Launch! Advertising and Promotion in Real Time, 2009a
Launch! Advertising and Promotion in Real Time, 2009a Launch! Advertising and Promotion in Real Time, 2009a
Figure 3.1 Build a Foundation Chapter 3 Advertising and Society Advertising is part of the glue that holds our culture together. It allows us to share a common experience in a landscape populated (for better or worse) by brands, images, logos, and even silly jingles. We define who we are by what we buy and wear because we know that others judge us by what we buy and wear. And advertising influences those judgments. “We understand each other not by sharing religion, politics, or ideas. We share branded things. We speak the Esperanto of advertising, luxe populi,” says advertising professor and commercial culture observer James Twitchell. [1] Advertising is a sort of “commercialized gossip,” a collection of stories that companies tell customers about their products in order to make them distinguishable from one another. Some brands do such a good job of holding our attention that they become cultural icons in their own right—Apple, Nike, even the lowly Charmin (where would we be without Mr. Whipple?), and the Keebler Elves. And in collectively listening to the commercialized gossip and buying the associated products, consumers align themselves with the images and stories, knowing that other consumers will know those same stories. The cultural dimension of advertising came of age in the 1920s. Agencies and publicists no longer sought merely to convey objective facts about the products—they sought to link products with a particular lifestyle, imbue them with glamour and prestige, and persuade potential consumers that purchasing an item could be, as historian Alan Brinkley describes it, “a personally fulfilling and Saylor URL: http://www.saylor.org/books Saylor.org 57
enriching experience.” [2] The images of ads sought to both resonate with and help define the lifestyles of those who bought the products. People seek to differentiate themselves, so much so that a particular kind of advertising— called dog whistle advertising—targets a group with messages only that group can hear and appreciate. Like an inside joke, these ads reinforce a sense of belonging to the group and show that the advertised company “gets it” too. For example, Apple’s “Rip, Mix, Burn” campaign, which targeted young computer users with a message of ease-of-use of its iTunes music software, alluded to the prevailing (and illegal) practice of music sharing among that group. In many ways—for better or for worse—modern advertising may be the most significant U.S. contribution to global culture. Sociologist Andrew Hacker calls advertising “this country’s most characteristic institution.” [3] But, to say the least, this contribution is not without controversy. Critics claim that ads manipulate the public into wasting money on unneeded products. Some say advertising has corrupted holidays like Christmas and Thanksgiving, making the season a time of materialism rather than a deeper celebration of thankfulness. There’s even a common rumor that Coca-Cola invented the modern-day Santa Claus (http://www.snopes.com/cokelore/santa.asp). Others just want to hide from the commercial messages that bombard them at every turn and enjoy some peace and quiet. Let’s take an objective look at advertising, warts and all. 1] James Twitchell, Living It Up: Our Love Affair with Materialism (New York: Simon & Schuster, 2002), xv. [2] Alan Brinkley, American History: A Survey (New York: McGraw-Hill, 1991), 648. [3] Quoted in Stephen Fox, The Mirror Makers: A History of American Advertising and Its Creators (Champaign: University of Illinois Press, 1997), cover quote. Saylor URL: http://www.saylor.org/books Saylor.org 58
- Page 8 and 9: This perspective is a consumer-cent
- Page 10 and 11: Follow the e-mail trail. Dr. Duke C
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- Page 18 and 19: Figure 1.9 The Pitch Process How do
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- Page 24 and 25: message to them. What do you percei
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- Page 42 and 43: Figure 2.8 A sales promotion is a t
- Page 44 and 45: 2.3 Advertising Industry Structure
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- Page 48 and 49: P&G reacted to this problem when it
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- Page 72 and 73: [8] Mister Snitch!, “Top Ten Reje
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- Page 76 and 77: “If you let me play sports, I wil
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- Page 88 and 89: [3] American Association of Adverti
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enrich<strong>in</strong>g experience.” [2] The images of ads sought to both resonate with <strong>and</strong> help def<strong>in</strong>e the<br />
lifestyles of those who bought the products.<br />
People seek to differentiate themselves, so much so that a particular k<strong>in</strong>d of advertis<strong>in</strong>g—<br />
called dog whistle advertis<strong>in</strong>g—targets a group with messages only that group can hear <strong>and</strong><br />
appreciate. Like an <strong>in</strong>side joke, these ads re<strong>in</strong>force a sense of belong<strong>in</strong>g to the group <strong>and</strong> show that<br />
the advertised company “gets it” too. For example, Apple’s “Rip, Mix, Burn” campaign, which<br />
targeted young computer users with a message of ease-of-use of its iTunes music software, alluded to<br />
the prevail<strong>in</strong>g (<strong>and</strong> illegal) practice of music shar<strong>in</strong>g among that group.<br />
In many ways—for better or for worse—modern advertis<strong>in</strong>g may be the most significant U.S.<br />
contribution to global culture. Sociologist Andrew Hacker calls advertis<strong>in</strong>g “this country’s most<br />
characteristic <strong>in</strong>stitution.” [3] But, to say the least, this contribution is not without controversy. Critics<br />
claim that ads manipulate the public <strong>in</strong>to wast<strong>in</strong>g money on unneeded products. Some say<br />
advertis<strong>in</strong>g has corrupted holidays like Christmas <strong>and</strong> Thanksgiv<strong>in</strong>g, mak<strong>in</strong>g the season a time of<br />
materialism rather than a deeper celebration of thankfulness. There’s even a common rumor that<br />
Coca-Cola <strong>in</strong>vented the modern-day Santa Claus (http://www.snopes.com/cokelore/santa.asp).<br />
Others just want to hide from the commercial messages that bombard them at every turn <strong>and</strong> enjoy<br />
some peace <strong>and</strong> quiet. Let’s take an objective look at advertis<strong>in</strong>g, warts <strong>and</strong> all.<br />
1] James Twitchell, Liv<strong>in</strong>g It Up: Our Love Affair with Materialism (New York: Simon & Schuster, 2002), xv.<br />
[2] Alan Br<strong>in</strong>kley, American History: A Survey (New York: McGraw-Hill, 1991), 648.<br />
[3] Quoted <strong>in</strong> Stephen Fox, The Mirror Makers: A History of American <strong>Advertis<strong>in</strong>g</strong> <strong>and</strong> Its Creators (Champaign:<br />
University of Ill<strong>in</strong>ois Press, 1997), cover quote.<br />
Saylor URL: http://www.saylor.org/books<br />
Saylor.org<br />
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