Launch! Advertising and Promotion in Real Time, 2009a
Launch! Advertising and Promotion in Real Time, 2009a Launch! Advertising and Promotion in Real Time, 2009a
LEARNING OBJECTIVES After studying this section, students should be able to do the following: 1. Understand how the background and history of U.S. advertising impacts modern advertising and its clients. 2. Define the various types of advertising and promotion agencies employ in today’s marketplace. Hammers and screwdrivers did the trick for years, but today marketing communications professionals have a whole new box of power tools. The marketing to-do list is long and so is the list of instructions. Agencies and their clients sorted madly through the box for the past decade as they tried to find the most effective tools for the job. Now, an avalanche of new technology adds to an increasingly daunting pile. It’s hard for some experienced advertising professionals to let go of what they “know.” “There’s still a little fear out there about shifting away from the traditional marketing tactics,” said Doug Scott, executive director for branded content and entertainment for the North American operations of Ogilvy & Mather Worldwide, part of the WPP Group, in 2006. [1] But some marketers get it. They understand that advertising is a key driver of popular culture in addition to just reflecting what is going on in our world. Think about Burger King, for example: How does a company that sells dead meat sandwiches and strips of deep-fried potatoes dig its way deep into popular consciousness and (dare we say it?) actually become cool? As CEO John Chidsey (who refers to himself as Chief Whopper Flipper) explains, “We want to stay on the cutting edge of pop culture.” How cool is it to sell more than three million Burger King–branded Xbox video games in two months? Or to get its creepy icon The King included in seventeen skits on Jay Leno in the same amount of time? How about having a highly visited profile on MySpace, or posting your menu as a video on YouTube (http://www.youtube.com/v/7-QFQOfkZ1k)? [2] There’s something more than basic burger ads going on here. Fifteen years ago, we defined advertising agencies by the essential tools they used: television commercials, radio spots, billboards, print ads. But today traditional advertising approaches, even in the hands of our most skilled and lauded practitioners, are no longer good enough. Before we see how things are changing, let’s back up and start with a traditional definition: Advertising is nonpersonal communication from an identified sponsor that intends to Saylor URL: http://www.saylor.org/books Saylor.org 25
inform, persuade, and/or remind. Now let’s break that down a bit so we understand what advertising is—and how it differs from other forms of marketing communication: Advertising is nonpersonal communication: The message gets delivered through one or more forms of paid mass media such as television or billboards. Advertising comes from an identified sponsor: Whether or not we pay attention to the message, we know who sent it. Advertising informs: Some messages try to make consumers aware of a product, service, or specific brand. You won’t choose a specific MP3 player until you know what it is and believe it’s better than listening to music on a CD player. Advertising persuades: Some messages try to change our opinion or motivate us to take action. You might decide to buy a Toyota Scion after you see a cool ad for it while you’re watching American Idol. Advertising reminds: Some messages try to encourage us to keep buying what we already like and use. “Got milk?” Later we’ll talk about other kinds of marketing communication (such as sales promotions) and see how they differ from advertising. For now, suffice it to say that the lines are blurring and the tried and true is no longer so true. For example, while it’s mostly accurate to say that advertising comes from nonpersonal communications sources, today some companies recruit “brand ambassadors” who literally become walking billboards for their brands. They may get a tattoo of the company’s logo, or in some cases (we’re not making this up) name their children after a brand in exchange for some kind of payment. Or, consider the growing use of human directionals, which is what the advertising industry calls people who twirl signs outside restaurants, barbershops, and new real estate subdivisions. Southern California in particular has become a mecca for this new “sport” as locals cook up new moves to out-style their competitors. These include the Helicopter, in which a spinner does a backbend on one hand while he twirls a sign above his head. Then there’s the popular Spanking the Horse, where the human directional puts the advertising sign between his legs, slaps his own behind, and giddy-ups. [3] In addition, it’s no longer necessarily crystal clear just who (if anyone) is the sponsor of a message. For example, we’ll learn later about some guerrilla marketing tactics that involve paid performers who impersonate everyday people and endorse products in public places. No, you’re not paranoid—they Saylor URL: http://www.saylor.org/books Saylor.org 26
- Page 2 and 3: This text was adapted by The Saylor
- Page 4 and 5: 1.1 Why Launch!? LEARNING OBJECTIVE
- Page 6 and 7: 1.2 Meet Our Agency Partner: SS+K L
- Page 8 and 9: This perspective is a consumer-cent
- Page 10 and 11: Follow the e-mail trail. Dr. Duke C
- Page 12 and 13: As you can see, it takes a village
- Page 14 and 15: 1.3 The Pitch: Win the Account LEAR
- Page 16 and 17: Initial strategic thinking. Before
- Page 18 and 19: Figure 1.9 The Pitch Process How do
- Page 20 and 21: 1.4 Let’s Meet the Potential Clie
- Page 22 and 23: 1.5 Exercises TIE IT ALL TOGETHER N
- Page 24 and 25: message to them. What do you percei
- Page 28 and 29: eally are trying to fake you out. F
- Page 30 and 31: MySpace. We weren’t early enough
- Page 32 and 33: Specialty print media include bookl
- Page 34 and 35: Ad-Supported Content Ad agencies ar
- Page 36 and 37: [5] “Traditional Radio’s Digita
- Page 38 and 39: the promotional activities that int
- Page 40 and 41: increasingly thin layer of audience
- Page 42 and 43: Figure 2.8 A sales promotion is a t
- Page 44 and 45: 2.3 Advertising Industry Structure
- Page 46 and 47: Figure 2.10 Matrix Organization in
- Page 48 and 49: P&G reacted to this problem when it
- Page 50 and 51: Media buyers and media planners eva
- Page 52 and 53: Within a company, the jobs of the a
- Page 54 and 55: [1] Suzanne Vranica, “Ad Houses W
- Page 56 and 57: drumsticks and simulated drumhead p
- Page 58 and 59: Figure 3.1 Build a Foundation Chapt
- Page 60 and 61: 3.1 Economic Effects of Advertising
- Page 62 and 63: Broadcast radio and TV rely exclusi
- Page 64 and 65: 3.2 The Good: Advertising Enhances
- Page 66 and 67: washing with soap, that remain kill
- Page 68 and 69: share, so they tend to be more stri
- Page 70 and 71: now one of the primary attributes s
- Page 72 and 73: [8] Mister Snitch!, “Top Ten Reje
- Page 74 and 75: here is subjective—your image of
<strong>in</strong>form, persuade, <strong>and</strong>/or rem<strong>in</strong>d. Now let’s break that down a bit so we underst<strong>and</strong> what advertis<strong>in</strong>g<br />
is—<strong>and</strong> how it differs from other forms of market<strong>in</strong>g communication:<br />
<br />
<strong>Advertis<strong>in</strong>g</strong> is nonpersonal communication: The message gets delivered through one or more forms<br />
of paid mass media such as television or billboards.<br />
<br />
<strong>Advertis<strong>in</strong>g</strong> comes from an identified sponsor: Whether or not we pay attention to the message, we<br />
know who sent it.<br />
<br />
<strong>Advertis<strong>in</strong>g</strong> <strong>in</strong>forms: Some messages try to make consumers aware of a product, service, or specific<br />
br<strong>and</strong>. You won’t choose a specific MP3 player until you know what it is <strong>and</strong> believe it’s better than<br />
listen<strong>in</strong>g to music on a CD player.<br />
<br />
<strong>Advertis<strong>in</strong>g</strong> persuades: Some messages try to change our op<strong>in</strong>ion or motivate us to take action. You<br />
might decide to buy a Toyota Scion after you see a cool ad for it while you’re watch<strong>in</strong>g American Idol.<br />
<br />
<strong>Advertis<strong>in</strong>g</strong> rem<strong>in</strong>ds: Some messages try to encourage us to keep buy<strong>in</strong>g what we already like <strong>and</strong><br />
use. “Got milk?”<br />
Later we’ll talk about other k<strong>in</strong>ds of market<strong>in</strong>g communication (such as sales promotions) <strong>and</strong> see<br />
how they differ from advertis<strong>in</strong>g. For now, suffice it to say that the l<strong>in</strong>es are blurr<strong>in</strong>g <strong>and</strong> the tried<br />
<strong>and</strong> true is no longer so true. For example, while it’s mostly accurate to say that advertis<strong>in</strong>g comes<br />
from nonpersonal communications sources, today some companies recruit “br<strong>and</strong> ambassadors”<br />
who literally become walk<strong>in</strong>g billboards for their br<strong>and</strong>s. They may get a tattoo of the company’s<br />
logo, or <strong>in</strong> some cases (we’re not mak<strong>in</strong>g this up) name their children after a br<strong>and</strong> <strong>in</strong> exchange for<br />
some k<strong>in</strong>d of payment. Or, consider the grow<strong>in</strong>g use of human directionals, which is what the<br />
advertis<strong>in</strong>g <strong>in</strong>dustry calls people who twirl signs outside restaurants, barbershops, <strong>and</strong> new real<br />
estate subdivisions. Southern California <strong>in</strong> particular has become a mecca for this new “sport” as<br />
locals cook up new moves to out-style their competitors. These <strong>in</strong>clude the Helicopter, <strong>in</strong> which a<br />
sp<strong>in</strong>ner does a backbend on one h<strong>and</strong> while he twirls a sign above his head. Then there’s the popular<br />
Spank<strong>in</strong>g the Horse, where the human directional puts the advertis<strong>in</strong>g sign between his legs, slaps<br />
his own beh<strong>in</strong>d, <strong>and</strong> giddy-ups. [3]<br />
In addition, it’s no longer necessarily crystal clear just who (if anyone) is the sponsor of a message.<br />
For example, we’ll learn later about some guerrilla market<strong>in</strong>g tactics that <strong>in</strong>volve paid performers who<br />
impersonate everyday people <strong>and</strong> endorse products <strong>in</strong> public places. No, you’re not paranoid—they<br />
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