Concert. 


WORKSHOP 

The Brew Guitar Duo 

On Saturday 28th November NECOM was host to touring 

Canberra guitar duo, Brew. Armidale was the last stop on 

their CD promo journey around NSW and the ACT. Brew 

members Bradley Kunda and Matthew Withers had a busy 

day. The morning was spent workshopping with NECOM 

guitar ensembles. In the early afternoon they conducted 

masterclasses for NECOM scholarship holders, other participants 

and onlookers, followed by a 5pm recital in the Ursuline 

Chapel. 

Ensemble Workshops 

Matt worked with Chris Purcell and the Youth Guitar Ensemble 

while Brad worked with Steve Thorneycroft and the New 

England Guitar Ensemble. The Youth Ensemble work shopped 

three contrasting works - Rondo by Anton Andre, a Bach chorale, 

and an old jazz standard When Sunny Gets Blue. Matt’s 

main focus was on interpretation, looking at different approaches 

to each type of music. His suggestions were readily 

taken up by the group and it was clearly gratifying for the 

members to hear immediate results. In the Rondo, each time 

the theme came around it was played with contrasting tone 

or dynamic to the previous, keeping the piece interesting and 

varied. In the chorale, clarity of each voice and an overall serenity 

was achieved. Playing around with timing and syncopation 

in the jazz piece made quite a contrast to the work on the 

classical and baroque pieces. The workshop was fun as well as 

educational for this group of young guitarists. 

The New England Guitar Ensemble worked with Bradley on 

fine-tuning Led Zeppelin’s Stairway To Heaven, as arranged for 

guitar quartet by Don King. Brad honed right in on timing with 

this piece, particularly in sections where several guitars are 

strumming chords together. This is an area in guitar ensem- 

Delving into the music way beyond just getting the notes correct 


bles that always needs extra care as strumming is a very individualistic 

and variable technique – everyone is slightly different 

so it is easy to sound too busy. Working towards rhythmic 

unity was the order of the day, and Stairway played on more 

than one guitar certainly demands just that. Well done Bradley, 

Steve and ensemble. 

Masterclasses 

Brad and Matt were able to devote quality time to each of the 

guitar scholarship holders presenting a work. Josh Crompton, 

Ed Ryan and Bridgit Smith each played solos that were musically 

contrasting: the bel canto style of Italian classicism; a programme 

piece depicting a midnight stroll through a castle full 

of sleeping vampires; and a modern take on a traditional Japanese 

melody. This made for an interesting masterclass as each 

piece required a different interpretation and set of techniques 

to bring the music off the page. Much ground was covered 

in matters of interpretation, posture, placement of hands and 

fingers, performance techniques, and tone colour etc. The 

musicians were asked to consider what, as individuals, they 

were bringing to the music. In other words, Brad and Matt encouraged 

each player to delve into the music way beyond just 

getting the notes correct and in time; they encouraged them 

to think, and it paid off. 

The session concluded with a general discussion (prompted 

by a question from the audience) on how best to deliver a slur 

with precision and dexterity at the 15th fret of a guitar. The 

general consensus…….any way you can! 

Our thanks to the Brew guitar duo, we look forward to seeing 

you again. 

Chris Purcell

PROgRamS 

NECOM Inverell 

The highlights of this term have been an early childhood 

workshop with Kath Lloyd and Sapphire Sounds Concert 

held on November 28th . 

Twenty two daycare workers and kindergarten teachers 

attended an Early Childhood Music Education workshop on 

Saturday November 7th. . The workshop was given by Brisbane 

based early childhood music educator Kath Lloyd who 

inspired the teachers to use music as both an educational 

tool and expressive, creative medium. Participants travelled 

from as far a field as Guyra and Tamworth to attend. A day 

long in-service has been requested and will be programmed 

in the next year. 

Saturday November 28th saw the forth annual Sapphire 

Sounds Concert which was held in the Inverell Town Hall. 

Guest performances by violinist Sofia Debus, cellist Eleanor 

Streatfeild and pianist Deidre Rickards were enthusiastically 

received by the audience. The Sapphire Concert Band commenced 

the evening’s program followed by performances 

by students Mikaela Mepham, Josephine Gibson, Sophie 

Eigeland, Nikeata Adams and Nicolette Grabham. Teachers 

Barabara Wigg, Wendy Champion, Miranda Mc Hattan and 

Peta Blyth also contributed. The inaugural performance of the 

NECOM Inverell choir trained by Barabara Wigg and Miranda 

Music Makers Program 

The idea of a music program for adults with disabilities was 

initiated by Geoffrey Murray from Kirinari in 2007. Robbie 

Duff from Connections and Marley Wilks from Community 

Programs came on board and both were excited by the 

concept. So we started as a trial, with two groups, in November 

2007 and have been going ever since. Fortunately 

I have been able to use the premises at NECOM which is an 

ideal setup for our activities. Our name - Music Makers – 

came later. There are now three groups that participate on 

Monday and Tuesday mornings, with up to eight clients in 

each group. The support of the staff from Connections and 

Community Programs is wonderful, and our achievements 

would not be possible without them - especially when it 

comes to making rain sticks! The words of our Music Makers 

song best sum up what we do each week: 

We’re the Monday (or Tuesday) Music Makers 

We love to dance and sing 

We play our drums and instruments 

And give our hips a swing. 

We meet every Monday (or Tuesday) morning 

And go up to Moore Street 

We shake and tap and giggle 

And give ourselves a treat! 

Helen Robinson 

McHattan was most enthusiastically received and was an 

excellent start to a new venture. 

Over the past few years, NECOM music educator, Helen 

Robinson has been working quietly and steadily with members 

of the community with disabilities. She is doing some excellent 

and very valued work. (See Helen’s article, this edition) 

Sophia Debus and Eleanor Streatfeild were guest artists at the Sapphire 

Sounds concert 

Merry Members of Monday’s Music Makers 

Peta Blyth 


NECOm Educator members 

ARCHER, Cathy 

BMusEd (Newcastle Con.); 

Performers Certificate in Voice - 

Trinity College; 

Classroom Teacher 

Ph: 6771 4886 

BARFORD, Marian 

B.Mus Violin/Viola 

Beginner to Advanced 

Tutor – NECOM Beginner Strings 

Program 

Ph: 6775 1289 

BLYTH, Peta 

B.Mus (Hons) BA Dip Ed L.Mus.A 

(Piano) Voice 

ARCM (London) (Voice) 

Voice - Inverell based 

Clarion Singers; concert and 

opera artist; adjudicator 

Ph: 6724 8248 

wpblyth@bigpond.com 

BRADLEY, Robyn 

LMus, BMus, MRurSc.,BVSc 

Piano/Accompaniment 

All grades beginner to advanced; 

Accompanist (intermediate 

to advanced) 

Ph: 6772 6468 

robyn.m.bradley@gmail.com 

BROWN, Dave 

BA(Mus), Dip.Ed(SecMus) 

Brass - All instruments at all 

levels, happy to teach to other 

regional centres via video-conferencing. 

Ph: 6779 2614 

Mob: 0419 539 372 

CHAMPION, Wendy 

B.Mus (Hons Perf) Aust.Inst.Music 

Flute/Clarinet/Saxophone 

Inverell & Warialda 

Mob: 0438 287 582 

CLARKE, Zana 

B.A (Melb), B.Mus.(Melb), Dip. 

Ed.(UNE), A.Mus.A (Violin) 

Recorder & Violin specialist to all 

levels and ages 

Ph: 6772 2205 

zana@orpheusmusic.com.au 

CUSACK, Sister Margaret Therese 

T.Mus.A; ATCL; A.MusA; MMTA, 

MIMT 

Piano/Musicianship - (all grades) 

Singing – Beginners, AMEB 

Grades or AMEB ‘Singing for 

Leisure’ syllabus. 

Moree Only 

Ph: 6752 7945 

margaretcusack17@bigpond.com 


DAVIDGE, Sharon 

A.Mus.A, B.Nat.Res.(Hons) 

Flute, Piccolo, Fife, Panpipes 

beginners to advanced 

Ph: 6771 1607 

DEBUS, Sofia 

B.Mus.(Distinction), B.Ed., 

Violin, Viola 

Suzuki Method 

Tchr. Member Suzuki Talent Ed. 

Assn. 

AMEB Exam Preparation 

Ph: 6772 1710 

Mob:0428 385 824 

sydodds@hotmail.com 

DRISCOLL, Robyn 

Dip.Mus.Ed., L.Mus.A. Dip.Mus.Ed 

(Newcastle) (Piano) 

Piano – beginner to diploma 

levels 

Ph: 6772 1349 

DUNHAM, Warwick 

ASCM B.Mus (Syd) 

Organ, Piano, Jazz Piano, Music 

Theory, Composition, Music 

Technology 

Ph: 6775 2396 

Mob: 0417 210 509 

warwick@tpg.net.au 

GRIFFITH, Debra 

A.Mus.A, Cert MusT (USQ) MTA 

NSW Accredited 

Piano 

Beginners to advanced; HSC 

requirements. All ages; Piano 

for leisure; AMEB & Trinity exam 

preparation; Musicianship; 

MusicCraft. 

Ph: 6771 1019 

Mob: 0421 843 398 

babygrand13@hotmail.com 

GROWNS, Jane 

BSc(Hons), PhD, AMusA Clarinet/ 

Saxophone/Piano 

Ph: 6772 2980 

GUYMER, Sheila 

A.MusA, L.MusA, B.Mus (Hons), 

MMusSt. (Solo Piano), MMus 

(Accomp). 

Piano, Theory, Music Craft, 

Accompaniment. All ages and 

levels welcome. Also taught at 

Sydney Con. & Melbourne Uni. 

Ph: 6772 7013 

Mob: 0422 379 044 

Web: www.sheilaguymer.com 

outreach@necom.org.au 

HAN, Woo-Hwa 

Adv Dip Mus (Osaka), Piano – 

Young Beginners 

Ph: 6772 1275 

woohwa@aapt.net.au 

HILL, Jennifer 

MTA NSW Accredited Piano/ 

Theory/Musicianship 

All Grades. Inverell only. 

Ph: 6721 3888 

HARPLEY, Robert 

Cert IV Assess&Wkpl Train 

Beginner’s Guitar 

Introduction to guitar, basic 

notation, tablature. Popular 

styles, all ages 

Ph: 6775 9282 

Mob: 0404 443 879 

robhply@iinet.au 

HUDDLESTON, Wendy 

AMusA, L..Mus, FFCSME, 

DSME, Accompanist 

Conductor, Accompanist/ 

Coach; Examination prep. 

Ph: 6772 8514 

Mob: 0411 436 194 

wwhuddle@activ8.net.au 

KELSON, April 

BA, B Mus (Hons) M, Dip Edu, 

Kodaly Prim Level II 

Violin/Viola 

Beginner to Advanced NECOM 

Beginner Strings Program 

Mob: 0424 171 632 

akelson@necom.org.au 

LARKINS, Gerard 

AMusA, LMusA 

Flute 

Beginners to advanced students; 

examination candidates 

Ph: 6771 4245 

Mob: 0410 444 850 

ardins1@virginbroadband.com.au 

LAWRENCE, Madeleine 

L.Mus.A, A.Mus.A, ADMT (with 

Merit) 

Piano/ Musicianship 

Beginners to diploma level; Formerly 

lecturer in musicianship 

at NSW Conservatorium & guest 

lecturer for HSC revision courses 

Ph: 6772 1082 

Mob: 0447 540 766 

mlawrence-fairy@bigpond.com 

MARSHALL, Stephanie 

BA(Hons) DipEd. 

Offering drama lessons in playbuilding, 

improvisation, acting 

for camera, public speaking & 

performance poetry. 

Ph: 6722 3065 

Mob: 0418 659 410 

leachstephanie@hotmail.com 

MASON, Margaret 

Cert. Child Care 

Guitar & Electric Bass - Beginners 

to intermediate. Inverell area. 

Tel: 6721 4132 

margaret.mason1@gotalk.net.au 

McLACHLAN, Mary 

Piano - Inverell only 

Ph: 6722 3030 

McLAREN, Merran 

Dip.Mus(Ed), L.Mus.A, LTCL, Dip. 

Orff institute Salz 

Piano, Voice, Musicianship, Accompanist. 

Formerly Director of 

Music at Pymble Ladies College; 

Ascham School Edgecliff; A Professional 

Music Studio Sydney 

Ph: 6732 2256 

bunyipmmm@nsw.chariot.net.au 

McPHAN, Greg 

BA, DipEd, PhD, AMusA & LMusA 

(Piano) LMusA (Voice) 

Voice 

Ph: 6775 1312 

greg.mcphan@une.edu.au 

McPHAN, Jenny 

A.Mus, L.Mus, LTCL, FTCL 

Piano 

Specialises in intermediate 

to advanced; Chamber music 

classes, performances classes 

Accompanist 

Ph: 6775 1312 

METCALFE O.A.M, Sue 

L.Mus, DSME.FFCSME DSCM 

Cello, Accompanist (Strings 

only), Cello choir, Armidale 

String Quartet 

Ph: 6775 1165 

Mob: 0419 225 236 

MICHELS-THORN, Cecile 

Dip Recorder Teacher (Ned) 

Cert. Musicianship (Fra) 

Recorder, Ocarina, Musicianship 

and French music group for children 

aged 1-5 accompanied by 

their parents. Also offers school 

holiday wkshps & exam prep. 

Ph: 6772 5889 

cmichels@aapt.net.au 

MYERS, Bruce 

BMus, BTeach, FTCL, LMusA, Orff 

Trained 

Conductor, Arranger and Brass 

Specialist for all levels and ages; 

Classroom Music Teacher

Ph: 6771 2679 

Mob: 0414 294 287 

bruce.myers@det.nsw.edu.au 

NEGEREVICH, Nick 

A.Mus.A, D.S.C.M, PGDIM(USQ) 

Flute, Piccolo, Clarinet & Saxophone 

- Now teaching in the 

New England area. Currently 

AMEB Examiner in Woodwinds 

– Instrumental teacher in 

Woodwind 

Mob: 0427 796 701 

nick.negerevich@negs.nsw.edu.au 

NIEMEYER, Belinda 

Cert IV Assess&Wkpl Train, Dip 

Children’s Services 

NECOM Early Childhood Music 

Program. 

Ph: 6775 1808 

PARKER, Robyn 

BA, Dip.Ed, Dip.Spec.Ed 

Recorder - Beginners to advanced. 

Camerata and Ribatutta 

Recorder Ensembles 

Ph: 6772 7976 

PULLEY, Laurie 

OAM,BA, FFCSME, DSME, DSCM, 

LMusA, Dip.Mus.Ed Violin/Viola 

Beginners to advanced; instrumental 

ensembles, orchestra, 

baritone soloist; classroom 

music, Armidale String Quartet 

Ph: 6772 1124 

PURCELL, Chris 

Guitar - Classical and Blues; 

Director – New England Youth 

Guitar Ensemble; Director - Vocal 

Chords Choral Group. 

Ph: 6772 3265 

RICKARDS, Deidre 

L.Mus.A, MACE, ARCM, B.Mus.Ed 

(Newcastle), B.Ed (Deakin) 

Pianist/Accompanist Composition 

Teacher 

Ph: 6771 1440 

Mob: 0439 711 444 

deidrerickards@bigpond.com 

ROBINSON, Helen 

Dip.Mus.Ed, A.Mus.A 

Piano - beginner to intermediate 

levels 

Inverell only 

Ph: 6721 1519 

ROOBOL, Leanne 

B.Mus, A.Mus.A, Grad Dip.Ed 

Director – New England Singers 

& Cantilena Folk Choirs 

Mob: 0427 712 548 

ROWLANDS, Lindsay 

B.A, Dip.Ed, MLitt 

Guitar – Classical, Electric, Folk; 

Bass – Electric; West African Percussion 

– Djembe; Shakuhachi 

- beginner 

Ph: 6771 5516 

Mob: 0411 614 033 

RUSSELL, Errol 

B.Mus, Dip.Ed, L.Mus.A, LCTL 

Violin / Viola 

Chamber Music classes, Armidale 

String Quartet, Former 

member SSO 

Ph: 6772 5556 

Mob: 0421 501 256 

SCHMALZ, Jelena 

Pipe Organ, Examination C for 

Church Organists (Berlin) 

Ph: 6772 3803 

lena.schmalz@web.de 

SIMON, Rebecca 

A.Mus.A. ADMU(USQ) 

Accompanist, Piano, Music Craft, 

Musicianship & Theory. 

Ph: 6772 2840 

Mob: 0427 022 793 

thepianogal@gmail.com 

SMITH, Richard 

A.Mus.A. 

Piano Teaching & 

Accompaniment 

Mob: 0427 810 755 

SMOLDERS, Sandi 

Dip.Ed (Inf/Prim) 

Recorder Beginner to intermediate; 

TAFE Early Childhood Music 

interested in working with 

children with special needs. 

Ph: 6772 1702 

SOUTHCOTT, Inge 

B.Mus (Perf); Grad.Dip (Vocal 

Pedagogy); BFA(Hons); MBBS 

Voice 

All ages, beginners to professionals; 

healthy technique; 

musicality & performance skills. 

12 yrs teaching experience. 

Ph: 6772 0258 A/H 

Mob: 0431 479 008 

ingesinger@bigpond.com 

STREATFEILD, Eleanor 

A.Mus.A.,B.Mus. 

Cello - Beginner to Advanced; 

Tutor – NECOM Beginner Strings 

Program 

Mob: 0403 211 778 

TAFRA, Stephen 

B.Arts (Mus), Grad.Dip.Mus 

Guitar 

Specialises in Classical/ Solo 

guitar to advanced level. Can 

teach Jazz/ Improvisation to 

an intermediate level. Popular 

commercial styles can also be 

incorporated into a productive 

learning method if requested; 

EphenStephen guitar duo 

Ph: 6771 2716 

Mob: 0414 512 716 

TALL, Stephen 

Voice 

Beginners to advanced; Ages 

13 to adult; All styles including 

AMEB exam preparation. 

Ph: 6778 3293 

Mob: 0406 953 366 

tall.icon@bigpond.com 

THORN, Benjamin 

PhD, BA (Hons), Dip.Ed 

Recorder / Flute/ Celtic Harp/ 

Composition 

Accompaniment on harp. 

Examinations, performances 

Ph: 6772 5889 

benjaminthorn@aapt.net.au 

THORNEYCROFT, Stephen 

B.Mus(Hons) 

Guitar / Composition 

Guitar (all styles), Composition 

lecturer UNE, EphenStephen 

guitar duo 

Ph: 6771 2762 

stevethorneycroft@mac.com 

www.ephenstephen.com 

TORBAY, George 

B.Mus (Distinction, Boston USA); 

Grad.Dip.Ed 

Voice – Beginners to adv. 

Vocal Coaching, Choral Con- 

ducting – all levels; Musicianship 

– all levels. 

Mob: 0447 436 743 

gtorbay@bigpond.net.au 

WARFIELD, Garry 

Guitar & Bass - Beginners to Advanced 

– Popular/Jass/Classical 

Ph: 0402 457 800 

grwarfield@optusnet.com.au 

WARNOCK, Jenny 

A.Mus.A (Piano & Voice), B.Mus.Ed 

(Sydney) 

Voice/ Piano/ Accompanist 

Beginners to advanced, all 

ages, both instruments. Mezzo 

Soprano soloist, accompanist for 

singers and instrumentalists 

Ph: 6772 6279 

Mob: 0431 188 310 

jencal@northnet.com.au 

WATERS, Deirdre 

A.Mus.A, T.Mus.A. LTCL 

Piano/ Musicianship; Piano 

(Prel-Gde 8); specialising in Gdes 

4-7 Musicianship; Accreditation 

Sydney Con. (Mus/ Theory); New 

Music Craft Syllabus 

h: 6775 3754 

WIGG, Barbara 

ARCM Piano 

Teaching all grades from beginners 

to advanced level; Also all 

levels of musicianship. 

Ph: 6722 2119 

barbarawigg@bigpond.com 

How to contact us 

New England Conservatorium of music 

Office: CB Newling building, 

cnr Mossman and Faulkner Sts 

Armidale NSW 2350 Australia 

Postal: PO Box 1313, Armidale 2350 

Phone: 02 6772 7203 

Fax: 02 6772 7511 

Web: http://necom.une.edu.au 

Director – Julie Croft 

director@necom.org.au 

Financial Admin – Faewyn Goyen 

admin@necom.org.au 

Office Hours Mon- Fri 9 – 5pm 

* First 3 weeks of each term NECOM Office has extended 

office hours including Saturday mornings from 9-12.30 and 

Monday, Tuesday & Wed. afternoons to 5.30pm. 

Inverell Campus 

Sinclair Place Public School 

79 Moore St, Inverell 2360 

Mail: PO Box 1242, Inverell 2360 

Coordinator: Peta Blyth 

Tel: 6724 8248 

ABN: 161 043 294 46 ACN: 104 329 446 


NOTICBOaRD 

Last event for 2009 

New Year’s Eve Twilight Concert 

Winterreise by Franz Schubert, sung from the Keyboard by 

German Bass Michael Zuber. Plus a selection of great classics 

4.30pm at the Ursuline Chapel. 

Tickets NECOM, Dymocks or at door. 

New England Music Diary 2010 

Term 1 

Fri 26th – Sun 28th Feb Armidale Youth Orchestra 

Sawtell weekend 

Wed 10th Mar Year 10 Music Day 

Thu 11th Mar & Fri 12th Mar HSC Music workshop 

Sat 27th & Sun 28th Mar Trio Empyrean (Wendy & Andrew 

Lorenz, David Pereira) 

– concert/masterclasses 

Sun 28th Mar AYO Garden Party 

Term 2 

Mon 3rd May Armidale Eisteddfod commences 

Wed 19th May Eisteddfod Band Night 

Wed 26th May Eisteddfod Choral Night 

Wed 2nd Jun Eisteddfod Composition Night & 

composition seminar 

Thu 4th Jun Concert @ Konstantin Shamray & 

Eleanor Streatfeild 

Sun 6th Jun Beginner Woodwind 

Program Concert 

Beginner String Program Concert 

Wed 30th Jun & Thu 1st Jul Junior Orchestra workshop 

Wed 21st Jul Musica Viva Armidale 

Pavel Haas Quartet 

Term 3 

Sun 22nd Aug Musica Viva Armidale 

Nellie Melba Tribute 

Wed 25th Aug NECOM Choral Concert 

Sun 12th Sep Beginner Woodwind Program 

solo concert 

Sun 19th Sep Beginner String Program 

solo concert 

Term 4 

Fri 22nd Oct Musica Viva Armidale 

Alina Ibragimova (violin) Cedric 

Tiberghien (piano) 

Sat 23 & Sun 24th Oct NECOM Regional Choral 

Concert Series 

Sun31st Oct NECOM Woodwind workshop 

Sun 7th Nov NECOM String workshop 

Sun 21st Nov AYO Gala Concert 

Sun 28th Nov Beginner String Program 

Xmas concert 

Wed 1st Dec NECOM Choral Xmas Concert 


Merry 

Christmas 

Announc i n g . . . 

THE BEGINNER BRASS 

PROGRAM 2010 

Learn to Play the Trumpet, 

Trombone, Euphonium, Tuba 

Lessons offered either after school or on 

Saturdays at NECOM or during school 

hours at participating schools throughout 

the region. 

As students progress through the program 

they will have the opportunity to join a 

brilliant brass ensemble. 

Don’t miss out! 

Contact NECOM: 

Ph. (02) 6772 7203 

Fax. (02) 6772 7511 

Email: admin@necom.org.au

Volume 17, December 2009 - New England Conservatorium of ...

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