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Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a

Design Discourse - Composing and Revising Programs in Professional and Technical Writing, 2010a

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11 Introduc<strong>in</strong>g a <strong>Technical</strong> Writ<strong>in</strong>g Communication<br />

Course <strong>in</strong>to a Canadian School of Eng<strong>in</strong>eer<strong>in</strong>g<br />

Anne Parker<br />

<strong>in</strong>troduction<br />

Introduc<strong>in</strong>g technical communication <strong>in</strong>to the curriculum of a Canadian<br />

eng<strong>in</strong>eer<strong>in</strong>g school has created its own set of challenges, particularly when<br />

some of the eng<strong>in</strong>eer<strong>in</strong>g professors cont<strong>in</strong>ue to believe, as Mathes, Stevenson<br />

<strong>and</strong> Klaver suggested <strong>in</strong> 1979, that the subject is best taught by eng<strong>in</strong>eers. Do<strong>in</strong>g<br />

so proved to be only modestly successful at my school. Yet, even without<br />

the push to use eng<strong>in</strong>eer<strong>in</strong>g faculty as my assistants, establish<strong>in</strong>g one’s authority<br />

as an expert <strong>in</strong> a non-eng<strong>in</strong>eer<strong>in</strong>g field can create a very real tension between<br />

the <strong>in</strong>sider (the eng<strong>in</strong>eer) <strong>and</strong> the outsider (the technical communication <strong>in</strong>structor).<br />

As a female <strong>and</strong> as a non-eng<strong>in</strong>eer, I have occasionally felt like the<br />

“outsider.” After all, a school of Eng<strong>in</strong>eer<strong>in</strong>g may well be the epicenter of what<br />

McIlwee <strong>and</strong> Rob<strong>in</strong>son br<strong>and</strong> the “culture of Eng<strong>in</strong>eer<strong>in</strong>g,” a culture that is both<br />

male-dom<strong>in</strong>ated <strong>and</strong> seem<strong>in</strong>gly closed to the outsider.<br />

The false perceptions of the eng<strong>in</strong>eer<strong>in</strong>g students only complicate the<br />

issue. On the one h<strong>and</strong>, many still perceive the subject as the study of “English,”<br />

seem<strong>in</strong>gly unaware that analyz<strong>in</strong>g literature <strong>and</strong> writ<strong>in</strong>g essays about it is<br />

an activity quite different to writ<strong>in</strong>g eng<strong>in</strong>eer<strong>in</strong>g reports <strong>and</strong> giv<strong>in</strong>g technical<br />

presentations about technical problems <strong>and</strong> eng<strong>in</strong>eer<strong>in</strong>g designs. On the other<br />

h<strong>and</strong>, some students consider technical communication to be noth<strong>in</strong>g more<br />

than grammar <strong>and</strong> composition, packaged though it may be <strong>in</strong> technical read<strong>in</strong>gs<br />

<strong>and</strong> exercises. Even some eng<strong>in</strong>eer<strong>in</strong>g professors also adhere to the latter<br />

view, <strong>and</strong> are surprised to discover that the field has grown to be such a rich <strong>and</strong><br />

varied one (<strong>and</strong> one, <strong>in</strong>cidentally, that dem<strong>and</strong>s the talents of a communication<br />

specialist).<br />

Nevertheless, <strong>in</strong> spite of these misconceptions <strong>and</strong> challenges, I have<br />

found that, if an <strong>in</strong>structor can focus on the application of the technical communication<br />

field to the eng<strong>in</strong>eer<strong>in</strong>g profession, then many of these erroneous<br />

ideas can be dispelled. Indeed, over the years, the technical communication<br />

course at our school has met, if not anticipated, current trends with<strong>in</strong> the eng<strong>in</strong>eer<strong>in</strong>g<br />

profession, exemplified most notably by the expectations of the national<br />

DOI: https://doi.org/10.37514/PER-B.2010.2348.2.11<br />

203

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