Launch! Advertising and Promotion in Real Time, 2009a
Launch! Advertising and Promotion in Real Time, 2009a Launch! Advertising and Promotion in Real Time, 2009a
Figure 4.4 SS+K used actor George Clooney in its work for the United Nations peacekeepers. Message Effects How the message is said or presented is just as important as who communicates the message. Emotional messages appeal to, resonate with, or attempt to create an emotional response in the receiver. One common emotional message style is the fear appeal, which depicts the consequences of not using the product (e.g., social ostracism due to body odor). Another advertising strategy is to use humor. A study by Mediamark Research Inc. found that humor is the element in advertising that most appeals to kids. [4] Rhetorical questions engage the receiver, don’t they? The question makes the receiver an active participant even if the medium of the message is passive or one-directional. Examples versus statistics. Although examples and statistics can convey the same information, they do so in very different ways. Examples help put a human face on the product or its use, which creates an emotional connection and helps the receiver see how the product might influence his or her life. Statistics provide cold, hard numbers that may provide a rationale for purchase but not an emotional bond with the brand or product. Interestingly, even among products whose purchase you might expect to be more rationally driven, such as pharmaceuticals, consumers are persuaded more by words and pictures from people who have had Saylor URL: http://www.saylor.org/books Saylor.org 97
good results using the drug. Having Mrs. Jones’s picture with the words “Acme Sleep gave me my first restful night in fifteen years!” turns out to be more persuasive. Indeed, a study that included television ads for seven of the top ten best-selling prescription drugs for 2004 found that 95 percent of them used a positive emotional appeal (such as a character who’s happy after taking the product). [5] One-sided messages present only the positive attributes of the product—they provide one or more objective reasons to buy the product. These often include objective variables such as price, performance, size, and power. Two-sided messages present both positive and negative information about the product. Although most advertising messages are one-sided, research indicates that a two-sided message is very effective. Although it seems counterintuitive that an advertiser would want to publicize negative attributes of a product, doing so actually builds credibility by making the message more balanced. People who hear only one-sided arguments may be more skeptical of the message, wondering what hasn’t been said. Refutational arguments, therefore, which raise a negative issue and then refute it can be quite effective if the audience is well educated and if the receivers are not already loyal to the product. (If they are already loyal to the product, then discussing possible drawbacks has little merit and may actually raise doubts.) Comparative messages explicitly trumpet a brand’s virtues vis-à-vis one or more named competitors. To promote its latest line of chicken sandwiches, the Arby’s fast-food chain aired TV commercials that took direct aim at rivals McDonald’s and Wendy’s. In one spot, a young man stands in a (fictitious) McDonald’s boardroom as he tries to convince McDonald’s executives to serve a healthier type of chicken. Framed against a familiar golden arches logo, he proclaims, “I propose that McDonald’s stops putting phosphates, salt and water into its chicken. Consider replacing your chicken, that is only about 70 percent chicken, with 100 percent all-natural chicken.” Board members break out in laughter. At the end of the spot, a voice-over chimes in: “Unlike McDonald’s, all of Arby’s chicken sandwiches are made with 100 percent all-natural chicken.” [6] This messaging strategy is more common in the United States than in other cultures like Japan, where it is extremely rare because some people consider it a rather abrupt and even rude way to communicate. SS+K Spotlight Saylor URL: http://www.saylor.org/books Saylor.org 98
- Page 48 and 49: P&G reacted to this problem when it
- Page 50 and 51: Media buyers and media planners eva
- Page 52 and 53: Within a company, the jobs of the a
- Page 54 and 55: [1] Suzanne Vranica, “Ad Houses W
- Page 56 and 57: drumsticks and simulated drumhead p
- Page 58 and 59: Figure 3.1 Build a Foundation Chapt
- Page 60 and 61: 3.1 Economic Effects of Advertising
- Page 62 and 63: Broadcast radio and TV rely exclusi
- Page 64 and 65: 3.2 The Good: Advertising Enhances
- Page 66 and 67: washing with soap, that remain kill
- Page 68 and 69: share, so they tend to be more stri
- Page 70 and 71: now one of the primary attributes s
- Page 72 and 73: [8] Mister Snitch!, “Top Ten Reje
- Page 74 and 75: here is subjective—your image of
- Page 76 and 77: “If you let me play sports, I wil
- Page 78 and 79: Categories can be made quite specif
- Page 80 and 81: Luxury products are not a bad or wa
- Page 82 and 83: [9] Jean Grow and Joyce M. Wolburg,
- Page 84 and 85: 3.4 Advertising Regulation: Who Loo
- Page 86 and 87: Agencies), the ANA (Association of
- Page 88 and 89: [3] American Association of Adverti
- Page 90 and 91: about one-half the size of existing
- Page 92 and 93: Chapter 4 Consumers and the Communi
- Page 94 and 95: messages they see or hear, and when
- Page 96 and 97: 4.2 Is the Medium the Message? Comp
- Page 100 and 101: SS+K developed a comparative messag
- Page 102 and 103: Audio Clip “Ahem” http://app.wi
- Page 104 and 105: After studying this section, studen
- Page 106 and 107: SS+K Spotlight The memes and trends
- Page 108 and 109: 4.4 Decision Making LEARNING OBJECT
- Page 110 and 111: Motivation refers to the processes
- Page 112 and 113: 4.5 Internal Influences on Consumer
- Page 114 and 115: isn’t sure. And, regardless of hi
- Page 116 and 117: it’s not subliminal; the stimulus
- Page 118 and 119: Product line extensions. Marketers
- Page 120 and 121: 1. Sensory memory permits storage o
- Page 122 and 123: Of course, the nature of the ad its
- Page 124 and 125: c. Create an example involving a lo
- Page 126 and 127: [24] Raymond R. Burke and Thomas K.
- Page 128 and 129: products with others and to solicit
- Page 130 and 131: community hub on Yahoo! it calls Po
- Page 132 and 133: 4.7 Culture, Globalization, and Adv
- Page 134 and 135: Advertisers have (for the most part
- Page 136 and 137: Why do they bother? Their goal is t
- Page 138 and 139: 1a &ex=1369108800&partner=USERLAND&
- Page 140 and 141: advertising and ad men (and women)
- Page 142 and 143: Chapter 5 Know Your Audience: SS+K
- Page 144 and 145: 5.1 Types of Data LEARNING OBJECTIV
- Page 146 and 147: preferable but harder and more expe
good results us<strong>in</strong>g the drug. Hav<strong>in</strong>g Mrs. Jones’s picture with the words “Acme Sleep gave me my first<br />
restful night <strong>in</strong> fifteen years!” turns out to be more persuasive. Indeed, a study that <strong>in</strong>cluded television ads<br />
for seven of the top ten best-sell<strong>in</strong>g prescription drugs for 2004 found that 95 percent of them used a<br />
positive emotional appeal (such as a character who’s happy after tak<strong>in</strong>g the product). [5]<br />
One-sided messages present only the positive attributes of the product—they provide one or more<br />
objective reasons to buy the product. These often <strong>in</strong>clude objective variables such as price, performance,<br />
size, <strong>and</strong> power.<br />
Two-sided messages present both positive <strong>and</strong> negative <strong>in</strong>formation about the product. Although most<br />
advertis<strong>in</strong>g messages are one-sided, research <strong>in</strong>dicates that a two-sided message is very effective.<br />
Although it seems counter<strong>in</strong>tuitive that an advertiser would want to publicize negative attributes of a<br />
product, do<strong>in</strong>g so actually builds credibility by mak<strong>in</strong>g the message more balanced. People who hear only<br />
one-sided arguments may be more skeptical of the message, wonder<strong>in</strong>g what hasn’t been<br />
said. Refutational arguments, therefore, which raise a negative issue <strong>and</strong> then refute it can be quite<br />
effective if the audience is well educated <strong>and</strong> if the receivers are not already loyal to the product. (If they<br />
are already loyal to the product, then discuss<strong>in</strong>g possible drawbacks has little merit <strong>and</strong> may actually raise<br />
doubts.)<br />
Comparative messages explicitly trumpet a br<strong>and</strong>’s virtues vis-à-vis one or more named competitors. To<br />
promote its latest l<strong>in</strong>e of chicken s<strong>and</strong>wiches, the Arby’s fast-food cha<strong>in</strong> aired TV commercials that took<br />
direct aim at rivals McDonald’s <strong>and</strong> Wendy’s. In one spot, a young man st<strong>and</strong>s <strong>in</strong> a (fictitious) McDonald’s<br />
boardroom as he tries to conv<strong>in</strong>ce McDonald’s executives to serve a healthier type of chicken. Framed<br />
aga<strong>in</strong>st a familiar golden arches logo, he proclaims, “I propose that McDonald’s stops putt<strong>in</strong>g phosphates,<br />
salt <strong>and</strong> water <strong>in</strong>to its chicken. Consider replac<strong>in</strong>g your chicken, that is only about 70 percent chicken,<br />
with 100 percent all-natural chicken.” Board members break out <strong>in</strong> laughter. At the end of the spot, a<br />
voice-over chimes <strong>in</strong>: “Unlike McDonald’s, all of Arby’s chicken s<strong>and</strong>wiches are made with 100 percent<br />
all-natural chicken.” [6] This messag<strong>in</strong>g strategy is more common <strong>in</strong> the United States than <strong>in</strong> other<br />
cultures like Japan, where it is extremely rare because some people consider it a rather abrupt <strong>and</strong> even<br />
rude way to communicate.<br />
SS+K Spotlight<br />
Saylor URL: http://www.saylor.org/books<br />
Saylor.org<br />
98