Launch! Advertising and Promotion in Real Time, 2009a
Launch! Advertising and Promotion in Real Time, 2009a Launch! Advertising and Promotion in Real Time, 2009a
The print portion of the media plan that The Media Kitchen put together for msnbc.com: The different colors represent different sizes and placements—for example, blue represents a full-page placement, and red is a full-page placement near the table of contents of that publication. SS+K Spotlight When it came time to launch the msnbc.com branding campaign, the team strongly considered magazine print media. Broadcast and Radio Network TV Mass audience. TV attracts mass audiences, and network TV is the highest-exposure medium every hour of the day, according to “The Middletown Media Studies: The Media Day,” a study of consumer media habits by Ball State’s Center for Media Design. At least 30 percent of the study’s participants were exposed to TV programming during the day, and at times as many as 70 percent were watching. The study also found that consumers watch TV and use the Internet more than ten times as often as they read newspapers and magazines. [3] Very creative visual medium. TV supports dynamic content and creative storytelling. Advertisers can demonstrate the product and show the faces of the characters in the ad to convey both emotion and information. The leading medium and growing revenues. Ad bloggers and ad experts have predicted the demise of traditional TV spots for years. Yet TV ad spending rose 5.3 percent in 2006, according to TNS Media Intelligence, and accounted for nearly 44 percent of all advertising spending in 2006. In addition, Nielsen Media Research reported that consumers spent more time watching conventional TV in 2006 than they did in 2005. They increased their viewing by twenty minutes a week. “Some people assume that in this digital era, somehow TV is not as important as it once was,” said Advertising Age editor Jonah Bloom. “Nothing could be further from the truth. Mass audiences are harder than ever to get together.…TV is set to become more measurable and even more relevant and even more important in the marketing landscape.” [4] Aging viewers. On the other hand, younger consumers spend less time watching TV, so this medium is steadily aging. Consumers younger than thirty-five spend more time on the Internet than they do Saylor URL: http://www.saylor.org/books Saylor.org 291
watching TV, according to a study by New York-based Jupiter Research. This trend is only going to increase as more video content from sites like Hulu, YouTube, and iTunes migrates to online formats. High cost. TV advertisements have high production and placement costs. A thirty-second ad on a popular prime-time network program can cost $250,000 each time it runs. Companies also spend more to create, produce, and pretest TV ads. A-list celebrity spokespeople and high-end special effects add to the costs. It can cost 350,000 to create a professional thirty-second spot, although small business can often create ads for much less. Ad-skipping. Whether they take a bathroom break, hit the skip button on their TiVo, or turn to the Internet for a few minutes, consumers pay less and less attention to commercial breaks in the programs. Expensive thirty-second ads may be playing to almost no one. To combat this, advertisers are turning to branded entertainment such as inserting the product into the scenery, dialog, or plot of the show. We’ll talk about that important new trend later. Cable/Satellite TV Cable offers specificity. Whereas network TV attracts a mass audience, cable TV lets advertisers pick demographic segments. Companies can target women with ads on the Oxygen or Lifetime cable networks. Well-heeled male audiences tune in the Golf channel while a younger male demographic hangs out on channels such as Sci-Fi. The Food Network and Travel Channel represent natural choices for advertisers in those respective arenas. Figure 10.4 Saylor URL: http://www.saylor.org/books Saylor.org 292
- Page 242 and 243: In contrast, opportunities and thre
- Page 244 and 245: 8.3 Define Where You Want to Go: Se
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- Page 328 and 329: Assume that your advertising agency
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- Page 334 and 335: Figure 11.4 The other campaign opti
- Page 336 and 337: Figure 11.8 The client’s new logo
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watch<strong>in</strong>g TV, accord<strong>in</strong>g to a study by New York-based Jupiter Research. This trend is only go<strong>in</strong>g to<br />
<strong>in</strong>crease as more video content from sites like Hulu, YouTube, <strong>and</strong> iTunes migrates to onl<strong>in</strong>e formats.<br />
High cost. TV advertisements have high production <strong>and</strong> placement costs. A thirty-second ad on a popular<br />
prime-time network program can cost $250,000 each time it runs. Companies also spend more to create,<br />
produce, <strong>and</strong> pretest TV ads. A-list celebrity spokespeople <strong>and</strong> high-end special effects add to the costs. It<br />
can cost 350,000 to create a professional thirty-second spot, although small bus<strong>in</strong>ess can often create ads<br />
for much less.<br />
Ad-skipp<strong>in</strong>g. Whether they take a bathroom break, hit the skip button on their TiVo, or turn to the<br />
Internet for a few m<strong>in</strong>utes, consumers pay less <strong>and</strong> less attention to commercial breaks <strong>in</strong> the programs.<br />
Expensive thirty-second ads may be play<strong>in</strong>g to almost no one. To combat this, advertisers are turn<strong>in</strong>g to<br />
br<strong>and</strong>ed enterta<strong>in</strong>ment such as <strong>in</strong>sert<strong>in</strong>g the product <strong>in</strong>to the scenery, dialog, or plot of the show. We’ll<br />
talk about that important new trend later.<br />
Cable/Satellite TV<br />
Cable offers specificity. Whereas network TV attracts a mass audience, cable TV lets advertisers pick<br />
demographic segments. Companies can target women with ads on the Oxygen or Lifetime cable networks.<br />
Well-heeled male audiences tune <strong>in</strong> the Golf channel while a younger male demographic hangs out on<br />
channels such as Sci-Fi. The Food Network <strong>and</strong> Travel Channel represent natural choices for advertisers<br />
<strong>in</strong> those respective arenas.<br />
Figure 10.4<br />
Saylor URL: http://www.saylor.org/books<br />
Saylor.org<br />
292