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FINDING THEIR VOICES, VIRTUALLY<br />
All year long, NJPAC brought the life-enhancing<br />
power of the performing arts to students<br />
From virtual band practice to online<br />
collaborations between poets and<br />
musicians, NJPAC’s arts education<br />
program grew and expanded online<br />
throughout the past year.<br />
Saturday arts training initiatives,<br />
including the long-running Wells<br />
Fargo Jazz For Teens program,<br />
Hip Hop Arts and Culture classes,<br />
and programs in drama and<br />
musical theater, reached students<br />
virtually through Zoom meetings,<br />
Google Meets and a host of<br />
other online platforms. In the Mix,<br />
an online gathering for students,<br />
was developed as a free virtual<br />
clubhouse where students of all<br />
art forms drive conversations<br />
about climate change, social<br />
justice, arts activism and other<br />
issues. The Arts Center’s new<br />
Creative Coaching program paired<br />
faculty with a small cohort of<br />
students to help them achieve their<br />
goals outside of the classroom.<br />
City Verses, NJPAC and Rutgers-<br />
Newark’s multi-pronged initiative in<br />
celebration of the tradition of making<br />
performances that blend jazz music<br />
and poetry — supported by a grant<br />
from the Mellon Foundation — grew<br />
to include summer camp programs,<br />
virtual community performances, and<br />
in-school programs delivered as a<br />
video content series that was created<br />
and shared with schools, so poetry<br />
and jazz faculty could conduct<br />
lessons online. After about every<br />
third lesson, a flurry of recorded<br />
tracks — words and music —were<br />
synchronized by NJPAC Director of<br />
Jazz Instruction Mark Gross, Jazz<br />
Co-Artistic Lead Alvester Garnett,<br />
and Dr. Rigoberto González, head<br />
of the Rutgers graduate creative<br />
writing program, to illustrate what<br />
a collaborative performance looks<br />
and sounds like.<br />
“And it worked,” Gross says of the<br />
virtual residencies. “The schools loved<br />
it. The students loved it. The success<br />
of the program allowed us to grow<br />
the program from the four schools<br />
we began with to, in the Fall 2020<br />
semester, six schools.”<br />
Summer camps remained virtual<br />
this year, and tuition was significantly<br />
reduced.<br />
“We didn’t want to keep families and<br />
students from participating in the<br />
arts because of cost, a cornerstone<br />
of NJPAC Arts Education is to remove<br />
as many barriers to participation as<br />
possible” says Jennifer Tsukayama,<br />
Vice President of Arts Education,<br />
who adds that the morning session<br />
of one Summer program was $75 for<br />
a month-long camp.<br />
In-person arts education programs<br />
will resume in Fall <strong>2021</strong> — but a<br />
handful of NJPAC’s students got<br />
an early opportunity to return<br />
to making art live, when those<br />
participating in the Hip Hop<br />
Arts and Culture and City Verses<br />
programs were invited to perform<br />
at NJPAC’s Horizon Foundation<br />
Sounds of the City summer concert<br />
series, as the opening act for hip<br />
hop legend Rakim. It was the first<br />
in-person event for NJPAC students<br />
since the pandemic began.<br />
“And it was joyous,” says Rosa<br />
Hyde, NJPAC’s Director of Arts<br />
Education Performances & Special<br />
Event Operations.<br />
“When I went to the rehearsal, all I<br />
could think was: I am so excited to<br />
play music with real humans again<br />
for the first time in a year and half!”<br />
exulted Lili M., a 14-year-old pianist<br />
from Cranford who took part in<br />
the City Verses summer camp and<br />
performed at the July event.<br />
Sheikia Norris — NJPAC’s Director<br />
of Hip Hop Education Programs,<br />
better known to her students by<br />
her hip hop name, Purple Haze —<br />
notes the rehearsals for this Sounds<br />
of the City appearance were the first<br />
times her students had been together<br />
since they went on a field trip to hip<br />
hop venues in New York City<br />
on March 9, 2020.<br />
“Several times [at the event] I found<br />
myself crying, I was just so happy —<br />
to see them all, to be alive to witness<br />
this after last year,” she recalls.<br />
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