Launch! Advertising and Promotion in Real Time, 2009a
Launch! Advertising and Promotion in Real Time, 2009a Launch! Advertising and Promotion in Real Time, 2009a
The common denominator among the most successful ads is that they create an emotional connection with the brand. They appeal to the heart, not just the mind. A large-scale study that analyzed award-winning campaigns found that the most effective ones focus on emotional, rather than rational, appeals. [4] What’s more, the Gallup organization reports that customers who are “passionate” about a brand deliver two times the profitability of average customers. We simply can’t take the emotional contact a company has with customers and the emotional impact of its brand for granted. For example, Procter & Gamble traditionally advertised its Pampers diapers on the basis of their performance in keeping baby dry. But, as Jim Stengel (recently retired), chief marketing officer at Procter & Gamble, said, “Our baby-care business didn’t start growing aggressively [in the early 2000s] until we changed Pampers from being about dryness to being about helping Mom with her baby’s development. That was a sea change.” [5] The lesson: wrap your practical products with an offer that appeals to emotions. People are more loyal to brands they “feel,” not just those they think about. Of course, not all brands necessarily bring a tear to the eye—the point is to figure out just how the brand resonates with its audience and to develop messages that reinforce this relationship. One well-known branding consultant argues that there are three ways a brand can resonate: it can hit you in the head, the heart, or the gut: [6] Aveda hits the consumer in the head. The brand is smart, intriguing, and stimulating. Godiva hits the consumer in the heart. The brand is sensual, beloved, and trusted. Prada hits the consumer in the gut. The brand is sexy and cool, and you “have to have it.” What Makes an Ad Work: It’s Like, Likeability A large-scale study of prime-time commercials found that the likeability of a commercial was the best single predictor of its sales effectiveness. [7] The author noted that “consumers first form an overall impression of an advertisement on a visceral or ‘gut’ level. To the extent that this impression is positive they are likely to continue to process the advertising more fully.” He found five factors that constitute an ad’s likeability: 1. Ingenuity—clever, imaginative, original, silly, and not dull 2. Meaningfulness—worth remembering, effective, not pointless, not easy to forget, true to life, convincing, informative, and believable 3. Energy—lively, fast moving, appealing, and well done Saylor URL: http://www.saylor.org/books Saylor.org 363
4. Warmth—gentle, warm, and sensitive 5. Does not rub the wrong way—not worn out, not phony, and not irritating So, at the end of the day, no matter how you do it, you want people to like your ads. That sounds like a “no-brainer,” though many advertising messages don’t achieve this simple objective. Why is it so important that people like your ad? Likeable commercials are less likely to be avoided (zapped). Likeability is the “gatekeeper” to further processing: once a likeable ad gets our attention, we’re more likely to think about the message it’s conveying. The positive feelings the ad evokes transfer from the advertisement to the brand. SS+K Spotlight Refer back to and the three campaign options SS+K presented to msnbc.com. Which of these do you think has the most emotional resonance for the News Explorer? KEY TAKEAWAY An advertisement can grab you in a lot of different ways—but it needs to grab you in some way. One way is to be relevant to your situation and needs; another is to be resonant with your desires. If nothing else, be sure people like your ad—it’s all downhill from there. EXERCISES a. Explain why resonance and relevance are the keys to superior advertising. b. Discuss the “common denominator” that most successful advertisements have in common. c. List and characterize each of the five factors that constitute an ad’s likeability. [1] “Simplicity Originality Relevance,” Precision Marketing, August 24, 2007, 17. [2] Art Smith, “Achieving the Impossible: Adidas Seamlessly Marries Past Olympians with Their Contemporaries,” SHOOT, August 20, 2004, 18. [3] Barbara Lippert, “The Impossible Dream: Super Athletes, Simple Drawings Make Adidas Ads Hypnotic,” Adweek, April 16, 2007, 44;http://www.adidas.com/campaigns/usiin/content. [4] “Marketing Theory: Everything You Know is Wrong.” Marketing, June 13, 2007, 28. Saylor URL: http://www.saylor.org/books Saylor.org 364
- Page 314 and 315: catch up to Google (which provides
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The common denom<strong>in</strong>ator among the most successful ads is that they create an emotional<br />
connection with the br<strong>and</strong>. They appeal to the heart, not just the m<strong>in</strong>d.<br />
A large-scale study that analyzed award-w<strong>in</strong>n<strong>in</strong>g campaigns found that the most effective ones focus on<br />
emotional, rather than rational, appeals. [4] What’s more, the Gallup organization reports that customers<br />
who are “passionate” about a br<strong>and</strong> deliver two times the profitability of average customers.<br />
We simply can’t take the emotional contact a company has with customers <strong>and</strong> the emotional impact of its<br />
br<strong>and</strong> for granted. For example, Procter & Gamble traditionally advertised its Pampers diapers on the<br />
basis of their performance <strong>in</strong> keep<strong>in</strong>g baby dry. But, as Jim Stengel (recently retired), chief market<strong>in</strong>g<br />
officer at Procter & Gamble, said, “Our baby-care bus<strong>in</strong>ess didn’t start grow<strong>in</strong>g aggressively [<strong>in</strong> the early<br />
2000s] until we changed Pampers from be<strong>in</strong>g about dryness to be<strong>in</strong>g about help<strong>in</strong>g Mom with her baby’s<br />
development. That was a sea change.” [5] The lesson: wrap your practical products with an offer that<br />
appeals to emotions. People are more loyal to br<strong>and</strong>s they “feel,” not just those they th<strong>in</strong>k about.<br />
Of course, not all br<strong>and</strong>s necessarily br<strong>in</strong>g a tear to the eye—the po<strong>in</strong>t is to figure out just how the br<strong>and</strong><br />
resonates with its audience <strong>and</strong> to develop messages that re<strong>in</strong>force this relationship. One well-known<br />
br<strong>and</strong><strong>in</strong>g consultant argues that there are three ways a br<strong>and</strong> can resonate: it can hit you <strong>in</strong> the head, the<br />
heart, or the gut: [6]<br />
<br />
<br />
Aveda hits the consumer <strong>in</strong> the head. The br<strong>and</strong> is smart, <strong>in</strong>trigu<strong>in</strong>g, <strong>and</strong> stimulat<strong>in</strong>g.<br />
Godiva hits the consumer <strong>in</strong> the heart. The br<strong>and</strong> is sensual, beloved, <strong>and</strong> trusted.<br />
Prada hits the consumer <strong>in</strong> the gut. The br<strong>and</strong> is sexy <strong>and</strong> cool, <strong>and</strong> you “have to have it.”<br />
What Makes an Ad Work: It’s Like, Likeability<br />
A large-scale study of prime-time commercials found that the likeability of a commercial was the best<br />
s<strong>in</strong>gle predictor of its sales effectiveness. [7] The author noted that “consumers first form an overall<br />
impression of an advertisement on a visceral or ‘gut’ level. To the extent that this impression is positive<br />
they are likely to cont<strong>in</strong>ue to process the advertis<strong>in</strong>g more fully.”<br />
He found five factors that constitute an ad’s likeability:<br />
1. Ingenuity—clever, imag<strong>in</strong>ative, orig<strong>in</strong>al, silly, <strong>and</strong> not dull<br />
2. Mean<strong>in</strong>gfulness—worth remember<strong>in</strong>g, effective, not po<strong>in</strong>tless, not easy to forget, true to life,<br />
conv<strong>in</strong>c<strong>in</strong>g, <strong>in</strong>formative, <strong>and</strong> believable<br />
3. Energy—lively, fast mov<strong>in</strong>g, appeal<strong>in</strong>g, <strong>and</strong> well done<br />
Saylor URL: http://www.saylor.org/books<br />
Saylor.org<br />
363