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Mind, Body, World- Foundations of Cognitive Science, 2013a

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For it is a very remarkable fact that there are no men so dull-witted and stupid, not<br />

even madmen, that they are incapable <strong>of</strong> stringing together different words, and<br />

composing them into utterances, through which they let their thoughts be known.<br />

(Descartes, 2006, p. 47)<br />

Modern linguists describe this as the creative aspect <strong>of</strong> language (Chomsky, 1965,<br />

1966). “An essential property <strong>of</strong> language is that it provides the means for expressing<br />

indefinitely many thoughts and for reacting appropriately in an indefinite range <strong>of</strong><br />

new situations” (Chomsky, 1965, p. 6).<br />

While Descartes did not write a great deal about language specifically<br />

(Chomsky, 1966), it is clear that he was sympathetic to the notion that language was<br />

the medium for thought. This is because he used the creative aspect <strong>of</strong> language to<br />

argue in favor <strong>of</strong> dualism. Inspired by the automata that were appearing in Europe<br />

in his era, Descartes imagined the possibility <strong>of</strong> having to prove that sophisticated<br />

future devices were not human. He anticipated the Turing test (Turing, 1950) by<br />

more than three centuries by using language to separate man from machine.<br />

For we can well conceive <strong>of</strong> a machine made in such a way that it emits words,<br />

and even utters them about bodily actions which bring about some corresponding<br />

change in its organs . . . but it is not conceivable that it should put these words<br />

in different orders to correspond to the meaning <strong>of</strong> things said in its presence.<br />

(Descartes, 2006, p. 46)<br />

Centuries later, similar arguments still appear in philosophy. For instance, why is a<br />

phonograph recording <strong>of</strong> someone’s entire life <strong>of</strong> speech an inadequate simulation<br />

<strong>of</strong> that speech (Fodor, 1968b)? “At the very best, phonographs do what speakers do,<br />

not what speakers can do” (p. 129).<br />

Why might it be impossible for a device to do what speakers can do? For Descartes,<br />

language-producing machines were inconceivable because machines were physical<br />

and therefore finite. Their finite nature made it impossible for them to be infinitely<br />

variable.<br />

Although such machines might do many things as well or even better than any <strong>of</strong><br />

us, they would inevitably fail to do some others, by which we would discover that<br />

they did not act consciously, but only because their organs were disposed in a certain<br />

way. (Descartes, 2006, pp. 46–47)<br />

In other words, the creativity <strong>of</strong> thought or language was only possible in the infinite,<br />

nonphysical, disembodied mind.<br />

It is this conclusion <strong>of</strong> Descartes’ that leads to a marked distinction between<br />

Cartesian philosophy and classical cognitive science. Classical cognitive science<br />

embraces the creative aspect <strong>of</strong> language. However, it views such creativity from<br />

a materialist, not a dualist, perspective. Developments in logic and in computing<br />

that have occurred since the seventeenth century have produced a device that<br />

60 Chapter 3

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