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Red Door #28 - The TYPEWRITTEN issue

Featuring the art of Hal Wildson Jessica Esch Tim Youd Danni Storm Chad Reynolds Kevin Stebner Martin Andersen Frank Singleton Leo K. Benjamin Paweshi and illustrations by Richard Polt Including poetry by Michael Favala Goldman Cristian Forte Jack Thacker Lani O'Hanton Un Sio San Hasso Krull Simon Nastac Pankhuri Sinha Laurence James and Pablo Saborio As well as the official program of Nature & Culture - International Poetry Festival Red Transmissions Podcast: The Typewriter Revolution Chicano Tribune: Anniversaries and more. In dedication to Red Door correspondent David H. Rambo. www.reddoormagazine.com

Featuring the art of Hal Wildson
Jessica Esch
Tim Youd
Danni Storm
Chad Reynolds
Kevin Stebner
Martin Andersen
Frank Singleton
Leo K.
Benjamin Paweshi
and illustrations by Richard Polt

Including poetry by
Michael Favala Goldman
Cristian Forte
Jack Thacker
Lani O'Hanton
Un Sio San
Hasso Krull
Simon Nastac
Pankhuri Sinha
Laurence James
and Pablo Saborio

As well as the official program of
Nature & Culture - International Poetry Festival

Red Transmissions Podcast:
The Typewriter Revolution

Chicano Tribune: Anniversaries
and more.

In dedication to Red Door correspondent
David H. Rambo.

www.reddoormagazine.com

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EDITORIAL<br />

YOU’RE MY TYPE<br />

<strong>The</strong> highlight of having an independent magazine<br />

is being able to take it by the hand towards the<br />

subjects one favors. <strong>The</strong>re’s no need for neutrality<br />

here. In my eyes, typewriters are dream machines.<br />

Icons of design and progress, communication and<br />

disconnection, these beautiful objects have traveled<br />

with us through time and helped us tell our<br />

stories, document them and turn them into art.<br />

Typewriters have accompanied me since I wrote my<br />

very first poem as a child, and through time became<br />

a constant, especially since the lucky day when <strong>Red</strong><br />

<strong>Door</strong> correspondent David H.Rambo gifted me a red<br />

Olivetti in New York as he prepared to move back to<br />

Mexico. It was also him who helped me get a custom<br />

painted pink and black Lettera 31 in Mexico and<br />

baptized her “Kitty Olivetti”, teaching me typewriters<br />

had nicknames, like good friends do. Ever since,<br />

I fell down the rabbit hole and now own around 20<br />

Olivettis, an insane number for those outside of the<br />

global typewriter collector club, but quite a humble<br />

number for those within. <strong>The</strong>n came the typewritten<br />

art and the posters, ribbons and collectible objects,<br />

which now fill my home in Denmark and occupied<br />

my lockdown days with clickety happiness.<br />

When I asked the readers of <strong>Red</strong> <strong>Door</strong> to submit<br />

content for this typewritten <strong>issue</strong>, I fell even deeper<br />

into this ink-stained wonderland, admiring the<br />

many stories, letters, photos and art that arrived,<br />

and the roles typewriters play in our lives, from revolutionary<br />

strategies for reclaiming our privacy, to<br />

aesthetic attraction and mental health support.<br />

<strong>The</strong>se are some of the many ways these analog<br />

machines lighten up our lives, and our pockets. But<br />

oh, they’re worth their weight in poetry.<br />

From aiding writers to focus in their projects and<br />

others to disconnect from the constant buzz of this<br />

current social media-obsessed world, to helping<br />

express art and new ideas, and even serving as a<br />

tool for activism, direct action and poetic existences,<br />

(I read in a sticker they even kill fascists), these<br />

dream machines are keeping many of us sane.<br />

Thanks to everyone who submitted content to this<br />

<strong>issue</strong>, but especially to Richard Polt, for his interview<br />

on the Typewriter Revolution (a bible for collectors<br />

and dummies alike) and for the beautiful<br />

illustrations that accompany the poetry segment.<br />

Rambo, the <strong>Red</strong> <strong>Door</strong> correspondent, patreon supporter,<br />

typewriter collector, poet and photographer<br />

fell endlessly asleep at the beginning of October, so<br />

this <strong>issue</strong>, which would’ve been his favorite, is dedicated<br />

to his memory. I have lost my great collaborator<br />

and conspirator in all things Olivetti, but through<br />

him I have learned of a world filled with incredible<br />

artists, dreamers and collectors, who keep giving<br />

back and helping me find the way.<br />

To typewriters, to Rambo, to poetry, and to each<br />

one of you: Thank you. May poetry and ink always<br />

be near.<br />

Elizabeth Torres / Madam Neverstop.<br />

06<br />

Madam Neverstop<br />

& “Puma” Olivetti<br />

Photo by Zarko Ivetic.

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