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Mind, Body, World- Foundations of Cognitive Science, 2013a

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particular production to act. This changes the contents <strong>of</strong> the memory, which in<br />

turn can result in a different production being selected during the next cycle <strong>of</strong> the<br />

architecture.<br />

On the other hand, production system control is usually not completely stigmergic.<br />

This is because the stigmergic relationship between working memory<br />

and productions is loose enough to produce situations in which conflicts occur.<br />

Examples <strong>of</strong> this type <strong>of</strong> situation include instances in which more than one production<br />

finds its triggering pattern at the same time, or when one production finds<br />

its triggering condition present at more than one location in memory at the same<br />

time. Such situations must be dealt with by additional control mechanisms. For<br />

instance, priorities might be assigned to productions so that in a case where two<br />

or more productions were in conflict, only the production with the highest priority<br />

would perform its action.<br />

Production systems have provided an architecture—particularly if that architecture<br />

is classical in nature—that has been so successful at simulating higher-order<br />

cognition that some researchers believe that production systems provide the foundation<br />

for a unified theory <strong>of</strong> cognition (Anderson, 1983; Anderson et al., 2004;<br />

Newell, 1990). Production systems illustrate another feature that is also typical <strong>of</strong><br />

this approach to cognitive science: the so-called classical sandwich (Hurley, 2001).<br />

Imagine a very simple agent that was truly incapable <strong>of</strong> representation and reasoning.<br />

Its interactions with the world would necessarily be governed by a set <strong>of</strong><br />

reflexes that would convert sensed information directly into action. These reflexes<br />

define a sense-act cycle (Pfeifer & Scheier, 1999).<br />

In contrast, a more sophisticated agent could use internal representations to<br />

decide upon an action, by reasoning about the consequences <strong>of</strong> possible actions<br />

and choosing the action that was reasoned to be most beneficial (Popper, 1978,<br />

p. 354): “While an uncritical animal may be eliminated altogether with its dogmatically<br />

held hypotheses, we may formulate our hypotheses, and criticize them. Let<br />

our conjectures, our theories die in our stead!” In this second scenario, thinking<br />

stands as an intermediary between sensation and action. Such behaviour is not<br />

governed by a sense-act cycle, but is instead the product <strong>of</strong> a sense-think-act cycle<br />

(Pfeifer & Scheier, 1999).<br />

Hurley (2001) has argued that the sense-think-act cycle is the stereotypical form<br />

<strong>of</strong> a theory in classical cognitive science; she called this form the classical sandwich.<br />

In a typical classical theory, perception can only indirectly inform action, by sending<br />

information to be processed by the central representational processes, which in turn<br />

decide which action is to be performed.<br />

Production systems exemplify the classical sandwich. The first production systems<br />

did not incorporate sensing or acting, in spite <strong>of</strong> a recognized need to do so.<br />

“One problem with psychology’s attempt at cognitive theory has been our persistence<br />

Elements <strong>of</strong> Classical <strong>Cognitive</strong> <strong>Science</strong> 91

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