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Tiny Beautiful Things

A celebration of the simple beauty of being human, this funny and deeply touching exploration of resilience is based on Cheryl Strayed's (Wild) journey as the beloved anonymous advice columist for "Dear Sugar." Over the years, thousands of people turned to Sugar for words of wisdom, compassion, and hope. At first unsure, Sugar finds a way to weave her own life experiences together with the deep yearning and heartrending questions from her readers. Brilliantly adapted for the stage by Nia Vardalos, the Academy Award-nominated writer of My Big Fat Greek Wedding.

A celebration of the simple beauty of being human, this funny and deeply touching exploration of resilience is based on Cheryl Strayed's (Wild) journey as the beloved anonymous advice columist for "Dear Sugar." Over the years, thousands of people turned to Sugar for words of wisdom, compassion, and hope. At first unsure, Sugar finds a way to weave her own life experiences together with the deep yearning and heartrending questions from her readers. Brilliantly adapted for the stage by Nia Vardalos, the Academy Award-nominated writer of My Big Fat Greek Wedding.

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directing work, Kim serves as<br />

Assistant Professor of Theatre<br />

and Director of Theatre at the<br />

University of Texas at El Paso.<br />

EDWARD T. MORRIS (Scenic<br />

Designer) This is Edward’s first<br />

production for TheatreSquared.<br />

Edward has designed sets<br />

or projections for Allentown<br />

Shakespeare, Atlantic Theatre,<br />

Barrow Group, Cherry Lane<br />

Theater, Goodspeed Opera<br />

House, Interlochen Shakespeare<br />

Festival, LaMama, Magic Theatre,<br />

Martha Graham Dance Company,<br />

Parallel 45, San Francisco<br />

Playhouse, Shanghai Dramatic<br />

Arts Center, Theatre Breaking<br />

Through Barriers, Wellfleet<br />

Harbor Actor’s Theatre, Weston<br />

Playhouse, Westport Country<br />

Playhouse, Yale Repertory<br />

Theatre, Yangtze Repertory<br />

Theatre, and the comedian Colin<br />

Quinn. Edward co-designed<br />

Halloween Decorations for the<br />

Obama Whitehouse in 2015.<br />

Education: BFA, University of<br />

Michigan; MFA, Yale School of<br />

Drama. Member of Wingspace<br />

Theatrical Design.<br />

EMMA DEANE (Lighting<br />

Designer) Emma Deane makes<br />

her TheatreSquared debut. Her<br />

recent credits include Mary<br />

Kathryn Nagle's Manahatta<br />

at Yale Repertory Theater<br />

and Jeremy O. Harris' YELL:<br />

A "DOCUMENTARY" OF MY<br />

TIME HERE. Other credits<br />

include Reykjavík, Trouble in<br />

Mind, shakespeare’s as u like<br />

it and Romeo and Juliet (Yale<br />

School of Drama); ​Little Boy/<br />

Little Man, Burn Book, The Light<br />

Fantastic, This Sweet Affliction,<br />

Mud, The Guadalupes, WOLF/<br />

ALICE, Camille: A Tearjerker (Yale<br />

Cabaret). Regional credits include<br />

work with Court Theatre, The<br />

Goodman, Albany Park Theater<br />

Project, Steppenwolf Theater<br />

Company, Northlight Theatre,<br />

Chicago Shakespeare Theater,<br />

Victory Gardens, Shakespeare<br />

Academy at Stratford, The<br />

House Theater, Filament Theatre,<br />

Interrobang Theatre Project,<br />

Akvavit Theatre, Wildclaw,<br />

North Park University and The<br />

Gannon Center for Women and<br />

Leadership. She holds an MFA<br />

from Yale School of Drama<br />

TANNER N. McALPIN (Costume<br />

Designer) Tanner N. McAlpin<br />

(Costume Designer) is a costume<br />

designer living in Fayetteville<br />

Arkansas. <strong>Tiny</strong> <strong>Beautiful</strong> <strong>Things</strong><br />

is his TheatreSquared debut.<br />

Previous credits include Sherlock<br />

Holmes at East Stroudsburg<br />

University, Heathers: The<br />

Musical at The University of<br />

Arkansas, and Tortuga and<br />

Hare and Turning Red with Trike<br />

Theatre, Bentonville. Tanner<br />

was recently the Professor of<br />

Scenic and Costume Design at<br />

East Stroudsburg University. He<br />

also works as the head draper<br />

for Montana Shakespeare in the<br />

Parks where he most recently<br />

draped for Cymbeline, and A<br />

Midsummer Night’s Dream for<br />

the 2021 summer tour. Tanner is<br />

also TheatreSquared's Costumes<br />

Associate.<br />

CRICKET S. MYERS (Sound<br />

Designer) On Broadway, Cricket<br />

earned a Tony Award Nomination<br />

and a Drama Desk Award for<br />

her design of Bengal Tiger at<br />

the Baghdad Zoo. Off Broadway<br />

designs include The Marvelous<br />

Wonderettes. This is her first<br />

production at TheatreSquared.<br />

She has designed regionally at<br />

La Jolla Playhouse, The Geffen<br />

Playhouse, The Ahmanson,<br />

The Mark Taper Forum, Kansas<br />

City Rep, Shakespeare Theatre<br />

Company of DC, South Coast<br />

Rep, The Kirk Douglas Theater,<br />

Pasadena Playhouse, Berkeley<br />

Rep and St Louis Rep. Other<br />

selected L.A. Theaters include<br />

The Wallis Annenberg Center<br />

for Performing Arts, East West<br />

Players, Ghost Road Theater<br />

Company, and The Celebration<br />

Theater. She has earned 24<br />

Ovation Nominations, as well<br />

as winning The Ruth Morley<br />

Award from the League of<br />

Professional Theater Women, The<br />

Kinetic Award for Outstanding<br />

Achievements in Theatrical<br />

Design, an LADCC and a Garland<br />

Award.<br />

BRODIE JASCH (Properties<br />

Manager) is the resident props<br />

master at TheatreSquared, where<br />

his previous credits include<br />

Shakespeare in Love, The Legend<br />

of Georgia McBride, Every<br />

Brilliant Thing, The Wolves, Miss<br />

Bennet: Christmas at Pemberley,<br />

Vietgone, Peter and the<br />

Starcatcher, Around the World in<br />

80 Days, and more than 20 other<br />

productions. His regional credits<br />

include An Evening with Groucho<br />

(Heritage Theater Festival);<br />

Big Maybelle: Soul of the Blues<br />

(Bay Street Theater); and Unto<br />

These Hills (Cherokee Historical<br />

Association). He holds a B.A. in<br />

theatrical design and technology<br />

from Castleton University.<br />

LIA JENNINGS (Stage Manager)<br />

returns to T2 after stage<br />

managing Matilda the Musical<br />

with T2 earlier this year. She has<br />

worked with Jersey Boys' second<br />

national tour, Weston Playhouse,<br />

Norwegian Cruise Line, Cirque<br />

du Soleil, and more. She holds<br />

an M.F.A. in stage & production<br />

management from Carnegie<br />

Mellon University.<br />

ROBERT FORD (Artistic<br />

Director) is an award-winning<br />

playwright, novelist &<br />

musician who helped found<br />

TheatreSquared in 2005, where<br />

he has co-produced 75 plays<br />

and musicals and facilitated<br />

the development of over 55<br />

new works. The current season<br />

features his play My Father’s<br />

War, which premiered at T2<br />

in 2008. With Amy Herzberg,<br />

he co-adapted two versions<br />

of A Christmas Carol for T2.<br />

T2 has produced several of<br />

his plays, including Fault, The<br />

Spiritualist, The Fall of the House<br />

(also Alabama Shakespeare<br />

Festival—Edgar Award nominee),<br />

Look Away, 'Twas the Night,<br />

and adaptations of Great<br />

Expectations and It's a Wonderful<br />

Life. His critically acclaimed first<br />

novel, The Student Conductor,<br />

was a Barnes & Noble Discover<br />

Great New Writers pick. He holds<br />

a M.Mus. degree from Yale and<br />

M.F.A.'s in acting from Rutgers<br />

and in playwriting & screenwriting<br />

from the University of Texas at<br />

Austin.<br />

MARTIN MILLER (Executive<br />

Director/Producer) joined T2 in<br />

2009, and has since produced<br />

more than 100 plays and<br />

developmental works, grown the<br />

theatre's annual budget from<br />

$160K to $7MM, and expanded<br />

its audience twentyfold.<br />

He managed the design,<br />

construction and fundraising for<br />

T2's new 50,000-square-foot<br />

theatre center. He established<br />

the National Stages Program, a<br />

consortium of theatres offering<br />

reciprocal member benefits, and<br />

has served as a panelist for the<br />

National Endowment for the Arts<br />

and Theatre Communications<br />

Group. As associate producer for<br />

Chicago Shakespeare Theater, he<br />

oversaw many projects including<br />

commissioning the bilingual<br />

Romeo y Juliet from Karen<br />

Zacarías, as well as tours and<br />

transfers of works by the Second<br />

City and Q Brothers. He holds a<br />

B.A. from Carleton College and<br />

M.F.A. in Arts Leadership from<br />

The Theatre School, DePaul.

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