06.09.2021 Views

Mind, Body, World- Foundations of Cognitive Science, 2013a

Mind, Body, World- Foundations of Cognitive Science, 2013a

Mind, Body, World- Foundations of Cognitive Science, 2013a

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Greeno, J. G., & Moore, J. L. (1993). Situativity and symbols: Response to Vera and Simon. <strong>Cognitive</strong><br />

<strong>Science</strong>, 17, 49–59.<br />

Greenwood, J. D. (1991). The future <strong>of</strong> folk psychology: Intentionality and cognitive science. Cambridge,<br />

UK; New York, NY: Cambridge University Press.<br />

Greenwood, J. D. (1999). Simulation, theory-theory and cognitive penetration: No “instance <strong>of</strong> the<br />

fingerpost.” <strong>Mind</strong> & Language, 14(1), 32–56.<br />

Gregory, R. L. (1970). The intelligent eye. London, UK: Weidenfeld & Nicolson.<br />

Gregory, R. L. (1978). Eye and brain. New York, NY: McGraw-Hill.<br />

Grenville, B. (2001). The uncanny: Experiments in cyborg culture. Vancouver, B.C.: Vancouver Art<br />

Gallery; Arsenal Pulp Press.<br />

Grey Walter, W. (1950a). An electro-mechanical animal. Dialectica, 4(3), 206–213.<br />

Grey Walter, W. (1950b). An imitation <strong>of</strong> life. Scientific American, 182(5), 42–45.<br />

Grey Walter, W. (1951). A machine that learns. Scientific American, 184(8), 60–63.<br />

Grey Walter, W. (1963). The living brain. New York, NY: W.W. Norton & Co.<br />

Gridley, M. C., & H<strong>of</strong>f, R. (2006). Do mirror neurons explain misattribution <strong>of</strong> emotions in music?<br />

Perceptual and Motor Skills, 102(2), 600–602.<br />

Griffith, N. (1995). Connectionist visualization <strong>of</strong> tonal structure. Artificial Intelligence Review, 8(5–6),<br />

393–408.<br />

Griffith, N., & Todd, P. M. (1999). Musical networks: Parallel distributed perception and performance.<br />

Cambridge, MA: MIT Press.<br />

Griffiths, P. (1994). Modern music: A concise history (Rev. ed.). New York, NY: Thames and Hudson.<br />

Griffiths, P. (1995). Modern music and after. Oxford, UK; New York, NY: Oxford University Press.<br />

Gritten, A., & King, E. (2011). New perspectives on music and gesture. Burlington, VT: Ashgate.<br />

Gross, C. G. (1998). Brain, vision, memory: Tales in the history <strong>of</strong> neuroscience. Cambridge, MA: MIT<br />

Press.<br />

Gross, C. G. (2002). Genealogy <strong>of</strong> the “grandmother cell.” Neuroscientist, 8(5), 512–518.<br />

Grossberg, S. (1980). How does the brain build a cognitive code? Psychological Review, 87, 1–51.<br />

Grossberg, S. (1987). Competitive learning: From interactive activation to adaptive resonance. <strong>Cognitive</strong><br />

<strong>Science</strong>, 11, 23–63.<br />

Grossberg, S. (1988). Neural networks and natural intelligence. Cambridge, MA: MIT Press.<br />

Grossberg, S. (1999). Pitch-based streaming in auditory perception. In N. Griffith & P. M. Todd (Eds.),<br />

Musical networks: Parallel distributed perception and performance (pp. 117–140). Cambridge,<br />

MA: MIT Press.<br />

Grossberg, S., & Rudd, M. E. (1989). A neural architecture for visual motion perception: Group and<br />

element apparent motion. Neural Networks, 2, 421–450.<br />

Grossberg, S., & Rudd, M. E. (1992). Cortical dynamics <strong>of</strong> visual motion perception: Short-range and<br />

long-range apparent motion. Psychological Review, 99, 78–121.<br />

Gurevich, V. (2006). Electric relays: Principles and applications. Boca Raton, FL: CRC/Taylor & Francis.<br />

Guthrie, E. R. (1935). The psychology <strong>of</strong> learning. New York, NY: Harper.<br />

References 445

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!