Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a
Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a
DESIGN DISCOURSE Design Discourse: Composing and Revising Programs in Professional and Technical Writing addresses the complexities of developing professional and technical writing programs. The essays in the collection offer reflections on efforts to bridge two cultures – what the editors characterize as the “art and science of writing” – often by addressing explicitly the tensions between them. Design Discourse offers insights into the high-stakes decisions made by program designers as they seek to “function at the intersection of the practical and the abstract, the human and the technical.” David Franke teaches at SUNY Cortland, where he served as director of the professional writing program. He founded and directs the Seven Valleys Writing Project at SUNY Cortland, a site of the National Writing Project. Alex Reid teaches at the University at Buffalo. His book, The Two Virtuals: New Media and Composition, received honorable mention for the W. Ross Winterowd Award for Best Book in Composition Theory (2007), and his blog, Digital Digs (alex-reid.net), received the John Lovas Memorial Academic Weblog award for contributions to the field of rhetoric and composition (2008). Anthony Di Renzo teaches business and technical writing at Ithaca College, where he developed a Professional Writing concentration for its B.A. in Writing. His scholarship concentrates on the historical relationship between professional writing and literature. Perspectives on Writing Series Editor, Michael Palmquist The WAC Clearinghouse Fort Collins, CO 80523 wac.colostate.edu Parlor Press Anderson, SC 296216 www.parlorpress.com W ISBN 978-0-97270-234-8
- Page 291 and 292: The Write Brain com) is an example
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- Page 296 and 297: Dubinsky I wish I could promise tha
- Page 298 and 299: Dubinsky sional writing, unlike man
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- Page 302 and 303: Dubinsky to use for support, we the
- Page 304 and 305: Dubinsky The funding enabled us to
- Page 306 and 307: Dubinsky educational leadership / o
- Page 308 and 309: Dubinsky periential learning. I arg
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- Page 312 and 313: Dubinsky notes 1 In 1998, the depar
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- Page 316 and 317: Lipson My goal here is not to recom
- Page 318 and 319: Lipson faculty having scholarly int
- Page 320 and 321: Lipson It is important to note, how
- Page 322 and 323: Lipson tenure-track faculty to crea
- Page 324 and 325: Lipson and in more recent years of
- Page 326 and 327: Lipson toral-student cadres. One ha
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- Page 335 and 336: Biographical Notes Diana L. Ashe is
- Page 337 and 338: Biographical Notes 1989 he has taug
- Page 339 and 340: Biographical Notes Anne Parker, PhD
DESIGN DISCOURSE<br />
<strong>Design</strong> <strong>Discourse</strong>: <strong>Compos<strong>in</strong>g</strong> <strong>and</strong> <strong>Revis<strong>in</strong>g</strong> <strong>Programs</strong> <strong>in</strong> <strong>Professional</strong> <strong>and</strong> <strong>Technical</strong><br />
Writ<strong>in</strong>g addresses the complexities of develop<strong>in</strong>g professional <strong>and</strong> technical<br />
writ<strong>in</strong>g programs. The essays <strong>in</strong> the collection offer reflections on efforts to<br />
bridge two cultures – what the editors characterize as the “art <strong>and</strong> science of<br />
writ<strong>in</strong>g” – often by address<strong>in</strong>g explicitly the tensions between them. <strong>Design</strong><br />
<strong>Discourse</strong> offers <strong>in</strong>sights <strong>in</strong>to the high-stakes decisions made by program designers<br />
as they seek to “function at the <strong>in</strong>tersection of the practical <strong>and</strong> the<br />
abstract, the human <strong>and</strong> the technical.”<br />
David Franke teaches at SUNY Cortl<strong>and</strong>, where he served as director of the<br />
professional writ<strong>in</strong>g program. He founded <strong>and</strong> directs the Seven Valleys Writ<strong>in</strong>g<br />
Project at SUNY Cortl<strong>and</strong>, a site of the National Writ<strong>in</strong>g Project.<br />
Alex Reid teaches at the University at Buffalo. His book, The Two Virtuals:<br />
New Media <strong>and</strong> Composition, received honorable mention for the W. Ross<br />
W<strong>in</strong>terowd Award for Best Book <strong>in</strong> Composition Theory (2007), <strong>and</strong> his blog,<br />
Digital Digs (alex-reid.net), received the John Lovas Memorial Academic Weblog<br />
award for contributions to the field of rhetoric <strong>and</strong> composition (2008).<br />
Anthony Di Renzo teaches bus<strong>in</strong>ess <strong>and</strong> technical writ<strong>in</strong>g at Ithaca College,<br />
where he developed a <strong>Professional</strong> Writ<strong>in</strong>g concentration for its B.A. <strong>in</strong> Writ<strong>in</strong>g.<br />
His scholarship concentrates on the historical relationship between professional<br />
writ<strong>in</strong>g <strong>and</strong> literature.<br />
Perspectives on Writ<strong>in</strong>g<br />
Series Editor, Michael Palmquist<br />
The WAC Clear<strong>in</strong>ghouse<br />
Fort Coll<strong>in</strong>s, CO 80523<br />
wac.colostate.edu<br />
Parlor Press<br />
Anderson, SC 296216<br />
www.parlorpress.com<br />
W<br />
ISBN 978-0-97270-234-8