Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a
Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a
Henze, Sharer, and Tovey of course offerings and faculty presence in rhetoric and professional writing seemed to call for curricular revision. We envisioned that our proposal would lead to two separate, but ultimately more purposeful, concentrations in writing—one a rhetorically based study of writing in the workplace and the community, and the other a creative writing track with course parameters and requirements to be developed by creative writing faculty. We intended for the RSPW concentration to provide both theory and practice for undergraduates interested in a variety of writing-related careers. In order to provide this focused study, our revised concentration omitted a few of the previously required literary history courses required of all students in the existing BA curriculum. While we suspected that these changes might meet with some resistance, we hoped that, by retaining some of the literature requirements and by making the argument that this new concentration would increase the total number of English majors, we could persuade our colleagues that the revisions were in the department’s best interest. At a rather contentious faculty meeting, the motion we put forward to incorporate the new RSPW concentration was critiqued and ultimately tabled pending further discussion among department faculty. The attempt to reconfigure our offerings to English majors met with significant resistance and exposed tenuous relationships among the disparate scholarly and pedagogical interests in our department. We had thrown open the floodgates of disagreement about what a degree in “English” means. The proposed changes prompted faculty in the department to engage in heated, sometimes painful, but ultimately necessary conversations about what the “core” courses in the department should be and what a “core” in an English Department should accomplish. We discuss three aspects of our proposed program here: 1) The structure and rationale of the revised curriculum; 2) The departmental identity issues our proposal raised, including the instability of disciplinary boundaries that demarcated the department’s programs in the past; and 3) The tactical changes we would make if we could start this process anew. This article is not intended to be a gripe session—such an indulgence would assist neither us nor our readers. Instead, we discuss our conflicts, frustrations, and missteps in the spirit of working through them. How might the process of proposing a new curriculum have been better executed? What problematic assumptions and communicative practices impeded our attempts to revise the curriculum, and what might we have done to better respond to these problems? We conclude our discussion on a positive note, with a brief overview of some of the positive results that this struggle has produced. We believe that our story, through the cautionary tales and advice it provides, will interest other faculty and administrators who are just embarking on the process of constructing an undergraduate program in technical and pro- 64
Disciplinary Identities fessional writing, and who are, in the process, redefining the boundaries among traditional and emerging specializations within English departments. proposed revisions At the time of our proposal, the department awarded two Bachelor degrees—a BA in English, which focused primarily on literature; and a BA in English with a Concentration in Writing. In the past, the department has offered a BA in English Education, but that program was recently relocated to the College of Education. The BA in English with a Concentration in Writing was first listed in the 1978-79 undergraduate catalog, and, although two distinct BA concentrations were elaborated beginning with that catalogue, all English majors began their undergraduate major programs with a “common core” of courses. The nature of the courses included in this common core has changed over the years, with recent configurations of the core requiring students to take a fairly specific sequence of literary studies courses. The chart below shows the 2004-05 core: 2004-05 Undergraduate Catalogue Core Courses (required of students in both Concentrations) • ENGL 2000. Interpreting Literature • ENGL 3000. Lit in English to 1700 • ENGL 3010. Lit in English, 1700-1880 • ENGL 3020. Lit in English, 1880-Present • One Shakespeare course (Tragedies, Comedies, or Histories) For English (Literature) Concentration • One course in language or composition (includes courses in linguistics, composition and rhetoric, and creative writing, but not professional writing) For Writing Concentration • One non-writing elective; choices include linguistics, film studies, as well as other literature courses figure 1: core requirements, 2004-05 catalogue 65
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Henze, Sharer, <strong>and</strong> Tovey<br />
of course offer<strong>in</strong>gs <strong>and</strong> faculty presence <strong>in</strong> rhetoric <strong>and</strong> professional writ<strong>in</strong>g<br />
seemed to call for curricular revision. We envisioned that our proposal would<br />
lead to two separate, but ultimately more purposeful, concentrations <strong>in</strong> writ<strong>in</strong>g—one<br />
a rhetorically based study of writ<strong>in</strong>g <strong>in</strong> the workplace <strong>and</strong> the community,<br />
<strong>and</strong> the other a creative writ<strong>in</strong>g track with course parameters <strong>and</strong><br />
requirements to be developed by creative writ<strong>in</strong>g faculty. We <strong>in</strong>tended for the<br />
RSPW concentration to provide both theory <strong>and</strong> practice for undergraduates<br />
<strong>in</strong>terested <strong>in</strong> a variety of writ<strong>in</strong>g-related careers. In order to provide this focused<br />
study, our revised concentration omitted a few of the previously required<br />
literary history courses required of all students <strong>in</strong> the exist<strong>in</strong>g BA curriculum.<br />
While we suspected that these changes might meet with some resistance, we<br />
hoped that, by reta<strong>in</strong><strong>in</strong>g some of the literature requirements <strong>and</strong> by mak<strong>in</strong>g<br />
the argument that this new concentration would <strong>in</strong>crease the total number of<br />
English majors, we could persuade our colleagues that the revisions were <strong>in</strong> the<br />
department’s best <strong>in</strong>terest.<br />
At a rather contentious faculty meet<strong>in</strong>g, the motion we put forward to<br />
<strong>in</strong>corporate the new RSPW concentration was critiqued <strong>and</strong> ultimately tabled<br />
pend<strong>in</strong>g further discussion among department faculty. The attempt to reconfigure<br />
our offer<strong>in</strong>gs to English majors met with significant resistance <strong>and</strong> exposed<br />
tenuous relationships among the disparate scholarly <strong>and</strong> pedagogical <strong>in</strong>terests<br />
<strong>in</strong> our department. We had thrown open the floodgates of disagreement about<br />
what a degree <strong>in</strong> “English” means. The proposed changes prompted faculty <strong>in</strong><br />
the department to engage <strong>in</strong> heated, sometimes pa<strong>in</strong>ful, but ultimately necessary<br />
conversations about what the “core” courses <strong>in</strong> the department should be <strong>and</strong><br />
what a “core” <strong>in</strong> an English Department should accomplish.<br />
We discuss three aspects of our proposed program here: 1) The structure<br />
<strong>and</strong> rationale of the revised curriculum; 2) The departmental identity issues our<br />
proposal raised, <strong>in</strong>clud<strong>in</strong>g the <strong>in</strong>stability of discipl<strong>in</strong>ary boundaries that demarcated<br />
the department’s programs <strong>in</strong> the past; <strong>and</strong> 3) The tactical changes we<br />
would make if we could start this process anew. This article is not <strong>in</strong>tended to be<br />
a gripe session—such an <strong>in</strong>dulgence would assist neither us nor our readers. Instead,<br />
we discuss our conflicts, frustrations, <strong>and</strong> missteps <strong>in</strong> the spirit of work<strong>in</strong>g<br />
through them. How might the process of propos<strong>in</strong>g a new curriculum have been<br />
better executed? What problematic assumptions <strong>and</strong> communicative practices<br />
impeded our attempts to revise the curriculum, <strong>and</strong> what might we have done<br />
to better respond to these problems? We conclude our discussion on a positive<br />
note, with a brief overview of some of the positive results that this struggle has<br />
produced. We believe that our story, through the cautionary tales <strong>and</strong> advice it<br />
provides, will <strong>in</strong>terest other faculty <strong>and</strong> adm<strong>in</strong>istrators who are just embark<strong>in</strong>g<br />
on the process of construct<strong>in</strong>g an undergraduate program <strong>in</strong> technical <strong>and</strong> pro-<br />
64