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Mariely Marquez | Design Portfolio

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M A R I E L Y M A R Q U E Z


Hello<br />

ABOUT ME<br />

EXPERIENCE<br />

I have been a student at CCD for over 3 years now. When I took<br />

my first CCD graphic design classes in my senior year of high<br />

school, I realized that design is something that I enjoy doing.<br />

Apart from design, I am also a 2-Dimensional artist. Most of my<br />

work consists of drawings and paintings, however I’m open to<br />

working with any medium. In the past, I’ve explored many<br />

different art forms such as theatre, music, and audio production.<br />

My artwork has won multiple awards, and has been featured in<br />

various art shows such as the CCD Student Art Show and the<br />

Congressional Art Competition. I’ve also been a featured artist<br />

in CCD’s Dock Gallery.<br />

2021<br />

2021<br />

Artist Mentor - Academic Mentors Project<br />

Community Resources Inc.<br />

Denver, CO<br />

As an academic mentor for Community Resources Inc., I volunteer my time to mentor a DPS student in<br />

their chosen area of interest. Over the course of six 1-hour meetings, I teach the student what I know<br />

about art and design, and provide advice on how to develop their work further. The ultimate product of<br />

these meetings is a project completed by the student using what they’ve learned from their mentor.<br />

Arts, Behavioral, and Social Science Office Assistant<br />

Community College of Denver<br />

Denver, CO<br />

As a work study for the Arts, Behavioral, and Social Science department at CCD, I handle a variety of<br />

administrative and organizational tasks including: managing phone calls and emails, and answering questions<br />

about the department from both staff and students. I am also responsible for contacting students,<br />

setting up meetings, and distributing laptops in regards to CCD’s CRRSAA Emergency Aid program.<br />

EDUCATION<br />

2020<br />

Graphic <strong>Design</strong>er<br />

Upwork<br />

Denver, CO<br />

2021<br />

Associates of Applied Science, Graphic <strong>Design</strong><br />

Community College of Denver<br />

Denver, CO<br />

UpWork is an online platform for freelancers to gain access to a variety of jobs within their areas of<br />

expertise. While working through the site, I worked on both short-term and long-term graphic design<br />

projects. I was responsible for communicating with my clients about my rates, timelines, and meetings<br />

regarding the projects.<br />

720 474 9697<br />

MARIELYMDESIGN@GMAIL.COM<br />

2020<br />

2019<br />

Graphic <strong>Design</strong> Certificate<br />

Community College of Denver<br />

Denver, CO<br />

Kunsmiller Creative Arts Academy High School<br />

Denver, CO<br />

2019<br />

IdeaLAB Technical Assistant<br />

Denver Public Library - Hadley Branch<br />

Denver, CO<br />

The IdeaLAB is a designated creative space found in various Denver Public Library locations. These<br />

spaces are equipped with materials such as computers with design software, craft supplies, soldering<br />

irons, and die-cut machines- all of which are free to use by the public. As a technial assistant in the<br />

IdeaLAB, I helped visitors of all ages complete creative projects. Outside of the IdeaLAB, I provided<br />

general help and customer service around the library.<br />

MARIELYMDESIGN.COM<br />

Introduction Resume 03


Project Name Branding & Identity 05


01<br />

<strong>Mariely</strong> M <strong>Design</strong> Logo Process<br />

PERSONAL BRANDING<br />

Brand Identity, Logo <strong>Design</strong><br />

<strong>Mariely</strong> M <strong>Design</strong> is a clean, concise, and modern brand.<br />

The primary logo mark is my initial being orbited by<br />

a star. My goal was to create a sense of elegance and<br />

magic by featuring a star symbol, overall bringing a<br />

mystical aspect to the brand identitiy.<br />

MARIEL Y MARQUEZ<br />

<strong>Mariely</strong> M <strong>Design</strong><br />

Branding & Identity<br />

07


<strong>Mariely</strong> M <strong>Design</strong> Fonts & Colors<br />

PRIMARY FONT:<br />

LATO<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

abcdefghijklmnopqrstuvwxyz<br />

1234567890 !@#$%^&*()?/:;<br />

SECONDARY FONT:<br />

ORPHEUS PRO REGULAR<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

abcdefghijklmnopqrstuvwxyz<br />

1234567890 !@#$%^&*()?/:;<br />

Rich Black Night Navy Cream Sleek White<br />

CMYK: 0, 0, 0, 100<br />

RGB: 0, 0, 0<br />

Hex: #000000<br />

CMYK: 88, 71, 57, 68<br />

RGB: 10, 32, 43<br />

Hex: #0a202b<br />

CMYK: 0, 5, 6, 0<br />

RGB: 255, 241, 233<br />

Hex: #fff1e9<br />

CMYK: 0, 0, 0, 0<br />

RGB: 255, 255, 255<br />

Hex: #ffffff<br />

<strong>Mariely</strong> M<strong>Design</strong> 09


02<br />

GETAWAY CAFE<br />

Brand Identity, Logo <strong>Design</strong>, Brochure, Poster<br />

The Getaway Bakery is a fictional cafe that sells coffee<br />

and pasteries from around the world. For this project,<br />

I primarily used In<strong>Design</strong> to create various branding<br />

elements. By exploring the capabilities of In<strong>Design</strong>, the<br />

individual elements came together at the end to create<br />

the branding of the bakery.<br />

The Getaway Cafe and Bakery logo is a classic, friendly<br />

mark inspired by a circular passport stamp. The emerald<br />

green tone used throughout the brand colateral alludes<br />

to nature’s role in providing the delicious products<br />

featured at the Getaway Cafe and Bakery. The cream<br />

color that accompanies the green reminds us of the color<br />

of pasteries and coffee creamer.<br />

Getaway Cafe & Bakery<br />

Branding & Identity<br />

13


Th e<br />

The Getaway<br />

The<br />

Ge t away<br />

The<br />

Getaway<br />

Getaway Cafe Fonts & Colors<br />

Cafe & Bakery<br />

C a f e<br />

&<br />

B a k e ry<br />

c a<br />

f e<br />

&<br />

b a k e r y<br />

Cafe & Bakery<br />

PRIMARY FONT:<br />

ADOBE CASLON PRO<br />

SECONDARY FONT:<br />

MINION PRO<br />

Th e<br />

Cafe & Bakery<br />

C a<br />

The Getaway<br />

f e &<br />

B a k e r y<br />

Th e<br />

Cafe & Bakery<br />

Th e<br />

Cafe & Bakery<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

abcdefghijklmnopqrstuvwxyz<br />

1234567890 !@#$%^&*()?/:;<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

abcdefghijklmnopqrstuvwxyz<br />

1234567890 !@#$%^&*()?/:;<br />

Emerald<br />

CMYK: 88, 63, 60, 60<br />

RGB: 16, 47, 52<br />

Hex: #102f34<br />

Nature Green<br />

CMYK: 90, 54, 56, 37<br />

RGB: 20, 75, 80<br />

Hex: #144b50<br />

Coffee Creamer<br />

CMYK: 0, 10, 12, 0<br />

RGB: 253, 231, 217<br />

Hex: #fde7dp<br />

Sleek White<br />

CMYK: 0, 0, 0, 0<br />

RGB: 255, 255, 255<br />

Hex: #ffffff<br />

Getaway Cafe & Bakery<br />

Branding & Identity<br />

15


Getaway Cafe & Bakery Branding & Identity 17


Getaway Project Name Cafe & Bakery<br />

Branding & Identity


OTHER PROJECTS


03.1<br />

PROJECT WERNER HERZOG NAME<br />

Poster <strong>Design</strong><br />

The objective for this project was to design a poster<br />

for the 2020 Cannes Film Festival in France. The poster<br />

had to utilize a grid with up to16 columns and 4-6 rows.<br />

Additionally, all type used in the poster had to be in the<br />

Helvetica Neue sans serif font family. All graphics and<br />

type were limited to only two colors. Overall, the poster<br />

had to demonstrate an understanding of the Swiss Grid<br />

and take inspiration from designers such as Massimo<br />

Vignelli or Joseph Muller Brockman.<br />

Werner Herzog Poster<br />

Poster <strong>Design</strong><br />

23


03.2<br />

SOMOS LOGO<br />

Logo <strong>Design</strong><br />

The Community College of Denver’s Office of Student<br />

Life hosts an annual event called “Somos CCD.” The<br />

event is a celebration of Hispanic Heritage Month. This<br />

year, the Office of Student Life requested a graphic that<br />

would be used as a logo for the event.<br />

The figures used in the logo were sourced from the<br />

internet, however, I stylized the vectors using color and<br />

making adjustments to the shapes to freshen them up<br />

and make them unique to the SOMOS logo.<br />

SOMOS Logo <strong>Design</strong> 25


WORLD BE THE CHANGE YOU WISH<br />

TO SEE IN THE WORLD BE THE CHANGE<br />

YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE<br />

BE<br />

IN THE<br />

WORLD<br />

CHANGE<br />

BE THE YOU WISH TO SEE IN THIS WORLD<br />

YOU WISH TO SEE IN THE WORLD CHANGE YOU WISH TO SEE<br />

IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD CHANGE YOU WISH TO SEE<br />

IN THE WORLD BE THE CHANGE YOU<br />

<br />

WISH TO<br />

BE<br />

SEE<br />

THE<br />

IN WORLD<br />

CHANGE<br />

BE THE YOU WISH TO SEE IN THIS WORLD<br />

YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE<br />

THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE<br />

WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD<br />

BE THE<br />

THE<br />

CHANGE<br />

CHANGE<br />

YOU WISH TO SEE<br />

YOU<br />

IN<br />

WISH TO SEE IN THIS WORLD<br />

THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD THE CHANGE YOU WISH TO SEE IN THE<br />

WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD<br />

BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU<br />

BE<br />

WISH<br />

THE<br />

TO SEE<br />

CHANGE<br />

IN THE WORLD BE THE<br />

YOU WISH TO SEE IN THIS WORLD<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU<br />

BE<br />

WISH<br />

THE<br />

TO SEE<br />

CHANGE<br />

IN THE WORLD BE THE<br />

YOU WISH TO SEE IN THIS WORLD<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE<br />

THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE<br />

WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE<br />

BE<br />

THE CHANGE<br />

THE<br />

YOU<br />

CHANGE<br />

WISH TO<br />

YOU WISH TO SEE IN THIS WORLD<br />

SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE THE<br />

CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE<br />

IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN THE WORLD BE CHANGE YOU WISH TO SEE IN THE WORLD BE THE CHANGE<br />

BE<br />

YOU<br />

THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />

WISH TO SEE IN THE WORLD BE THE CHANGE YOU WISH TO<br />

SEE IN THE WORLD BE THE CHANGE YOU WISH TO SEE IN<br />

THE WORLD BE THE CHANGE YOU WISH TO SEE IN<br />

THE WORLD BE THE CHANGE YOU WISH TO SEE<br />

IN THE WORLD BE THE CHANGE YOU WISH<br />

<br />

CHANGE BE THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />

TO SEE IN THE WORLD BE THE<br />

YOU WISH TO SEE IN<br />

THE WORLD BE THE<br />

CHANGE YOU WISH<br />

TO SEE IN THE<br />

WORLD BE<br />

THE<br />

<br />

BE THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />

BE THE CHANGE YOU WISH TO SEE IN THIS WORLD<br />

03.3<br />

EXPRESSIVE TYPE<br />

Typography, Poster <strong>Design</strong><br />

The objective for this project was to design a poster that would be folded into fourths using typography. The<br />

poster had to use a phrase, poem, or song lyric that would be brought to life by type. The style of the design<br />

must demonstrate an understanding of expressive typography and be influenced by the style of David Carson.<br />

Expressive Typography<br />

Poster <strong>Design</strong><br />

27


03.4<br />

DIA DE LOS MUERTOS<br />

Poster design, Illustration<br />

For Dia de los Muertos (Day of the Dead), the office of Visual Arts and Graphic <strong>Design</strong> requested<br />

a poster that would prompt viewers to contribute to CCD’s Dia de los Muertos Ofrenda. The<br />

deliverables associated with this project include the poster, a digital sign for campus TVs, an email<br />

flyer, and a banner image for CCD’s online gallery.<br />

DIA DE LOS MUERTOS<br />

OFRENDA<br />

INVITATION TO PARTICIPATE<br />

DIA DE LOS MUERTOS<br />

OFRENDA<br />

INVITATION TO PARTICIPATE<br />

DIA DE LOS MUERTOS<br />

OFRENDA<br />

INVITATION TO PARTICIPATE<br />

DIA DE LOS MUERTOS<br />

OFRENDA<br />

INVITATION TO PARTICIPATE<br />

CCDʼs Visual Arts & Graphic<br />

<strong>Design</strong> Department and World<br />

Languages Department invite<br />

you to participate in this year's<br />

Día de los Muertos community<br />

ofrenda to honor the life<br />

and memory of lost loved<br />

ones due to COVID-19.<br />

OFRENDAS MAY INCLUDE:<br />

Photos of lost loved ones, calaveras<br />

(skulls), paper marigolds, and<br />

decorated monarch butterflies.<br />

For more information on how to<br />

participate and digital<br />

resources, please visit:<br />

www.ccd.edu/dock-gallery<br />

Kindly drop off your ofrenda contributions<br />

at St. Cajetan's Church (101 Lawrence Way)<br />

on October 27th from 9 am - 12 pm.<br />

Ofrenda on view: NOV 1 - NOV 19 • Glass Gallery, Cherry Creek Building<br />

For Questions and Digital Contributions Contact: Camila.Galofre@ccd.edu<br />

CCDʼs Visual Arts & Graphic<br />

<strong>Design</strong> Department and World<br />

Languages Department invite<br />

you to participate in this year's<br />

Día de los Muertos community<br />

ofrenda to honor the life<br />

and memory of lost loved<br />

ones due to COVID-19.<br />

OFRENDAS MAY INCLUDE:<br />

Photos of lost loved ones, calaveras<br />

(skulls), paper marigolds, and<br />

decorated monarch butterflies.<br />

For more information on how to<br />

participate and digital<br />

resources, please visit:<br />

www.ccd.edu/dock-gallery<br />

Kindly drop off your ofrenda<br />

contributions at St. Cajetan's Church<br />

(101 Lawrence Way) on October 27th<br />

from 9 am - 12 pm.<br />

Ofrenda on view: NOV 1 - NOV 19<br />

Glass Gallery, Cherry Creek Building<br />

For Questions and Digital Contributions<br />

Contact: Camila.Galofre@ccd.edu<br />

CCDʼs Visual Arts & Graphic<br />

<strong>Design</strong> Department and World<br />

Languages Department invite<br />

you to participate in this year's<br />

Día de los Muertos community<br />

ofrenda to honor the life<br />

and memory of lost loved<br />

ones due to COVID-19.<br />

OFRENDAS MAY INCLUDE:<br />

Photos of lost loved ones, calaveras<br />

(skulls), paper marigolds, and<br />

decorated monarch butterflies.<br />

For more information on how to<br />

participate and digital<br />

resources, please visit:<br />

www.ccd.edu/dock-gallery<br />

Kindly drop off your ofrenda contributions at<br />

St. Cajetan's Church (101 Lawrence Way) on October 27th<br />

from 9 am - 12 pm.<br />

Ofrenda on view: NOV 1 - NOV 19 • Glass Gallery, Cherry Creek Building<br />

For Questions and Digital Contributions Contact: Camila.Galofre@ccd.edu<br />

Dia de los Muertos<br />

Poster <strong>Design</strong><br />

29


04<br />

LOCALITY<br />

Masthead <strong>Design</strong>, Magazine Layout<br />

This is a magazine for the creative, adventurous, and<br />

inspired. Locality magazine is a publication that works<br />

towards uplifting the voices of artists within our<br />

communities while also celebrating the art nestled<br />

within every aspect of our lives. Locality is a quarterly<br />

magazine that focuses on a new location every season.<br />

Each Issue hones in on that location’s art scene and<br />

culture by highlighting local artists, events, and much<br />

more. Although the pandemic has changed our way of<br />

doing things, Locality magazine reminds that art can help<br />

us make sense of our whole new world.<br />

Locality<br />

Magazine Layout<br />

31


Initial Masthead Concepts<br />

Final Masthead<br />

Locality<br />

Magazine Layout<br />

33


Initial Masthead Concepts<br />

Locality Fonts & Colors<br />

Masthead Font: Bely Display<br />

Headline Font: Agenda Medium<br />

A B C D E F G H I J K L M N O<br />

P Q R S T U V W X Y Z<br />

a b c d e f g h i j k l m n<br />

o p q r s t u v w x y z<br />

A B C D E F G H I J K L M N O P Q R<br />

S T U V W X Y Z<br />

a b c d e f g h i j k l m n<br />

o p q r s t u v w x y z<br />

Rich Black<br />

CMYK: 75, 68, 67, 90<br />

RGB: 0, 0, 0<br />

Hex: #000000<br />

Brilliant Red<br />

CMYK: 13, 93, 100, 3<br />

RGB: 237, 51, 30<br />

Hex: #cf331e<br />

Primary Font: DIN 2014 Narrow<br />

Body Font: Agenda Regular<br />

A B C D E F G H I J K L M N O P Q R S T<br />

U V W X Y Z<br />

A B C D E F G H I J K L M N O P Q R<br />

S T U V W X Y Z<br />

a b c d e f g h i j k l m n<br />

o p q r s t u v w x y z<br />

a b c d e f g h i j k l m n<br />

o p q r s t u v w x y z<br />

Yellow<br />

CMYK: 0, 22, 96, 0<br />

RGB: 255, 199, 29<br />

Hex: #ffc71d<br />

Sleek White<br />

CMYK: 0, 0, 0, 0<br />

RGB: 255, 255, 255<br />

Hex: #ffffff<br />

Project Name<br />

Branding & Identity<br />

35


Locality Magazine Layout 39


Locality Magazine Layout 41


05<br />

Initial Logo Concepts<br />

HAPPY BAKESHOP<br />

Brand Identity, Logo <strong>Design</strong>, Packaging <strong>Design</strong><br />

the<br />

The Happy Bakeshop began with three friends and a dream. This joyful trio wanted to make a bakery<br />

that would bring happiness to their customers. After some long nights, “Happy Cakes” was born in 2006.<br />

About a decade and a name change later, the Happy Bakeshop still brings smiles to those who visit.<br />

The Happy Bakeshop’s primary logo is classic, clean, and joyful. It emphasizes the Happy Bakery’s<br />

professionalism and friendliness. The logo bridges Bebas Neue’s strong, condensed forms with an<br />

approachable hand-written font inspired by Alkaline Bold.<br />

Bakesh op<br />

ba k e s h o p<br />

Original Logo<br />

HAPPY<br />

bakeshop<br />

the<br />

happy<br />

bakeshop.<br />

HAPPY<br />

bakeshop<br />

B<br />

P<br />

A K ESH O<br />

HAPPY<br />

bakeshop<br />

es td<br />

bakeshop<br />

2006<br />

d e n v e r<br />

Happy Bakeshop<br />

Branding & Identity<br />

45


Logo Anatomy<br />

HAPPY<br />

Bakeshop<br />

Unmodified Alkaline Bold<br />

Getaway Cafe & Bakery<br />

Branding & Identity<br />

47


ebas neue<br />

abcdefghi<br />

jklmnopqr<br />

stuvwxyz<br />

#EAAA28<br />

R:34 G:170 B:40<br />

C:8 M:35 Y:97 K:0<br />

#266BAB<br />

R:38 G:107 B:171<br />

C:87 M:57 Y:7 K:0<br />

Lato<br />

abcdefghi<br />

jklmnopqr<br />

stuvwxyz<br />

#25408F<br />

R:37 G:64 B:143<br />

C:100 M:90 Y:10 K:0<br />

#DF5E3A<br />

R:223 G:94 B:38<br />

C:7 M:77 Y:85 K:1<br />

Happy Bakeshop<br />

Branding & Identity<br />

49


Happy Bakeshop Branding & Identity 051


M A R I E L Y M A R Q U E Z

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