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Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a

Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a

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Discipl<strong>in</strong>ary Identities<br />

departments have come to do—<strong>in</strong>clud<strong>in</strong>g the study of other sorts of writ<strong>in</strong>g;<br />

the practice of writ<strong>in</strong>g itself, whether expository or “creative,” as we oddly call<br />

it; <strong>and</strong> the study of other cultural practices, such as film <strong>and</strong> television. (9)<br />

The conclud<strong>in</strong>g page <strong>and</strong> a half of the article articulate a vision of an English<br />

department that would <strong>in</strong>clude literature <strong>and</strong> all these other th<strong>in</strong>gs. Culler’s<br />

proposal focuses on develop<strong>in</strong>g the “unity” of the English major through different<br />

abilities <strong>and</strong> habits of m<strong>in</strong>d that various courses might cultivate <strong>in</strong> students.<br />

More specifically, he proposes that<br />

English departments attempt to def<strong>in</strong>e the sorts of learn<strong>in</strong>g that we th<strong>in</strong>k<br />

ought to take place <strong>and</strong> that might be achieved <strong>in</strong> the English major. For<br />

<strong>in</strong>stance, an English major might <strong>in</strong>clude literary <strong>and</strong> rhetorical analysis, historical<br />

analysis, social analysis, cultural analysis, cognitive <strong>and</strong> moral analysis,<br />

<strong>and</strong> the practice of writ<strong>in</strong>g. Here, I th<strong>in</strong>k, we have dist<strong>in</strong>ct sorts of analytic<br />

practices that students can acquire, all <strong>in</strong> the broad structure of the English<br />

major; the coherence of the major would lie <strong>in</strong> its attempt to provide <strong>in</strong>struction<br />

<strong>in</strong> this full range of practices. (10)<br />

This arrangement would ensure that students <strong>in</strong> the sprawl<strong>in</strong>g English department<br />

have common abilities, even if they do not all graduate with the same<br />

content knowledge.<br />

Strategy #5: Highlight<strong>in</strong>g Institutional Realities<br />

We might also explore the strategic, yet admittedly materialistic, “power<br />

<strong>in</strong> numbers” argument at the same time that we suggest ways <strong>in</strong> which our studies<br />

<strong>and</strong> goals overlap with those of our literature colleagues. Pat Sullivan <strong>and</strong> Jim<br />

Porter have mapped out the spaces occupied by professional writ<strong>in</strong>g <strong>in</strong> English<br />

departments <strong>and</strong> explored the struggles faced by this relatively new terra<strong>in</strong> of<br />

professional writ<strong>in</strong>g, argu<strong>in</strong>g that the “development of professional writ<strong>in</strong>g as<br />

an academic entity signals a key conceptual shift: from the traditional notion of<br />

writ<strong>in</strong>g as ancillary to some other subject matter . . . to a recognition of writ<strong>in</strong>g<br />

as a discipl<strong>in</strong>e <strong>in</strong> its own right . . . ” (405-06). They conclude that professional<br />

writ<strong>in</strong>g may be at home <strong>in</strong> “English,” but question whether English departments<br />

can afford the resources to support these programs. Perhaps more significantly,<br />

they also ask if English departments can afford not to support these programs.<br />

More recently, David Down<strong>in</strong>g has argued that adm<strong>in</strong>istrators, under pressure<br />

to reduce expenses, “are the only ones to ga<strong>in</strong> from <strong>in</strong>ternec<strong>in</strong>e warfare among<br />

compet<strong>in</strong>g subdivisions. In the end, isolation makes any small unit or program<br />

81

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