You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Rough Magic and Axis, Ballymun<br />
present<br />
<strong>Glue</strong><br />
By Robbie O'Connor<br />
Dean<br />
Aidan<br />
Writer<br />
Director<br />
Set Designer<br />
Costume Designer<br />
Lighting Designer<br />
Sound Designer<br />
Production Manager<br />
Stage Manager<br />
Assistant Stage Manager<br />
Hair and Make Up<br />
Costume Supervisor<br />
Chief LX<br />
Digital Marketing<br />
Publicity<br />
Photography<br />
Graphic Design<br />
John Cronin<br />
Robbie O'Connor<br />
Robbie O'Connor<br />
Ronan Phelan<br />
Alan Farquharson<br />
Catherine Fay<br />
Sarah Jane Shiels<br />
Fiona Sheil<br />
Rob Furey<br />
Grainne McKnight<br />
John Norton<br />
Val Sherlock<br />
Iseult Deane<br />
Maeubh Brennan<br />
Aileen Power<br />
Christine Monk<br />
Ste Murray<br />
Stuart Bradfield
Rough Magic Theatre Company<br />
Since its foundation in 1984 Rough Magic has built an organisation characterised by continual regeneration.<br />
Its adherence to artistic excellence, pluralism, and an egalitarian approach to the creative ensemble, has<br />
delivered over 134 productions and over 65 Irish premieres, the debuts of many theatre-makers, and the<br />
pioneering SEEDS programme.<br />
The company has evolved around the principle that we are part of a world culture that can celebrate Irish<br />
identity diverse in nature and outward looking in its vision. Our policy has three strands: commissioning new<br />
Irish work, presenting the best of contemporary international writing and innovative productions from the<br />
classical repertoire. These shows frequently feature live music commissioned for the production. Based in<br />
Dublin, Rough Magic regularly performs at Project Arts Centre and other major venues, and tours in Ireland,<br />
the UK and beyond, garnering many awards, both at home and abroad.<br />
Launched in 2001, and an acknowledged leader of professional development in Irish theatre, the SEEDS<br />
programme become an engine for the support and advancement of a new generation. Twenty years after<br />
founding SEEDS, the company launched COMPASS in 2021, folding play development and support for<br />
emerging theatre artists into the company’s core programming. COMPASS will commission new writing as<br />
well as providing practical assistance, mentoring and sharing of resources.<br />
Rough Magic is connected across the full spectrum of theatre activity, experience and creative practice. With<br />
each project we undertake, the aim is firstly to make great theatre, but also to advance and contribute to the<br />
cultural life of Ireland. Rough Magic believes that a strong theatre sector is necessary for our growth as a<br />
modern democracy. We will continue to put the artist at the centre of our production and development<br />
strategies; to strengthen our position as a national company which responds to the needs of all parts of the<br />
island; and to form supportive partnerships with organisations and individuals who share our sense of the<br />
value of art in general, and theatre in particular, in offering a new vision for the nation<br />
Rough Magic<br />
Artistic Director<br />
General Manager<br />
Producer<br />
Production Coordinator<br />
Associate Director<br />
Literary Manager<br />
Bookkeeper<br />
Trainee Producer<br />
Lynne Parker<br />
Gemma Reeves<br />
Sara Cregan<br />
Cian Mulhall<br />
Ronan Phelan<br />
Karin McCully<br />
Seerish Sanassy<br />
Grace Halton<br />
Hecuba, by Marina Carr. Photo by Ste Murray
Biographies<br />
ROBBIE O’CONNOR – Writer and Aidan<br />
Robbie graduated with a B.A (Hons) in Acting from The Lir Academy, Trinity<br />
College Dublin in 2015. As an actor his credits include The Red Shoes (The<br />
Gate); Faultline, The Lost O’Casey, Hentown, Zero Hour, PALS, Boys of Foley Street,<br />
Laundry, World's End Lane, BASIN and Down The Valley (ANU); Northern Star<br />
(Rough Magic / UK tour); REBEL REBEL (Fringe / Show in a Bag); Hamlet (Second<br />
Age); End of The Road (Fishamble) and All that Fall (Pan Pan).<br />
Film and TV credits include: Hawks Nest (ANU); TinderFace (The Lir); All Is By My<br />
Side (Subotica); Leisure Centre (Desperate Optimists); Hidden (BBC) and Fair City<br />
(RTÉ).<br />
He is an Arts Council Next Generation Artist and an associate artist of Axis.<br />
His second play The Beatitudes is currently in development<br />
JOHN CRONIN - Dean<br />
John's theatre credits include: Restoration (Shaun Dunne); Sunder, On<br />
Corporation Street, Pals (ANU); A View from the Bridge, My Cousin Rachel, and<br />
Glengarry Glen Ross (The Gate); Digging for Fire (Rough Magic); Othello (Second<br />
Age); I am My Own Wife (Prime Cut); The End of the Road (Fishamble); The<br />
Comedy of Errors, Saved, The Resistible Rise of Arturo Ui and Romeo & Juliet (The<br />
Abbey); Stuck (Project Arts Centre) and Stones in His Pockets (Duchess Theatre).<br />
Film and TV credits include: Legend and Trivia and Resistance (RTÉ); Black<br />
47 (Fastnet Films); The Foreigner (Netflix); Trial of the Century (TV3) and the role of<br />
Will Casey in Fair City.<br />
RONAN PHELAN – Director<br />
Ronan is Rough Magic’s Associate Director. His productions for Rough Magic include: Tonic, Much Ado<br />
About Nothing, A Portrait of the Artist as a Young Man, Mr. Burns: A Post Electric Play (Rough Magic SEEDS),The<br />
Effect and Assassins (Rough Magic SEEDS). Previous directing credits include Merrily We Roll Along, Much Ado<br />
About Nothing (The Lir, Dublin) and Twelfth Night (LAMDA, London).<br />
Ronan is a former participant of the Rough Magic SEEDS programme and spent 18 months as Resident<br />
Assistant Director at the Abbey Theatre.
Biographies<br />
Alan Farquharson – Set Design<br />
Alan began his career in the RTE Design Department. There he designed for every aspect of television,<br />
from current affairs to entertainment. He was also Production Designer on a number of RTE’s major film<br />
dramas and as Senior Production Designer was responsible for the design of the Eurovision Song<br />
Contests of 1993 and 1995. Throughout this time he also regularly designed for the stage.<br />
As a freelance designer his work continues to span the gamut of theatre, television and film, both in<br />
Ireland and abroad. He has designed a number of feature films and television drama series including Red<br />
Rock and The Bailout. His most recent project was the re-design of Riverdance for its 25th anniversary tour.<br />
His previous work with Rough Magic includes Peer Gynt (co-designed with John Comiskey), The Bonefire,<br />
Words of Advice for Young People, The Life of Galileo, Take Me Away and Improbable Frequency.<br />
Alan was a consultant on the development of the B.A. (Hons) Design for Stage and Screen Course at IADT<br />
Dunlaoghaire and is a part-time lecturer there in Production Design, Computer Aided Design and Digital<br />
Visualisation.<br />
CATHERINE FAY– Costume Design<br />
Catherine Fay designs costumes for Theatre, Dance and Opera.<br />
Recent credits include iGirl, Walls and Windows, 14 Voices, The Plough and the Stars, Oedipus, Our Few and<br />
Evil Days (Abbey Theatre); Elektra, Orfeo and Euridice (Irish National Opera); Transmission (Little Wolf<br />
Theatre Company); Embargo (Fishamble); Much Ado about Nothing (Rough Magic); Naher ….nearer, closer,<br />
sooner, Bastard Amber, 12 Minute Dances, Totems (Liz Roche Company); The Return of Ulysses, Owen<br />
Wingrave (Opera Collective Ireland); Girl Song (United Fall); Acis and Galatea (Opera Theatre Company);<br />
Owen Wingrave (Opera Bastille, Paris, 2016.); The Importance of Nothing (Pan Pan); Breaking Dad (Landmark<br />
Productions) and Romeo and Juliet and The Threepenny Opera (The Gate).<br />
Catherine holds the position of Chair of The Irish Society of Stage and Screen Designers. (ISSSD)<br />
Sarah Jane Shiels – Lighting Design<br />
SJ began designing lighting in Dublin Youth Theatre, completing a BA in Drama and Theatre Studies in<br />
2006 and more recently a M.Sc in Interactive Digital Media in 2021 (Trinity College Dublin). Her work with<br />
Rough Magic began on the SEEDS programme from 2006 - 2008. From 2010 – 2017, she was founder<br />
and co-artistic director of WillFredd Theatre.
Biographies<br />
Recent lighting designs include Conversations After Sex (This Is Pop Baby); Book of Names (ANU); The Veiled<br />
Ones (Junk Ensemble); Afterlove (Stephanie Dufresne, Galway Dance Project, Galway Arts Festival); The City<br />
is Never Finished (Peter Power, Kilkenny Arts Festival); I Walked into my Head (Karan Casey, Kilkenny Arts<br />
Festival); One Good Turn (Abbey Theatre); Day Crossing Farm (Marie Brett, Cork Midsummers Festival);<br />
Woman in the Machine (Carlow Arts Festival); Party Scene (This is Pop Baby); What Did I Miss? (The Ark); Sruth<br />
na Teanga (Branar Téatar do Pháistí); Hansel and Gretel (Irish National Opera, Theatre Lovett, Abbey<br />
Theatre) and A Very Old Man with Enormous Wings (Collapsing Horse).<br />
Fiona Sheil – Sound Design<br />
Fiona Sheil is a Sound designer and Composer. She graduated with a Masters in Experimental Sound<br />
from UCC in 2020. Fiona was nominated for The Hearsay Audio Prize 2021.<br />
Collaborations with Catherine Young include State of Exception, Ultima Thule, The Choreography Project, The<br />
river will still run to the sea for Mind your step and Welcoming the Stranger as part of The Casement Project<br />
2016.<br />
Other design credits include No one see the video directed by Samantha Cade; Holy Mary by Eoin Coilfer;<br />
Madhouse by Una McKevitt & PJ Gallagher (DFF/Abbey Theatre); Anatomy of a Suicide directed by Tom<br />
Creed and CITY by John McCarthy at the Everyman Theatre.<br />
She was chosen for The Centre Stage project 2020/21, run by Theatre Forum, with La Escuela Pública de<br />
Formación Cultural (Spain), & Kultur i Väst (Sweden).<br />
Upcoming projects include Catherine Young’s Floating on a Dead Sea as part of Dublin Dance Festival<br />
2021 & Rough Magic’s All the Angels.<br />
Grainne McKnight – Stage Manager<br />
Grainne has been working in theatre since she was 15 when she started working backstage on musical<br />
society productions in various departments. From there she developed a keen interest in stage<br />
management and lighting. Since graduating from The Lir Academy in 2016, Grainne has work on<br />
numerous plays, operas, and musicals, includeing Factory Girls, The Spinning Heart, Riverdance, Into The<br />
Woods, The Phantom of the Opera, Les Misérables, La Traviata, La Bohème and Madame Butterfly.
Rough Magic would like to thank our Patrons, we could not do this<br />
work without your generous support.<br />
Abirgreen Ltd, Desmond Barry, Ray and Mary Bates, Gordon Bell, Lillian<br />
Buchanan, Caroline Canning, Catherine Cashman Santoro, Alison Cowzer<br />
and Michael Carey, Donall Curtin, Elma Cusack, Ultan Dillon and Grazielly<br />
Noronha Muniz, William and Catherine Earley, Julian Erskine, John Fanning,<br />
Mary Finan, Anne Fogarty, Roy Foster, Kathryn Gilfillan, Michael Gleeson,<br />
Joseph Hasset, Timothy King, Hidden Peak Ltd, Aine MacCallion, Pat Mangan,<br />
R.J. McBratney, Denis and Elma McCullough, David Nolan, Cormac Ó<br />
Cuilleanáin, John O’Donnell, Sheila O'Donnell and John Tuomey, George and<br />
Margaret Parker, Ian Scott, Gerry Smyth, Gordon Snell<br />
… And those who prefer to remain anonymous.<br />
To learn more about the company and upcoming productions please<br />
visit www.roughmagic.ie or follow us on Twitter @RoughMagicIRL<br />
For more information on becoming a Rough Magic Patron please<br />
contact Gemma at gemma@roughmagic.ie<br />
Special thanks to<br />
Niamh Ní Chonchubhair<br />
and all at Axis;<br />
Willie White and all at<br />
Dublin Theatre Festival;<br />
Stuart Bradfield;<br />
Samantha Cade; Niamh<br />
Carrick;<br />
Kat Ennis and the Lir;<br />
Morris Epstein;<br />
Ellen Guild;<br />
Anne Hyland;<br />
Jim Leonard;<br />
Louise Lowe;<br />
Fiona McEntee;<br />
Dan Monaghan;<br />
Gavin Mooney;<br />
Ste Murray;<br />
Michael Glenn Murphy;<br />
Mark O’Brien;<br />
Nathan O'Donnell and<br />
Cally Shine.<br />
For ages 16+. Contains mentions of suicide, abuse, mental health and sexual explicitness<br />
<br />
If you have been affected by issues in the play and are in need of support and information,<br />
please contact:<br />
<br />
Rape Crisis Centre (National 24h Helpline): 1800 77 8888<br />
Dublin Rape Crisis Centre: 01 661 4911 | drcc.ie<br />
Rape Crisis Network Ireland: 01 865 6954 | rcni.ie<br />
Your Mental Health|1800 111 888 | yourmentalhealth.ie<br />
Samaritans (24h Helpline)| 116 123|samaritans.org<br />
<br />
<br />
Rough Magic is a registered Charity no 20205902. | Funded by the Arts Council / An Chomhairle Ealaíon.