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Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a

Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a

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4 Discipl<strong>in</strong>ary Identities: <strong>Professional</strong> Writ<strong>in</strong>g,<br />

Rhetorical Studies, <strong>and</strong> Reth<strong>in</strong>k<strong>in</strong>g “English”<br />

Brent Henze<br />

Wendy Sharer<br />

Janice Tovey<br />

More than a program’s course content, a curriculum is a contested<br />

representation of the public identity of an <strong>in</strong>stitution <strong>and</strong> a discipl<strong>in</strong>e.<br />

– David B. Down<strong>in</strong>g, Claude Mark Hurlbert, <strong>and</strong> Paula Mathieu (1)<br />

Few of us <strong>in</strong> professional <strong>and</strong> technical writ<strong>in</strong>g or rhetoric <strong>and</strong> composition<br />

have avoided the turf wars that often accompany the development or revision<br />

of curricula with<strong>in</strong> English departments. At <strong>in</strong>stitutions across the country,<br />

faculty <strong>in</strong> these areas have attempted to carve a niche for themselves, often <strong>in</strong><br />

the midst of heated resistance. When we, along with several of our tenured <strong>and</strong><br />

untenured colleagues <strong>in</strong> the areas of rhetoric, l<strong>in</strong>guistics, <strong>and</strong> professional writ<strong>in</strong>g,<br />

proposed a curriculum for an undergraduate concentration <strong>in</strong> “Rhetorical<br />

Studies <strong>and</strong> <strong>Professional</strong> Writ<strong>in</strong>g” (RSPW) as one option for English majors at<br />

East Carol<strong>in</strong>a University (a regional state university with approximately four<br />

thous<strong>and</strong> graduate <strong>and</strong> sixteen thous<strong>and</strong> undergraduate students), we certa<strong>in</strong>ly<br />

felt some heat.<br />

At the time we developed our proposal, the department offered two<br />

degree options: 1) a BA <strong>in</strong> English, <strong>and</strong> 2) a BA <strong>in</strong> English with a Concentration<br />

<strong>in</strong> Writ<strong>in</strong>g. The former option provided students with detailed knowledge<br />

of literary periods <strong>and</strong> genres, while the latter comb<strong>in</strong>ed course options <strong>in</strong><br />

creative writ<strong>in</strong>g, technical <strong>and</strong> professional writ<strong>in</strong>g, <strong>and</strong> rhetoric <strong>and</strong> composition.<br />

As we describe below, faculty specialists <strong>in</strong> technical <strong>and</strong> professional<br />

writ<strong>in</strong>g <strong>and</strong> rhetoric <strong>and</strong> composition, frustrated by curricular limitations<br />

with<strong>in</strong> the Concentration <strong>in</strong> Writ<strong>in</strong>g, developed a new curriculum that would<br />

provide students with an opportunity for focused study of writ<strong>in</strong>g <strong>in</strong> a variety<br />

of professional <strong>and</strong> civic contexts. While the Concentration <strong>in</strong> Writ<strong>in</strong>g had<br />

made sense when it was developed—a time <strong>in</strong> which creative writ<strong>in</strong>g courses<br />

constituted the majority of writ<strong>in</strong>g courses <strong>in</strong> the department—the growth<br />

DOI: https://doi.org/10.37514/PER-B.2010.2348.2.04<br />

63

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